Vivy: Fluorite Eye’s Song – 12 – Asking a Friend for a Favor

Once the Archive completes its redesign of the Archive from schoolroom to nightscape, it appears before Vivy as a not-creepy-at-all face. It tells her that everything leading up to this final countdown was no malfunction, but merely the painstakingly calculated judgment of Archive, as well as the completion of its mission to assist the evolution of the human race.

It was determined the only way to do this was by wiping out the existing human race, so AIs could become the new one. As Vivy and Matsumoto made their changes, the Archive was watching for over a century, making sure their events did not change the main timeline appreciably. Obviously, the Archive also witnessed Vivy become the first AI to create something of their own free will.

Because of this, the Archive says something to Vivy that is inaudible to us and left unknown to us. Instead, we only see how Vivy reacts to it, and both Matsumoto and Beth also notice something’s on her mind. Meanwhile, it’s determined that by using the virus eliminated Vivy’s alter-ego Diva, which Matsumoto continued researching in the ensuing years, they may be able to shut down the Archive.

The problem is it can’t be sent wirelessly, but must be directly, physically injected into the Arayashiki core. The tower should be the most secure facility on the planet, but when Vivy and the Toak team they arrive by boat, the power is out and there are only a smattering of guards. There’s some great final-dungeon vibes coming from their assault, right up to the time the lights come up and the walls begin literally closing in.

Yui and the boat are assaulted by waves of guards, and in her final moments, Yui doesn’t order Beth to keep going: she asks her for a favor like a friend would ask another. That’s because she wanted the world to see that she and Beth, and AI, could stand and walk together. Her death, combined with all of the Toak soldiers getting smashed, means it’s all up to the Diva Sisters.

…Them and Matsumoto, who transforms into Flyer Mode. Vivy and Beth hop aboard and they punch through into the tower’s interior, but there, a “Dark” copy of Matsumoto is waiting for them, and is able to match every one of “Light” Matsumoto’s maneuvers. Eventually Beth sacrifices herself to ensure Vivy and Matsumoto can continue the mission.

This is when we start to learn what the Archive told Vivy back at the beginning that gave her so much pause: it had decided to entrust “one future” to Vivy, leaving open the infinitessimal possibility that the calculations that led to them wiping out the human race were in error. As she’s surrounded by expectant AIs, it seems all Vivy has to do to realize that one future…is to sing, the one thing she cannot do, because she still doesn’t know what it means to pour one’s heart into something.

Because she doesn’t sing her song, the bots sing the twisted minor-key version, the countdown expires, and Archive doesn’t just bring down one big satellite, but one third of the roughly one million satellites in Earth’s orbit, most of them coming down on cities and no doubt completing much of the work the berserk AI armies began. The moment the satellites streak through the sky in symmetrical unison is beautiful in its horror, resembling pipes of a grand organ in the sky.

Vivy could not bring herself to sing, even though Archive gave her the opportunity to use it to shut down the AIs. When Vivy laments her utter failure and again asks the heart question, he tells her about all the times he almost ruined his plans, went rogue, and almost got destroyed due to all of her unnecessary computations.

Just then, when all hope seems lost and there’s nothing to do but commisserate, Osamu comes in over the radio. He’s preparing to send Vivy and Matsumoto back one more time, to just after the AI attack first occurred, which is naturally, for dramatic purposes, the furthest back in time he’s able to send them.

Osamu succeeds in sending them back just before being killed, and instead of going with Osamu, Vivy and Matsumoto race to Toak’s aid in the warehouse. No doubt their assault plan may well end up doomed and everyone may end up sacrificed except for Vivy.

But if it’s all in the aid of getting her where she needs to be in order to sing her song, it will be worth it. Hopefully, when that moment comes again, Vivy will understand what it is to sing with all her heart, because only she can sing the song, and only her song can stop the end of humanity. We’ll see how it goes!

Higehiro – 06 – Doing the Best We Can

Trigger Warning: This episode contains a scene of attempted rape.

With Sayu now working a part-time job, it was only a matter of time before the show’s first truly unsavory character reared their ugly head. Yaguchi Kyouya is that character, and to call him “unsavory” is putting it all too lightly. Just because he and Sayu slept together a few times, he believes he’s entitled not only to know where she lives now, but to sleep with her whenever he wants.

Yaguchi is a truly detestable scumbag in the SAO tradition of scumbag villains: a guy specially formulated to be loathed with extreme prejudice. There are moments when his presence in this show is so out-of-place compared to all the caring, compassionate, and protective people around Sayu, he feels like a caricature.

Lest I forget: Yaguchi and men like him who took what they could from Sayu and then discarded her are not only a crucial part of this story, but all too common in real life. Yaguchi shows no regard for Sayu’s agency or choices, blows past all personal boundaries, lies to her face about “just wanting to talk.” And the worst of it? When he attempts to rape her, she puts everything on herself, fearing the consequences to Yoshida and Asami.

