Grand Blue – 06 – Diving Cures All Ills

Iori remains on bad terms with Chisa, which ends up hurting all the other lads in his German class who were depending on him getting to see her notes. As a result the lads must cheat in other ways, all of which are either discovered by the teacher or ineffective.

While I’m not opposed to episodes made up of isolated segments (see Tsuugakuro, Chio-chan no) I’d prefer if Grand Blue didn’t stray so far from its core themes. This bit felt more like high school than college. Thankfully, we get back on track when Aina is officially initiated into Peek-a-Boo.

Between the binge drinking, the gratuitous nudity, Chisa’s perceived sadism towards Iori, and Nanaka’s perceived fixation on Chisa, Aina quickly learns that no one in the club is remotely normal (including herself; one doesn’t have the nickname “Cakey” bestowed upon her otherwise).

In this regard, the cast is a lot like that of Working!!; everyone has their quirks that make them unique and hopefully, compelling to watch as those quirks bounce off of each other.

Still, the women, particularly Chisa, are pleased and excited that Aina joined because she found diving interesting. It’s here where Iori and Kohei act as a kind of audience surrogate by stating it’s not like they never go diving, but it sure doesn’t seem like they’ve done it in a while…which is very true! It’s been less Grand Blue and more Gorge Booze…

Speaking of, when the party runs out of alcohol, Aina and Chisa volunteer to go out to buy more, and as the saying goes, when the cat’s away, the mice will play.

Despite Aina’s insistence everyone remains clothed and civil for her welcome party, old habits die hard and the lads can’t help themselves from devolving into debauchery in Chisa and Aina’s brief absence.

As for substituting a big log for Pocky in a game between Iori and Kohei, it’s a shade too credulity-stretchingly absurd, even for this show.

While it doesn’t really matter whether Iori and Kohei learn perfect German, it is imperative they memorize all the underwater hand signals, as it could end up saving their life or that of their comrades. So it’s disconcerting to see they don’t know the hand signals any more than they know “rheumatoid arthritis” in German (btw it’s the same, except for an “e” added to make “rheumatoide”).

They end up learning them when a different kind of threat emerges during the party: Nanaka learns her beloved Chisa is dating Iori. This makes Iori fear for his life, and he uses hand signals to alert Kohei and the others. However, Nanaka isn’t certain whether they’re actually dating or whether it simply looks like they are.

So the next day, when the club finally, finally has an actual diving session, she pairs up Iori and Chisa. At first Iori thinks Chisa is angry at him as usual, but she’s really only serious about diving, and not just the safety side, but the fun and wonder of it as well.

Before he knows it Iori is swept up in Chisa’s enthusiasm for the world under the sea, and when he tells her how much fun he had down there, she can’t help but smile. I will always prefer this joyful Chisa to the scornful one dishing out verbal or physical punishment on Iori for acting the goat (however in the right she may be).

Sadly Grand Blue will apparently never let these two remain in a state of detente for long, preferring to built them up and then tear them down for a cheap laugh. As such, Iori ruins it by commenting on the fineness of Chisa’s ass, leading her to blow her top at him. Why can’t we have nice things?

Advertisements

Grand Blue – 05 – Beauty is Only Skin Deep

As punishment(?) for neglecting her at the festival, Chisa puts the word out that she’s dating Iori, immediately making all the other guys at college hate him and wish him ill will in a very over-the-top, repetitive opening act that went on a bit too long.

Chisa does nothing to stop the false rumor—on the contrary, she fans the flames—and Iori tells the guys that Kohei is dating Azusa (making him Public Enemy #2), but they both get a reprieve when they promise to arrange a mixer for them.

Oddly, their job is made easier by the fact the legions of haters are curiously whittled down to just two ornery classmates. To that end, they beg Azusa to introduce them to other women at her college. She agrees, but only if Iori continues to act like Chisa’s boyfriend until, as she puts it, Chisa “accepts it.”

With Iori’s promise secured, Azusa introduces her kohai, none other than Yoshiwara Aina, who the lads find extraordinarily adorable when she’s not wearing the thick layers of makeup that earned her the unwanted nickname “Cakey.”

Aina has wanted to join the diving club anyway since the festival, leaving the tennis club full of fakes who treated her like shit. Despite calling her cakey and drooling over her non-cakey appearance, Aina is still willing to scrounge up three of her friends for the mixer. But she also gives Chisa one hell of a sidelong glance; I believe Chii-chan just got some competition.

