Princess Connect! Re:Dive – S2 09 – Hasta la Vista

Pecorine is ready to tell Karyl that she’s Eustiana von Astrea, and wants to do so, but in trying to find the perfect time, she ends up missing her chance more than once. This is something for which Pecorine should really take Karyl by the shoulders and say “this can’t wait!” But Karyl is off … somewhere, and so it must wait.

That somewhere is the castle that by rights should be Pecorine’s, where Karyl finds Kaiser sleeping fitfully in her bed. When Karyl mentions she brought homemade onigiri from the princess rice harvest, Kaiser remembers Peco’s words about having a meal together, and decides to indulge Karyl by eating with her.

On her way home, Karyl is intercepted by Yuuki, Kokkoro, and Pecorine, who are on their way to a festival in the shopping district. They sample the many delicacies for sale as well as avail themselves of the festival games, like cork rifle shooting. Everyone has a wonderful time.

Kokkoro even takes Yuuki with her to give Pecorine another shot at telling Karyl, but decides instead to follow Karyl’s lead and just savor the lovely, moment they’re in … a moment Karyl wishes would last forever, but of course won’t thanks to all the other very distressing stuff going on in another dimension.

That big blue in-between space becomes the venue for the mother of all PriConne battles, as Labyrista decides the time is right to take care of Kaiser once and for all. I believe it’s the first time we’ve actually heard Kaiser Insight’s name.

A ridiculously epic battle between Seven Crown members ensues, with the two going so far as to hurl entire conjured goddamn moons at one another. I’ll be honest: this more epic, plot-heavy stuff isn’t why I watch PriConne, but I can’t deny it’s badass as all get-out.

Labyrista has a good plan, and Shizuru and Rino running Shadow interferance on her behalf, but Labyrista has the captive (and clearly immensely powerful) Metamorregnant at her disposal. She snatches victory from the jaws of defeat by teleporting Karyl to use her as a meat shield, and then stabbing Labyrista through the heart after taking advantage of her momentary hesitation.

The timing really couldn’t be worse for poor Pecorine, who was just entering Karyl’s room to talk to her when Karyl was poofed awa, leaving only her beloved stuffed animals. Will Karyl ever return to that room? Will she ever see the others again? PriConne doesn’t get much darker than this, but like Labyrista, I’m willing to trust that Yuuki saying he’ll protect everyone this time isn’t just idle talk. Maybe Kaiser shouldn’t rest on her laurels just yet…

Princess Connect! Re:Dive – S2 08 – The Rice Harvest

The Gourmet Guild starts this episode out split up, each member on a different errand or with a different plan for the day. Kokkoro heads into town to mail a large stack of letters when she encounters Suzuna and Misaki, two students at Lucent Academy with exceedingly bad grades. When bandits steal the guild’s treasure—and the letters—Kokkoro teams up with the busily-costumed kids to tack them down.

With help from Kokkoro’s faerie friends, locating the bandits’ hideout is no problem; the issue is getting their letters back without being detected. Misaki decides that detection is the whole point, and proceeds to attempt to use her “mature feminine pheromones” to distract the bandits. But once she starts pole-dancing on her staff, they lock her up as a little kid who is “messed up in the head.”

Meanwhile, Yuuki is wandering the capital, wondering why he forgot his old companions and couldn’t protect them. Labyrista bumps into him and provides an ear to listen, as well as some advice: he has a group of friends and companions now; he should just focus on them. Yuuki vows he won’t let Pecorine, Kokkoro, or Karyl come to harm this time. Across the city, in the palace, Karyl inadvertently snoops on Kaiser bathing.

As for Pecorine, she’s been harvesting rice all day in between catnaps, but spots “Princess Eustiana” in the field, worried that if the others know her true identity, they’ll forget her and everything about her, and she’ll lose everything all over again. She wakes up in tears.

Kokkoro and Suzuna manage to free Misaki, but not before getting spotted y the bandits, who chase them through the forest. Thankfully, the kids’ teacher Io-sensei saw the large cloud of smoke Kokkoro used and brings the city guard, led by Tomo, to arrest the bandits and recover both the treasure and the letters. But when it comes time to mail their letters of recommendation to another school, Suzuna and Misaki rip them up instead, choosing to stick with Io-sensei.

While surely unsettled by her dream, Pecorine is soon joined by Yuuki and then Karyl, who are back home and ready to pitch in. Their arrival means more to Peco than they know, considering how troubled she was, and the work goes that much faster…although there’s still a lot of rice to harvest. That’s where the purpose of Kokkoro’s many letters comes into focus.

Kokkoro arrives with dozens of friends in tow—a veritable who’s-who of PriConne characters, answering Kokkoro’s call to lend a hand (or hoof). The harvest is thus finished in no time, and a grand feast is prepared that everyone shares in, celebrating both a job well done and their friendship.