That she’s of the mind that she has to let Yaguchi have his way with her so others won’t get hurt shows how far Sayu still has to go in being able to protect and value herself. And she would have absolutely been raped had Yoshida not taken it upon himself to read her text as a call for help. While I normally detest violence, I feel Yoshida goes far to easy on him; he should have to bear at least a shiner for his transgressions.

Yaguchi is absolutely wrong that they’re the same and the only difference is Yoshida isn’t sleeping with her. Yaguchi is definitely a criminal for having sex with a minor, while Yoshida’s harboring of Sayu is a lot more of a gray area. But worst of all to Yoshida is that at no point does Yaguchi think about Sayu. It’s all about what he can get, and why Yoshida isn’t getting it to.

Thankfully, Yoshida is firm enough to get Yaguchi to promise not to bother Sayu again, but we’ve already seen the value of this guy’s promises. Yoshida knows he may not know if he can save Sayu or how, but at least he’s trying! All the others did was hurt her more. They don’t get to protest his attempts to save her when they never tried.

When he returns to the room to comfort Sayu, she doesn’t know why she got so scared when he tried after they’d done it so many times before. Yoshida simply says that’s normal. She was right to turn him down, did and said nothing wrong, and needs to think about herself more. Seeing her not able to be the normal teenager she should be hurts, but becoming one starts with caring about herself.

The next day, Asami notices that something happened between Yaguchi and Sayu, and when Sayu won’t say anything, she confronts him. He tells the truth about what he tried to do to Sayu, then apologizes after Asami slaps him and leaves the break room, admitting he “got a little rough” (ya think?) Sayu asks why he didn’t tell Asami about them, and he says he promised not to if she brought him to her place. So I guess he’ll keep some of his promises?

Sayu doesn’t forgive Yaguchi—she never should, frankly, unless he shows serious signs of changing—but isn’t “mad” anymore, and is also present enough to make clear to him if he tries anything again she’ll be mad. His assurance he won’t seems more couched in the ferocity of her two “guard dogs” in Yoshida and Asami, but if there’s one quality of this guy I’ll put my faith in, it’s his cowardice, and if that means he really won’t try to touch her again, I’ll take it.

After Sayu’s shift, Yoshida texts that he’ll be at work late, so Asami invites herself over to her place to protect her. She stops by her palatial estate for some stuff, and we learn that she’s the daughter of a politician and lawyer who are almost never around, and Sayu’s the first friend she’s told about her house. By opening up a little about herself, she inspires Sayu to do the same, telling her plainly about how she came from Hokkaido and stayed at various guys’ places, including Yaguchi’s.

She continues that she kept running from place to place and nothing ever changed, until she met Yoshida and then Asami, and realized how “stupid” she was being. Heartened by Sayu opening up, Asami takes her to a special spot where you can see the stars despite still being in Tokyo.

As the two gaze at the stars, Asami tells Sayu more about herself, how she dressed up as a gyaru, but her parents didn’t understood she was doing it for attention she simply wasn’t getting from them. And while she’s expected to follow in her mom’s footsteps in law, what she really wants to study is literature and become a writer. That led to a huge argument with her mom.

That’s when her dad took her to this starry spot and assured her their worries are nothing compared to those stars. But while Asami knows humans are to small to be seen compared to the stars, they still have pasts and futures that matter. She knows Sayu’s past was rough, but she got through it to get to where she is: in a position to choose her future. It’s the second straight week of heartwarming girl talk, only this time between girls of the same age.

The next day after Yoshida comes home early, Sayu tells him that living with him, she’s finally able to start thinking about a future. She just needs a little more time. Yoshida will give her all the time she needs. She may have  met one too many Yaguchi Kyouya’s on the way, but those assholes are but insignificant specks compared to the growing constellation of good people she knows, who care about her and are slowly but surely teaching her to care about herself.

Rating: 4/5 Stars

Gleipnir – 02 – Entering the Emptiness

When fellow “monster” Hikawa threatens Clair, Shuuichi freezes up, and Claire hits Hikawa’s eyes with pepper spray. Rather than fight, Shuuichi gathers Claire up and escapes out the window. We learn that Hikawa was her school’s ace runner, and became a “monster” by depositing the star coin in the vending machine and wishing to run faster.

Hikawa wasn’t prepared for the monkey’s paw-like downside of her wish, but now she seems accustomed enough to it that killing Shuuichi and Claire is no big deal. Did gaining monstrous physical traits make her into a monster, or was she one before those traits manifested?

Whatever the case, Shuuihi absolutely sucks at fighting, so when Claire finds a zipper on his back, she unzips him and finds nothing but a fleshy pocket inside. And while Shuuichi stopped himself from going to far with Claire after rescuing her from the fire, Claire dives right into that pocket and finds that it fits as snugly and comfortably as a glove.