The quartet of lads, among them a virgin who will sleep with any girl as long as they’re a girl and he can sleep with her, are shocked to find Aina has somewhat tainted the mixer by giving her three friends as well as herself the same Cakey treatment, giving them the appearance of four clowns.

But if the girls are clowns, the guys are circus animals, constantly jockeying for attention and braying and snorting at one another whenever more than one of them focuses on one girl. Like the lecture hall scene, it gets a bit repetitive.

A look at a selfie shows them one of the girls is quite attractive behind the makeup, and they all go after her, but when Kohei asks her if she’ll come to his place later all four girls retreat to the restroom.

Iori uses the time to inspire his men, only to steal the show, thus invoking the other lads’ collective ire. Kohei breaks a mixer taboo by blurting out that Iori has a girlfriend (something he can’t deny lest he break his promise to Azusa), but the girls don’t even care; they already know that fact.

Later, the girls laugh off the mixer as an entertaining lark, likening it to going to the zoo. But Aina, ever the romantic, still ponders whether the person who saw through her cakey makeup and helped her out when she was down in the dumps could be a good match for her. No doubt she sees a decent guy beneath Iori’s own thick layers of alcohol-soaked machismo.

Grand Blue – 04 – Trying Hard in a Bad Way

There’s no diving in the ocean this week, but Chisa, Iori and Kohei all “dive into” a new experience: being on stage, in front of hundreds if not thousands of spectators. But first, they help man the Okonomiyaki stall at the Izu Spring Festival.

While on a break, Iori fails to clear up Asuza’s misunderstanding about him being bi, but only when Asuza tells him how nice it is to have someone else to talk to about it. This is how you know beneath all the drunken boorishness Iori has a good heart: while the truth is always better, it also hurts, and he doesn’t want to hurt a friend if he doesn’t have to.

However, he does want to talk about it with Chisa, so on the next break the two are left alone, and I love how they work the griddle like a single highly-polished unit, dazzling the customers—but they don’t notice how skilled they’re being! Unfortunately, not much comes of the talk; Chisa assumes Iori is nervous because Asuza is so pretty, not because Asuza thinks he’s bi.

Asuza and her sister also insist she wear something more appropriate than her regular street clothes for the 4PM women’s pageant. Iori knows Chisa well, and so knows when Chisa is nervous. She stiffens up, and her aura and responses initially come off as cold and curt. They want to help her, but he and dating-sim expert Kohei only have bad ideas that make things worse.

When they try to make her smiling by smiling at her, but their grins come off as creepy and off-putting. Ditto posing shirtless as a club and raising a banner professing their love for her.

Finally they agree to throw a bunch of bouncy balls on the stage that will flip her skirt up and show her bashful side. They get it, but it’s bashfulness cut with seething rage. Iori knows he went too far, and only went as far as he did because he thought everyone would do it.

While Iori is hiding from Chisa’s wrath with Kohei, the latter is pounced upon by another woman who was part of the pageant; one with makeup so thick they use the nickname “cakey” on her. She asks Kohei out; Kohei hesitates and she storms off.

They go to the drinking party hosted by the rugby club. Chisa initially forgave Iori for the upskirt incident, but when he mentions how he’ll buy her sexier underwear, he’s back on her shitlist, and she intends to make him suffer with two liters of shochu.

While getting some air, Iori and Kohei again encounter Cakey, whose real name is Yoshiwara Aina. She’s deep into her own cups, and proves a very…emotive drunk. But she also provides the lads with a clearer picture of her deal; she was accepted into the tennis club of beautiful people, but basically only so they could laugh at her, and when they got bored, they told her she could leave.

Iori and Kohei decide to use the pageant as a means to not only raise Aina’s spirits, but to give the cocky blue-haired tennis captain a dose of his own medicine. And yet by getting swept up in this new mission, they forget about Chisa.

Kohei sets a trap by confessing to Asuza on stage; the captain does the same, only for the lads to reveal “Asuza” was really Iori in disguise. In other words, they balance the distribution of laughter, disproving her belief it was eternally directed at her.

All’s well that ends well, as Iori and Kohei may well have made a new friend who is grateful for what they did for her…but the partying that follows leaves the lads horrendous wrecks, unable to protect the winner of the women’s pageant—Chisa—from another round of advances from guys, which she hates more than anything.

Up to this point, I had felt like Chisa was too often being defined through Iori, as Iori’s love interest. But Asuza makes clear to the other guys why exactly Chisa is upset: Iori and Kohei worked hard, but for the other girl, not her. In a rare instance of seeking/expecting protection from them, they let her down.

