GATE – 23

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The last couple of weeks of foot-shuffling was almost worth the wait: this was an adrenaline-pumping powerhouse packed with some proper SDF domination over the Special Region’s painfully outmatched military, and I daresay it’s the best presentation of pure righteous spectacle since the showdown with the Fire Dragon, which feels like ages ago.

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What added to the satisfaction of what was really just a rescue op for the civilians and doves was the intense preparation and precision involved. The SDF officers men have trained for all of this, and now they finally get to show their stuff.

This is less about who’s going to win (obviously, it’s the JSDF in a rout on every single front), and more about the deep pride the SDF shows in everything they do, no matter how pathetic the foe, they exercise the utmost professionalism and efficiency in their work.

The comprehensiveness and abruptness of the SDF’s assault throws Zolzal off balance, but Tyuule is always right behind him to say—in not so many words as to tip him off as to her true goal—he’s dug his grave and now he has to lie in it. She makes sure he understands no matter what happens, he can’t leave this place, or the Empire will fall.

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Itami & Co. are in transit, and miss the big show, but the other forces get the job done, quickly routing the army beseiging the Jade Palace and rescuing the civvies, doves, and Rose Knights without any trouble.

Their swift and forceful efforts have left Zolzal looking weak and kept the possibility of peace alive, all before Zolzal even knows where to send his men (also sending the royal palace guards, leaving himself mighty exposed should Tyuule get stabby).

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However, as Tyuule remarks after Zolzal’s underlings give a very sobering report on their defeat, they still have a significant trump card, and that’s Princess Pina. Bozes knows she’s being imprisoned there, and races off to try to rescue her single-handedly, a highly questionable course of action that exposes Bozes’ lack of experience in this kind of thing.

Luckily for her, Beefeater followed her, and when Bozes’ horse takes an arrow, Beefeater carries her on hers as they flee the charging army. They’re spotted by one of the SDF unit commanders (who is sticking around until the officially sanctioned end of the operation, just in case), who take out all of their pursuers and bring them aboard their helicopters.

Now everyone is safe but Pina, who doesn’t seem to have been sexually assaulted by anyone, but is still not used to being imprisoned, and is starting to panic over the fact she may have been left in that cell to die. Of course, she’s still very much alive for the moment, as Itami, the only man who can save her approaches the capital.

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Shimoneta – 07

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I must admit, I have my doubts about the show introducing a new semi-rival sex terrorist group, along with a new character to add to what is quickly becoming the “SOX harem.” But at the same time, introducing the 10-volume “Okuma x Goriki” BL series is a delicious way of ensuring even when he’s trying to hang with Goriki to avoid Anna, there is no peace for our protagonist. Goriki may not read anything into spending their free time together and making Tanukichi lunch, but Ayame and Otome read a lot into it!

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And like I said, that’s when Tanukichi is trying to avoid Anna, which is inherently difficult because she’s a lot craftier and more devious than Goriki, and is able to send him off on pointless errands just to get Tanukichi alone. Her desires are evolving from wanting her would-be lover to “eat” her to her wanting to “eat” him, and since she’s so much quicker and stronger than Tanukichi, he doesn’t have much say in the matter, and he’s only saved by Anna having a premature “crisis”…all over his goddamn face. Naturally, Otome isn’t far away in the bushes, furiously committing the tawdry scene to paper.

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There is also something to be said for, in addition to concealing themselves form authorities, SOX is charged with keeping their brand credible, which is hard to do when rogue groups like “Gathered Fabric” (led by “White Peak”) pull stunts that fail to inspire the oppressed masses, and indeed do harm to SOX’s reputation and squander its political capital. Tanukichi doesn’t see them as a big deal, but Ayame believes GF must be “eradicated” like the damaging knock-off group she believes them to be.