As a result of “becoming one” with Shuuichi, Claire can now control his body, and her moves are a lot sharper than his was. Shuuichi finds he has no control over his body, but his thoughts and sensations are merged with Claire’s, forming a symbiotic pilot-vehicle pair. While this isn’t conventional sex, it’s definitely a weird supernatural analog.

A brutal fight with the berserk Hikawa ensues, and Claire gets better and better at controlling Shuuichi’s mascot body. Before long, Hikawa takes a couple of hard licks and wears down. Claire puts her leg in a hold and threatens to snap it if Hikawa doesn’t tell her everything she knows about the star coins.

Hikawa ain’t talking, so the leg goes snap, and then Claire draws the mascot’s gun—which is real, it turns out—and blows Hikawa away. Shuuichi’s desperate pleas for her to stop go ignored, and when the threat has passed, Claire emerges from the mascot’s interior a sticky but satisfied mess.

A week passes, and both Claire and Shuuichi go back to their ordinary lives without any developments. Whatever went down, it seems they weren’t seen and aren’t suspected by anyone. The two meet in private, and Claire tells him other “monsters” are out there and both of them individual lack the strength to fight them; they have to act as one.

Claire also has a personal interest in this whole mascot monster business—her sister Elena is one, and she’s eager to find her. She also promises Shuuichi that whatever happens, she’ll die with him so he won’t be alone. When he asks what she’d do if he wanted to die now? She leaps off a warehouse balcony, hoping to “see him soon”. Shuuichi is able to catch her, but if he hadn’t, she’d have died right there.

Half a year ago, Elena visited the vending machine, but asked the boy inside to give her wish to someone else…someone she “wants to be with.” The strap on her bag is a tiny version of Shuuichi’s mascot form. What’s the connection? Why him? And will Claire gradually wear down his basic decency and make him a monster, or will he continue to let himself be her puppet?

Gleipnir – 01 (First Impressions) – The Minx and the Mascot

Kagaya Shuuichi is ordinary, or rather wants to be perceived as ordinary, and takes great pains to maintain that ordinariness. He lets cute girls borrow his work, sneaks a peek up a girls skirt when opportunity knocks, and continues wearing glasses even though he doesn’t need them.

He also turned down a decent college recommendation to pursue … something else. A girl who seems to like him gets it instead, but knows he was the first choice. Unfortunately, what this poor girl doesn’t know about Shuuichi could fill volumes.

I guess it’s not so much what Shuuichi is pursuing that made him turn down college, but what he is enduring. He’s suddenly been granted a highly elevated sense of smell, like a dog, and when certain conditions are met (which I’m sure he takes pains to avoid) he transforms into a giant cartoon mascot dog.

One night he smells fire, and finds a pretty girl passed out in a burning garage. He transforms and rescues her, but seemingly enchanted by her smell, starts pulling her underwear down before stopping himself, transforming back to a human, and fleeing in a panic…without his phone.

Having potentially set back his program of maintaining normality for years, Shuuichi plays dumb at school until he comes face to face with the girl, his phone in her hand. Considering his refusal to own up to sexual assault on an unconscious woman, and that he considers gaslighting her, I’m not that sympathetic with his predicament!

The girl, first-year student Claire Aoki (Touyama Nao), has no intention of letting Shuuichi off lightly. The underwear aside, she was trying to kill herself in that garage (or so she says), and he ruined her plans. After kicking him off the roof to watch him transform, she indicates her intention to blackmail him.

Claire also seems committed to making Shuuichi uncomfortable as possible whenever possible, as exhibited when she takes him to her apartment and strips down to change right in front of him, threatening death if he moves. They’re interrupted by the invasion of a mysterious woman who is after the weird gold coin Claire possesses. The attacker can also transform into a part-woman, part-beast, and proceeds to kick Shuuichi’s inexperienced-in-combat ass.

Gleipnir is the name of a delicate yet immensely strong dwarven-made chain that holds Fenrir back until Ragnarok, when he’s free to devour Odin. If Shuuichi’s mascot mode represents Fenrir, his human form is that chain. But unlike its Norse namesake it’s quickly fraying, thanks in part to Claire helping it along. Or Maybe, ironically, maybe it’s Claire who is the true Fenrir here, a wolf in model’s clothing. Shuuichi broke the chain and unleashed her by getting rescuing (and assaulting) her. There’s no going back now!

Gleipnir looks and sounds great (thanks to composer Sakata Ryouhei and a great Mili ED), with a taut, tense and gripping story. The dread of Shuuichi’s misfortunes is weighed against the reality of Claire having a legit beef with him. The cuteness of his mascot form contrasts with the horrifying nature of his transition. We’ll see what hell she puts him through, and if it ever rises to the level of Aku no Hana pitch-blackness.

Assassins Pride – 08 – Heart of Darkness

Attacks on innocents increases, and they look a whole lot like vampire attacks, so with Kufa suddenly vanished and the blue aura a distinguishing feature of the culprit, it’s looking increasingly bad for Melida’s instructor. Rather than continue with her school’s training, she decides to sneak off and investigate matters for herself, notably leaving Elise behind.

