Gleipnir – 01 (First Impressions) – The Minx and the Mascot

Kagaya Shuuichi is ordinary, or rather wants to be perceived as ordinary, and takes great pains to maintain that ordinariness. He lets cute girls borrow his work, sneaks a peek up a girls skirt when opportunity knocks, and continues wearing glasses even though he doesn’t need them.

He also turned down a decent college recommendation to pursue … something else. A girl who seems to like him gets it instead, but knows he was the first choice. Unfortunately, what this poor girl doesn’t know about Shuuichi could fill volumes.

I guess it’s not so much what Shuuichi is pursuing that made him turn down college, but what he is enduring. He’s suddenly been granted a highly elevated sense of smell, like a dog, and when certain conditions are met (which I’m sure he takes pains to avoid) he transforms into a giant cartoon mascot dog.

One night he smells fire, and finds a pretty girl passed out in a burning garage. He transforms and rescues her, but seemingly enchanted by her smell, starts pulling her underwear down before stopping himself, transforming back to a human, and fleeing in a panic…without his phone.

Having potentially set back his program of maintaining normality for years, Shuuichi plays dumb at school until he comes face to face with the girl, his phone in her hand. Considering his refusal to own up to sexual assault on an unconscious woman, and that he considers gaslighting her, I’m not that sympathetic with his predicament!

The girl, first-year student Claire Aoki (Touyama Nao), has no intention of letting Shuuichi off lightly. The underwear aside, she was trying to kill herself in that garage (or so she says), and he ruined her plans. After kicking him off the roof to watch him transform, she indicates her intention to blackmail him.

Claire also seems committed to making Shuuichi uncomfortable as possible whenever possible, as exhibited when she takes him to her apartment and strips down to change right in front of him, threatening death if he moves. They’re interrupted by the invasion of a mysterious woman who is after the weird gold coin Claire possesses. The attacker can also transform into a part-woman, part-beast, and proceeds to kick Shuuichi’s inexperienced-in-combat ass.

Gleipnir is the name of a delicate yet immensely strong dwarven-made chain that holds Fenrir back until Ragnarok, when he’s free to devour Odin. If Shuuichi’s mascot mode represents Fenrir, his human form is that chain. But unlike its Norse namesake it’s quickly fraying, thanks in part to Claire helping it along. Or Maybe, ironically, maybe it’s Claire who is the true Fenrir here, a wolf in model’s clothing. Shuuichi broke the chain and unleashed her by getting rescuing (and assaulting) her. There’s no going back now!

Gleipnir looks and sounds great (thanks to composer Sakata Ryouhei and a great Mili ED), with a taut, tense and gripping story. The dread of Shuuichi’s misfortunes is weighed against the reality of Claire having a legit beef with him. The cuteness of his mascot form contrasts with the horrifying nature of his transition. We’ll see what hell she puts him through, and if it ever rises to the level of Aku no Hana pitch-blackness.

Ao no Exorcist 12

The gang of esquires is given a seemingly innocuous mission to extract a harmless ghost from the ridiculous “MepphyLand” amusement park, in which the most dramatic development could be Shiemi switching from her bulky kimono to an ordinary school uniform, complete with short skirt; but it turns into far more than that quite quickly. One of Mephisto’s brothers, Amaimon, shows up, takes Rin’s sword, and unsheaths it, releasing Rin’s demon side. Then he proceeds to mop the floor with him.

This underscores just how vulnerable not only Rin is, but also how fragile his grip on (relatively) ordinary life is. One minute, he’s arranging a date with Shiemi, the next, he’s transformed into a vicious monster through no fault of his own, and almost loses himself in the process. It’s only through the intervention of Shura – a “High Inspector, Upper First Class Exorcist” – that he’s able regain his humanity. Shura was disguised as the member of the gang always obscured by his hoodie. “He” is also a she.

My immediate first impression of Shura is, sadly, “stupid-looking”; Yoruichi-san looked sexy enough in a glorified tracksuit; why this person has to walk around in a tiny bikini top is beyond me. Still, it opens up a new can of worms regarding Rin: his identity as a son of satan is revealed to a very high-ranking exorcist, and that can’t be good. Not only that, but Amaimon will be back, and he may not be as playful next time. Are Rin’s hopes of living a normal life as a human exorcist toast? Rating: 3.5

The World God Only Knows II 5

Good to see TWGON2 return to some sense of normalcy – I’m just not as interested in the hierarchy and mechanics of the demon world as I am in Keima hunting real girls. The newest girl, Chihiro, is a bit of a doozy, perhaps his greatest challenge yet. The reason is as hilarious as it is ironic: his illustrious repertoire of simulated dating experience will be utterly useless on her.

Chihiro doesn’t have any qualities that make her stand out. She’s just an ordinary girl. Ordinary girls are never heroines, they only fill up the background. First she flummoxes Keima by liking another guy, to whom she confesses and is rejected. Keima is even more frustrated when she gets over the grief instantly, just as he’s about to comfort her with a clever, ice-breaking line.

No, Keima is out of his element, off the radar, in unknown territory, bereft of his bag o’tricks. Chihiro has the upper hand; her bland, unpredictable nature will make her a tough nut to crack indeed. Watching Keima squirm and think on his feet  to conquer her should prove entertaining, and may yet redeem what so far has been RABUJOI’s lowest-rated spring series. Rating: 3