And so just as the tennis captain got his comeuppance, so must Iori. Upon receiving her award for winning the pageant, Chisa delcares to all assembled that she’s off the market: Iori is her boyfriend. Iori can’t protest, because he’s passed out.

In effect, Chisa has made delicious lemonade with the lemons she was dealt: Iori will repel other guys for her. He’ll be her shield. Considering how popular the pageant made Chisa with the guys, it won’t be an easy job; Iori may well prefer the tranquility of the ocean floor!

Citrus – 02

While all of Yuzu’s thoughts are focused on what Mei’s kiss was all about, she falls into a fountain and takes Mei with her, and ends up in an even more inimate situation when they bathe together. Yuzu thinks about how Mei’s skin feels, Mei is pressing her against the wall, as if she could read Yuzu’s mind. However, it’s too much contact too quickly; Yuzu is again flustered by her little sister.

At school, Yuzu continues to make no effort to follow the dress code, and notices many of the girls are paired up, holding hands and flirting. Harumi says since most of them are already engaged, it’s more a matter of “being in heat” and fooling around while they still can; lust, not love. Their chat is interrupted when Harumi notices the chairman, Mei’s grandfather, is at the gates.

Yuzu brashly approaches him and calls him “gramps”, but he’s having none of it, turning to Mei and reaming her out for allowing “such a fool” to be near school grounds. Yuzu sticks up for her sister, but is banished from the grounds. Either Gramps didn’t get the memo about the marriage, or worse, he doesn’t care; doesn’t see Yuzu as real family.

While sneaking back in, Yuzu and Harumi spot Mei’s betrothed in the parking lot, and overhear him talking to his girlfriend about how he doesn’t really care about Mei, and will only string her along because her family is rich. It’s an awfully specific phone convo for a guy to have out in the open just when Yuzu happens to hear it, but it also shows what a jerk this guy is.

Yuzu tells Mei about her fiancee’s infidelity, but Mei, not surprisingly, already knows, and, well, she’s not fine with it, but she clearly seems resigned to proceeding regardless. She also dismisses Yuzu’s “big sister” status in this issue, since she’s never kissed anyone and thus can’t possibly understand. Yuzu only seems to make things worse the next day when she hijacks a school assembly to tell everyone how she saw the teacher forcing himself on Mei.

That little stunt leads to the chairman sending men to pick Mei up from Yuzu and her Mom’s and having her live with him from now on; Yuzu’s mom says Mei didn’t resist. When Yuzu confronts Mei, Mei pretends nothing is amiss. When Yuzu presses, Mei tells her she’s been ordered to stay away, and that’s how it is.

Yuzu doesn’t stay away. She can’t sleep in the empty room without Mei, knowing there’s clearly something bothering her (what with the crying in her sleep) and she can’t stand feeling partially responsible for her mom’s pain. So she goes to Mei’s grandfather’s mansion and confronts her again, bringing up the pained looks and cries for her father in her sleep.

Mei gets violent, tossing Yuzu on the bed and tearing her blouse. As tears fall from Mei’s eyes to Yuzu’s face, Yuzu gets up and takes hold of Mei, saying “I’m with you now!”, which seems to have an effect. Alas, their grandfather enters the room and expels Yuzu right then and there.

While shopping with Harumi (who is in Full Glamorous Gal Mode outside of school), a very forlorn Yuzu finally tells her friend about her and Mei being related and her expulsion (though doesn’t mention how Mei has kissed her and pushed her into walls and onto beds).

Harumi tells her that despite Mei’s demeanor Yuzu’s feelings on wanting to protect her are probably getting through to her, but that gets Yuzu thinking about what her feelings for Mei truly are, and whether they’re love, something she’s never experienced before. It certainly seems that way.

Citrus – 01 (First Impressions)

The flashy, glamorous Aihara Yuzu tries to make it clear to the outside world that she’s a gal who gets around, but has never actually been in love or even kissed anyone.

This is hardly a new story, but what makes things a little more interesting is that when she transfers to a new, all-girls school where she sticks out like a sore thumb, the hard-nosed student council president Aihara Mei turns out to be her new, slightly younger stepsister.

The knowledge that Mei is betrothed to an “elite teacher” is seemingly confirmed when Yuzu accidentally catches Mei and the teacher making out in a secluded spot; Yuzu is so flustered she flees in a not-so-inconspicuous manner.