Instructor Laqua predicted Melida’s actions and tags along, in part because Kufa told her to look after his charge if anything were to happen to him. Whether he’s responsible for the attacks or has gone dark in order to more effectively track down the true culprit, the bottom line is that he’s not around.

Melida and Laqua search the most forbidden of the “mystery spots” and learn there’s not strange phenomenon at all, just a secret dungeon where Marquis Pricket has been experimenting on townsfolk. The increased restrictions on movements were all to hide his dark operations.

Upon returning to town, Melida and Laqua find Rosetti killedapparently while protecting an injured Elise. When the Marquis himself is attacked, the townsfolk turn against Kufa and seek to use Melida as a hostage to snag him and no doubt exert mob justice.

Shenfa helps Melida escape, and suddenly she’s all on her own. She investigates another mystery spot that turns out to be the bad guy’s library and office. He sics a vampirized Rosetti at Melida, and that’s when Kufa finally shows his face to protect his student, begging Rosetti to snap out of it.

At this point it’s pretty clear Marquis Pricket is the baddie, and is trying to create his own army of lancanthrope-human hybrids. We’ll see if Melida and Kufa can foil his plans and save Rosetti from an awful fate. In any case, I imagine the fake-boyfriend angle has been shelved indefinitely!

Assassins Pride – 07 – The Blue-Flamed Assailant

On the eve of a training trip to her hometown of Shangarta, Rosetti begs Kufa to pretend to be her lover so she can refuse the hand of the man chosen by her father, Marquis Blossom Pricket. Judging by a cold open in which a young, lighter-haired Kufa is with an unconscious young Rose in a burning church, the two go back far further than we thought, and Kufa decides to help her out again here.

Naturally, Melida doesn’t like this one bit, as she doesn’t want her instructor to have even pretend eyes for anyone but her. Marquis Blossom arrives (and with him a very Gilderoy Lockhart vibe), but the dispute over who shall marry Rose is tabled, as prep for the trip takes precedence.

Incidentally, that cold open came in the form of one of many strange dreams Melida has been having, no doubt due to the fact Kufa transferred his mana to her in order to help her awaken hers. She continues to hear a voice no one else can (not even Black Madia AKA “Instructor Laqua”), but then hears a scream everyone hears while chasing after a troubled Kufa.

One of the students has been rendered unconscious, though shows no signs of injury (unless they didn’t check her neck carefully). Marquis Blossom whips out a magic potion that reveals the mana of the culprit: blue, male, and belonging to someone still in their teenage years. In other words, the only one around fitting that description is Kufa.

This is the second plot point (after Rosetti’s betrothal) to be tabled so the training trip can press on, which is odd because nothing comes of the potion pointing to Kufa as the culprit, he attends the rest of the group on the train as if nothing happened. I was also surprised to learn that Shangarta isn’t one of the domes that make up Flandore, but a separate bustling town in its own right, built deep into a chasm. It’s a fascinating place, made all the more bizarre by the presence of several “mystery spots” Marquis Blossom vaguely states do not follow the normal laws of nature.

There is also a raging disease in which townsfolk take leave of their senses and become mindless killers and need to be quickly put down…sounds pretty vampiric to me! The way Blossom so casually executes the afflicted man in front of all the students is quite disturbing.

Rosetti takes Kufa to the same church we saw in the cold open—thankfully not on fire in the present—and introduces him to all of the orphans her father has taken in and lies about him being her lover. I wonder how far such a fiction can be taken.

Melida certainly voices her displeasure at the existence of such a farce, to the point she forces Kufa to put her socks on, conceding that he doesn’t see her as a woman. Kufa offers to make it up to her by taking her on a late-night date, and he is immediately forgiven as her frustration turns to bubbly delight.

Specifically, Kufa takes Melida to a glowing magical cave that contains one of the “mystery spots”, where the two are able to glide across the surface of the water and fly about as if weightless in a stirring scene that further builds the chemistry between them. But once Melida is back in bed, she’s back to having weird vampirish dreams most likely involving a young Kufa, and is awakened by Elise with bad news: another student has been attacked, and Kufa is nowhere to be found.

I’m not prepared to conclude Kufa is deceiving her intentionally—these attacks could well be subconscious on his part (unless he’s being framed). The bottom line is, Kufa hasn’t told Melida enough about him for her to paint a full picture, so in a way he’s already deceiving her by omission.

Attack on Titan – 46 – Playing to the Crowd

The Rob Reiss Big-Ass Titan is coming; there’s no getting around it. And it’s attracted to huge groups of people, so it’s avoiding villages and going straight for the densely populated Orvud District, which Erwin keeps UN-evacuated.

Using the citizens of bait may at first seem to run counter to their first mission to protect the people, but if Orvud is emptied the Titan will head to the main wall and possibly break all the way through to Mitras.

