The aquatope on white sand – 08 – Attack of the xanthid crab

Thanks to tireless work on the phones from Karin, Gama Gama finally gets to go on the road. Specifically, they’re bringing a little bit of the aquarium to Nanjo General Clinic’s pediatric ward. The ward’s kabourophobic director, Dr. Kinjou, has only one non-negotiable condition: no crabs.

So as chance should have it, one of the Gama Gama’s Xanthid crabs stows away in one of the traveling aquarium’s tank, and is discovered by Fuuka, who is left alone to set things up the common room when Kukuru, Karin, and Umi-yam are busy with other matters. Predictably, one of Fuuka’s fingers gets snapped and the crab is free to roam the hospital.

Meanwhile, Kukuru presents Dr. Kinjou with some stuffed sea life for the kids and goes off on a tangent about eels, and the doctor ends up making a comment about how nice it is they’re keeping busy before Gama Gama closes.

Karin later tells Kukuru that due to her job with the Tourism Association, she hears things, like that the new aquarium being built at the civic center will sap Gama Gama of what little tourist traffic it enjoys, spelling its doom. Kukuru doesn’t want to hear it, a skulks away to the roof.

She’s eventually joined by Umi-yan, who primarily came to the clinic to visit his young friend Airi, who was a regular visitor to Gama Gama before her hospitalization. Airi gives Umi-yan and sea life the cold shoulder.

She’s drawn back into the world beneath the waves when the xanthid crab climbs Dr. Kinjou and threatens to snap at her neck! Airi, the only one close enough to help the paralyzed-with-fear Kinjou, reaches out and carefully grabs the crab, marveling at how it’s alive.

Newly charmed by the sea, Airi joins the other kids in the common room, and the crab is safely stowed in a bucket for the return trip. Airi finally gets to interact with the theraputic doctorfish Umi-yan promised, and a huge smile returns to her face. Like the other kids, the aquarium is a welcome distraction from their health issues.

Dr. Kinjou initially seems ready to lodge formal complaints left and right, but lets the crab incident slide out of appreciation for the sparkly eyes and smiles the traveling aquarium gave the kids.

On the elevator ride down to the exit, Karin confesses that it was once her dream to be an aquarium attendant like Kukuru, but had to choose more stable employment due to her family situation.

When she watches Kukuru rush headlong towards her dream, Karin can’t help but feel a little envious. This makes me wonder if there’s a potential future where Karin makes her dream come true at a revitalized Gama Gama. But with news of a shiny new rival aquarium and a new face who has come to train at Gama Gama for that aquarium, Kukuru faces a very uphill climb.

It’s here where I must admit I found this to be the weakest episode of Aquatope yet, even though I still enjoyed it. Some of its strongest moments felt like variations on very similar, stronger moments from past episodes. It wavered between a Karin-centric episode, keeping the pressure on Kukuru, and Umi-yan being the nicest big guy in the world.

Most importantly, it had precious little Kukuru-Fuuka interaction. Whether you see their relationship as sisterly or romantic, it’s the beating heart of this show, and without it the episode felt underweight and hollow—like a crab you caught that’s too small to eat.

Tokyo Revengers – 11 – Everybody Breathe

After a number of horrifying twists and turns and some truly epic beatings, Takemichi and his friends finally catch a goddamn break. The bad guys hear sirens and decide to flee, while Hina and Emma arrive with EMTs. Takemichi rides in the ambulance with Draken, who is not out of the woods, and even seemingly breathes his last breath asking Mitchy to take care of Mikey for him before going into cardiac arrest.

Draken enters emergency surgery, and Takemichi, the girls, the boys, Mitsuya, Peh-yan, and Mikey can do nothing but try to keep it down and wait. Everyone’s on pins and needles until that “operation in progress” red light goes out, two suregons step out and report the good news: Draken will live.

Everyone celebrates, Mitsuya tells Peh-yan that Draken visited Pah-chin every day at juvie, and he’d better apologize for trying to kill him. When everyone heads home, Takemichi goes looking for Mikey and finds him having a private cry alone, finally able to drop his tough stoic guy façade.

A few days pass, and Takemichi is the toast of the school, looked up to for the first time in his life and loving every minute of it. He even looks the part with his wide-open bowling shirt, red “OUTLAW” shorts, purple shades, and wide, pompous strut.

An on-the-mend Draken has no time for any of that nonsense when Takemichi visits him the hospital, but Takemichi pushes back against his disapproval, basically telling him to let him have this, just for a little while. Draken bows and thanks him properly for saving him, and presents him with the first Toman jacket Mikey ever wore, a kingly garment that’s a gesture of his gratitude.

On the rooftop, Mikey ominously wonders out loud how Takemichi knew inner Toman strife was going to go down before anyone else did, but drops it and offers his hand for the kid to shake.

Takemichi only has one last handshake to make. He stops by the Tachibanas unannounced, asks Hina to bring out Naoto, then presents her with a four-leaf clover necklace—the same one adult Hina wears (and kisses) in the ED. Takemichi doesn’t give it to her just to make things up to her, but because he wants to leave something behind before going back to the future.

With that, he shakes a very confused Naoto’s hand and ends up back in the present-day, only not in Naoto’s apartment. He doesn’t even have Naoto’s phone number! Instead, he’s back at the video store being taken to task by his younger manager. He gets an alarm for salon appointment, and when he picks up his dropped phone, he notices he now has a scar from when he was stabbed through the palm.

Suspecting he was finally successful in changing the future for the better, one of the three people he saved turns up alive, well, and looking much healthier and happier than the previous present-day Akkun. He’s an assistant at the salon and about to start being allowed to cut hair. He wants to cut Takemichi’s first, since that was their promise.

Then Takemichi gets a call from Naoto, who confirms that he was successful in changing the future. He invites Takemichi to join him in going to see Hina. The question is, will Tokyo Revengers’ twelfth episode rip the rug out from under Takemichi’s (and our) feet once more with some kind of new twist related to Hina’s fate?