Pecorinehas a seat under a tree with Kokkoro, and sees the “ghost” of Princess Eustiana again, only she simply smiles at Peco, and Peco smiles back. She tells Kokkoro (who couldn’t see the ghost) that after losing everything she never thought she’d have a meal like this with everyone again, but is so happy she can, she starts to shed tears of joy in between bites of her onigiri.

Kokkoro can’t help but follow suit, and Peco tells her that she’s finally ready to tell Karyl and Yuuki who she really is—the true crown princess of Landosol. From seemingly innocuous errands, we arrive at the cusp of a major declaration.

Rating: 4/5 Stars

Vanitas no Carte – 19 – Quelqu’un avec qui se Blottir

The prison Chloé has found herself in for centuries was never entirely of her own making. Its bars were forged in part by her love of her father, and his lifelong devotion to returning her to human form. As much as she loved her father, the human Chloé d’Apchier he loved was gone and could never come back. Because of this, the vampire Chloé always felt alone, even before her father and the rest of the d’Apchiers died.

Astolfo is also in a prison, albeit one that doesn’t also hold everyone else: his anger over being betrayed and grief over the slaughter of his sister and family set him on a laser-stright “Kill All Vampires” path. Noé may have suffered equal or greater torment, but has Vanitas by his side to tell him not to lose himself in that rage, even if he can’t back down.

…But back to Chloé, who only got more and more sympathetic and compelling as her arc progressed. Within the prison built in part by the loneliness of a father who couldn’t accept or love what she’d become, she chose to stay there, but now that it’s crumbling around he she has a choice: stay within its bars and vanish into oblivion, or take the hands of the two people who do love her for who she is—Jean-Jacques and Jeanne—and let them pull her to freedom. Chloé wisely chooses the latter.

As J-J and Jeanne pull her from the black cage, Vanitas uses the book—and begs for Luna’s strength—to obliterate that cage and the false world of endless winter around it, as well as reveal Chloé’s true name: Canorus, “she who makes music with snow flowers.” As the cursed world vanishes to reveal blue skies and patches of astérique flowers, Astolfo finds some relief in the arms of his senpai, Roland.

Chloé finds herself in one of these astérique patches, and her first action is one of anger, slapping and then uppercutting J-J for letting himself get so brusied and bloodied. But once that passes, her eyes fill with tears of relief and joy. The flowers remind her of when she looked up at the sky with lil’ Jeanne, thinking if she could die, it would be on that day. But now she wants to live, and J-J is there to love, accept, and be there for her, warts and all.

Seeing Chloé and J-J embrace, Jeanne’s thoughts turn to Vanitas, and when she finds him, she can’t hold back her relief, gratitude, or joy. Their relationship may have started out fraught, but all Vanitas has done since then is what he said he’d do. She thought Chloé was beyond saving, but he showed her there was another way. He also saved her from the regret of not having saved Chloé befoe. Jeanne celebrates by lustily drinking Vanitas’ blood, and then planting a pure yet passionate kiss on his cheek.

Nobody may yet live happily ever after. There’s the looming threat of Ruthven’s control over Noé to kill Vanitas, Vanita’s spreading affliction, and the consequences for Chloé, Jeanne, and others by the powers that be. But right now, none of that matters. Jeanne’s radiant smile says it all—Everyone can relax, at least for a little while, with the clear blue sky above them the pale blue flowers below, and the ones they love beside them.

When Vanitas and Misha were little, Luna told them that everyone, be they human or vampire, is alone, and most of them go their entire lives never understanding themselves. That’s why they reach out for someone to snuggle with and keep them warm in a cold world; who will accept and love them for who they are, and thus no longer feel as lonely. Chloé and Jean-Jeaques have each other, while Vanitas now has two such someones in Jeanne and Noé.

Princess Connect! Re:Dive – S2 07 – Foggy Memories

On their way to the tavern for a meal after tending some fields for a job, the Gourmet Guild encounter Ayane and Kurumi, who live at Sarens orphanage. Kurumi is extremely cute and shy, while Ayane carries around a staff with a seemingly sentient bear named Pikuchi on the end of it (though Karyl suspects ventriloquism).

The Serendia girls join the guild, but they soon encounter Chika of Carmina looking very much the worse for wear. Kokkoro heals her in the tavern, but she seems to have lost her memories and forgotten who she is. This tracks with the cold open of her running through the forest from what sounds like a laughing spirit, cursing herself for unsealing it.