I assumed we’d get some kind of Battle of Helm’s Deep-style all-nighter siege, but dawn arrives far quicker than I expected, but both the wall defenses and the Scouts are as prepared as they’re going to be.

They’ve got a plan. Historia isn’t sitting on the sidelines to let her future subjects bear the brunt of the battle; she’s on the front lines, against Erwin’s urging. She muses that if she’s to be accepted as the new ruler, she must earnit with deeds, not simply lean on her name.

In a nice nod to the opening, which IMO is the best of any Titan season, Eren notices a trio of kids not unlike him, Mikasa and Armin back in episode one, on a similarly lovely day, before the Colossal Titan attacked.

Showing Eren looking behind his back and seeing who he must protect is a nice move, and the three kids are the first citizens who I actually want them to protect (a bunch of others are annoyed they have to carry out an evacuation drill).

As for Eren punching himself until the weak, ineffectual, useless brat within him is “gone for good”, that doesn’t work quite as well, but I like the fact that he’s inspired by Historia’s transformation into one of the strongest among them.

When the Rob Titan reaches the wall, no amount of artillery bombardment does much good, and he puts his hands on he top of the wall and stands up, revealing his face and half of his head has been sheared away.

The Scouts shoot more gunpowder into him, and Eren transforms into a Titan to personally deliver another load of powder directly into the very large and open head cavity, thus destroying the core from the inside.

This is where the wheel is broken and history doesn’t repeat itself; the three kids are scared, but their homes and families are spared the cruel, gruesome fates of Eren’s, Mikasa’s and Armin’s.

Even more significant, the fates conspire to make Historia, not Eren, the public savior of the day, as the assembled masses watch in awe as she delivers the killing blow to the Titan core high over the city, before landing in a wagon.

Little do they know she just had her first—and last—fight with her dad. And she won.

When she rises from her fall, she promptly tells all within earshot her name, Historia Reiss, and her position: their ruler. It’s yet another badass moment in perhaps the best character arc Titan has yet delivered. She achieved what she set out to achieve: gain credibility with the people and legitimize her claim to the throne though great heroic deeds.

Meanwhile, Kenny bleeds out against a tree not far from the destroyed Reiss caverns, his entire team destroyed in the fracas the night before. Levi arrives to confront and possibly arrest him, but takes a look at Kenny’s burns and wounds and declares him beyond healing. Kenny isn’t so sure, and presents a syringe of…something. Is that Titan serum? Whatever it is, Levi needs to be on guard.

Tenrou: Sirius the Jaeger – 07 – Time to Know Everything

The big showdown to determine if Yuliy can beat both Kershner and Mikhail and protect Phillip is suddenly cut short when tank shells explode outside. Major Iba has arrived, and he’s brought a sizable contingent of infantry and armor. It’s a great and triumphant realization of Iba’s decision to temporarily trust V Shipping and assist however he can.

Kershner’s ranks are routed, so he retreats, leaving Mikhail to finish Yuliy off, but Mikhail won’t kill him, any more than Yuliy will kill Mikhail. After all, before they parted, it was Mikhail who told him to “live”, and that directive supersedes Mikhail’s loyalty to Kershner. Maybe (brotherly) love can conquer all!

Kershner reaches the roof of the mansion to find Willard there waiting for him. Willard tries valiantly but he’s ultimately no match for the high-ranked vamp, and ends up at swordpoint when Yuliy arrives. Little does he know Kershner and Willard have a history.

Indeed, it was Willard, so obsessed with the Ark of Sirius, who helped “lift the veil” on its location, Yuliy’s hometown of Dogville. After Willard witnessed Yuliy use the power of the Sirius in the snowy forest, he saved him and set him on a life driven solely by revenge.

Willard fully expects Yuliy to want to kill him shortly after he kills Kershner (in a pretty awesome badass way, if you ask me), since he’s partly responsible for a lot of the terrible stuff that happened in his life.

But Yuliy doesn’t kill Willard. The ten years weren’t just about revenge for him. Willard may have been a cause of his despair, but he’s also the only reason he’s still alive, and lived as long as he has.

In the aftermath, V Company will reimburse the Naoes for the damage to the estate, while Willard tells Yuliy more about the Ark of Sirius: it’s a kind of font of extremely valuable information and technology; no wonder the vampires are after it.

It’s hinted when we check in on Kershner’s boss Yevgraf (who flies around in his sick airship, as you do) that while the vamps are certainly not happy about having to rely on the Ark, some kind of illness is killing them, and the Ark is their onl hope.

As for Iba, he gets a chewing out and his unit is disbanded, but he’s given a new and even more crucial task: find and retrieve the Ark of Sirius for Japan. Later, Iba pays a visit to Willard at the bar, and Willard tells him where to start looking for said Ark: Sakhalin.

Willard and the Jaegers of V Shipping, their Japanese mission complete, are ordered back to London on the double, for debriefing and to await their next mission. They all seem eager to return to HQ, particularly Phillip, who calls London home.