In any case, her insistence on dolling herself up and flaunting the school dress code in every way possible brand her as a delinquent in the eyes of the mostly drab, sheltered student body (one exception being Taniguchi Harumi, a “gal in disguise”).

While Yuzu may talk the talk, Mei seems to walk the walk, and Mei essentially sends Yuzu’s perfect maze of deception crashing down around her when Yuzu tries to force Mei into talking to her by bringing up her sucking face with the hot teacher.

Mei reacts by pinning Yuzu down and giving her a long, deep kiss with tongue before leaving the room, telling her “that’s what a kiss is like.” Yuzu’s first kiss is thus not only with a girl, but with someone she just learned is her “little” sister…and someone she butted heads with the moment they met.

Mei has also demonstrated beyond doubt that while Yuzu possesses all the outward trappings of boy-crazy gal, like Jon Snow, she really knows nothing, while Mei has actually experienced a measure of love and desire.

Decent yuri anime are few and far between, but this one at least shows glimmers of promise with its full-length episode format, attractive visuals, and a complex (if somewhat contrived) scenario that should be fraught with similarly complicated emotions on the part of both leads as their relationship evolves beyond the sizing-up stage.

Net-juu no Susume – 06

So, here we are: Hayashi and Lily IRL. Was it a setup by Koiwai? Apparently not; due to her Elite NEET status, Morioka got the day wrong. Little does she know that Sakurai is really Lily, which is the true reason he knew to where and when to “rescue” her from the wrong day.

Let’s not beat around the bush here: Sakurai is, like, totally into Morioka, and their date goes as swimmingly and is as enjoyable as when they’re hanging out in the MMO…maybe moreso! It’s just as enjoyable to watch, despite the fact neither party treats this as an official, “real” date.

I’m a little disappointed things are more complicated than Koiwai staging a setup to get the two together. That seems to be what he’s doing anyway, considering he stops joking around and directly asks Sakurai if he’s really okay with him going out alone with Mori-Mori tomorrow. I’d personally be fine with Koiwai graciously backing out of the triangle rather than keeping the heat on.

I was also a bit miffed that Sakurai made no serious effort to tell Morioka the truth about their being MMO partners. What could have been a built-in in with Morioka instead needlessly muddies the waters. There’s never going to be a good time to tell her, but he needn’t keep holding off the truth until it’s a unequivocally bad time; or worse, to late to salvage any kind of relationship.

Sure, I’m getting ahead of myself, but c’mon; we’re not honestly supposed to be rooting for Koiwai and Morioka. Still, while Koiwai teases both Sakurai and Morioka incessantly, he also shows that he genuinely cares about both of them, and isn’t putting on any act for Morioka (who is almost constantly selling herself short).

Morioka thinks the last two days to be almost too good to be true, but I was glad when she corrected herself earlier and said “thank you” instead of her usual unnecessary apologies. I also liked how she mentioned she might not have left her job if she had co-workers as kindhearted as Sakurai and Koiwai. This suggests that a part of her didn’t really want to resign, but it felt like the best way out of a bad situation.

In any case, it’s wonderful to behold Moiroka’s jubilation upon returning home and, more importantly, re-entering the MMO as Hayashi after two straight nights of going out and drinking as Morioka. It isn’t long before Lily shows up. Sakurai looked like he was in agony the whole night Koiwai was out with Morioka, but he’s decidedly relieved-looking upon her return to the MMO and his (well, Lily’s) side.

Still, I worry he’s being far too passive. Allow Koiwai go out with Morioka too much unchallenged, and there’s a good chance Koiwai falls for her and says “Sorry Sakura-chan, you had your chance!” Heck, that may already be happening! The only one who can do anything about this sad state of affairs is the one enduring them. And he’s only got four episodes left to do it!

Net-juu no Susume – 05

Last week, Sakurai seemed to have all but figured out that Hayashi is Morioka, and comes so tantalizingly close to asking her about it…only to back away at the last second. AAAARRRRGGGGHHHH!

Ah well, I guess it is bad online manners to guess someone’s identity out of the blue, and who knows how she’d react if he guessed correctly. But while he harbors serious doubts that such a series of coincidences could occur, his suspicions about Hayashi being Morioka IRL still remain (Also, the show apparently wasn’t quite ready to open up that can of worms).

Also, what’s this? Koiwai casually telling Sakurai he can come along? Saying the whole reason he arranged this was for his sake? This is the friend I knew Koiwai was; trying to jump-start a relationship that is stuck in, well, MMO-land (little does he know).