Chaos reigns in the tavern when Kurumi’s memories are manipulated, turning her into a girlfriend who slaps the shit out of Charlie and demands he leave his (nonexistent) wife. Then Chika’s memories change again, and she starts to exhibit animal-like behaviors like licking and biting. But she also saves Ayane from getting hit by an errant bottle.

This clues Ayane in to the fact that somehow her beary good friend Pikuchi is inhabiting Chika, and helps the real Chika to surface so she can explain what’s going on. Her, Ayane, and the tavern owner’s strange behavior is due to memory manipulation by Foggy, the great trickster spirit of memories. Chika was trying to help Yuuki get his memories back, but instead all this happens.

Peco and Karyl are dispatched to the spring where Foggy’s seal lies; on the way Karyl twists her ankle, but Peco is happy to carry her the rest of the way. Its nice in the midst of an episode packed with so many characters that these two get a little alone time; their first since the two found themselves at the bottom of that pile of golem wreckage. As Karyl picks burrs out of Peco’s locks, Peco likens her to a big sister, with Kokkoro as their mom and Yuuki as their litle bro.

A helpful bird points them to the location of Foggy’s seal, and soon they’re back in town, revealing Foggy’s true form. When Peco slices Foggy in to, it splits into four Foggys, but Chika, who is herself again, sings her signature song of spirits, and Nozomi backs her up in taking care of the trickster spirit.

Before that happens, however, Foogy launches an attack at Peco, whose Princess Strike split it into four. When Yuuki shields her, he’s hit by a sudden rush of memories of a previous life he shared with a totally different family-like guild, led by a girl named Yui. The five-person party is preparing to go to the Sol Tower. Just the latest chapter in Yuuki’s mysterious and complex backstory.

With Foggy dealt with and everyone back to normal, Ayane and Kurumi set up a lemonade wagon, treating their new friends and local kids alike and showing that Saren really is the best orphanage mama. That said, it was some kind of tawdry romance novel Kurumi found at Saren’s orphanage that was the source of her switched out memories, so…maybe hide those from the kids!

As everyone enjoys their lemonade, Yuuki keeps looking up at the Sol Tower that looms high in the sky over Landosol, as if looking at it long enough may help him to remember more of that life. Kokkoro, who’s always been most attuned to Yuuki’s behavior, can sense something’s wrong, but even Yuuki probably couldn’t tell her exactly what. Perhaps more answers will come in time, but even if they don’t, there’s plenty to love about the family he has here and now.

Attack on Titan – 80 – When the Walls Fell

Eren thanks his older bother for taking him into their Dad’s memories…it’s how he was able to push Grisha into fighting the King of the Walls. Eren saw his future when he kissed Historia’s hand, but Zeke still thinks he has Eren in check. After all, Eren didn’t know he couldn’t use the Founder’s power in the Paths. What Zeke didn’t know is that Eren would rip off his own thumbs to escape his bonds and stop Ymir from obeying Zeke’s command.

What follows is the long, sad story of Founder Ymir, from back when she was just an ordinary girl delivering water to those who needed it. One day, her world was set ablaze by a raiding army, and her life of selfless service became one of brutal servitude. When a pig escapes the barn, all the other slaves point their finger at Ymir, as if confirming that she is the one to bear all of the pain and suffering of this world.

Ymir is “freed”, but only so her captors can hunt her. Run through by two arrows, she collapses at the foot of a massive tree, with a hollow that leads to a massive underground lake. There, she encounters…“something”. Be it an alien, parasite, or god, it imbues Ymir with the power to transform into the first Titan—the Founding Titan.

The King of Eldia uses Ymir as a weapon with which to create a massive empire and conquer Marley; he also claims her as his consort. She bears three daughters—Maria, Rose, and Sina—and when an assassin tries to kill the King, Ymir takes a staff through the chest. In one of the more graphic scenes of the whole show, he eventually chops Ymir up and forces his daughters to eat her so the Titan power can be carried on.

Ymir’s daughters procreate, then their offspring procreates, each time creating a new branch on the tree of life in the Paths. Meanwhile Ymir returns to the form of a young girl walking slowly across the endless sands, up and down ramps, building Titans one bucket at a time. Even after death, she could not escape servitude, nor the responsibility that came with her chance encounter with “something.”

That is, until 2,000 years later, when Eren arrives, and instead of ordering to end the Eldians forever, he gives her a hug and tells her she’s neither a slave nor a god, and never was. She’s just a person; a person who has been waiting for someone like him. For the first time, Ymir’s empty eyes come to life and shed tears, and she makes the same face Eren made when he saw his future four years ago.

I don’t know if it’s Ymir, the “something” within her, or both who decide to side with Eren, but it is the “something” we see connecting his head to his neck even though Gabi just blew it off. Thanks to them, Eren is still alive, and the Rumbling commences.

