Overlord IV – 12 – Song of Ice and…More Ice

As he debriefs Albedo and Pandora’s Actor on their clash with Azuth and Riku, one thing is clear to Ainz: he doesn’t know enough about his adversaries. He praised Pandora improvising by getting on his knees and groveling, even if the real Ainz wouldn’t do that, because it caught Riku off guard.

He’ll still have to “take a loss” to learn more about the strength of his foes, but not so large a loss it might cost him his life…he’s not sure he’d resurrect! It’s not often the overlord ponders his demise. Meanwhile, as Aura and Cocytus’ forces advance on the capital, Blue Roses’ Lakyus enjoys some tea and an audience with Princess Renner.

Lakyus’ comrades start acting very odd and deliberate about how does and doesn’t leave the room, and about making more tea so everyone can have some. This culminates in Tia serving her poison tea, then stabbing her with poison needles, followed by Gagarin raining blows upon her.

But…why? Isn’t Lakyus the Blue Roses’ leader? Well, yes, but Evileye and the others knew she wouldn’t leave the capital with them. Because they value their friend more than the kingdom, they resorted to these extreme measures, including mind control, to get her out of there by force. She’ll surely be cross at them by the time she’s herself again…but by then there probably won’t be a kingdom anymore.

It’s with that fierce devotion to keeping their friend and leader alive that Blue Roses prepares to teleport out, but not of course before asking if Renner, Climb, or Brain wish to join them in retreat. While Climb would obviously follow her anywhere, she politely declines (probably because she knows she won’t necessarily be killed in the imminent invasion).

Brain also declines, preferring to either win glory or meet his end gloriously fighting the invading forces. Heck, maybe punching the bully in the nose will make him think twice about annihilating the capital? He leaves Renner and Climb, giving them Gazef’s magic sword to return to the king. Renner actually briefly wields it—and shows no small amount of skill doing so—but just as quickly sheaths it, lamenting that it doesn’t suit her (though Climb disagrees).

Aura arrives at the walls with a colorful collection of vicious monsters, including Iri, an adorably self-conscious Tyrannosaurus. Aura gives Iri the task of walking around the palace and “squishing all the people”, while she and the other monsters spread out to unleash some mayhem. The guards atop the walls can only stand in awe and terror, and Aura brightly warns them to stay out of her way. They’d be wise to do so!

Far more solemn is Cocytus’ brooding advance into the city with his procession of yuki-onnas, destroying the gates with ice and freezing streets and buildings within their radius. Brain is looking for an enemy to fight when he encounters Cocytus, and…well folks, we knew it wouldn’t be a long fight, didn’t we!

Even with Brain taking three potions and enhancing his abilities to the absolute hilt, the introductions last longer than the duel, in which Cocytus simply breaks out a bigger katana and slashes him. Despite the ease of his win, Cocytus is impressed someone of Brain’s level was in the capital, and orders him frozen, perhaps for later revival.

With the Blue Roses gone, Brain was probably the strongest human left in the capital. When Ainz returns to the capital to finish things, how far will he take things? Will those orphans Renner visited be slaughtered? What about Renner herself, who seemed at least partially allied with Albedo?

Rating: 4/5 Stars

Summertime Render – 22 – Red-Eye

Ushio returns better than ever, and demonstrates how her hair-blades can erase Shide’s armor, leaving his inner body vulnerable. But while Shinpei appreciates her enthusiasm, Shadow Mio stops her from charging in, then transmits the careful plan Shinpei has set up. We get a little flashback to the morgue where Toki explains how they can use Guil to hide Haine’s handprint, making it impossible to track him.

Shinpei shoots himself while holding Ushio’s hands, creating a tenth loop inside Guil, who is in Hiruko’s Cave. They know Haine and Shide—both Shides—will find out soon enough where they are and what they’re up to, so they use the festival fireworks to blast through the mud barrier Haine created to get to where her main body is located. Shin’s team is truly humming like a well-oiled machine.

The closer they get to the main body, the louder and harsher Haine’s transmitting signal is to the ears of Shadows. Since he’s now hosting Ryuunosuke, that signal is particularly excruciating for Shinpei, but Ushio manages to help him by transmitting her signal at the same wavelength, neutralizing Haine’s. While Shide attacks Ushio (who uses her hair as a shield), Sou manages to ambush Haine (in her Shinpei form) and pins her, not with a shadow nailgun, but with the original she was unable to sense.

But while both of Haine’s inner bodies are killed and Haine’s body is sliced in half, it’s apparently not over. Ushio turns around to reveal she now has a red right eye like Haine’s, and Shin has one too. Shide reappears, ready to start some shit, and Shinpei has to ask himself: is he freakin’ immortal?

Even the best laid plans in this intricate chess game of feints and diversions are bound to face some setbacks, and the fact that killing Shide and Haine didn’t kill them is…problematic, to say the least. Not sure what they can do about that, especially with all their moves in this plan exhausted and no more loops to make a new plan.

Rating: 4/5 Stars

Overlord IV – 11 – Knocked Back

After a solemn scene of King Ramposa mourning Zanac’s sure demise and excusing the palace staff in hopes some might get away under cover of night, Ampetif Cocco Doll joins his fellow Eight Fingers, and notes that all of them look all gaunt like “they’re on some fad diet” or “demons wearing the skins” of his former colleagues.

Turns out they’re that way because of what they’ve endured. Shalltear arrives, matter-of-factly gathers the Fingers and their 1,000 men and stows them someplace for the time being, and then it’s Cocco Doll’s turn to undergo the “baptism” Hilma and the others have already been through. But hey, at least now they’re under the protect of His Majesty the Sorcerer King.

As the twins and Cocytus lead his armies to certain victory, Ainz and Albedo (looking menacingly hot in her full black armor) await the ones who defeated the Death Knights. Our old-boy Azuth of Drop of Red is first to arrive. Aiz orders Albedo to take him on but not kill him; this is about information-gathering first and foremost.