With Hanma promising his new gang Valhalla will never allow Toman a moment’s peace before fleeing the sirens at the start of the episode, as well as the total and inexplicable absence of Kisaki Tetta throughout the last few weeks, there may be plenty left for Takemichi to do in the past. Still, I hold out hope Hina is alive, well, and not already spoken for.

Fruits Basket – 61 – The Cat Was Right

Totally Invincible

When Tooru leaves the hospital and first sees Kyou, whom she loves, nothing goes as planned. Even as her mind and heart want to go to him and smile, her body runs away as fast as it can…which is, of course, not nearly fast enough to lose the rather athletic Kyou! While Yuki visited, the mere mention of Kyou’s name brought tears to Tooru’s eyes that she quickly slapped away, risking further damage to her head.

Yes, Tooru isn’t running from Kyou because she’s afraid of him, but because of the usual: she’s afraid of being a burden; being unnecessary; causing people pain simply by being around them. She’s afraid of Kyou being disappointed in her. This is what happens when you say your piece and flee like Kyou did. It was a shit move, especially when he knew full well Tooru would take every one of those harsh words to heart.

So it’s as heartlifting to see Kyou get down on one knee and apologize and take back what he said as it was heartbreaking to hear him say those things in the first place to a desperately vulnerable Tooru who was ready to bear her heart but was met with a wall of stone. Kyou has learned a lot from being with Tooru, and one of those things he learned is being more aware of how his words and behavior affect people.

He knows how lucky he is to see Tooru again to apologize, and humbly asks for one more chance with her, because if he’s going to live, he wants to live with her by his side, because he loves her. Tooru responds by asking if it’s really okay for her to stay by his side, and hold his hand, and he points out she’s already holding it, gently places his hand on her face, and gives her her second kiss—the first being when he wasn’t sure he’d have this second chance.

When Kyou laments that being with him means suffering because of his “weird body” (let’s not forget, without that rosary he’s an odd, smelly beast), but Tooru simply tells him she loves him, that that love is “totally invincible”, and he starts thinking maybe he’s invincible too. They hug, both fully expecting him to transform. But he doesn’t, because the curse has been broken.

The Original Promise

It broke because Tooru was able to make a new connection with Akito, and show her that it was going to be okay even if it broke, and that it ultimately be better for everyone, including Akito, if it broke. We thankfully get to see a bit of Akito visiting Tooru in the hospital, where she confesses it all came down to her being jealous of Tooru and how goshdarn pure and pretty she is.

Rather than rightfully reply with a “guilty as charged”, Tooru is Tooru, saying she’s neither pure nor pretty, and if it isn’t too much trouble she’ll thank Akito not to sort people into categories based on “things like that” and use them to keep her distance. If Akito thinks Tooru is pure, then she believes Akito is pure too, and never more than she was when she approached in the rain.

As Tooru and Kyou hug without him transforming, Akito thinks about that visit, and how Tooru repeated her heartfelt desire to be her friend, and Akito’s willingness to be that, resulting in a new beginning, something she never thought possible all her life until meeting Tooru. She feels the hand of the original God on her head, and we’re sent back to time immemorial, and the genesis of the Curse, which was originally not a curse at all.

What it was originally was an effective coping mechanism for the crushing loneliness of the original God, living in his house on top of a mountain, too strange and different to interact with the humans below. The first being to ever visit him was the Cat, who promised to stay by his side and kept that promise.

The cat taught the God that perhaps others who were “different” would be willing to be his friends. He sent out invitations, and twelve other animals responded. The moon quietly watched over the banquets shared by those who were different—what a beautiful collection of words—but eventually the first of them, the Cat, became ill and neared death.

The God enchanted a sake cup that would make the bonds between him and the thirteen animals eternal; that even if they died, they’d be reborn and reunited. But the dying cat neither needed nor wanted eternity, which the other animals saw as a rejection and admonished the Cat.

But the cat was on to something, even back then, at the very first collection of the Zodiac. He beseeched God that they accept that things end, that mortality, while scary and lonely, is what makes life life, and makes love love. The Cat said to God he was fortunate to be with Him for even a moment, but after he died, the other animals ignored his calls for acceptance.

Still, they were still mortal, and one by one died, until only God was left, his house a ruin reminiscent of one of the deserted huts in the Boy’s village in To Your Eternity. Then God died, but was reborn with the others and the eternal banquet resumed. This original memory, which occurred so long ago, was forgotten by all…until it was told to us by the incomparable Iwami Manaka, whose voice moved me to tears on several occasions this week.

Cry With Me

But the promise endured, until present events now have Akito asking the original God if it’s okay for her to stop being special or a god, and just become Akito…to end the eternal, set down the extinguished torch, and begin her life.

As she asks this of her progenitor, the answer is revealed, as one by one the remaining Zodiac members are released from their eternal bonds. For many, like Kisa and Rin, it happens beside Hiro and Haru, respectively—those who already felt the pang of intense and all-encompassing sadness and loneliness that comes with the breaking of the curse. But Kisa has Hiro, Rin has Haru, Ayame has Mine, and Kyou has Tooru.

The coping mechanism is no longer needed. Both the animals and the god are now free to live among one another and with humans who love them and want to live with them. Free to make new beginnings and free to create new bonds. To commemorate this moment, Kyou rips the rosary off his arm and nothing happens. He’s now free to be Kyou, not the Cat, and free to love Tooru, who loves him more than she loves anyone else.

Thank You

All Akito asks as the curse is lifted is for everyone to “cry with her”, but they do more than that. Still sore from the breaking of their bonds, they are actually drawn to her—to Akito, not the God of the Zodiac—and when they do file in one by one, what had been a cold, foreboding, oppressive Souma compound is bathed in warm light.

As the original God states, it would be a long, long time before the cat’s words about eternity not being the answer and the preciousness of mortality became true. But they finally did. Akito may not be a god anymore, but she’s not alone. Tooru makes sure she knows that when she visits with Kyou and the others.

