Kakegurui – 11

When Yumeko gives up two queens, it convinces Kaede she’s going for the choice to make the “weakest” hand win. When Itsuki fronts 100 chips for Yumeko’s cause, Kaede stays on the “high road” and simply continues to raise, knowing he has enough funds to best them and choose “strongest.”

Just as he expected, Yumeko raises and raises until there’s no more money left, until she brings up life plan she got from the council when she was in deep debt, stating one’s “life” in terms of the value appraised by such plans should be a bet-able commodity.

While Itsuki initially struggles with offering the value of her own life for Yumeko’s sake, she realizes she can’t win and stop Kaede and others from looking down on her if she isn’t willing to bet everything she has and everything she is and ever will be. As a symbol of her wager, she tears out her fancy nails with her teeth – which really would hurt more than she lets on!

Kaede doesn’t accept the raise at first, as he considers the life plans given to livestock to be mere collateral until debts are paid. But as dealer the Vice President gets to decide, not him or Yumeko, and she decides the bet is valid to the tune of 10 billion yen. When Kaede bristles at her authority, she removes her mask to reveal she is President Momobami; she never left.

This is where Kaede, in a desperate bid to regain control of the game, decides he’ll raise Yumeko and Itsuka once more by betting his own life, thus straying from the high road he was assured would take him all the way to the national finance minister’s office. He believes this can only happen if he usurps Momobami, and Itsuka’s funds are a crucial means to that end.

Having raised his life, Kaede is awarded choice, and chooses “strongest.” Itsuka’s initial reaction looks like one of shock over putting all her hopes in Yumeko and losing again…but Kaede’s three 8’s are no match for Yumeko’s three Jacks, and Yumeko and Itsuka are victorious. All because he left the high road…and couldn’t stop looking down on Itsuka, inspiring her to defeat him at all costs.

The loss leaves Kaede unconscious, with hair as white as snow, as if bled dry of all vitality. As he’s carried off by medics, Itsuka feels bad for him, without whom she’d never have gotten into the council, or stood where she stands now. Yumeko can’t help but think how beautiful is the sight of someone who bet everything…and lost.

That leaves Momobami and Yumeko boring holes into one another with their blue and red eyes, respectively. Having beaten Kaede (and drawn out a side of him she’s never seen), the president has all but confirmed that the one gambler who has a snowball’s chance in hell of standing beside her is this Jabami Yumeko person.

Yumeko seems to be similarly interested in what Momobami is capable of, and deduces her the root of her discontent all along, even as she watched the life escape from countless gamblers: What Momobami wants most of all is to see herself in that position…and that requires someone other than herself; someone who can surpass her. She can’t wait to see if that’s who Yumeko is, and Yumeko can’t wait to show her.

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Kakegurui – 10

Fresh off of beating Yumemi, Yumeko challenges Manyuda to an official match in front of the same crowd, without so much as an intermission for bathroom breaks! The Vice President (she of the white mask and distorted voice) steps in as dealer of a game called “choice poker”, in which no folding or calling is allowed, but the last person to raise can decide whether the stronger or weaker hand is the winning one.

In the crowd, both Mary and Sumeragi recognize that this game overwhelmingly favors the player with more money; in this case, Manyuda with his 100 starting chips over Yumeko and her 31. But having watched three other council members fall to her, Manyuda has a good basis of data upon which to calculate the best strategy to defeat Yumeko.

Specifically, he knows she’s a compulsive gambler and a little insane, and so needlessly makes risky raises despite the fact this is a game of more measured, one-chip raises. Sugita Tomokazu’s inner monologue dominates the episode, and at times it sounds like a slightly less apathetic Kyon is playing a particularly serious game of cards against Haruhi.

But at the end of the day, it’s a simple card game, with simple rules, and when Manyuda sticks to fundamentals, he manages to easily bait Yumeko out of all her chips. It’s then when Yumeko beseeches Sumeragi, who said she wanted to be her friend, to bail her out with more cash.

It’s revealed that Manyuda recommended Sumeragi’s entry into the Student Council, after she proved to him they had similar levels of ambition, but when Yumeko beat her she was discarded, and Manyuda concluded Sumeragi never had the talent to match her lofty ambitions.

That doesn’t stop him from appealing to her desperation in trying to return to a position of power where she can again vie for the top spot, as well as inherit her family’s business, something only possible with a council seat, so he dangles that over her head to counter Yumeko’s request.