Azuth flies off but Albedo stays with him, fully aware he’s leading her away from Ainz-sama on purpose. When he finally unleashes both physical and magical attacks, they bounce off Albedo like nothing, and when she strikes him, she notes that he’s “like tofu.” So, decidedly not the biggest challenge for the good Prime Minister.

Azuth’s chum (?) turns out to be far more formidable. A knight in platinum armor surrounded by four spinning weapons, he introduces himself as Riku Aganeia. He’s able to actually strike Ainz with his axe, and while it does no damage, Ainz is impressed enough to propose a deal. If this Riku Aganeia fellow becomes his subordinate, he’d be inclined to cease the destruction of the Re-Estize Kingdom.

Riku ain’t having it, and a wonderful little duel ensues, with Ainz never looking like he’s in trouble but nevertheless enjoying the bemusement and novelty of an opponent who won’t just die by, ya know, standing too close to him or something. Heck, Ainz can’t even break through the World Isolating Barrier Riku puts up.

While Ainz is keeping the proverbial kid gloves on, he decides to test the limits of this opponent’s power by first summoning a Doom Lord, who trades slashes and strkes with Riku’s four weapons and gives Ainz time to think. He then unleashes an “Elemental Skull”, which we unfortunately never get to see in action but is exquisite in its simple yet dread-inspiring design.

When Riku raises his giant sword to strike Ainz down, Ainz suddenly acts more like the human narrating his thoughts, even getting down on the ground as if groveling. He tries words with Riku, asking if it’s really so wrong for a nation to respond when its food supplies meant for the Holy Kingdom were stolen; Riku simply says he’s gone too far, and must now perish as punishment.

Naturally, that ain’t happening, and Albedo comes crashing through the barrier like it’s made out of stunt glass and starts whaling on Riku, enraged by how he spoke to Ainz-sama. Ainz orders her to stop, and then once more asks Riku to become his subordinate. Instead, Riku teleports away.

He later meets up with a thoroughly defeated Azuth, who laments that the kingdom will surely fall now that they know the strength of their enemies. Ainz’s hunch that Riku was controlling the armor remotely is proven correct; the one pulling the strings was Tsa, a powerful Dragon Lord.

Tsa uses terms like player and NPC, and while he may have lost this round, he believes there is a way to defeat the Sorcerer King, and is going to give it some serious thought. As for the “Ainz” his puppet fought, it wasn’t Ainz at all, but Pandora’s Actor posing as Ainz (with Albedo doing a bang-up job acting like he’s Ainz-sama).

Pando certainly gave up the game when he acted all goofy for that one moment, but it was still a nice surprise. I love how the battle we saw was between two proxies of the two far more powerful entities sitting back and collecting the data. In this case, neither know their counterpart’s true power, only that of the proxies they fought. We’ll see how their next encounter shapes up.

Mushoku Tensei: Jobless Reincarnation – 20 – Odd Man Out

Back when the explosion that shatters the Greyrat family occurred, Lilia has the foresight to grab Aisha and hold her tight for the expanding blast. She ends up teleported into the water, but manages to swim to the surface before she and her daughter drown. She makes her way on foot to Shirone, only for Prince Pax to capture and imprison them once he learns Lilia knows Roxy.

While Rudeus intends for the Ruijerd figurines he’s crafted to improve the Superd’s reputation, this week they actually come in handy rescuing him from Pax’s clutches. Pax’s older brother Prince Zanoba, you see, happens to be a figurine otaku the likes of which Rudy knows well from his old life. Wisely Rudy only owns up to being the artist once he realizes Zanoba wants to praise him and become his apprentice.

Zanoba doesn’t care about Roxy like his perverted brother does, just the figurine of her, which we learn has a detachable clothes. As such, he cares nothing for Pax’s plots, and so is immediately an ally to Rudy by default. Meanwhile, we see Ruijerd, Eris, and Aisha’s side of things as they work with Shirone royal guards to free their families, whom Pax has hostage to secure their loyalty.

That shortsighted strategy backfires as expected, first when Rudy tells Zanoba to lower the barrier and Zanoba grabs Pax out of bed by the head and presents him to Rudy, revealing Zanoba is a “Blessed Child” with superhuman strength. Ginger is Pax’s last line of defense, but when she learns her family is safe, she turns on Pax, informing him she first swore loyalty to Zanoba to begin with.

Shortly after Zanoba and Ginger free Rudy, Ruijerd returns from freeing Ginger and the soldiers’ loved ones, along with Lilia, who is immensely happy to be reunited with both Rudy and Aisha. Basically, Rudy didn’t actually have to do anything to get out of his latest predicament, other than make that figuring of Roxy years ago. Everything else kind of fell into place.

Later, Lilia gives Rudy a big hug, along with the box containing Roxy’s underwear and a pendant Sylphiette made for him. Also, Aisha wants to join the “Kennel Master” on his continuing adventures, thus saving her from the “perverted clutches” of her half-brother.

After Rudy gives her his Dead End head protector, she either connects the dots about him actually being her half-brother, or decides to drop the charade. Either way, with Zenith and Sylphiette still missing, Rudy can go forward knowing at least one of his little sisters likes him!

Rating: 4/5 Stars

Slime 300 – 04 – Mount Rokko Rumble

Turns out Laika’s announcement she’s returning to her home isn’t a permanent arrangement; she’s simply attending her older sister’s wedding, and invites everyone to join her. They’re all pumped for a dragon wedding, with Halkara in a particularly romantic mood (and somewhat disappointed by Azusa’s complete lack of love life).

Laika also provides transportation in her dragon form, and Halky gets motion sickness. After they land and she’s able to hurl (with Azusa lovingly holding her hair back) Halky says she wouldn’t mind a kiss, but as there’s sparkly vomit drips from her mouth, Azusa ain’t interested!

When they arrive at the village of Red Dragons on the volcanic Mt. Rokko, Azusa & Co. are dwarfed by Laika’s partying and feasting family and friends, but Azusa also learns her pupil once attended the dragon equivalent of a fancy rich girl’s school, which is a nice mental image. Laika’s mom is warm, her dad is loud, and her sister Leila and her husband-to-be are glad she’s there.