It’s telling that the first person for Akito to embrace post-the breaking of the curse isn’t a former Zodiac member, but the first and best friend of her new non-divine existence: Honda Tooru, who it turns out freed Akito as much as everyone else from bonds none of them ever asked for, and never needed. It is true we mortals must accept that things end, even if that thing is Fruits Basket. But I can’t think of a better or more satisfying ending than the one we’re getting.

RABUJOI WORLD HERITAGE LIST

Fruits Basket – 60 – Moving Toward that Someone

After starting with Shigure wishing he could be less of a meddling shitstain (fat chance), we thankfully shift to two of my very favorite Fruits Basket characters in Arisa and Saki. Upon visiting Tooru in the hospital they meet Akito for the first time, who claims responsibility for Tooru’s injuries. Saki, the true God of Fruits Basket, says Tooru doesn’t believe anyone is to blame.

Then there’s the matter of Kureno, whom Akito confesses to have stabbed , after emotionally tying him down and trampling on him for years. She’s at a loss about what to do, since neither Tooru nor Kureno will blame her for anything, and that’s when all the years of being raised as a boy are shattered by Saki, who causally, correctly identifies Akito as female. Then Arisa gives Akito a hug, because Akito needed one.

It doesn’t change the sting of Arisa now knowing that she’s been nothing more than a brief blip in Kureno’s life up to this point; that she’s been “polishing a single day’s memories like they were some diamond”, which, goddamn that’s some pretty writing right there. But here’s the thing…what if they were some diamond?

When Arisa visits Kureno in the hospital room, and he says he thought she wouldn’t come because he didn’t deserve her, nothing matters to Arisa anymore but the love she’s feeling. Whatever Kureno wants to do; wherever he needs to go to “leave the sight” of Akito as one final kindness, Arisa will be by his side without fail. She’s done not being a participant in his life. The diamond is nice, but she wants the mine, and she’ll have it, because she’s Uotani Fucking Arisa.

The screen is once more soiled by Shigure’s presence as he and Yuki encounter Haru at his house. Haru notes how Rin has been “impressively worried” about her BFF Tooru, but he’s likely there because he’s worried about Kyou, who hasn’t once visited Tooru in the hospital and is rarely seen leaving his room.

Yuki admits Kyou has “his own pain and his own reasons”, but he also doesn’t give a shit about them. He’s done being Mr. Nice Ratboy, and storms upstairs, where he’s even more incensed to find Kyou packing to leave before Tooru comes home. Kyou says listlessly that his being there would hurt her, that he can’t protect her, and that she’s better off with Yuki.

Yuki then kicks Kyou through the damn door, mocking him for thinking he has to be some kind of superhero plucking Tooru out of midair or save her from getting hit from a car. Of course he’s not that—he’s just a stupid cat—but he doesn’t need to be a superhero.

Kyou admits to Yuki that he always wanted to be him, which in turn causes Yuki to admit that he always wanted to be him. Of course, neither of these facts comes as a surprise to us, but Yuki and Kyou have been so mired in playing out their respective Zodiac roles they failed to notice how much they admired and envied one another.

But here’s the thing, Kyou can’t be Yuki and Yuki can’t be Kyou; Kyou has to be Kyou and Yuki has to be Yuki (though Shigure should probably stop being Shigure). From how Yuki’s seen it, Kyou has protected Tooru just fine by being Kyou; by simply loving her being the one she loves; by being the only one of the two of them to make her truly smile.

Yuki leaves a stunned Kyou with the words “Get your damn act together!”, and Kyou is moved, though not, at first, to the hospital. He has to take care of something first, namely standing up to his grotesque, loathsome creature of an audiophile father. As he heads to his dad’s place, we get a cute little scene of Hiro and Kisa discussing how Hiro breaking the curse hasn’t changed their affection for each other.

When Kyou quietly concedes that his mom’s death was his fault as his “dad” claims, said “dad” tells his maid to call the main house to have him dragged away to the Cat’s Cottage. Kyou, tasting the stew of hatred, fear, and grief he’s got going, refuses to go there. He’ll live outside, because there’s someone he wants to be with.

While listening to his ranting, Kyou comes to recall that his dad said horrible things to his mother, so while Kyou might still claim some responsibility for her depression, it’s much more likely his dad was the one who put her into a state where she decided to “throw herself away.” Well, Kyou won’t do the same thing. He’s going to live.

Akito gets the call, but tells the long-serving attendant to ignore it. She’s decided to free Kyou of his impending sentence, tear down the cottage, and quit this wretched place forthwith (hopefully to go stay with Shigure, as the two unassailably deserve each other). The attendant laments how unlike all these young people, poor old her can’t just start over in the outside world. Oh, cry me a fucking river, you deeply despicable woman. Akito certainly won’t…and good for her!

Kyou has adopted the philosophy of continuing to stand on your own two feet, accepting what you are, and moving toward something—or in his case, someone. After his pep talk with Kyou, Yuki is sulking in the dark when he gets a call from his someone, Machi. It doesn’t matter what she wants, he just wants—needs to see her. Tooru? More like Toor-who?!

Just as Arisa’s anxious racing thoughts of how insignificant she was in Kureno’s life melted away at the sight of him, the gears of Kyou’s feline brain are also spinning furiously with questions like Will she still accept me? Do I still love her? Why? How much? The answers are: Yes (eventually), Yes, Because, and A Lot.

Those questions are meaningless as soon as he spots her leaving the hospital and thos big brown eyes. But then, because this is not a show afraid to crack a joke even in a moment like this, Tooru gets spooked and gives Kyou a taste of his own running away medicine. Unfortunately for her, Kyou can run much faster than her, and quickly gives chase as Arisa and Saki look on approvingly.

Everywhere you look, love is in the air, and I am here for it. And let me reiterate: I’ve never read the source material, so I have no problem with the direction or pace of the adaptation. The way I see it, I’ve been invested in this anime for sixty episodes totalling twenty-five hours over three years, and so far this is the ending I both want and deserve. Keep it up, Furuba!