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That brings us to Onigashira Kosuri, who’s father is a wealthy and influential part of the Establishment. Kosuri, long suffering ennui in such a stifling environment, has an earnest desire to stir the shit, as we see when she launches yogurt balloons at the morality cops. She also reveals her dual personalities—one playing a pure and innocent girl, the other an excited pervert; complete with differing hairstyles—in her first deakings with Tanukichi.

At first, she suspects he’s exactly what he is on the surface—a goody-two-shoes StuCo member. But when he proves to her he’s a SOX member, she literally latches onto him with abandon, completely ignoring the impropriety of him being so close to someone much younger than him.

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Tanukichi helps Kosuri convince Ayame that she’s worth having around, as she can supply funding and materials that can facilitate their work, so the addition of Kosuri makes sense, and Hocchan does an okay job with her voice(s), but I’m still not enamored of yet another girl who is basically another love interest for Tanukichi, whose presence can only subtract time better spent in the core triangle of Tanukichi, Ayame, and Anna. But hey, show, prove me wrong.

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Shimoneta – 06

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With the porn of Yotsuga Forest successfully distributed, Ayame decides the next issue SOX should tackle is the development and distribution of sex aids, from lubes to mechanical vibrators. These things have to be made/built from scratch because they’re no longer in store. Their task is akin to building the pyramids with only the original tech on hand.

It’s tiring work, most of all for Tanukichi, who has to endure a constant stream of dirty talk from Ayame and Otome, but is called “sick” and a “pervert” when he suggest they focus equally on male and female “products for health and beauty.” It’s a hypcrisy that persists in Ayame, who at the end of the day is more naive than Okuma, who had a father in the trade.

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Tanukichi also falls victim to a misunderstanding when he pays a visit to Hyouka to pick up the wireless, remote control mini-vibrators she built for them. Not only is Hyouka naked under her robe (after accidentally falling into a water tank), but she wants Tanukichi to repay him by showing her how his “cucumber prepares for battle.”

They’re very close when Anna barges in, and Tanukichi has to come up with a lie to satisfy her in a hurry. He manages to succeed by offering one of the two vibrators to Anna, calling it a “Power Stone.”

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Anna makes a blingy pendant of it, but when the remote malfuncitons, it’s stuck on, vibrating her bust, resulting in what can only be described as a hilariously ridiculous spectacle. It also turns Anna on, to the extent she dismisses Goriki, locks herself in the StuCo office with Tanukichi, and proceeds to hold him down.

Tanukichi, about to be raped by someone who has no idea what rape entails, finds his own member barely able to withstand the onslaught of Anna on top of him, but he manages to “preserve his chastity” until the vibrator breaks from overuse, ending the immediate crisis.

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The longer-term crisis for Tanukichi, of course, is that Anna immediately demands a new “Power Stone” to replace the one that broke. Worse, whenever he so much as looks or speaks to another girl, Anna grows violently jealous. SOX has truly created a monster.

With the daughter of a high-ranking Morality official getting excited about SOX’s terrorist activities, it looks like he’ll soon have one more girl filling his ears with dirty talk and threatening to incur more of Anna’s wrath.

What had been Tanukichi’s Boring World Where the Concept of Dirty Jokes Doesn’t Exist has now become an annoying, stressful, often life-threatening world where dirty jokes—and acts—are rampant and unpredictable. But definitely not boring.

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Shimoneta – 05

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Shimoneta does not hold back (no pun intended) on the continuing unfortunate results of Anna’s accidental first arousal by Okuma; she is absolutely out of control from start to finish, frightening due to the strength of her convictions (read: delusions), yet also a profoundly tragic figure; a walking, talking, drooling example of everything wrong with her mother’s hardline stance against sex education.

Her mother has kept her bottled up all this time, and now the flood gates are open. Yet so ignorant is she to the basic biology of sex, Anna refers to her discharge as “love nectar”, first mixing it in the dough for cookies made specially for Okuma, then trying to get him to drink it straight from a  bottle where she’s been collecting it. Anna’s complete inability to cope with her lust has turned her into a dribbling, chain link fence-cutting psycho.