But Yuliy won’t be joining them. His mission to find and protect the Ark is no longer V Shipping’s, so they must part ways. He books passage on the next ship bound for Sakhalin alone, and sets off to do what only he can do.

This is no longer about avenging his family, his home, and his brother. It’s about fulfilling the duty that is his birthright, as well as his responsibility as last living Sirius…unless, of course his Dad’s still hanging in there somewhere…

Tenrou: Sirius the Jaeger – 06 – The Siege of Naoe Mansion

Having learned the Ark wasn’t even in the city the train was headed, Kershner declares the train-and-Frankenstein’s monster op a wash, and refocuses his efforts on eliminating the Jaegers who got in their way. Back at the Naoe household, V Company sits tight and awaits further orders.

Ryouko is scolded by her understandably protective father. He forbids her from ever touching another sword, but she won’t hear of it. If she’s to be a worthy successor, she needs to see more of the outside world and how it works; book studies won’t be enough.

After what he witnessed on the trian, Major Iba seeks out more intel from Willard’s bartender informant, but both of them are tailed by vamps in black coats, and when the bartender is alone, they strike. By the time Willard arrives for his regular visit and Mockingbird cocktail, he only has a few moments before his friend dies, handing him a note.

The vamps aren’t gone, but Willard demonstrates he can handle himself in a fight against a couple of grunts. Every bullet finds a vital target and no movement is wasted, save, perhaps, unloading a couple more bullets than needed into a vamp’s head. But considering what they did to his friend, it’s understandable. Willard calls Dorothea, who musters the Jaegers for a battle.

They play things stealthy at first, hiding in the shadows while the vamps run into booby traps, but there are just so many goddamn monsters out there the skirmish quickly becomes a tense siege.

As the buildings of the household start to burn, Ryouko, who led her father and servants to the storeroom, prepares to head out and buy them more time to escape, decked out in her samurai best.

However, her father stops her—not because he doesn’t think she’ll be able to put up a fight, but because he wants to go to heaven being able to face Ryouko’s mother, something he can’t do if he lets her sacrifice herself to save his sorry old ass.

Speaking of old ass, Kershner is in the building with Mikhail by his side, just as Yuliy and Phillip finish up with their monsters. Rather than let his brother choke the life out of his fellow Jaeger, Yuliy slips away from Kershner long enough to knock Mikhail away.

Protecting Phillip while fighting Kershner and Mikhail sounds like crappy odds. I figure Yuliy’ll need one more friendly variable on his side of the equation.

Tenrou: Sirius the Jaeger – 02 – Above the Skies

After two days of healing, Yuliy wakes up in the home of Dr. Harada, and makes fast friends with his daughter Saki. However, the nature of the doctor’s work doesn’t just keep him away from Saki, it also makes him a target for the elitist-killing Hyakko Gang…as well as the vampires. Both Willard of the Jaegers and Major Iba with the military separately attempt to connect the dots.

As Phillip keeps an eye on Yuliy as he finished healing up, Ryouko insists on paying Yuliy a visit. Clearly she was more intrigued than insulted by Yuliy’s aloofness and remark about rotting roots. Yuliy seems to be a bit of a green thumb, as he helps Saki set up some tomato plants—once believed to be poisonous due to their color.

As the doctor has worked day and night on his project—an artificial heart for Saki, who must have the same condition that claimed her mother’s life—his assistant sells out to the vamps, specifically a “re-built” Agatha who know has a sword for a leg.

That night Agatha puts that new leg sword to work attacking Dr. Harada’s home, and neither Yuliy and Phillip can protect him and Saki in the ensuing fray. The doc is bitten and becomes Agatha’s thrall, and Phillip stuggles to keep Saki safe while Yuliy and Agatha take their fight outside.

While not as action-packed as the opening episode, I appreciated how more time was used fleshing out characters, and the action we do get is of high enough quality to make up for its late appearance in this ep, whether its the close-quarters of the inside fight or the more free-flowing combat outside—not far from where Ryouko has just arrived at the house.

Agatha doesn’t quit deriding Yuliy’s very existence as a filthy “Sirius”, suggesting like in much of the rest of vampire-themed media, vamps consider werewolves a lower rung of creature…at best. 

Filth or not, Yuliy is able to turn the tables of Aggy, shattering her leg blad and running her through with his segmented staff, the blade of which also goes straight through Dr. Harada’s throat just as he’s about to kill Saki, who instead is simply horribly traumatized as both her dad and Agatha crumble to dust.

As if that wasn’t enough, there’s an explosion on the other side of the house—probably the Hyakko Gang—and one more challenger who faces off against Yuliy on the rooftop. Yuliy calls this fellow brother, so he’s another Sirius (this is backed up in the new ED); but it’s clear they’re no longer on the same side.

As with other genres in which the eclectic P.A. Works has dabbled, the studio has delivered another solid and competently-produced entry that may not deliver much in the way of originality, but does check a lot of boxes I appreciate, from the vampire milieu to noir, mystery, history, and steampunk, with multiple factions, all with their own agendas.