And let me tell you, it is something to see. The walls begin to crumble—not just Maria, but all three—and out of their ruins, a terrifying legion of Colossal Titans. But even they are dwarfed by Eren’s latest and possibly final form, an intricate construction of ribs and spines. There are now three different orders of scale—Mikasa and Armin, the Colossal Titans, and whatever Eren has become.

Fortunately for Mikasa and Armin, they are not crushed or obliterated in the clouds of debris the Rumbling creates. Armin is proven half-correct, in that Eren was their ally all along, and looking after the people behind the walls. I say only half-right because Armin did not imagine Eren would bring all three walls down. Doing so means he has far larger designs than merely crushing the Marley alliance.

Eren confirms those greater ambitions in a telepathic communication that reaches every single Subject of Ymir, both on Paradis Island and the rest of the world. He’s sick of the world trying to annihilate his people, so instead he and his army of Wall Titans will annihilate the rest of the world. He won’t stop until every enemy city, town, and village, and every non-Eldian life, is extinguished. I don’t see how anyone can stand in his way.

Attack on Titan – 79 – Days of Future Past

The Paths are a place where past, present, and future intersect, but Zeke is content to use a trip down memory lane to show his little brother how their father Grisha “brainwashed” him into becoming a Restorationist. But things don’t go how Zeke plans, as he ends up learning more about Grisha that complicates his long-standing feelings of resentment stemming from his dad abandoning him and starting a new family.

We learn that Grisha found the Reiss family’s underground chapel years earlier than we thought, but chose instead to delay his mission so Eren could have a normal childhood. It’s here, in Grisha’s basement, where Zeke learns his dad didn’t forget him, keeping a photo of him and his mother close by. It’s also where we learn Zeke and Eren aren’t merely invisible observers, as Grisha senses Zeke’s presence but assumes he’s only dreaming.

As Eren stands by patiently, Zeke learns that Eren was never actually brainwashed. When Eren saved Mikasa and killed the monsters in human skin, he was being the same Eren Yeager he always was: neither a weak nor convenient little brother Zeke could use to facilitate his plans or share his scars. Even so, Zeke is determined to “save” Eren (i.e. get him to come around to his thinking) before he saves the world, which he says he can do at any time.

The harrowing incident Eren experienced with Mikasa eventually led to him telling her he wanted to join the Scout Regiment, which Mikasa relays to their parents. Eren doesn’t just want to protect those he loves, but wants to know what lies beyond the walls. Carla pleads with Grisha to discourage their son from taking this path, but Grisha knows there’s no stopping “human curiosity.”

In a return to the truly creepy underground chapel, Zeke and Eren watch Grisha try to convince Frieda to let him use the power of the Founder to protect the people in the walls from the Titans beyond it. Grisha even tells Frieda something she doesn’t know: that the Attack Titan within him can see into the future by having access to the memories of its future inheritors. But when it’s time for Grisha to eat Frieda and kill her family, he can’t do it. At least not until Eren whispers into his ear, reminding him what he’s come to do … and why.

Zeke may have the Founder Titan, but like Frieda, he’s unable to see the future like Eren can. This is why Grisha, after he kills the Reisses and gains the Founder, warns Zeke that things are ultimately going to go Eren’s way, not Zeke’s. He knows this because he’s already seen Eren’s memories of that future. All he can offer Zeke is a hug, his tears, and the affirmation Zeke always sought deep down: that he was loved and not forgotten by Grisha.

Following that cathartic embrace, Eren and Zeke return to the uncanny land of the Paths, and while Eren is still chained to the ground, he doesn’t seem the least bit concerned. Why would he? He knows the future, and if Eren has anything to say about it, it won’t involve the euthanization of the Eldians.

My Senpai is Annoying – 08 – Not Just Another Day

It’s Golden Week, and this episode is all about our two couples. Kazama and Sakurai go on the date to an aquarium that Kazama was brave enough to propose. Kazama likely believes he isn’t “worthy” of Sakurai or that he’s “out of her league”, but Sakurai likes him for who he is and he shouldn’t overthink things. Instead of worrying about how he could say or do things differently to make their date better, he should just enjoy the damn date!

Futaba has her Golden Week all figured out, sourcing her plan for the week from periodicals touting the proper route to becoming “a capable woman.” Of course, this is nonsense, as we know that as someone who has lived on their own since junior high and has a good job and wonderful friends,

Futaba already is a capable woman. But when the scenario of a horror TV program is eerily similar to hers, suddenly she doesn’t want to be alone. Takeda, sensing Futaba’s anxiety in just a 27-second phone call, comes calling, and Futaba is elated.