Morioka, meanwhile, tries to relax about the whole prospect of drinks with a guy, realizing it’s no big deal…but when she starts listing in her head all of the things she needs to do regarding her makeup, hair, and attire, she quickly becomes overwhelmed.

She’s snapped out of this state by the friendly clerk Fujimoto, who formally introduces himself. When he learns she and Morioka are on the same server, he comes right out and tells her his name…Kanbe. A guy finally does learn who “Hayashi” is…just not the right guy.

That being said, neither Kanbe nor Lilac (who doesn’t know, but partakes in a rhetorical discussion on the matter) would judge any friend for switching their gender online. Heck, Lilac’s friend at university plays a guy. Morioka is sorry to Kanbe for lying, but Kanbe tells her it’s up to her whether to tell anyone else, including Lily.

When Hayashi mentions he’s going out for drinks tomorrow, Sakurai starts to think maybe he isn’t Morioka, since she and Koiwai aren’t going for drinks until the day after tomorrow. When Hayashi asks Lily what to wear, he gives the best answer he can, only to be pressed further by Kanbe, backing Morioka up.

Kanbe and Lily get into a pretty heated argument about what length of hair is best, and Morioka settles on a medium length. The haircut, along with a new outfit matching Lily’s advice, runs Morioka a pretty penny, and she can’t help but itemize it in terms of loot boxes. She also realizes how rusty she’s become at things like applying mascara.

However, she gets herself made up, dressed, and together, and heads to the agreed-upon meeting place…on the wrong day. Koiwai is away on business until tomorrow, and Sakurai is worried. He’s worried Morioka got the day wrong, wait there, get shown up, and take it the wrong way.

So in the middle of a quest with the other members of the guild, Lily suddenly logs out, and Sakurai heads to the site of the date. I dreaded the fact he might not recognize her after her makeover, but thankfully he does notice her walking away looking sad, and calls out.

Now, this encounter doesn’t immediately, definitively prove to Sakurai that Morioka is Hayashi, nor to Morioka that Sakurai is Lily. But it comes pretty damn close! The question is, did Morioka really get the day mixed up, or did Koiwai arrange it so that only the two of them would meet?

If that’s the case, good-intentioned or not, and even if Sakurai’s a better fit for her, Koiwai will owe Morioka an apology and explanation for his machinations. After all, she expected, and waited an hour, for him, not Sakurai.

Shouwa Genroku Rakugo Shinjuu – 05

sg51

As we return to Yakumo’s saga, which is already suffused with a constant underlying melancholy borne from the knowledge these events have long since passed, a young Yakumo is desperate to be good at whatever it is he’s doing, be it rakugo or a more straightforward play.

To that end, he’s far more concerned with practicing than women, who a drunk Sukeroku brings home one night. It’s just the latest iteration of something Sukeroku has done since he and Yakumo first met as boys: trying to get him to loosen up.

Sukeroku believes you have to be “a little stupid” in order to survive in rakugo, something Yakumo is not only virtually incapable of being, but would be betraying who he is if he tried. The audience will always know if his heart isn’t in it. We’ve seen how bad that can go!

sg52

Speaking of his heart, it’s in a state of turmoil over the prospect of not being “cut out” for rakugo, turning an intimate little make-out session with Miyokichi into a pity party. For her part, Miyo loves Yakumo’s rakugo, which should tell him it’s worth pursuing.

Yakumo remains depressed, but puts his head on Miyo’s shoulder when she offers it. It’s notable that things don’t ever seem to go anywhere sexually between the two, something Miyo herself might’ve confirmed by telling her senpai essentially “it’s not like that;” in other words, platonic.

sg53

Nevertheless, it’s a strong, warm friendship, and Miyo is excited for the lovely, elegant Yakumo to be portraying a man disguised as a woman for the play, and offers her services as makeup artist gratis. She does good work; the transformation is striking.