But then the festivities are crashed by the Blue Dragons and their leader Flatorte, who is bitter and envious that in 400 years she hasn’t been able to marry. She and her band of goons start ruining everything with their icy cold breath. Azusa is initially content to leave internal affairs to the dragons…but then the Blue Dragons go and make her kids cry.

From that point on, Azusa goes into full Protective Mama Witch Mode, making full use of her maxed-out stats to mop the floor with all blue dragon comers. After her significant powers have been largely underplayed the last three weeks, here we finally get to see her in action—and more importantly, motivated by her love of her family and desire to keep them safe.

Flatorte proves a slightly more challenging opponent then the grunts, but she’s still no match for Azusa’s fire magic, as well as her devastating Flying Axe Kick—all executed perfectly even in her nice going-to-a-wedding clothes and shoes!

They move on to the village to find the Blue Dragons there have already been handily dealt with by Beelzebub, who just happened to stop by to avail herself of the mountain’s famed hot springs and didn’t like how the dragons were threatening to cause trouble, so she cast a severe weakness spell on all of them. This nets Beel a big Azusa hug she claims not to want, but her blushing indicates otherwise.

Azusa then has Flatorte assume her human form and agrees to release her and the others only if they promise to cease their hostilities with the Red Dragons via a non-aggression pact…and pay for the damage and grief they caused. With that, the second dragon reception can commence, in which all the dragons are in human form, and Halkara quickly succumbs to the open bar.

Even Flatorte (who is quite the cutie in human form) offers a concilatory rose to Laila for her wedding, only for the Red/Blue Dragons’ “complicated” relationship to rear its ugly head once more, as Laila can’t help mock Flatorte’s lack of success in love.

Azusa has a quiet moment of rest away from the party with Laika, who asks her master if she can use her as a lap pillow. At the episode’s beginning we saw this is what Leila did for Laika whenever she was feeling down, and Laika understandably feels a little lonely about her sister being married off. Azusa is all too happy to be her pillow whenever needed.

Upon returning to the party, Beelzebub already has a completely boiled Halkara on her back and suggests everyone stay the nightat the hot springs hotel. All are in agreement, and once they’re all in the baths Azusa basks in the light and warmth of her colorful new family. Isekai OP ass-kicking and Iyashikei-style coziness combine for the best episode of Slime 300 yet.

Rating: 4/5 Stars

Slime 300 – 03 – The Elf and the Fly

Just as Shalsha and Falfa are reading about the Elves of Hrant, one arrives at the door in a state of anxiety, demanding to be let in.

Her name is Halkara, and she’s a very successful apothecary and energy drink entrepreneur who happened to make a demon named Beelzebub mad when that drink caused an adverse effect. She also has a killer bod!

While her extra witch outfit is far too tight for Halkara’s three sizes, Azusa agrees to keep the elf under her protection, casting a barrier over the house and inviting the elf to join her foraging for medicinal herbs.

Azusa ends up learning a lot about the mushrooms of the forest, as well as the existence of a condiment very much like soy sauce. Halkara also accidentally eats an aphrodisiac mushroom (due to poor sorting methods) and starts involuntarily making advances on Azusa, who isn’t interested in a drug-addled tryst!

Halkara eventually recovers, and the matter is not spoken of. Then they find that there’s a huge reward poster at the guild for anyone who can locate Halkara. Azusa preps for a potential confrontation by having Laika take her daughters to safety, but Beelzebub was there all along in the form of a bee.

Beelzebub attempts to seize Halkara, abut Azusa won’t hear of it, and the two agree to take it outside and settle it with a fair fight. Beelzebub immediately makes use of her ability to fly, but ends up hitting the inside of the barrier and gets zapped. Azusa takes her in and heals her with magic.

After recovering, Beelzebub reveals that it wasn’t Halkara’s energy drink that made her sick, but overwork. She and the other demons actually love her product and only came to meet her in person and procure more. With the misunderstanding cleared up, Laika and the kids return.

Beelzebub still wants to have that fair fight sometime, while Halkara wants to move her production to Azusa’s province for tax purposes, so Azusa’s family swells by two. Her peaceful life is as lively and fun as ever, but the episode ends on a cliffhanger as Laika declares she’ll be returning to her own home.

Re: Zero – 49 – Every Moment Matters

Episode 48 turned the action up to 11 and supplemented it with a fair amount of effective comedy to keep things grounded and hopeful despite everything being on the line. This week the action is turned down considerably and the comedy excised entirely in favor of a number of dramatic set pieces that complete the table-setting for the season two finale.

We begin with Emilia emerging from the Graveyard and encountering the snowstorm. Fortunately the villagers are safe thanks to a shield of ice Puck created around them, though he told them they had Lia to thank for it. She asks everyone to seek shelter in the Graveyard and stay safe and patient.

Emilia runs to the tree of ice from where much mana seems to be emanating, and it shatters and transforms into Puck’s familiar green spirit form, which leads her into the giant crystal room. There she finds a whole mess of Ryuzus, with Shima preparing to “fulfill her role”.

With a flash of white, the crystal containing the Ryuzus’ progenitor and that forms the core of the barrier vanishes. Emilia asks Birma where Roswaal and Ram are, and finds them freezing to death in a field. With his tome of wisdom destroyed, Roswaal is lost and feels that “nothing matters.” Even so, he is healing Ram, who lets out a breath, proving to Emilia she’s still alive.

The first wave of demon bunnies approach, but Emilia freezes them solid with her magic. She then creates a clear and solid ice road above the deepening snows so the Ryuzus can take both Roswaal and Ram to safety. To Emilia, nothing doesn’t matter, so she’ll stand strong and keep fighting until she can’t anymore.