Kazama may be extremely self-conscious throughout most of the date, but Sakurai is having a perfectly good time watching cute sea animals, and especially when they meet a dolphin named Souta (Kazama’s first name) who has the same “unfriendly stare”. There’s even a stuffed Souta that Sakurai photographs with Kazama and laughs about, but Sakurai isn’t laughing at Kazama, she’s laughing because she’s having fun with him.

Futaba and Takeda also have fun on their day off, going to an arcade then out to ramen at Takeda’s go-to spot . They mention to each other more than once that this day kinda feels like work, but that’s only because they’re together.

Between the laid-back atmosphere of the ramen joint (unlike all the other restaurants busy due to Golden Week) and Takeda winning Futaba a crane game plushie simply because he wanted to, it’s a very good thing that things feel so normal and right when they’re together, at work or not.

After leaving the aquarium, Kazama suddenly has a notion and asks Sakurai to stay put until he comes back. But again, Sakuai becomes the target of unwanted attention, this time from two strangers who really want her to try mafé, with one of them even grabbing her arm.

When Kazama returns, he rescues Sakurai by borrowing a line from a shounen manga, of course. Kazama claims Sakurai is “his”, which is not always okay in some situations, but obviously Sakurai is into it and not about to contradict him. Also, it goes both ways, with Kazama being every bit hers as she is his.

Once again Kazama is embarrassed about his words and actions, but has no reason to be; for the only person who matters—Sakurai—he was very cool, and once again proved himself as someone who has her back. As they walk to the train, she uses his first name Souta to thank him. Of course, the item Kazama went back for was a Souta the dolphin plushie, so she could’ve been thanking him…but c’maaahn. She was totally thanking Kazama the guy!

As it has with previous episodes, Senpai continues to excel at portraying warm, cozy instances of two couples enjoying each others company. Kazama and Sakurai seem well on their way to dating, and even if Futaba and Futaba aren’t, they’re definitely much more than just co-workers.

Rating: 4/5 Stars

SAKUGAN – 08 – EASIER TO RUN THAN REGRET

Rufus was going to be Gagumber’s last partner. When things went sour with Memenpu last week, Gagumber remembered why he didn’t want, didn’t need, and shouldn’t have a partner, even if it’s his daughter. While Memenpu wanders off to sulk in his old hometown, Gagumber drinks with a recovered Yuri and reconnects with the old man who ran the marker shop.

Zackletu, who had been by Yuri’s bedside, tracks down Memenpu and treats her to the local specialty of tea-in-a-plastic bag. She gets Memenpu to open up about what’s troubling her: about the dream that felt like more than a dream where Gagumber died, and how she can never really hate Gagumber. But once we get a good look at Rufus’ little “brother” Zack, I felt like things were going to take a turn.

And turn they do. Turns out the tea Zackletu gave Memenpu was drugged, and she kidnaps her and uses her as bait for Gagumber. Zack was actually Rufus’ kid sister, not brother, and when she became convinced Gagumber was responsible for Rufus’ death, she spent a huge sum of money for Yuri to track him down so she could get her revenge.

What finally pushed Zackletu into carrying out her plan was seeing how blithe and callous Gagumber was being to his new partner and daughter Memenpu, after what she saw as him abandoning her after Rufus’ death. It was definitely shitty for Gagumber not to follow up with Zack. Does he deserve to die over it? Even Zackletu isn’t sure, as she fires a lot of bullets and detonates a lot of bombs in his general direction, but never seems able to deliver the killing blow.

It’s this episode where I understand why Hanazawa Kana was cast as Zackletu: in addition to being able to credibly voice a young boy, who was actually a young girl hiding her true gender to protect herself from her rough environment, Hanazawa really brings out her pathos and rage. Through all the violence she’s exacting upon Gagumber as Memenpu is forced to watch, you never get the feeling Zackletu is enjoying this.

Rather, she just doesn’t know what else to do, so she’s lashing out. It’s only when all the explosions and Memenpu’s struggling causes her rope to break, and Gagumber overrides the stopper on his “Gale” device to save her and then apologize to her, that Zackletu stops her attack. She couldn’t easily kill Gagumber knowing his daughter still loved him in spite of all his flaws; once he admitted those flaws to Memenpu, she definitely couldn’t kill him.

Instead, Gagumber is admitted and then discharged from the hospital, while Zackletu prepares to depart…only Memenpu won’t let her. She forgives her for trying to kill Gagumber, and insists she stay with the group as they head to her dream place. Memenpu just warns Zackletu, in the same way Rufus did, that next time it happens, she’ll really let her have it.

Do I buy that someone as hell-bent on getting revenge as Zackletu would not only stand down, but remain with the man she believed killed her brother for years? I do, it all comes down to buying that she tried to be a heartless avenging baddie, but couldn’t go through with it because she still had a heart, and wasn’t all bad.