RABUJOI WORLD HERITAGE LIST

Fruits Basket – 59 – Useful Idiots


What does Tooru do when a soaked, filthy Akito approaches her with a knife, saying she stole everything from her? First, Tooru sees her mother standing behind Akito, echoing her words about being left behind and abandoned.

Instead of running away, Tooru runs towards Akito, who is startled and slashes her arm. But no amount of non-lethal dagger strikes or ghost moms will be enough to stop Tooru’s—and time’s—inexorable march forward.


Tooru admits to Akito that even as she rejected the eternity of the Zodiac curse, she wished for the same things: for unchanging feelings and eternal bonds, like she had for her mother. But then she fell in love with Kyou, and even if he doesn’t love her back (he does), she’s going on ahead without her mom. People and feelings can’t be bound down.

Tooru’s words (and complete lack of regard for her life) disarm Akito, literally and figuratively, but Akito’s anxiety remains. How can she live life with “strangers”, lacking promises or bonds or eternity? Tooru asks Akito to start over with her, here and now, and holds out her hand. Akito worries Tooru get sick of her if she cries, but Tooru keeps that hand of friendship out, and Akito is about to take it…when the earth below Tooru suddenly gives way.


The old Akito would have relished a scenario where Tooru was seriously injured and there was no one around; all she’d have to do is nothing. But even though she wasn’t quite able to take Tooru’s hand, Tooru still changed Akito in that moment. Instead of doing nothing, Akito screams her lungs out and runs for help, finding Shigure and Yuki, who calls an ambulance.

Yuki locates Tooru, who is still alive, and thanks to Akito calling for help immediately, she’s likely to stay that way. But for Kyou, who also heard Akito’s screams, that’s by no means a sure thing. In fact, it must feel like a second case of deja vu after the deaths of his mother and Kyouko for which he blames himself. Still, Tooru raises her hand to Kyou’s face and says “it’s all right now”, and then Kyou kisses her.

That night, Yuki is prepared to stay at the hospital all night, but Tooru’s gramps tells him to go home and go to school tomorrow, or Tooru will fret. He also asks where the “redhead” is. It’s clear Kyou doesn’t feel he deserves to visit Tooru considering his running away from her led to this.


But one person who is done running away from everything—from the inevitability of the future to the deeds she committed in the name of stopping that future—is Akito. She visits Kureno at the hospital, and he quickly forgives her. She’s waiting outside when Momiji arrives, and calls both Kureno and Tooru “idiots” for forgiving her no matter what she says or does

Momiji says that “idiots are useful”, since Akito isn’t guilty of her crimes thanks to the two of them being idiots. If they were less kind, soft-heared, loving people, they’d pressed charges at the very least and possibly hated her forever. But that’s not who Kureno and Tooru are.

Momiji tells Akito to treasure them from now on, and that’s just what she does, starting with visiting Tooru in her hospital room, where shes awake, sitting up, her arm outstretched in friendship. Akito blushes and smiles, happy beyond words that a wretch like her can still be forgiven and welcomed.

Those of you who have zero tolerance for an Akito redemption arc will likely be disappointed in where things went this week, but I for one am all for it. Akito may have dished out no shortage of cruelty and suffering upon the other Zodiac members, but if Tooru and Kureno are willing to forgive her, and she’s willing to step out of the shadows and move forward, then that’s all good with me!

As for how all of this seemingly went according to Shigure’s plan, well…that was one hell of a convoluted, risky plan! One wonders if his novels are similarly chaotic…

Tokyo Revengers – 07 – The True Puzzle

It often feels like Takemichi is butting up against the breakers, with just as much success as any of us would have against the ceaseless power of the sea. Tempers are hot, Moebius has arrived in force (no less than fifty in number), and a fight resulting in Draken’s death seems as inevitable as the tides.

Takemichi makes the first mistake of starring too long at Osanai, but he cant be blamed; after all, how the hell did this brute end up so defeated and pathetic in the future? Osanai seems to sense this brat is looking down on him and starts to rain blows upon him, but Takemichi is saved by Pah, not because Pah likes him, but because Osanai is his opponent.

Unfortunately, the already battered Pah is no match for Osanai’s boxing skills, and is soon barely conscious on his feet. Mikey insists the fight go on, even as Takemichi calls it nothing but cruel torture. However, once Pah slumps onto Mikey’s shoulder, essentially tagging him in, we witness just how much of a damn Osanai’s fancy suits and staggering numbers matter against Mikey-kun.

Specifically, none whatsoever. With one precise and devastating kick to the side of Osanai’s head, he’s down. When he gets back up to rush Mikey with a broken bottle, Draken stops him and puts him in a lock—without getting stabbed by said bottle, as Takemichi feared. With Moebius’ commander soundly defeated, Mikey declares that they’re all part of Toman now.

Then police sirens ring out, and as everyone starts to scatter, Pah plunges a pocketknife into Osanai’s midsection. Pah then decides to stay behind and turn himself in, while Draken drags Mikey away. As Takemichi flees with them, he suddenly loses consciousness, demonstrating he’s not so indestructable after all.

Takemichi wakes up in a hospital bed, and upon stretching accidentally gropes Emma, who Draken called to retrieve him and waited by his bedside. Emma reports that Draken and Mikey got in a fight over leaving Pah behind, and its looking bad. She slumps over and cries into Takemichi’s lap just as Hina arrives and pulls back the curtain, seeing something that’s not at all what it looks like.

If I have a gripe about this episode, it’s that this is all we get of Hina, with the implication she hits him again in response to seeing him with Emma, despite him being laid up in the hospital. I really wish they’d get back to the Emma of previous episodes who wasn’t being portrayed as a jealous, violent shrew. Why harp on a love triangle that isn’t really a thing when Emma still likes Draken?

Instead, Takemichi ends up at home convalescing while the situation between Toman’s top two deteriorates. Akkun and his other friends visit him, but after giving him a scare, assure him that those two fight all the time and it will resolve itself in time. But when Draken shows up with a watermelon to see how Takemichy is doing, he seems done with Mikey, and thinks Toman just might be done for.