From the freezing sanctuary to the burning mansion, Beatrice laments her present situation and looks back on her past, when Echidna left her in charge of the Forbidden Library full of her knowledge, and asked her to wait for someone “suitable to inherit” that knowledge, which she simply called “that person.” Echidna used those particular words simply for the sake of getting the pertinent information to Beatrice.

However, she’s treated them like a rigid gospel, and they gradually turned into a curse. For 400 years, various Mathers descendants would visit the library but rarely speak to her, instead looking through the library’s books. By the time Emilia the “half-devil girl” showed up, she killed her emotions and stopped talking. Then Natsuki Subaru arrived, and for a time felt like he was “that person” for whom Echidna had entrusted her to wait.

But last week, as we saw, Subaru said flat out “there’s no way I could ever be whoever ‘that person’ is…”, and she threw him out with her telekinesis. Even if Subaru didn’t even understand what she meant by “that person” anymore than she did, because the two words Echidna used were so imprecise. Four centuries of time may have given them more weight and importance they didn’t deserve.

When Subaru first makes it back in the library, Beako is ready to toss him out without any further discussion, but he holds on to the door and manages to stay in the library. He tells her even if he isn’t that person, he wants to stay with her, to end her days of loneliness. His argument isn’t strong enough, and Beako de-reses the library, banishing him seemingly for good with a “farewell.”

Of course, that’s not enough for Subie to give up either; not as long as there’s still a door in the mansion left to open. He finds it in the secret underground passage, and even though smoke billows and flame lick at its seams and the knob burns his hand, he puts his faith in Beatrice that she won’t let him die when he opens it.

Since this is probably his last chance (there are no more doors), rather than say he’s come to take her away or save her, Subaru tries a different tack: he needs her to save him, by agreeing to stay with him. Otherwise, he’d be too sad to go on living. Beako’s refrain is that he’ll ultimately leave her by dint of his far shorter lifespan.

But even if Subaru’s life is only a moment in Beako’s, if she gives him a chance he promises to engrave that moment into her soul. Rather than fear their inevitable goodbye, he asks her to embrace a guaranteed Subaru’s lifetime’s worth of tomorrows, in which she’ll be too busy taking care of him to be bored or lonely. Unlike the other memories we saw, the moments with him will never fade to sepia.

Subaru’s speech finally does the trick, and just as the library is about to collapse into the flames, Beatrice takes Subaru—whom he calls by his name for the first time—and flies out of the burning ruins of the Mathers mansion in a gleaming purple-pink streak of light. That color, as brilliant as her sepia memories were dull, happens to be a combination of the blue of the freezing sanctuary and the red of the burning mansion.

The destination of that streak of light is the entrance to the Graveyard, where Emilia is fighting the good fight against the bunnies but starting to run out of steam. Subaru, with Beako’s hand in his, tells Emilia he needs to “make a revision” to his first battle, while Beako tells Subie not to blame her for “whatever may happen next.”

I don’t know what will happen next, but hopefully it involves the defeat of the Great Rabbit the ending of the snowstorm, and the final lifting of the barrier, resulting in a victory for Emilia and Subaru without the need for Return by Death. Then again, I’ll remain firmly on guard for the possibility of Re:Zero throwing a final wrench or two into the works—even unto the final moments of the second season finale. After all, every moment matters!

Rating: 4/5 Stars

Re: Zero – 48 – Crunch Time

“Love Me Down to My Blood and Guts” almost feels like a finale. At the very least, it feels like the start of the climax of a epic blockbuster film. Every stop is pulled out and not a single moment of its 29+ minutes is wasted. You get a little bit of everything, starting with a well-balanced combination of badass action and lighthearted comedy.

Every wound Garfiel gives Elsa is instantly healed, but he doesn’t consider his fight futile, because he’s not necessarily fighting to beat her. He’s fighting to support his “Boss” Subaru, and no matter how many times Elsa heals and charges, he’ll keep meeting her steel with his.

That’s where we get a couple of impeccably-timed jokes, first with Garfiel boasting that the mabeasts will be no sweat for Boss, followed by the mabeasts being too much for Boss to handle. Subie also strikes out when he tries to demonstrate his real-world knowledge of dust fires, only to need to be bailed out by Otto and Petra igniting the beast with oil.

Those fires defeat the main mabeast but also beging to envelop the mansion. Subaru entrusts Rem and Petra to Otto while he runs into the flames to rescue Beako, whether she wants to go or not.

While the flames rage at the mansion, Emilia’s part of the episode serves as a calming, centering breath. Sure, she watched a number of unpleasant futures, but they come as a jumbled rush of voices and images, ultimately collectively blunting their individual discouraging effects.

There’s also the fact that they’re only “possible” futures, as Minerva tells her after the third trial ends. That means none of them are absolutely the real future, which means Emilia and those she loves will be able to avert disaster if and when it rears its ugly head.

Minerva appears to meet with Emilia in Bliss because Echidna was still “mad” at Lia for how the other two trials went, particularly the second. Perhaps Echidna really would have preferred to greedily feed off Emilia’s despair, but after reckoning with her past in the first trial, the witch’s prediction the other two would be a cakewalk turned out to be accurate.

Minerva is decidedly unwrathful in her interactions with Emilia. In fact, she treats her a lot like Mother Fortuna treated her, with tenderness and love, embracing her when Emilia turns back to see her. I suppose Minerva knew her mother, and maybe even knew Emilia as a baby, which is why she’s so aunt-like here?

In any case, Emilia has passed all three trials, and gains access to a tomb where the intricate barrier spell emanates from the deceased Echidna’s chest. With a cute little “Hi-yah!” Emilia deactivates the barrier and exits the graveyard, only to be welcomed by a raging winter storm.

Elsa and Garfiel are still going at it in the midst of the spreading flames when Maylie bursts through the outer wall with her giant hippo. Frederica isn’t far behind, turning the duel into a battle between sibling duos. After some trash talk the four get down to business, in a fury of bloody, kick-ass combat.