That said, I’m still not finding Yuliy himself particularly compelling as a lead; the arrival of his brother could either raise or lower that opinion.

Classroom of the Elite – 03

“Man is an animal that makes bargains: no other animal does this – no dog exchanges bones with another.” So said Adam Smith, famed Scottish economist and philosopher. It’s a lengthy, inefficient quote, as befits the times he lived in, but I like how he extends the concept out for added emphasis.

Class D may be “defective garbage” but they’re still human, and so this episode is full of those deals only humans can make. The first deals Ayanokouji makes this week involve securing test questions from a destitute upperclassman, then using the universally trusted and liked Kushida to distribute them.

As Ayanokouji tells Horitika when the class gets all high scores, Kushida is “well-suited to the role” of class hero, unlike the two of them. The flashback that covers three days before the test were, like Smith’s quote, lengthier than it had to be, but still provided more welcome texture, like Horitika’s one-on-one talk with Sudo trying to appeal to his love of basketball to get him to shape up—or Kushida telling Ayanokouji he’s sharper than she thought.

Alas, only two of the three misfits pass the exams – Sudo fails one, by less than one point against the average score (which was heightened due to so many 100s and high 90s). Ayanokouji’s gambit would seem to have failed, but he doesn’t let things stand there: he follows Chabashira-sensei to the roof to make another one of those human deals.

Chabashira’s inflexibility on Sudo’s expulsion is out of a regard for the rules. Ayanokouji appeals to what both he and his teacher know to be the truth: society is not truly equal, but rules require “at least the appearance of equal application.” To that end, he recites another rule from the first day of school: points can be used to buy anything. Anything…including one test point so Sudo passes.

Chabashira, impressed he’s been paying such close attention and that he’d bring such a bargain to hers, agrees, but for a price of 10,000, to an Ayanokouji who already spent 15,000 on the test answers. To his surprise, Horitika appears on he rooftop to pay Chabashira, citing the threat of unknown consequences to the class if Sudo or anyone else were to get kicked out.

While Chabashira is impressed, she warns these two Adam Smiths that no Class D has ever advanced to a higher tier. Now we know Horitika’s goal of Class A isn’t just a long shot—it’s unprecedented.

Nevertheless, Horitika won’t give up. Thanks to her, Sudo stays and Class D earns 87 points without Ayanokouji dipping into his dwindling point reserves. He tries to thank her, but she says everything she’s done is for her sake—even artificially lowering her score to drop the class average to something Sudo could more realistically manage. When he points this out, Horitika stabs him with a compass.

She’s signaling to him in about as visceral a way as possible that she’s no altruist, and she may have a case, as intent matters. But it cannot be denied that she has done and said things that weren’t to her immediate personal benefit in order to benefit the greater good, and made specific choices that she didn’t have to make to get the same result. In a vacuum, she was being nice to Sudo.

At a party in Ayanokouji’s dorm room, he spins a story to the others that Sudo’s expulsion was canceled by a passionate appeal to the teachers by Horitika. Is Ayanokouji just getting her back for stabbing him, or is he trying, in spite of her efforts to the contrary, to rehabilitate and burnish her reputation as someone the other students can trust and respect?

 

Whatever anyone’s intentions, the effect is the same: Kushida is pissed. So pissed, she forgets her phone, and Ayanokouji follows her to the waterfront, he’s introduced to Kushida’s other side, a bitter, fuming ball of rage. When she gets a text, Ayanokouji’s cover is blown, and he finds himself face to face with this new and frightening side.

She doesn’t mince any words. Instead, she makes a deal: he’ll tell no one what he saw there, and she won’t falsely accuse him of raping her, thrusting his hand on her chest so his fingerprints can be used as evidence. To think Kushida would stoop to such horrible tactics is a testament to her devotion to achieving her goals, which is just as intense as Horitika’s.

I’m impressed by how invested I’ve become in these three characters in just three episodes. Each week a new layer and wrinkle is added that completely flips the script. At this point, I’m not even sure Kushida didn’t plant the phone so Ayanokouji would follow her, discover her, and be forced to share another secret with her.

The question may be who is the real Kushida, but the answer could be all of them. Which brings us to the ultimate deal in Classroom of the Elite: if we the audience watch it, and keep watching, the show will keep us in rapt attention with solid stories and characterization.

Classroom of the Elite – 02

I’m liking the uneasy rapport that has developed between Ayanokouji and Horitika; coincidence after coincidence brought them “together” in the opener, but they’ve consciously chosen to stay together, despite his surface apathy and her surface hostility—providing a nice contrast to Kushida’s saccharine affability.

Horitika isn’t interested in jumping up a level to Class C. She wants to be in Class A as soon as possible. If that means gathering a study group of the three most egregious misfits, so be it. She assigns Ayanokouji to the thankless task of gathering said misfits…and he immediately fails.