Rating: 4/5 Stars

My Senpai is Annoying – 07 – Doing What You Love

This week is the Futaba-Natsumi friendship origin episode, and I’m here for it! They’re honestly such a wonderfully cozy pair of BFFs it didn’t matter if we didn’t witness them meet, but I’m so glad we did. Poor Futaba’s GPS is going haywire so she decides to follow someone in the same fuku…only for Natsumi to start running at top speed!

Despite Natsumi leading Futaba not to school but the arcade where she intends to play hooky, the two become unlikely but fast friends in the back row of the classroom. When it comes time to join clubs, Futaba expresses her wish to join the art club because she loves to draw.

Natsumi hates competition ever since a boy tripped her to win a relay on sports day in grade school, but Futaba, unaware that Natsumi is harboring that bad memory, tells her if she loves doing something—in this case running—she should do it, or she may regret it if she doesn’t.

It’s almost verbatim the advice Natsumi gives to Yuuta when the two encounter one another running in the evening. Yuuta likes basketball, so he should play, even if he’s not the best at it. You can’t get better if you don’t try! Meanwhile, Futaba and Takeda end up having a little mini-date of sorts when they’re tasked with saving a spot under one of the blooming cherry trees for an office after-hours function, which honestly looks like a ton of fun.

After complementing her hair color and her drawings, Futaba recalls how it was Natsumi who gave her the courage to join the art club. Futaba would draw between classes in her sketchbook, but one day a couple of bullies decided to mess with her, which…why would you mess with Futaba?! Why would you want to do anything but protect her with your life?

For Natsumi, the answer is she wouldn’t. For the crime of making her beloved Futaba cry, one of the bullies gets a devastating punch to the face. She then tells the boys that it doesn’t matter if she “sucks” at drawing; she’s doing what she likes to do, so lay the fuck off!

The boys wisely learn the error of their ways, and their apology isn’t forced or obligatory, as he actually explains why what he did was wrong and regretted doing it. He also realized that both they and Futaba are in the same boat, in their case joining the baseball club despite being crap at it because they like baseball, dammit!

As for Natsumi, she doesn’t get in trouble because the boys went to the teacher to explain that they were in the wrong. Futaba thanks Natsumi by telling her they should call each other by their first names only. With that, a legendary friendship was forged, which continues into their adult lives now that they both live in Tokyo.

Takeda enjoys Futaba telling the story as much as Futaba clearly enjoys telling it, as her eye shimmer with love as she described how her friend supported her in pursuing her passion. We barely set one foot in the office this week, and that’s okay, because it was simply lovely to learn more about Futaba and Natsumi. As for Futaba’s senpai, it’s pretty clear he’s not “annoying” as the show’s title says, but I guess My Senpai is Someone Who I Like Hanging Out With and Talking To would be a bit too long…

My Senpai is Annoying – 06 – If You Love Your Child, Send Her on a Journey

This week we finally meet Futaba’s enormous grandfather. It all starts with Sakurai using a photo app filter to make Takeda and Futaba look like they’re wearing traditional wedding garb. Sakurai “accidentally” sends it, and Gramps shoots back a torrent of texts wondering who this “big lug” is and “what rock he climbed under”.

Takeda joins Futaba at the florist where she intends to buy herself a birthday bouquet, only for them to learn they share the same birthday. How goddamn friggin’ cute is that? Minutes later, Gramps arrives on his hog to give Futaba a second bouquet, grabs Takeda by the scruff (he’s slightly bigger than Futaba) and asks him what the heck he’s doing with “his” Futaba, and Takeda makes Futaba blush by saying she’s not an object and belongs to no one.

The two butt heads, but part ways without tearing each other to pieces. The next day Futaba goes out with Harumi for some day-after-birthday cake. Gramps, who spent the night at Futaba’s on the floor, tries to understand young love better…by going to see Your Name.! He perhaps learns the wrong lessons from the Shinkai masterpiece, and later texts Futaba the cryptic question “Who are you?”, which goes unanswered.

Meanwhile, Gramps and Takeda keep bumping into each other, and whether it’s fishing, batting cages, or trash pickup, they engage in intense competition, each time going too far and eliciting strange looks from bystanders. The two end up developing a mutual respect for each other, which tracks, because they’re almost the same damn person! Gramps also waxes nostalgic about what a cute kid Futaba was.

Takeda learns that Futaba decided to live on her own in Tokyo when she was just 16, and Gramps let her, because he trusted her, and agreed with her that she needed to learn to become less dependent on him. That said, when Takeda goes to a public restroom and Futaba is accosted by three punks making light of her stature, she requires Takeda and Gramps’ assistance to get rid of them. That begs the question: certainly while living on her own all those years this happened more than once?