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All the while, Anna is apparently lucid enough to keep this erratic behavior secret from her mother, who either trusts her daughter enough not to stick her nose in her business (pretty hypocritical, considering how evasive X Prohibition will be to the rest of the Japanese youths) or she’s simply too busy with the PR campaign to bother noticing Anna melt down.

Public Morals begins a crackdown on the school specifically to dissuade students from storming Yotsuga Forest where the porn stash is believed to be located. Yet Ayame goes anyway, willing to storm the place on her own, no matter the consequences, as a matter of principle, and in hopes she’ll inspire others.

Her suicide mission is interrupted by the cavalry: Fuwa Hyouka found Otome’s lewd drawings Okuma dropped in her lab when Anna was chasing him, and she distributed them to the student body, which came to the forest en masse. She uses all the boys as a diversion against the morality cops, and sends the girls in.

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Sophia’s rally at her daughter’s school is ruined, so Anna goes to the forest and locates both Blue Snow and Okuma (who is in a light disguise). Ayame orders Okuma to save himself, but even when he lands smack-dab in the Cave of Porn, he decides he’s not going to let Anna unmask and punish Blue Snow. He probably realizes the ideal life he imagined with Anna isn’t going to happen.

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He emerges wearing woman’s lingerie, and the sight of his package is enough to make Anna hysterical, as they used to say in olden times. Unaware it’s Okuma behind the pantymask, she’s so ashamed of her body reacting so intensely to another man, she literally jumps off a cliff and flies away, leaving a love nectar rainbow in her wake. That’s right, a love nectar rainbow. I sure didn’t see that coming!

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Even SOX are rendered bewildered and speechless, but at the end of the day, they successfully got all of their fellow students to storm the forest, and scored a huge haul of fresh and diverse porn with which Otome can be inspired to create an ever-richer catalogue of illustrations for distribution. They even manage to switch the signatures from other schools with those illustrations, and Sophia makes the mistake of holding one up without looking at it first while on a live nationwide broadcast with no tape delay.

It’s a huge coup for SOX, who were on the cusp of being wiped out, because the scandal essentially stops the X Prohibition Law in its tracks, as well as gets Sophia in trouble. Thinks are looking good for the ero-terrorists, but more challenges lie ahead, one of which is named Anna Nishikinomiya.

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Shimoneta – 04

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At first, Anna seems to be processing her “experience” with Okuma last week by clamping down on school indecency, tightening her grip on public morality as her mother prepares to make a speech at her school on her “final solution” for nipping lewdness in the bud and preserving the purity of Japan’s youth, saving them from their own base urges. Anna is also straight-up avoiding Okuma, making him think she despises him now.

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With a vote on the X Prohibition Law looming, Ayame briefs her SOX team of Okuma and Otome on their next mission, which is to storm a forest where hardcore porn is known to be located (the forest was once the property of a famous pornographer) with a mass of “cherry” boys and girls from school, overwhelming the authorities with numbers. SOX is not the only dirty terror group, but one of several all working to free Japan from the shackles of artificial sexual repression.

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Anna’s mom ends up surprising Ayame by announcing the student vote for X Prohibition will take place the same time control will be lifted from the porn forest. She also unveils the future of oppression: heavy-duty chastity belts that prevent any fooling around in that area by either sex, further closing off that crucial part of the human anatomy to youth a a crucial time in their development. The image is somewhat humorous, but the idea behind it is truly chilling.

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Ayame is pissed off about her plan becoming far more difficult, but she still thinks she can convince the student body to storm the forest IF she can get Otome out of her artistic funk. To do that, Ayame exploits Okuma’s new stalker, who has stuffed his mailbox with love letters and left puddles of saliva on his patio, by putting a note telling her to come in, all while Otome hides in his closet and observes.

Okuma is convinced nothing will happen and Otome will see nothing interesting, but he ends up about as wrong as it is humanly possible to be, as his stalker turns out to be Anna, who is extremely sex-crazed despite having no idea what sex is. She enters Okuma’s apartment, tears his and her clothes off, mounts him, and starts licking him. All she knows is that this feels good, so it must be good, and right, and pure.