Sumeragi doesn’t fall for it, instead pledging 100 chips to Yumeko, hoping to exact revenge on Manyuda, who only ever saw her as a pawn; a stepping stone on his own road to the top. Yumeko rarely looks that reliable, but Manyuda is clearly underestimating her. There’s a method to her madness she has yet to reveal to anyone—perhaps even herself!

Kakegurui – 09

Yume-Yume was soooo confident her victory was a lock with this idol gambling competition with Yumeko, she already planned details for her opponent’s future such as sleeping up the corporate ladder and having a porno debut. It’s not really personal; Yume is trying to get to the top of the celebrity mountain, and she needs stepping stones.

So it comes as a shock when Yumeko beats her , just because the competition included just enough luck to favor her over Yumemi. Yumeko’s luck is so conspicuous, it even gets in Yumemi’s head, as thoughts of Yumeko’s doomed future are replaced by the very real present possibility that rant recording will be played and ruin her career.

But here’s the thing: after handing over 50 million yen, and after Yumeko plays the recording to the entire crowd of 100—most of them in Yumemi’s fan club—and afterwards when she confesses and thanks those fans for cheering her on thus far…they don’t abandon her.

Of course they don’t, what self-respecting super-fan would be put off by the discovery of another layer of their idol? They love her unconditionally, and don’t ask for her love in return. In fact, they love her even more because she was honest!

Throw in the fact more than a few of those fans quite enjoy Yumemi yelling at them and telling them they’re scum, and you can see why there weren’t any shots of Yumeko’s reaction to their collective shrug: she too knew that real fans wouldn’t care about Yumemi’s rant.

Well, the game’s over, the money’s been paid, the ‘blackmail’ material backfired as planned, Yumemi’s idol career is safe, and she learned a valuable lesson. Time to SING! And hey, credit where it’s due: Kakegurui actually bothers to animate the two Yumes dancing and singing through the credits.

After that, Yumeko reveals the reason she fought Yumemi at all, besides the thrill of the gamble: she wants to have another gamble with a superior foe: Manyuda Kaede, the Sudent Council member who put the whole idol competition together.

When Kaede pleads innocence and demands proof he “deceived” Yumemi with the fan letter that set her off, Yumeko rightly points out they’re not in a court of law, but in a gambling school. She challenges him to a gamble in which the winner’s story will be deemed the truth.

Kaede refuses…but Yumeko to use her Miké tag to request an official match; one Kaede cannot refuse. Looks like Yumeko was using Yumemi as a stepping stone to Kaede, and eventually, the president herself.

Prison School – 03

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Three episodes, in, and I’ve been subjected to three sickeningly funny, pants-shittingly good outings by Prison School…and hope is still alive that Kiyoshi will have his date! But while there’s plenty of sex and toilet humor, and enormous boobs to be had, there’s also taut, witty dialogue, tremendous voice performances, and a solid narrative replete with “cause and effect” situations. And holes. Lots of holes.

Cause: the guys peep on the girls. Effect: they’re thrown in Prison School. Cause: Kiyoshi escapes the scorn of his sweetheart. Effect: the date is still on, he just needs to break out. Cause: Kirihara also has a secret he needs to conceal. Effect: Kiyoshi’s Plan A fails, and he’s forced to move to a more daring Plan B.

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But those are just the main plot points. There’s also the fact that Shingo, Andre, and Joe start getting suspicious when Kiyoshi and Gakuto start spending so much time together, while they start to suspect Shingo is on to their escape plan. Then Shingo catches them in the shower in a couple of very compromising (but ultimately innocent) positions, giving Shingo the idea that his two friends have begun a physical relationship. And while his initial reaction is shock and horror, he accepts Kiyoshi for who he is. What a nice friend!

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As for the holes I mentioned, a change in their duties the day of his date means Kiyoshi must find an alternate covert route to his hole in the wall, so he uses a drainage channel. While hiding there, he comes across an even smaller hole, through which he can watch Shiraki doing Hindu squats, as is her wont, from the most favorable possible angle.

But again cause and effect rear their ugly heads: due to his position, when Shiraki’s stiletto slips and falls through a hole, it goes right into Kiyoshi’s hole. The resulting blood makes his friends, who’ve been told about him and Gakuto by Shingo, think he pitches as well as catches. But Shingo makes the excuse to Shiraki that Kiyoshi has hemorrhoids.

That segues nicely into Gakuto’s revised plan for Kiyoshi to escape: using an audio recorder with sounds of flatulance to serve as a diversion for Kiyoshi while he’s away. Only their internet access is restricted, so he must record those sounds himself.