Frederica takes on all of Maylie’s other mabeasts, then Garfiel starts getting serious by transforming into his beast mode, ripping half of Elsa’s face off then not only going toe-to-toe with the hippo, but twisting and ripping it’s damn head off. Unlike the hippo, even Gar’s most vicious attacks fail to faze Elsa.

It’s at this point Garfiel realizes he’s dealing with a vampire. Elsa takes a few moments to tell the story of where she came from, and how she suffered to get to this kind of existence. When she was caught and stripped by an shop owner while stealing off starvation, Elsa reached for a shard of glass and opened the man’s belly.

Elsa, who’d previously only known the cold bleakness of her homeland, was both soothed and excited by the warmth of blood and innards, and never looked back. She tells Garfiel all of this because she finds him so precious and endearing. When he says there’s already a girl he likes, she clarifies that she only has business with his insides, and her love for him will begin after she kills him.

It’s a stirring final monologue for a baddie who has been around since Subaru first arrived, and distinguished by the utter inability to kill her. However, thanks to an assist by Frederica using Maylie to distract her, Gar gets in close and bites Elsa in the neck. Elsa bites him back, but he gives as good as he gets.

Before Elsa’s wound heals (or perhaps it won’t heal because of where he bit her), Gar lifts up the giant headless hippo and throws it on top of her. In her final moments, she recalls the very first thrill of disemboweling someone, then exclaims “What a thrill” in sheer ecstasy before being crushed with an ugly crunch. Hard cut to the title card and that oh-so fitting title, “Love Me Down to My Blood and Guts”.

At this point we’ve reached the 21-minute mark, which is when most other anime are rolling credits. Re:Zero keeps it going with an entire extra act, which is perhaps the most visually stunning and emotionally affecting in an episode that’s already full of those.

It deals with Ram and Puck fighting Roswaal, a battle that moves outside to protect Ryuzu Meyer’s crystal. Roswaal stirs shit by confessing to messing with Puck’s contract with Emilia when she was depressed after her fight with Subaru, essentially kicking her while she’s down in hopes Subie would scoop her up and do everything for her.

Roswaal admits to always looking back on the past, and with fondness, deeming all the wonderful things that ever happened to be in the past, and all that exists now is a phony standing atop a pile of corpses. Puck name-drops Beatrice, provoking him into launching fire attack.

Roswaal is disappointed in Ram’s weak outing thus far; as he wanted her to exact justice for her brethren and find happiness by defeating him. That’s when Ram drops a bombshell on him: he never properly realized her true intention: that she really was a demon, and not someone who was in love with Roswaal.

It’s a confession she delivers while both of her eyes exposed, a trademark of the demon maid sisters. When Roswaal asks her what of keeping her promise to her brethren, Ram simply says she’s prioritizing her own feelings over those of the dead. Puck, energized by Ram’s confession, grows to mammoth size (though maintaining his cute appearance) and seals Roswaal in a giant ring of ice, through which he can spot multiple Rams flitting back and forth.

Roswaal begins destroying the ice walls and the giant ice crystal attacks Puck rains down on him, but in the process he ends up with one of the crystals directly behind him. It shatters on its own and out comes the real Ram, snatching the gospel Echidna gave him, while suffering a horrific wound. Calling it “the root of all evil”, she drops the book in the fire, destroying it.

She wears a smile as she says “Now, at last…” before being hit by Roswaal’s retaliatory flames, which cause a huge explosion that consumes them both. Then the credits roll, and for me at least, the process of starting to breathe again commenced. As it has demonstrated many times in its previous forty-seven episodes, when Re:Zero decides to go big and epic, it does not disappoint.


RABUJOI
WORLD
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Re: Zero – 47 – Seeing the Job Through

There’s action on all fronts, such that we don’t even check in on Ram and Puck’s fight with Roswaal. What we do see is that for once, an opponent—in this case Gar—is giving Elsa a challenge, even blocking her razor-sharp blades with his pearly whites! Gar’s confidence is buoyed both by his reunion with his big sister (who is free to retrieve the sleeping Rem) and “Boss” Subaru’s heroic example.

Gar and Fred give Subie the time he needs to at least try to make a case for Beako to come with him. She remains weighed down by the pain of 400 years of solitude; a “pure white life” due to the blank pages of the tome her mother gave to her. But it’s because she’s kept her promise for that long that she’s not about to break it now, even if it means her death.

Subie feels the opposite: four centuries is long enough, especially when nobody’s even sure Beako was given the right book! He’d rather she break the promise to keep her alive. Negotiations break down when Beatrice asks with all earnestness if Subaru can be “that person” for her. He says no way, and she ejects him from her library, where he encounters Otto and Petra, cornered by Mabeasts.

Meili (or Maylie if you prefer) is indeed on the scene, riding a giant “Rock Piggie” or Hippo. After grabbing Subie, Otto, and Petra (with Rem on her back) getting them out of the mansion, Frederica vows to hold Maylie off while Subaru and Otto get Rem and Petra to safety.

Unlike last time she fought, Fred’s not prepared to die so soon after meeting seeing her brother again, so she promises Petra she’ll take care not to let herself get killed. Unfortunately, Subaru and Otto have another obstacle: the Guiltylowe, who is immune to the mabeast ward. With both Tinzel siblings occupied, can these two lads handle this boss? To be continued.

The episode makes a clean break from the events at the mansion and returns to Emilia tackling the second trial. I appreciated this as Subie’s side of the story already has a lot of moving parts and cutting back and forth between him and Emilia would have added needless complexity and hampered the flow of both.

Instead, we stick with Emilia to the end of the episode, bearing witness to the entirety of her second trial. While she confronted her past in the first trial, the second is all about an “unthinkable”, i.e. alternate present (or at least near-present, as Emilia still seems slightly younger than her true present form). But the bottom line is this: she’s grown into a lovely young lady under the continued care of Mother Fortuna, who is still alive.

On an absolutely perfect day, an alive and non-crazed Betelgeuse comes calling, and the three set out for a picnic by the lake. Fortuna is dressed up for the occasion and Geuse cannot help but compliment her, which only makes her embarrassed and self-conscious. On their way to the lake, they pass by three other inhabitants of Elior, for whom Fortuna, Lia, and Geuse look like a tight-knit family.