When Takemichi brings up Mikey, Draken destroys a 2,500-piece puzzle he’d spent three days working on without sleep. Then Mikey shows up to see Takemichy just when Draken is leaving, and the two end up in a scrap that leads to all of Takemichi’s cherished possessions being destroyed one by one.

Even then, the two are still not done sizing each other up and getting ready for a real brawl, but seeing all of the irreplaceable treasures of his formative years seems to light a fire within (and visually, behind) Takemichi.

His eyes glow white with fury as he orders Draken and Mikey to “CUT THE SHIT!” Maybe, just maybe, with him conscious, fired up, and standing between them, he can stop them from doing something that can’t be undone. After all, he considers them both friends.

Rating: 4/5 Stars

The Quintessential Quintuplets – 13 (S2 01) – Kyoto Mystery Dream Girl

The wait is over. The Quints are back, and while production has moved from Tezuka to Bibury, this first episode looks absolutely fantastic, both in the crispness, quality, and subtlety of the sisters’ movements and expressions and the Hergé-like precision of the rooms they inhabit. There’s one major change I didn’t initially notice until looking back at season one stills: Fuutarou’s eyes are now amber instead of blue.

Anywho, Fuutarou is recovering from the ski trip flu in a swanky private hospital room provided by the Nakano sisters’ father. Nino is the first to visit him, but quickly hides when Ichika, Miku, and Yotsuba stop by. Ichika gives Fuu the week’s printouts, indicating she didn’t quit school like she was considering; it’s heavily implied she stayed because she’s fallen for him.

Both before and after the Quints visit, Fuutarou dreams of that magical day he met a mystery dream girl in Kyoto, and to his shock, finds that same pink-haired, blue-eyed girl sitting by his bed when he awakes again. It’s actually just Itsuki, who like Nino doesn’t like needles (the sisters are ostensibly there for vaccinations).

Fuutarou seems to confide different things to different sisters, and to Itsuki he opens up a bit about why he studies as hard as he does, which he does by telling her the story of his trip to Kyoto with his four friends. He had a crush on one of those friends, but she liked a different boy, and rather than hang out and watch that unfold, he split off from the others.

It’s apparent from the flashback that behind his brash attitude, bleached hair and earring, Fuutarou was concealing some self-esteem and self-value issues, calling himself “useless junk”. But when he’s falsely accused of taking sneak photos of a cosplayer, he’s bailed out by the mystery dream girl, who follows him the rest of the day.

The girl’s reasoning is simple: they’re both “alone and lonely” and thus need each other. Back in the present, Itsuki says much the same thing, dropping her tsuntsun side and saying they (as in she and her sisters) need Fuu to help them change for the better. Then Itsuki whips out a good luck charm she got from Kyoto five years ago…the same kind the mystery girl bought five of when hanging out with Lil’ Fuu.

The next day, Fuutarou arrives at the sisters’ home an encounters one of them nothing but a towel, having come out of the shower. He tries to determine who it was by having them all let their hair down. It’s at this point when we have to remember that while the five Quints are extremely distinctive to us due to their hair color/style and voices, Fuu can’t tell them apart at all if they’re not wearing their usual hairstyles.

That’s always been an odd disconnect between our visual perspective and Fuu’s, but it is what it is. The sister in the towel dropped five quizzes with “0” scores, so he has all five take another test so he can examine their handwriting. Ichika, the one who was in the towel, realizes this and tries to change hers, but the way she writes her “b’s” tips Fuutarou off, proving that while he can’t tell them apart, it’s not because he “doesn’t pay enough attention to girls”, as Ichika asserts.

As for Itsuki, she realizes who the towel girl wasn’t of consequence to Fuutarou so much as who that mystery girl in Kyoto was. She knows he thinks it was one of the five of them, but is fine with keeping it a secret for now. As for the quizzes, all five sisters scored “0”, which means they all need more of Fuu’s tutoring.

QQ is never not a ton of fun, both due to how great it looks, how unique and engaging the five sisters are, and how they all bounce off Fuutarou, and he them. Last season revealed that all five of them like or love him in one way or another (and with various levels of awareness).

It will be still more fun to watch what moves each of them make to get a little closer to him (I mean, someone’s gonna marry him!), and whether he makes any progress with his investigation into the mystery girl. But even if none of them date him and he makes no progress, I’m still looking forward to the journey, which is off to a solid start.

Rating: 4/5 Stars

Episode One Quintuplet Ranking:

  1. Nino: There’s something particularly adorable about how the mom of the group is so scared of needles. Also, she saw Fuu first!
  2. Ichika: For that shot of her at Fuu’s bedside…and that giant sweater!
  3. Itsuki: Probably spent the most alone time with Fuu, and is aware he thinks he met one of them (possibly her) years ago.
  4. Miku: Says Fuu is welcome to see her mole…
  5. Yotsuba: Seemed like the odd sister out…didn’t do much this week.

Higurashi: When They Cry – Gou – 04 – Chin Up

After his last encounter with Rena, Keiichi is hesitant to return to class. How can he pretend everything’s normal and peachy after what she said, and after his nightmares of her watching him through the door? He tries to feign a fever, but the only clinic in town is suspiciously undergoing “remodeling”, so he heads to school, where things were always going to be awkward.

Rika takes Keiichi aside at lunch, in a scene where I thought maybe our blue-haired time-looping shrine maiden will offer some kind of assistance to our lad. Nope, she just gaslights him, saying if he thinks something’s wrong with Rena, it’s only because there’s probably something wrong with him. Keiichi tries to follow her advice to keep his chin up and “win”, but I’m wondering why she couldn’t say more. Is Rika simply resigned to the events that follow?

When Keiichi comes home to an empty house, as both parents were called away to Tokyo for work, completing the perfect horror story scenario when Rena comes to his door with food for dinner and there’s a voice inside telling him it’s a really bad idea to let her in. Both Rika’s words and Rena’s sweet talk finally persuade him to grant her access, but her giant stack of bento trays don’t contain food, but the tools of murder.