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Clearly having no idea the note on Okuma’s door would be so successful, Ayame walks in on this spectacle, and Anna basically grabs her clothes and runs out in embarrassment, yet still in a kind of trance in which she doesn’t think there’s anything wrong with what she’s doing. Why would she? Her parents never told her about this kind of stuff. Yet the burning in her loins cannot be denied.

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It took an accidental kiss during a stalker dust-up, but Okuma’s beloved angel Anna has well and truly broken out of her shell. Her ignorance is such that rather than admit her harsher enforcement measures at school constitute gross hypocrisy considering how she’s been behaving on the side vis-a-vis Okuma, she absolves herself by proclaiming that “love is justice”, and that the more she doles out on others, the more love she’s able to give to Okuma.

Absent any kind of proper education on romance or sex, Anna is quite literally making it up as she goes along. Even more troubling, her authority and pedigree are such that few can dare challenge her improvisatory philosophy. She’s suddenly become quite the hedonist, but she’s playing with porn-burning fire.

Most surprisingly, Anna put her money where dirty-talking Ayame’s mouth is, taking debauchery to levels that make Blue Snow herself blush. Or in baseball terms (Hi Preston!), Ayame has been shouting slogans from the stands, but it’s Anna who rounded second base and slid into third, naked and drooling.

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Tokyo Ghoul 2 – 11

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Both the Ghouls and CCG take heavy losses this week—starting with Shinohara in the first two minutes—as the show perpetuates the idea that even those who desire peace are caught up in the tide of war, and be it honor, obligation, revenge, or simply love for one’s family (whatever form it may take) and home, there will never be a shortage of reasons to fight and keep fighting.

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CCG can’t rest on its laurels after defeating Anteiku, as Aogiri Tree descends upon them in force. Ken is among them, but he’d rather Kotarou simply let him pass so he can get to Anteiku. Nothing doing.

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Both remember their first encounter, in which they each blamed the other’s side for continuing the war. Ken spared Koutarou’s life and even saves some CCG grunts from falling debris right in front of him, but such small gestures, while appreciated, cannot make up for all of the death and destruction the Ghouls have caused to those Kotarou knows and loves.

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This unending urge to fight with one’s last breath, in order to pay the enemy back for a wrong, is illustrated by Juuzou’s attempts to fight Eto, who killed his adoptive father Shinohara and laughed about it. Eto flicks Juuzou away dozens of times, and breaks his leg, but Juuzou keeps getting up, until he’s laying hapless punches on Eto. No matter how little effect they have, Juuzou won’t stop fighting until his tank is empty.

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Under less drastic circumstances and with hands less tied by bad blood, Kotarou and Ken could simply sit down and have a nice long chat. But they can’t do anything here and now but fight and try to kill each other.

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And they come very damn close, fighting to a stalemate in which both of them fall. Ken falls last, however, and wanders around later, while Koutarou doesn’t get back up.

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Juuzou, and possibly the rest of the ravaged CCG, are saved by their version of Eto: Arima, a dude who doesn’t wear an Arata but has two ridiculously bad-ass quinques that allow him to calmly and methodically fight on the same level as Eto; perhaps above it, considering Eto is angry about Yoshimura being defeated, while Arima doesn’t seem to express any emotion whatsoever.

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Touka remained out of the fight, which was probably for the best, but while I was hoping she’d find Ken bleeding to death in the alley, the episode ends without them crossing paths. Frankly, I wonder if they’ll ever meet again, considering we only have one more episode to work with.

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No, it turns out to be Hideyoshi who carries Ken to Anteiku, which is ironically a pretty safe place to be now that the battle is pretty much over. It occurs to me I may have been all wrong about Koutarou being the human representative to entreat with Ken to hammer out some kind of peace or at least cease-fire. Hide is human, after all, and by all appearances he continues to consider Ken a friend, if not his best friend.