Emilia uses the picnic to bring up the prospect of no longer beating around the bush and making their little family unit an official thing. While Geuse is worried that rumors about him and Fortuna could affect her very important job, but Lia believes it’s too late to worry about others’ opinions, and in any case those opinions are wholly positive, so why not become a family?

Saying she has something in her eye and having said what she wanted to say, Emilia leaves “the rest” to the two “young kids”, tearfully saying “I love you both” as she walks away. She climbs a hill that overlooks the idyllic scene, and is soon joined by Archi. He agrees the two make a good match and Fortuna should “give more thought to her own happiness.”

But, Emilia remarks, clutching Fortuna’s hairpiece that is now in her hair. this world doesn’t exist anymore. Archi confirms it is the unthinkable present, and asks her if she wants to live there in happiness. But Emilia has already committed to the real world outside of this. She’s done being hidden and protected, and wants to be an admirable person, listing off everyone dead and alive who were also admirable in how they helped and indeed are still doing so as she speaks.

Archi turns into a thoroughly disgusted Echidna, but it was she who said that the other two trials would be a piece of cake after how Emilia acquitted herself in the first. And so it was! She was never seriously tempted to remain in a dream world that she knew could never truly be. Rather, she was simply grateful for the opportunity to see her family once more.

To complete the trial, she leaps off the bluff and straight into the water, briefly catching a glimpse of her face and noting that she looks less like Fortuna than she thought. From the depths of the lake, Emilia emerges from the Graveyard, and is surprised to find the village refugees are all there to greet her and celebrate her latest victory.

It’s not just the villagers, either: Ryuzu has come with all of the beast people from the Sanctuary. While some of them still don’t 100% trust her, they’ve seen how hard Garfiel worked, and they’re willing to stand and bear witness to her efforts. Just one more trial to go, which will doubtless be focused on the future, or the possible versions thereof. Emilia promises they’ll all have a nice talk once she’s come through the final trial in one piece.

Rating: 4/5 Stars

Re: Zero – 46 – What a Half-Elf Girl Wants, What a Half-Elf Girl Needs

Whereas last week felt at times dilatory and even inessential, it finished the careful cleaning and polishing of the table, allowing this episode to set that table with all the sundry flatware, silverware, and stemware. Subaru and Garfiel (who all along had beast blood thin enough to pass through the barrier) head to the mansion to stop Elsa. Before that, Subaru tosses the jewel containing Puck to Ram, saying she can “do as she likes” from here on.

Upon her emergence from the Graveyard, Ram is at the entrance to greet her and bends the knee and apologizes for not believing she’d get back on her feet. All Ram needs to see is Emilia’s straight posture, forward gaze, and steady hands to see she’s already become so much stronger. Emilia thanks her for supporting Subaru, but Ram sees it as having helped Emilia, since she was the one who convinced her that helping would be worthwhile.

Ram also has a request—the first she’s ever made of Emilia: to save her master, Roswaal-sama, who has been possessed by delusions and strayed from the proper path. To save him, Ram asks Emilia to win and assume the royal throne of Lugunica, thus fulfilling his wish. Emilia, wanting to pay Ram back for her help agrees to her request.

But who should suddenly emerge from the shadows but the very subject of their discussion: Roswaal! He’s arrived to offer his congratulations to Emilia for passing the first trial, but also to express his pity and sympathy for what he deems to be Emilia’s own curse: that of only knowing how to be loved by doing and saying what others expect of her.

When Emilia counters, Roswaal accuses her of using borrowed words and occupying places prepared for her by the will of others, forcing her to fit an ideal by being convinced she could do it. Roswaal says this is what Subaru did to get her to pass the trial, because he and Subaru are “two of a kind”, forcing their ideals on the women they love, and loving an ideal of her that doesn’t exist.

The old Emilia might have withered before such harsh words, but not the present one. Steadying Ram’s quivering hand with her own and taking a deep breath, Emilia responds with an excellent comeback: “Are you done?” She tells Roswaal how Subie said she was a pain in the ass, causing trouble for him when he’s done so much for her, and making it clear she was “weak, all talk, and insufficient in every way”.

But then Subie took her hand and helped her. If Roswaal calls what he said and did to be nothing but lies and deceptions, then she’ll turn them into truths, into wishes. That’s what she needs to do, and that’s what she wants to do.

Roswaal is impressed with Emilia’s growth, but still pities her, because he deems both the Sanctuary and the Royal Selection to be piddling concerns compared to the much larger matter: that the world is proceeding toward the “wrong destination”, and towards its end.

Emilia ignores this threat and proceeds into the Graveyard to face the second trial, but Roswaal maintains his pity and pessimism are justified; after all, he and Echidna “began” this; it stands to reason he’d be able to reckon when its end is near.

Roswaal then speaks to Ram, who be believes to still be fully “on his side”, having only been “putting on an act” with Emilia earlier about her request to her. He doesn’t mind that she assisted Subaru and Otto with Garfiel, as he’s glad she did what she felt was right. For now, he orders her to remain at the entrance for Emilia’s return.

This leads us to the one and only look backwards in time in this episode, when we’re shown the particulars of the bet Ram made with Otto, and why: because it was the best chance of getting her wish. She asks that Garfiel be taken down a peg, for Barusu do something about Emilia, and for Otto not to tell Barusu about their bet.

As a result of winning that bet—which she felt she would win due to Subie’s notoriously excellent timing—she finds herself where she wants to be: not at the Graveyard entrance as her master instructed, but in Ryuzu Meyer’s crystal chamber, confronting Roswaal with her wand in hand while he holds the Tome of Wisdom. She’s come to free him of the witch’s delusions.

Combined with Emilia eventual winning of the Selection, he shouldn’t have any complaints, and indeed he adopts an “I should have known” attitude towards Ram’s actions. After all, he assumes the long years in which she’s had to yield to him must have been “humiliating”, especially when her master was one of the men who destroyed her homeland.