Compulsively scratching her neck bloody, Rena brandishes a knife and declares that in order to “protect her dad” she must kill Keiichi, then get demoned away and disappear. Then she enters a sort of fugue state of homicidal mania, rushing at Keiichi with the knife. When he strikes back, she plays dead, and when he draws in close, she stabs him dozens of times in the gut. Keiichi grabs a clock radio, but no matter how many times he smacks her in the head, she keeps stabbing and laughing maniacally.

I cannot underscore how unsettling and horrific this scene is, or how perfectly the tension was set up until all hell broke loose. Rena, apparently under the influence of Oyashiro’s curse, is legitimately terrifying, and I really felt Keiichi’s terror at what both what she was doing and what he was doing to try to stop her.

After a brief glimpse of the aftermath, with both Keiichi and Rena lying in a huge pool of blood, Keiichi wakes up in a hospital bed, first to his worried parents, then to Ooishi, and finally to Mion, who comes with a fruit basket and bad news: Rena couldn’t be saved, while Rika and Satoko were found dead in their home, apparently the victims of a robbery gone wrong or even suicide.

But with the next episode preview marking the start of a new arc, I imagine Rika had to die, since this was another instance where she wasn’t able to prevent the bloodbath that happened. Will events reset back to the start, before Keiichi started having suspicions about Rena and the town?  Or will we get a taste of Keiichi’s life post-Rena/Rika/Satoko, in which he is now suffering from an itchy throat that could indicate he has the curse? All I can tell you is I’m fully on board for this sinister, bloody ride.

Rating: 4/5 Stars

No Guns Life – 24 (Fin?) – The Size of the Monster

I’m a big sucker for weird neo-noir/cyberpunk series, so No Guns Life is a show I’ll miss despite its flaws. For one thing, it doesn’t look like any other show airing this season or back when its first season aired. It’s just so much grittier and grimier and greasier, while still maintaining a worn-in futuristic look.

And while Berühren is indisputably evil Big Bad, one of its agents in Pepper gets more of the gray-shading she needed to be more compelling. We go back to the time she first met Seven, and learn he wasn’t the first Seven. That was a seven-legged spider, the only thing in Pepper’s life that was hers. Of course, when she saw the spider with another “test subject”, she stomped it.

Upon first approaching Seven, Pepper receives the wound that leaves the scar she has today, but she approaches him again and delivers a big wet kiss to his face, marking him as hers. She was always deranged like this, but what do you expect? Anything and everything she might have had before meeting Seven was taken away by Berühren. She couldn’t beat them, so she joined them and being given worth by the company meant she could live on.

Now she’s laid up in a hospital room and Seven is gone. Juuzou is ready to interrogate her (with Olivier listening in) on what she knows about Berühren, but Pepper escapes her room, only to be confronted by a husband and father seeking revenge for losing his family to the dustup at Armed Park. Pepper is saved by Juuzou of all people, and when she rushes at him, she trips and he saves her again.

Before he was destroyed by the Berühren twin sisters, he asks Juuzou to take care of Pepper. She may have seen him as merely her property and a tool for her to use, but like Juuzou, he actually had his own will. Gun Slave Units are only vulnerable to control due to the loss of their pasts to the extension process. But once they’ve lived enough life and met enough people, their own wills reassert.

It happened to Juuzou and it happened to Seven, who stayed by Pepper’s side as long as he could. Thanks to Pepper’s info, Olivier has a better idea of the foe she’s dealing with, or as she says, the “size of the monster”. It’s infiltrated her superiors, but her sense of justice is such that she can’t and won’t stand by and do nothing. As for Pepper, she gets her red coat and lollies back and mourns her companion.

Pepper also told Juuzou where his Hands went, and he recalls how after his berserk attack his Hands came back for him, even knowing the consequences from the military that would follow. Before fleeing their wrath, he urged Juuzou to “do stupid things, struggle, and suffer like a normal person”, then make friends with whom they can laugh about such times.

Sure enough, Juuzou found those friends, be it Mary, Tetsuro, Chris, or Olivier. Shimazu survived her injuries and is laid up in his office, so there’s another potential friend, while Rosa is so smitten with him she mended his duster and added an adorable patch, as if to mark her man. Thanks to Pepper, Juuzou too knows the size of the monster he’ll face, but he’ll face it in full control of his body, mind, and heart.

This solid finale ends on a bit of an ellipsis, possibly foretelling a third season—there is apparently sufficient source material for one. That said, that’s not a sure thing, as it wasn’t announced after the end credits. There’s also the sense this anime is an acquired taste and may not be popular enough to keep going, but I for one would love to see more, if it happens.

Season Average: 7.81

Fruits Basket – 44 – There’s Always Room for Kindness (and Jell-O)

For me this was one of most-anticipated episodes of Fruits Basket since Tooru saw Kyou’s true form. After learning the details of Rin’s life up to this point, I desperately wanted her to stay in that bed, or at least in that house with Tooru. If she just ran out in a huff, it would’ve felt like a major step backwards. I feel like there’s no more room for acting tough and aloof. Rin needs help, from others, now. She’s reached her breaking point.

Sure enough, she’s immediately unnerved and repelled by Tooru upon first seeing her, and when Hatori arrives to take her to the hospital for proper treatment, she damn near leaps out the window! She is every bit the wounded, stubborn Horse, kicking at anyone who tries to get close to her.

After Yuki has a brief chat with Rin (who tells her Haru still loves her very much), we learned that she learned about Tooru through Haru, who tells her Yuki and Kyou’s auras have mellowed considerably thanks to her kindness. When Rin first spotted Tooru at Shigure’s, it was everything she could do not to rush over, put her head in her lap, let her head be pat.

Tooru came off as that kind and caring and parental to Rin, making her Rin’s Kryptonite. Shifting from Haru’s kindness to Tooru’s just wouldn’t do; she doesn’t want to involve or trouble kind people, because she’s so predisposed on leaning on, yearning for, and taking advantage of those people.