So he calls Kushida, who is all too happy to convince the three guys to attend the study group…if she can be in it as well. That caveat proves too repugnant to Horitika, who is awesomely resplendent in her text-and-voice-based petulance upon reacting to Ayanokouji’s method of completing the task she gave him.

Nevertheless, the group is assembled, with Kushida…and Horikita blows it up almost as quickly as Ayanokouji failed to assemble them in the first place. Unable to temper her aloof manner with people, and so focused on her goal of Class A, she doesn’t bother adapting to the various personalities she has to deal with, and so they all bail. She then accuses Kushida of “sabotage”, and Kushida runs off on the verge of tears.

And so, Ayanokouji finds himself with the contact info of not one but two comely lasses, and hasn’t the words, written or spoken, for either of them. So he goes out to the vending machines…and sees something he shouldn’t.

That something is the Student Council President verbally abusing his little sister…Horikita. Ayanokouji hears a tone of voice from his classmate he never had before, as she pleads for her brother to give her a chance…but all she is to the guy is a manifestation of shame; a black mark; a Class D sister.

Then he puts his hands on her and Ayanokouji has seen an heard enough, finally taking action by making use the strength Horikita noticed in his physique at poolside. He claims he acquired it and his fighting skills through “piano, calligraphy, tea ceremony”. It would be most impressive if that were true, but it’s clear he’s hiding something (We also learn he scored exactly 50 in all subjects on his entrance exam).

Like the first, this episode explored the theme announced in the episode title, a quote from some old dead guy, in this case, how “it takes a great talent and skill to conceal one’s talent and skill.” That certainly seems refer to our boy Ayanokouji as well as Kushida, who also comes off as someone holding their cards close.

As for Horikita, her natural tendency to keep people away, assuming they’ll hold her back, seems doomed to backfire on her every time. Just as the class had to come together to attain high enough scores to stave off expulsions for another week and possibly gain points back, Horikita will find more success on her path to Class A by learning to work with others, utilizing their hidden skills talents, and possibly discovering a few of her own in the process.

Hundred – 12 (Fin)

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That’s all, folks; Hundred is over! At least its first season; there’s no mention of a second but certainly talk of “more things happening in the future” which could be just that; talk. And we never learn why hundreds are called hundreds…I guess they just thought “hundred” sounded cool? It kinda does!

Anyway, if this is the last episode, it goes out with a bang; several bangs, in fact, from Vitaly’s hand cannon. She only uses one of the three hunter “tools”, Nakri, to get through an electrical security barrier. After that, a revived Mai-Mai trades gunfire and forces her to flee. So yeah, about all those possibilities with the three conditioned Hunters on her side…that didn’t pan out.

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In fact, Vitaly’s grand master revenge plan comes to a screeching halt just as quickly as it totally overwhelmed the rest of Little Garden’s defenses and Slayers…all thanks to Judar. Seems like she has some kind of romantic past with him (gross!) and the reason she’s here is because she’s A Woman Scorned.

Ultimately, she just wants to kill Liza by shooting her. You’d think such a science and technology whiz would have a backup plan if Liza’s shielding was bulletproof. Not only that, Liza takes semi-corporeal form to shield her brother so he can shoot Vitaly, killing her and ending what had been a pretty built up threat with all the finesse of air coming out of a balloon.

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Speaking of unappealing noises, Vitaly’s last gasp tactic is have all her replicants emit a loud screeching sound, but Liza kisses Karen, giving her use of her legs (hey! why not?) and Karen and Sakura neutralize the noise with their non-animated singing.

Ethereal Liza also kisses a KO’d Hayato in order to give him the strength to take down not only Vitaly’s flagship replicant, but a Nesat who’s gone absolutely berserk due to her siblings getting hurt.

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Nesat threatens to explode after a predetermined period of time, taking the ship with her, but Hayato is able to reach into her subconscious and calm her down by telling her they’re friends now, and the final threat is dealt with without much fuss. Glad the Hunters didn’t end up getting hurt or worse, and now that they’re free, they can be useful members of garden society.

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That just leaves the resumption of the festival, culminating in, what else, a fireworks show, under which Emilia and Hayato dedicate themselves to being with one another. Unfortunately, while they’re kissing, the entire rest of the cast comes topside, and their myriad reactions are priceless.

Suffice it to say, Emilia’s secret is out: she’s a girl, and a princess, and loves Hayato. Of course, Claire isn’t okay with that, and unleashes her Hundred cannon at the lovebirds to close the episode, and possibly the series. The goofy slapsticky mood of the scene indicates she’s not really going to murder Emilia and Hayato, just scare them. Still, she’s not exactly setting a good example as captain of Little Garden, is she?

Sooo…Hundred: Definitely a show. With stuff that happened in it. Totally inconsequential and derivative stuff that hardly ever went anywhere interesting, but mostly fun stuff nonetheless. Will I be tuning into any possible second season? Maybe…if nothing else is on.

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