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The Three Kingdoms-obsessed Gakuto is always extremely formal and archaic in his speech patterns and vocabulary, so when he and Kiyoshi discuss the pros and cons of what he’s about to do, it’s given all the pomp and heft of a far nobler venture than intentionally shitting oneself in computer class. Yet Gakuto sells the ever-loving shit out of it, cutting loose and producing the necessary audio to aid Kiyoshi—who is, after all, getting him his ultra-rare 3K figures.

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Cause and Effect strike again, when a weak-willed Kurihara, having dug up the booty pics he buried, re-buries them in concrete, he also patches up Kiyoshi’s escape hole. But Kiyoshi doesn’t despair long; he decides he’ll break out by dressing as a girl (snatching a uniform from the laundry truck that will come Friday) and walking out the front gate with the other girls. This is a very old, very stupid bit, but I have full confidence in Prison School to put its unique mark on it when the time comes.

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That confidence is even further buoyed by the final dramatic set piece of the episode, a masterpiece of movement, timing, and ecchiness. Gakuto, who seems a little more weary of Kiyoshi’s chances of success, seemingly goes nuts when he’s supposed to lay low, getting up in Shiraki’s crotch, being smothered in her bust, and finally pulling down President Mari’s skirt. What is his deal…has he lost it? Or is this another plan? Is he creating a cause for some intended effect? We shall see, my friends.

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Ookami Shoujo to Kuro Ouji – 02

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Pretending to be dating the school Prince has its benefits, like when Sata comes with an umbrella to take Erika home in front of a jealous Marin and Aki. But its immense costs of the lie are starting to mount, and I’m not just talking about her self-esteem: half of the school is in love with the Prince, and all agreed to a “look but don’t touch” policy to keep the peace.

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Between the resulting abuse from that at the continued humiliations she has to suffer when no one’s looking, from holding his umbrella for him to serving as a shield for car mud, to having to actually fetch a stick, one would imagine Erika is getting tired of this charade, which would mean Sata is winning. Her real friend Sanda tells her to just give it up and find a real boyfriend, or at least look for viable alternatives to the Black Prince, or otherwise quit griping.

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Erika for her part is aware of the shabby treatment she’s enduring, but part of her sees it as a battle of wills: she knows Sata is going the extra mile to torture her, and she’s not going to surrender so easily. Sanda perhaps rightfully sees it as simple masochism on Erika’s part, but she doesn’t actually enjoy being treated like this. She’d like a little romance, like the kind she still sees in Marin and Aki’s relationships. (For all we know, they’re both lying too!)

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She finally experiences some, or at least a very realistic simulation of it, in her interactions with Kimura, after surveying the field of guys and finding them lacking (an amusing mini-montage). Because Erika hasn’t so much as fallen for a guy before, she’s particularly vulnerable to deception, and Kimura fools her hook line and sinker, along with us, right up until she admits to him she’s not really Sata’s girlfriend.

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Since the whole point of Kimura being nice to her was to steal her from Sata for revenge, he drops the act like the flipping of a switch, even rubbing it in what a cheap moron she is for falling for his ploy. That’s when Sata reveals he’s been stalking them the whole time (!) and despite saying he hates violence, clocks Kimura. While he’d never admit it, Kimura did succeed in making Sata jealous.

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This is where the show makes the argument that despite the fact both guys objectify and use Erika by exploiting the weaknesses in her personality, Sata is the lesser of two evils…and in this, it mostly succeeds. Sata, after all, doesn’t seem to be maintaining the boyfriend fiction for any ulterior motive I’m aware of; his behavior towards Erika is a lot more sincere, even if he does code it with unfortunate pet dog references.

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There’s also the notion floating around that while Kimura hurts Erika for no real reason other than spiting Sata, Sata’s dog-and-master act seems to come from a buried desire to reform Erika. He’s not saying it, but his actions scream “Things don’t have to be this ridiculous. If you don’t like the way things are between us, you have the power to change it. His latest heroics have her heart starting to skip for him; will she garner the will to abandon her lies and games?

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It still seems there’s a legitimate risk in doing that, as Marin and Aki would surely not take kindly to learning she lied (again, even if they’re lying too) and she’d still have the scorn of every girl who likes Sata. And even after all that, Sata might reject her, like he rejects all girls. The risk is acceptable, and preferable to continuing to maintain falsehoods that open her up to intentionally shabby, degrading treatment. But that doesn’t make Erika’s choice any easier.

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