Never mind; I love the dynamic between Futaba and her doting gramps, even if it isn’t particularly complex. And I also love how Takeda and Gramps learn to get along. I’m sure he would have preferred if Futaba were going with someone more traditionally handsome than Takeda, but he can’t argue that Takeda is a stand-up guy, and someone he can trust with his beloved granddaughter.

Rating: 4/5 Stars

The aquatope on white sand – 19 – The white dolphin in the red pumps

Fuuka’s not-to-distant past life catches up to her, as a film crew from Yona Productions intends to film a tv show at Tingarla…with Fuuka’s idol kohai Shiori Ruka as the co-host. They’re also very keen on Fuuka being the other co-host. Fuuka’s immediate, unhesitant response? “But I’m done with TV…”

As Karin gives Ruka and the crew a tour to familiarize themselves with the aquarium, Kukuru ducks out of work (and she’s got a lot of work) to make sure Fuuka is okay having remnants of her old life around. Fuuka assures her she’s fine; she’s going to turn down the co-hosting role. She’s an attendant now.

Fuuka intends to take Ruka out for one-on-one dinner, but Udon-chan ends up inviting everyone else (except Kukuru, who is working overtime). Ruka is up for the liveliness until she isn’t, and goes out onto the deserted patio to sit and reflect.

Fuuka comes out to give her some less intense company, and truly does look like a capital-S Senpai in the way she confidently counsels Ruka. She knows Ruka is working as hard as she is in part for Fuuka’s sake, so Fuuka tells her not to forget to work for Shiori Ruka’s sake.

It’s only later Fuuka learns why Ruka is so down aside from having not “made it” yet: she’s been being harassed online by her detractors, saying she’s getting unfairly promoted relative to her talent or some such nonsense. As Umi-yan puts it, the fans don’t see how hard she’s really working.

After a few awkward moments during filming, Ruka joins Fuuka for a break where Fuuka often comes to relax and recharge during a stressful day. She offers Ruka her pair of red pumps she intended to wear on stage one day, but never did.

Fuuka no longer needs them as a talisman of encouragement, as she’s found the place where she belongs and the thing she loves to do. So she gives them to Ruka, hoping they’ll be a source of strength for her too. If nothing else, they’ll remind Ruka of her dear senpai Fuuka, whom she clearly, genuinely admires and loves.

That admiration and love only grows during the final climactic scene in the tv show, when the new baby penguin jumps into the pool for the first time and immediately takes to it like…well, a penguin to a pool! Nervous and timid, the little one needs a little push in order to make that leap into the water, and Fuuka is there to give it.

It’s such a little gesture, and yet so meaningful and affecting both for the film crew, Fuuka’s co-workers, and the huge, rapt audience. Seeing Fuuka be the best damn aquarium attendant she can be literally brings tears to Ruka’s eyes…genuine ones, not forced ones.

That unforced sincerity ends up on film, and just may be one of the things that brings Ruka more fans going forward.  Like the little push she gave the adorable baby penguin, Fuuka may have given the little push—and red pumps—Ruka needed to take the next step in her fledgling career.

86 – 15 – Tines Falling from a Comb

Shinei’s cordial, by-the-book adjutant is giving him a  report in the hallway of their base when a half-dressed Frederica half-sleepwalks right into Shin and calls him “Kiri”, short for Kiriya, her knight who she believes became a Legion because of her. Once she’s fully awake she’s mortified; a proper lady should never find herself in such a situation.

Of course, when we later learn she’s running around the barracks doing all the odd jobs the soldiers have no time to do, it tracks that she’d be exhausted. Meanwhile, the old Spearhead gang is back, but aside from some momentary cheeriness from Kurena, it’s a particularly dour affair. Frederica chalks it up to them getting worn down by their roles as lackeys of the army.

The start of the episode was the least interesting, with their unit commander Colonel Wenzel trying to make the strategic case for putting the 86 to “proper” use in her new prototype Reginsleifs. She seemingly gets her wish on the eve of a forecasted large-scale Legion attack that Shin knows is far, far larger than the conscientious federacy’s analysts predict.

After the briefing, Shin returns to his quarters to find Frederica there. He prepares coffee as she criticizes how empty his quarters are, comparing them unfavorably to those of Eugene, which she cleaned out after he died. Shin tells her she could have spared herself some pain by never getting to know Eugene, but Frederica doesn’t roll like that.

Some of Misaki Kuno’s best voice work is done as Frederica regales Shinei with the story of the siege that ended the empire, and Kiri’s fall as well. Even so, to her it’s always better to meet, know, love, and remember. If freeing Kiri of the Legion means losing Shinei or anyone else, she won’t have it.