Sukeroku laughs his ass off when he first sees Yakumo’s somehow even foxier fox face, when he sees how terribly nervous his bro is (to the point of threatening to flee), he tells him to steel himself, knowing full well with his looks and talent he’ll have the audience eating out of his hand.

sg54

Sukeroku turns out to be exactly right, which shocks Yakumo. When he starts feeling the rapt audience following his every move, his confidence builds more and more. His progression from initially jittery suits his role as meek ‘wife’ to the more boisterous Sukeroku’s ‘husband’, and makes it that much more of a shock when the time comes for him to reveal he’s a guy. His change in voice, posture, and level of dress; it’s all pretty much perfect.

sg55

He leaves the stage to enthusiastic applause, a very different man than the one he walked onto it as. He was depressed, but now he’s seen with his own eyes and by his own efforts that there is hope after all, not only in theater but in rakugo as well. His performance showed everyone out there what he’s capable of, and the elegant “racy stuff” he can do so well; as effortlessly as Sukeroku pull of his unwashed galoot bit.

Finally, to once again remind us we’re only looking into the past, of two people who were still so close but whom we know will one day be separated once more and for good, the theater manager takes some candid black-and-white photographs of the two brothers, preserving the joy and victory of that night for posterity.

9_ses

Ao Haru Ride – 10

ahr101

No one likes being left out, especially when it involves two people you’d rather not be together alone, as Kou and Yuuri are to Futaba. The fact that the same weird vibe is coming off them, and they make the same pause before assuring her “it’s nothing”, only make her more suspicious about it being not nothing, which it isn’t.

ahr102

“It”, in fact, is the very thing Futaba wanted to know: more about Kou. She didn’t know his mom died, and the shrine is what he showed Yuuri (Yuuri later confesses she was glad she knew something about Kou Futaba didn’t). When Futaba learns what it was, she feels like a selfish, awful person for needing everything to be about her feelings. That leads to tears that Kou can’t help but dry, and they come the closest yet to a kiss before Tanaka pops into the kitchen, ruining everything.

ahr103

Kou has to go out for his job, so Tanaka takes Futaba home, and getting the feeling she’s someone who wants to know, he’s very generous in filling in some of the blanks in regard to how the present Kou came about from the one she knew, as well as why Kou is cold towards his older brother. Basically, Tanaka was busy teaching his first year of school, leaving the younger Kou alone in the hospital to sit by their mom as she slowly died.

ahr104

Kou bore the brunt of the full force of slowly, steadily losing someone he loved before his eyes, while Tanaka only got the odd glance, busy as he was. That experience made Kou who he is today: someone reluctant to make friends; to get too close; to fall in love again. As much as he may care for Futaba, part of him is paralyzed by that fear: that if he tries to care about something again too much, he’ll lose it.

ahr105

Futaba has made it pretty clear: she wants to be with him. She lost him once, and doesn’t want to lose him again. She also sees through his cold act to the kindness he’s always had, which Tanaka confirms. Futaba’s challenge is to get him to believe it’s alright to open up and get close again; that happiness is worth some degree of risk. That won’t be easy, especially with a still determined Yuuri also gunning for him.

8_ses

Ao Haru Ride – 09

ahr91
“Ya got a little schmutz…”

Futaba’s quest to figure out Kou continues, but she’s having trouble finding a way in. She tries to get him to notice her with makeup, and he does, but he rubs it off her lips and knocks it as “not suiting her.” Nine episodes in, and the guy is still playing his cards close. But he has lots of eyes on him now: the circle of friends forged from that day in the classroom.

ahr92
Keep it together…

Opportunity presents itself when Shuuko happens to catch her beloved Tanaka-sensei admonishing Kou on the stairs about his subpar midterm grades. Kou, for his part, is willful, threatening to quit school if his grades aren’t good enough to advance, then laughing it off as a joke. For this, Shuuko labels Kou a brat, and rightly so. Futaba sees it as an in: study session!

ahr93
“What’s this “lightly salted” bullshit? Where my Consommé at?!”

She’s not the only one interested: Aya defends Kou valiantly against shit-talking advanced class members, but rather than thank the guy who had his back, he asks why he did that, like an idiot. At this point Kou better do or say something mildly redemptive, because Futaba and Yuuri are starting to look like fools themselves for being so into this guy.

ahr94
“H-h-h-hey!”

But they can’t help that, and while Futaba takes a low-key approach to interacting with Kou at the study session in his room, Yuuri, feeling like she’s being left behind, takes the initiative, getting Kou alone, and spending a moment with him we only see the beginning and end of, but not the middle.

ahr95
“What’s going on in there…”

More likely than not, it was a wordless moment, so both Kou and Yuuri can tell Futaba “nothing at all” happened…but it was still a moment. I gotta say, I can’t yet endorse Yuuri’s taste in guys, but she comported herself well this week. If Futaba knows what’s good for her, she’d better not let her guard down!

7_ses