If people hate her, Rin thinks, she’s doing it right; and so she continues to be dismissive and hostile towards Tooru. When Tooru realizes that Rin is also trying to break the curse, she wants to help, but Rin doesn’t want her to meddle, because “kind people should just live in their kind world”.

It’s not enough to dissuade Tooru; she’s long since decided that Yes, she WILL Meddle, thank you very much! Like Rin, she has things (and of course people) she can’t give up on. Kind people live in the same world as everyone else, and Tooru is kind precisely because she knows how scary it is to be alone in that world.

But Rin isn’t all alone, nor does she need to be. She’s not putting Tooru out by leaning on her, she’s making her elated just to be needed. Tooru believes she was put on this earth to care for people. She’s not perfect like Rin thinks, as that compulsion is a product of her own trauma. But it’s why Rin feels she can bury her head in Tooru’s bosom and let herself be cared for, at least a little.

Iwami Manaka and Toyosaki Aki are so damn good in this cathartic, multilayered scene, as is the dramatic staging and lighting, and Rin’s slowly falling hair as she launches herself into a hug. In gently breaking down Rin’s self-imposed barriers—built so high they threatened to literally kill her—Tooru proves her value as…Zodiac horse whisperer. I’m sorry; I had to go there!

Rin stops running for running’s sake, and goes to the hospital to recuperate. At school, Haru informs Yuki that he visited Rin, and considered her throwing her IV stand at him as a sign that she was on the mend. While he may not know about Tooru’s plans, he knows he can rest assured with Rin in her care, considering how well she’s done with Yuki and Kyou.

Tooru ends up surprising those two and Shigure by making Jell-O for dessert. Kyou, perceptive rascal that he is, makes the connection between Jell-O and the hospital, correctly guessing Tooru visited Rin. She saw that Rin wasn’t eating the hospital food, and Rin told her she likes Jell-O. Tooru contemplated just how much Rin had taken upon herself for so long, and how tormented her heart was, to clutch her hand so tightly when they hugged.

To Rin’s surprise, Tooru not only comes back, but with homemade Jell-O. Rin blushes a little but calls her baka, which Tooru laughs off as a tsundere tic. I think Rin will find her usual tricks won’t work against someone as resolute as Tooru, who joins her for a walk on the hospital grounds. Rin surrenders and tells her about the curse. Whatever it was hundreds of years ago, now it is nothing but a chain.

Rin also tells Tooru that Kureno will be of no help due to his loyalty to Akito—not even considering him “one of them” since he has no will to break the chain. Tooru still thinks she should talk to him, but Rin grabs her leg to stop her from doing anything too rash too soon.

Rin then asks Tooru why she wants to break the curse, what its it she can’t give up, and what is most precious to her. Tooru seems poised to answer…but the words don’t come out. Rin still understands, and for the first time sees that her and his strange normal girl’s goals are aligned. She doesn’t explicitly commit to it, but the two become a duo against the curse right then and there.

That night, Tooru dreams of lying in bed in her old apartment when her mother says goodbye for the last time, leaving her alone. No doubt her time with Rin—fellow “orphan by any other name”—dredged that semi-mythical memory from the depths of her psyche.

As she tucks into Tooru’s Jell-O, Rin senses that, like she’s tried to do for most of her life, Tooru hides “what lies beyond the door” from everyone, but everyone who does that eventually reaches a breaking point. Haru helped Rin gently open that door, and Rin hopes someone like that will come to Tooru—unaware that Kyou more or less that person.

The road ahead will be long and potentially vicious, but I can’t tell you how much joy and relief I derived from simply seeing Rin in the hospital, no longer running or building walls around herself. She’s as at peace as we’ve ever seen her. She’s in a place where she can accept tasty Jell-O from a silly, ditzy, profoundly kind girl who is far more reliable than she looks, aims to keep meddling, and won’t be denied.

Read Crow’s thoughts on the episode here!

Fruits Basket – 43 – Having Nothing in the End

Hiro is talking with Kisa about his yet-to-be-born sibling, whose gender will be a surprise, when he spots Rin in her school uniform. He’s concerned about her ashen appearance, but she gives him basically the same treatment as everyone else who tries to reach out: Buzz off. Go have your happy life with your nice parents and leave me alone with my misery.

The episode then revisits the time Rin approached Shigure, and we learn that she seeks a means of lifting the Zodiac curse, just like Tooru. She’s willing to give him her body for the info, but Shigure—in a rare instance of not being a total slimebag—rejects her offer. But he also refuses to help in any way, while stating he’ll enjoy the benefits Rin’s and others’ efforts, because, as he himself says, he is the worst.

Spurned by Shigure, who may or may not possess the answers she seeks, she goes through a Souma storage room in hopes of finding something, anything related to the curse and a way to lift it. Exhausted and nauseous, she collapses on the ground, then remembers one of the happiest moments in her life—in bed with Hatsu post-coitus, wishing she could be his heart—followed by one of the worst: her parents telling her they “don’t want her”.

Around dusk, she returns to Shigure’s house, strung-out almost beyond belief, but nobody’s home…until Tooru comes through the door. Even that act of opening a door sends Rin into a hysterical fit, repeatedly begging Tooru not to yell at her. Tooru being Tooru, she does the only thing the situation calls for in that moment: giving Rin a warm, gentle hug to try to calm her down.

Shigure may believe he’s the worst, but delving into Rin’s horrific childhood establishes some healthy competition for the title. By all accounts, Rin’s parents tried for years to put on a happy, fun façade as they raised her. It wasn’t until it started to feel like a performance to her, and she asked them why that was, that they snapped. This is not at all to blame Rin for breaking the façade; it was doomed no matter what she said or did. But it’s clear she blames herself.

Verbal and physical abuse followed, until one day Rin collapsed from the injuries the marks of which her clothes concealed. Kazuma and Hatsu are with her in the hospital, and that’s when her parents tell her flat out they no longer want her. Hatsu responds not by turning into Dark Hatsu, but simply by getting extremely pissed off with the parents, and lays into them, getting no response in return.