Roswaal is in the chamber to use Meyer’s Crystal to focus and amplify his mana so he can make it snow in the Sanctuary. But because he once taught a younger Ram that “whatever on relies upon should be the thing that brings about their death”, whether it’s the sword, magic, or a demon.

But Roswaal asserts that Ram showed her hand a little too early, as she would have had a much easier time dealing with him once he’d already started setting up his snow day in accordance with his precious tome. But Ram didn’t want to face him as an empty husk, or in any kind of weakened state. That would have interfered with her wish for him to live for the future.

When Roswaal asks if Ram thinks she can win against him, she tells him she know she can’t, as her knowledge of his power is second only to Echidna’s. The thing is…she doesn’t have to face off against him alone, nor did she ever intend to. She produces the blue crystal and out pops Puck, a stray spirit who “happened to be passing by” and is all too willing to help Ram release the man she loves from his delusions.

Having seen what Puck is capable of, I like Ram’s chances, and I salute the expert maneuvering she did in order to end up in this position. But we’ll have to learn the result of their faceoff another time, as the episode’s final act shift’s to Roswaal’s mansion, where Petra is running and afraid. She wants to retrieve Ram and get her to safety, but she is cornered by Elsa.

There’s a heightened sense of danger and finality to this entire last act because if Subie is to believed there will be no more resets until this is all resolved. Whatever happens in these halls is going to stick. So yeah, I was relieved when lil’ Petra is rescued by Frederica, and warns her that she’ll be punished for disobeying her order to run away by herself.

This time, Petra does run away, and we only hear loud bangs from the battle between Petra and Frederica. Then Petra tries to locate Beatrice, hoping she’ll be able to help, but cannot locate her library among all the doors. That’s when Petra tears up and prays for Subaru come save them…and Subaru, who had just arrived, obliges, cheering a flabberghasted Petra up with his bright smile.

Elsa’s charge towards Frederica is suddenly arrested—by Frederica’s little brother Garfiel, parrying Elsa’s blade with the stout arm guards they used to play with. They have a frankly adorable little reunion where they express their wonder that they’re both so big now. Elsa lets them have some time together without attacking, probably because a.) she’s confident in her ability to beat them both, and b.) she’s got an ally in Meili running around somewhere nearby.

I hope Subie doesn’t forget about her, especially as he seems to be focused on the assassin duo’s third target: Beatrice. He’s there to “drag her out into the sunlight”, whether her precious tome told her he would or not. Things on any of the various fronts could go sideways in the blink of an eye, but it’s so far, so good with Subaru (and Ram)’s grand schemes.

Rating: 4/5 Stars

Re: Zero – 45 – Weakness vs. Strength

This week stretched my patience for looking back by providing yet another flashback within a flashback, namely the time a suffering young Roswaal met Echida, who literally sucked his excess mana out of his mouth with a French kiss.

Roswaal, Beatrice, and Ryuzu Meyer all reside in what would become the Sanctuary. Their primary foe is yet another new character in Hector, the “Devil of Melancholy”, who shares the present-day Roswaal’s harlequin-like appearance and bizarre speech patterns.

As with Geuse and Fortuna in Emilia’s flashback, Roswaal and Echidna can only buy as much time as they can for Ryuzu to become the last-ditch catalyst for the core of the Sanctuary’s barrier.

Beatrice escorts her to the core without fully understanding that Ryuzu means to sacrifice her waking self, and suggests they use her ability to run away. But Ryuzu is done running, is happy with the life she’s lived with everyone, and is resolved to preserve the Sanctuary for everyone else.

This flashback amounts to more exposition, providing further context for the present confrontation between Subaru and Roswaal. It’s just regrettable to immediately follow up Emilia’s flashback-, tearful goodbye-, and exposition-heavy trial with an episode like this, which lacks any kind of forward momentum in favor of continuing to look back.

Roswaal is unwilling to surrender to buy into Subaru’s way of doing things, as he is still counting on Emilia to be overcome by her inherent weakness, while Subaru believes in her gradually-awakening strength. He tries to provoke Garfiel by questioning his love for his family, but Garf went through his own trial and is done with being weak.

Some yelling ensues, Roswaal and Subie admit they’re very much alike except in their beliefs and preferred methods, and essentially part ways all but saying “may the best man win.” Emilia, fresh off her completed first trial, emerges from the Graveyard where Ram is there to greet her. As its title “Beginning of the Sanctuary and Beginning of the End” indicates, this was very much a transitional episode, and it showed.

Wandering Witch: The Journey of Elaina – 04 – The Princess and the Cook

Elaina begins a love story—complete with ornate storybook illustrations—though aside from her love for her parents, it’s not something she knows a lot about. That makes the next stop on her journey potentially quite edifying. At first, a grand city looks to be in ruins, smoldering and covered in snow and ash.

The palace is the last building standing, and within she finds the last person in the city, Princess Mirarosé—a princess without subjects who looks exactly like her painting, as if it were painted that day. Curiously, aside from her name, Mirarosé isn’t sure about much of anything, as she’s suffering from amnesia.

Elaina joins the princess for a cup of tea (without mentioning the front door she broke), and Mirarosé shows her a letter she found that provides some but not all answers. There is a monster, Javalier, who appears at sundown to wreak destruction upon the city and eat its subjects. Elaina gets a first-hand look at the monster in action.

As a magical barrier prevents Javalier from attacking, Mirarosé and Elaina are safe. But the letter beseeches her to go out and slay Javalier with all due haste, as it will never stop chasing her or cease its reign of destruction until it is no more. Mirarosé, who has recently learned she is a witch, resolves to take it out.

Elaina basically says “Good luck with that!” but will be watching from a safe distance and nothing more. Mirarosé respects and even appreciates her plain, almost curt honesty: it is true Elaina stands to gain nothing from risking her life to help.