Those connections are what make life living for most people, but Shinei has been living without a single thought about his future for so long, he’s never properly grasped that…until perhaps he met Lena and now Frederica. Just as the Shinei’s resemblance to Kiriya was a catalyst for her getting close to him, Frederica is like a subsitute Lena for Shinei right now, trying to keep him aware of the things in life other than war.

Frederica tells Shinei like Lena did to start thinking about his future; even if it’s just his next leave, that’s a start. As for Raiden, he’s a bit irked that Shinei unilaterally revealed to the military that he can hear the voices of the Legion, something they all agreed to keep secret lest it make things unpleasant for all of them.

Raiden and Shinei don’t feel like friends here, because they’re really more like brothers. Strained brothers, due to Shinei being his usual mostly opaque self and Raiden actually starting to think about a future himself. He’s worried for Shinei like a brother too, not due to the coming Legion threat, but becaue the Giadians are “no saints”.

The credits end with the first Lena sighting in what seems like forever. Whether this harkens a Lena-centric (or even half-Lena) episode next week obviously remains to be seen, but it’s clear the calm before the next coming storm is just about over.

Bokutachi no Remake – 12 (Fin) – Back to Hard Times

Now that we know that Tomioka Keiko has the ability to send Kyouya back and forth through time, the question becomes, does Kyouya want to go back to the past or remain where he is? As Keiko says, there are few people who can claim they’re as happy and successful as he is. But Kyouya concludes that he didn’t want to go back in time to make a happier future; he wanted to experience pain and struggle alongside the talented creative people he idolized.

So even if, say, Aki decided she wanted to start drawing again, the fact remains that she, Tsurayuki, Nanako and Eiko all had their futures changed by Kyouya’s over-meddling, and that will never sit right with him, so it’s back to the past with him. It seems Keiko, whoever or whatever she is, brought Kyouya to this alternate future to teach Kyouya a lesson, in addition to giving him the choice to go or stay.

After a heartfelt sequence of final scenes with Aki and Maki, Kyouya is ready to go back. Keiko sends him back to the same time he left, when Tsurayuki dropped out. Aki and Nanako aren’t sure what to do about it, but Kyouya adivses that they all stay the course. If there’s a way to bring Tsurayuki back into the creative world, he’ll find one, but this time he’s not going to be so forceful and so certain.

Just as the members of the Platinum Generation put their trust in him, this time Kyouya is going to trust in their ability to shine and fluorish without undue interference or compromise. When Nanako is given an offer to work for another doujin group, she sheepishly asks him if he’ll proverbially hold her hand. Having seen what becoming overly dependent on him did to Nanako’s future, he insists she try being independent on this project. Even if he comes off as rude or mean, it’s in Nanako’s best interest.

He’ll still support her, but he won’t let her rely on him entirely again. Aki proves trickier, as she hits the very same rut that would define her future self as she transitioned from a creative life to a domestic one. Kyouya realizes that asking her to work so hard and compromise her artistic vision for the game took a toll, and that coming out of the rut won’t be a fast or easy process, but it will and does eventually happen, and without undue meddling from him.

Kyouya ends up literally bumping into the girl who will one day become Minori Ayaka, sporting her natural black hair color. Akaya seems embarrassed when Kyouya sees she has the game he made along with some promising sketches, but there’s no disputing she’s dedicated to being the best goshdarn illustrator she can be, inspired as she is by Shinoaki’s work. This must feel gratifying to Kyouya, as by abandoning that possible future he also feared he undid the good he did for Ayaka’s future.

But then, that’s just his ego talking; the same ego that thought he was singularly, personally responsible for upheaving everyone’s lives, when in reality it was a whole host of variables. It’s the same with Ayaka; she’s going to be alright, especially if the artist she adores continues to draw, as Aki does.

As for Eiko, Kyouya now realizes that she considers herself more than just a friend, creative colleague, and confidant. The future Eiko loved (past-tense) Kyouya, that means this past Eiko is in the process of falling for him, if she hasn’t already. Her blush as she admits she’d drop everything to help him if he was ever in trouble says a lot.

But Kyouya isn’t interested in dating Eiko, at least not at the moment. His primary goal is to undo the damage he did to Tsurayuki’s creative motivation. His confronting Tsurayuki as he exits a theator marks the beginning of his Remake Version 2.0, and even hints at a possible second season (though there hasn’t been any announcement of one, so who knows).

If this is the end, it’s a moderately satisfying one, as it has Kyouya on a sustainable path where he’s aware of his “power” and no longer breathlessly achieving happiness at the cost of others’ success. Even as he’s reverted to a younger version of himself, he’s grown as a person and a friend to these talented people. And so the struggle continues.

Rating: 4/5 Stars

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