From then on, Rin lived with Kagura’s family, and the mere fact it was a genuinely happy household caused her intense emotional and physical pain, since she wonders “what she did wrong” to cause her to lose her own home. The only person in whom she found true peace and comfort was her white-haired knight Hatsu, who eventually confesses his love, and she reciprocates.

For the one person with whom spending time was not painful to also be a Zodiac member only adds fuel to the all-consuming flame of misfortune that is Rin’s life. Akito finds out, and when Hatori’s eye is brought up, Rin declares that she was the one who seduced Hatsu.

Akito doesn’t hold back on the verbal or physical wrath, calling Rin wicked and devious “like all women” and calling her flowing black hair “repulsive”. Seemingly feeding off Rin’s fear by grabbing her, Akito tells her she has no value other than filling one of the Zodiac slots before throwing her out the window. This is witnessed by Hiro, and if he hadn’t, Rin might well have bled out. Instead, she’s still alive…and wishes she wasn’t.

For all of those times I misinterpreted Rin’s standoffish, quick-to-anger nature in the few scenes in which she interacted with others, I can only beg for the character’s forgiveness. She’s had every right to act the way she has. It’s now crystal clear she broke up with Hatsu in order to save him from Akito’s wrath, as well as her own belief her love for him would be so heavy it would one day crush him.

I can only breathe a sigh of relief that Rin is now in the safest possible place: in Shigure’s house and in Tooru’s care. She may act like every bit the wounded horse upon coming to, and stubbornly reject any and all offer of help from Tooru, but the fact is the two share the same goal, and they’ll need each other if they’re going to make any progress.

So ends the darkest and most devastating episode of Fruits Basket to date, an absolutely unrelenting look at the destructive effects of the Zodiac curse on its members. Few episodes of anime hit me as hard as this one. Rin is at absolute rock bottom, neither wanting nor feeling she is deserving of love, happiness, or anything at all. But if anyone can help her, it’s Tooru. As long as Rin is alive, there is still hope. And I hope to hell she gets the redemption she needs and deserves.

Princess Connect! Re:Dive – 05 – Hospital of Horrors

This week Yuuki has a bad fever, so the girls take him to the hospital. At least, they think it’s a hospital. The eccentrically dressed (even for this world apparently) Doctor Mitsuki and her nurse Nanaka assure them that they’ll have Yuuki feeling “30% better” in no time, and to leave him in their care.

Turns out Mitsuki and Nanaka are part of a guild of dark mages called Twilight Caravan who bring in the injured to use for their experiments. Their third member Eriko, possibly the most unhinged of the three, is the very person Yuuki “rescued” with an onigiri, and is convinced he’s her “soulmate.” What she intends to do with him is left shrouded in mystery…but it can’t be good, right?

What had been a “make sure Yuuki gets the medical care needs” mission turns into a “rescue Yuuki from the demonic hospital full of loons”—note neither has anything to do with cooking or food. Kokkoro creates a diversion with her stinky backwater ritual while Karyl and Pecorine grab Yuuki and sneak him out of the hospital. But Karyl realizes if the others are going to get away successfully, she must offer herself as bait to distract the doctor and nurse.

While Yuuki is rescued, the party simply swapped his captivity for Karyl’s, who appears in the sky with her thumb up in a less-than-convincing sign she’s okay. However, when they visit another doctor in town, he confirms that Dr. Mitsuki is legit and that the lad will be on the mend in a couple of days. That means Karyl will probably be fine when—and if—she’s released.

While I usually don’t give much thought to source material of anime I watch, the fact that this is based on a game with lots of colorful players was not lost on me when a bunch of new characters were introduced. This week there’s no sign of those, but instead we get yet another set of introductions, and while they are indeed colorful there’s not much else to them, and their antics rob time from the core quartet and their culinary mandate.

Fruits Basket – 29 (S2 04) – Reflect and Repent

We’re dropped right in the middle of some drama involving Haru and the heretofore never seen Horse of the Zodiac, Souma Rin. Specifically, Haru is sprucing up her hospital room with some fresh roses, but Rin wants him to buzz off, because she’s tired of him.

The next day at school, Dark Haru causes a rampage in his classroom. Yuki and Kyou are lucky enough to get to him before he hurts anyone, but the Haru they encounter knows just what buttons to press to anger both of them. Yuki keeps his cool, but when Haru goes for Tooru, Kyou slugs him, and then the teacher douses them both with cold water. Haru reverts to cool Haru, but must wait for his parents to arrive and discuss his punishment with faculty.

It’s a fine mess he’s in, but Haru thanks Kyou for holding him at bay, and Yuki later pays him a visit to see what’s eating him. Yuki may preface their talk by saying he only thinks of himself (unlike people like Tooru), but the fact he came because he was worried about Haru proves that’s not true! By the same token, if Haru only thought of others, he’d never turn Dark, as he did when Rin dumped him.

Haru ends up being suspended (not “suspected” as Momiji puts it) by the school, and while walking home, learns Tooru is worried about Haru. Yuki is too, and decides now is as good a time as ever to exit another comfort zone and pay Haru a visit, even if it means returning to the Souma Estate, source of so much childhood trauma. He’s physically dwarfed by the gates and walls and even suffers a brief panic attack, but steps through them all the same—not just for Haru, but for himself.

Yuki walks past his nagging mom and makes a beeline for Haru’s, but finds that Haru isn’t in any particular need of cheering up. His version of “reflecting and repenting” is goofing off in his room, playing video games, snacking, and reading magazines. Still, Haru is both shocked and grateful that Yuki actually came to see him, knowing full well how hard it must’ve been.

Haru resolves not to give up on Rin, despite her harsh words. Yuki also spotted Rin entering the estate before him. He doesn’t run into her on his way out, but she sees him, and the look on her face suggests she isn’t the most pleased about him visiting Haru, or the estate, or something.

The personality traits of the Horse include being passionate, determined and uncompromising, beautiful and stylish, short-tempered and impulsive, given to starting and ending relationships quickly, eager to save face yet not eager to admit their mistakes. We haven’t seen much Rin yet, but so far all that tracks! I look forward to getting to know her.