That said, Elaina does avail herself of a guest room for the night—complete with a soft fluffy bed that gives her no shortage of pure joy—as well as a sumptuous (and lovingly animated) breakfast of bacon, eggs, and fresh-baked bread. While they eat, the princess tells Elaina how she can feel the hatred in the author of the letter, and is starting to feel the same way.

As thanks for Mirarosé’s hospitality, Elaina agrees to help her prepare for the battle, if not help her fight it. We watch Elaina’s considerable magical talents on display as she charms an army of doors, buckets, and stuffed animals (of dead kids no less) to dig a massive hole in the city’s central square. Elaina offers to make dinner for Mirarosé when she’s done, and kindly asks her not to die.

When the sun falls, Elaina can’t help but leave the safety of the palace to help in case Mirarosé needs it. Even though she’s only spent a day with the princess, she doesn’t want her to die, and so will do what is necessary (without putting herself in danger) to prevent that from happening. I appreciate Elaina’s change of heart while maintaining her pragmatism.

At this point the episode certainly seems to be setting Mirarosé up for a glorious but inevitable death. Of course, I should have expected Elaina would have something more interesting in mind for the climax, which follows one hell of a beautifully choreographed and animated battle between Mirarosé and the raging Javalier.

She isn’t just a witch, she’s a hella powerful witch, employing wind, fire, ice, lightning attacks as well as red plasma beams and summoning thousands of swords like Gilgamesh. And by the time she beheads the trapped, exposed, and wounded Javalier, she’s recovered her memories, which brings us back to the cold open story of the Princess and the Cook.

When Mirarosé’s father found out she was carrying the child of the lower-class cook, he ordered the cook’s torture and execution…as Mirarosé watched. In response, she cursed her father, transforming him into a monster that would destory his city and eat his subjects—while still being fully aware he was their king. She wanted him to feel the same helplessness she felt when she lost the thing she loved most.

After cursing her dad (who presumably killed the queen during one of his nightly rampages), Mirarosé wiped her memories but left a letter for her future self to discover. The rest of the story, we know: Mirarosé succeeded in every aspect of her plan, fully avenging her lover—who taught her how to bake—and her child, the fate of whom is only implied.

When Elaina takes her leave, she watches as Mirarosé lays out breakfast for her long-departed lover and speaks with him as if he were there. It would seem the combination of her trauma and subsequent trials, and the crushing loneliness of her present situation have conspired to drive her mad. And yet she seems content, and at times even giddy.

As for the departing Elaina, well…her expression is worth a thousand words. In the cold open, she asked “Why do they call it ‘fall’ in love?”, which sounds like love is a trap, which is kind of is…it’s just that ideally falling in love won’t result in your lover’s summary torture and execution. And hopefully, should she ever fall in love, Elaina will fare better than poor Princess Mirarosé.

Re: Zero – 35 – Trust the Process

As Subaru races to the mansion to try to head off Satella, Garfiel informs them that he’s only alive thanks to Ram’s wind. It blasted him up into the sky while Ram, Roswaal, and Ryuzu, Otto, and everyone else were swallowed up by the shadow. If it wasn’t obvious to him before, it is now: this loop is toast.

Satella, who says only “I love you” and “Love me”, swallows Subaru up, and he sees flashes of the memories of her past victims. He then uses Petra’s hanky, which turns into a blade, to stab and kill himself so he can Return by Death. And after all this time, the RbD sound still gives me goosebumps.

Shit has hit the fan in the past and will again, but this episode is a rare instance of Re:Zero giving Subaru a goddamn break for a change; at least a break relative to the usual torture. He wakes up with Emilia by his side, and she hugs him when he starts to cry, happy to see this side of him. She’s not even discouraged by her latest trial failure!

Garfiel remains neutral in this loop as well, so conditions are perfect for Subaru to start gathering information with which to determine the best course of action to help Emilia and prevent anyone from being killed, either in the Sanctuary or the Mansion. He starts by using the memories from Satella’s shadow to find a secret location that turns out to be where the original Ryuzu—Ryuzu Meyer—is held in stasis.

Thanks to Echidna’s fluid-spiked tea, Ryuzu Bilma identifies Subaru an Apostle of Greed, and must obey his commands under their contract. All he wants for now is information, which she is happy to provide. Both the Sanctuary and Ryuzu Meyer were created by Echidna as part of an elaborate experiment to achieve immortality.

Subaru posits that Echidna chummy with him because like her, he’s immortal, after a fashion. He learns that all the Ryuzu clones are basically pure mana, but Meyer was never a sufficient vessel for Echidna’s soul. He also learns that Garfiel once attempted the trial himself, and “Bilma” is the current Ryuzu’s way of claiming individuality, along with her tea-drinking hobby.

Subaru then gets to have a lovely moonlit chat with Emilia, in which he assures her she’s gonna be fine and will get the job done. She’s ever grateful for all the courage he’s been able to awaken in her. It could well be that unless Subaru says these encouraging things to her, she’ll ultimately become discouraged by her trial failures. Instead, it’s as if he’s buffing her up for success.

After a friendship-acknowledging chat with Otto, Subaru goes to sleep. The next morning, he leaves a note and heads off to the mansion to get a better handle on what’s going on and how to stop the carnage he’s witnessed. Once again, his exit is blocked by Garfiel, but when Garfiel learns Subie is merely testing him, vows to uncover all the secrets and learn all that he can learn, Garfiel grudgingly lets him pass.

What compels Garfiel to step aside is the look in Subie’s eyes as he says, with absolute conviction: “I know hell. I’ve seen it many times.”

After the credits, Subie arrives at Roswaal Mansion with Patrasche, and has Frederica and Petra take Rem and head to safety so he can conduct his business in the mansion without fear of collateral losses.

Then Subaru enters the library, where a surprisingly cooperative Beatrice seems aware that this time, Subie has come for the right reasons, seeking the right things. By doing so, he’ll be bringing an “end to the end of the end”— setting Beako free in the process. I half-wanted her to say when he entered, with a knowing glint in her eye: “Shall we begin?”

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