So after an episode of pointless fighting, death, and despair and futility, we end with an ever-so-slight glimmer of hope, with two old friends reuniting for the first time in a while.

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Even that glimmer is threatened by the post-credits scene, where Eto spits out Yoshimura, who breathes still, and returns to her human form (a pretty awesome sequence to behold, I might add). Another reunion is achieved, though at this point I’m not sure what Eto intends to do with Yoshimura, or if she’d have the slightest interest in peace with humans.

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Tokyo Ghoul 2 – 10

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Unlike the last two episodes’ cold opens, which could have stood alone as masterful short films, this week’s doesn’t even feel necessary, since we already know a concerned Touka is rushing towards CCG siege on Anteiku. On the other hand, it’s only 55 seconds long…because there’s shit to get done this week.

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While the Mall and Prison super-battles felt larger in scale, this one brings more emotional and dramatic weight, because this time it’s Anteiku, which has always striven to live and let live, and the battle isn’t going well, because the CCG are bringing it.

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Koma and Kaya are ready to make their last stand tonight, fighting beside Yoshimura, who brought them together in peace, and going out in a blaze of glory, or at least with one last good fight. Koma and Kaya don’t get their wish, as Kaneki arrives just in time to save them from the finishing moves of the Doves attacking them.

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A lot of the glory this week goes to our two favorite white-heads, Kaneki and Juuozu, who both show just how terrifying they are when they’re serious. It’s kind of a shame that they don’t meet or cross blades this time, but I can see why the two sub-battles were separated. Koma and Kaya were able to be saved by Kaneki because Yoshimura is attracting all the CCG heavies, Juuzou included.

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Even with Shinohara, Iwa, Juuzou, Ui, Houji hacking away at him all night in varying states of coordination, Yoshimura is one tough sonofabitch, which seems to almost work against his plan to pay for his sins and pave the way for the future by all but letting himself get killed. He can’t help but fight back, and his status as the Owl means even if he doesn’t lift a finger in defense (and he very much does), it takes a good long time for him to go down.

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That emotional weight I mentioned? It comes in a flurry of flashes as Yoshimura remembers all the various people in his life he either saved or was saved by. The last thing he sees is his beloved Ukina, the human who accepted him and even bore his child, who is now out there somewhere. You want to hope now that he’s paid for his sins with his life at last, he’ll be able to rest in peace with Ukina in the hereafter.

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Unlike Kaneki, who saves Koma and Kaya, Touka takes no action in the battle. This was probably a good move on her part, as I imagine she would have been outclassed here. Still, she doesn’t particularly look happy about sitting this one out. As for Hide, he’s somehow able to suit up as a CCG grunt to watch, which…well, that doesn’t exactly reflect well on their security procedures, now does it?

As for Kaneki, he isn’t able to simply walk away after dispatching the Second and Third CCG divisions. The Fourth still stands in his way, led by a particularly focused-looking Amon. I don’t imagine he’s in the mood for talk. And while Amon is the underdog in a fight with Kaneki, he’s got friends, and he hung in there versus an admittedly more unstable Kaneki at Cochlea, so he won’t be a slouch.

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Finally, as soon as Yoshimura is defeated, the other Owl, his daughter, arrives on the scene, ready to rumble against the by-now exhausted Doves. Yoshimura’s last request to Kaneki was to not squander his unique status as the one person who bridges the gap between ghouls and humans.

He also told him to try to save his daughter. With Kaneki and Eto about to enter into fierce battles of their own, prospects for either of those things happening seem pretty bleak.

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Tokyo Ghoul 2 – 09

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Last weeks long cold open told Yoshimura’s tale, and it was a stirring one. This week’s even longer cold open focuses on the Doves, how on the eve of their impending raid on Anteiku, are obligated to fill out their last wills and testaments prior to going into battle. But it’s not just a formality this time. You get the sense some of them really won’t be coming back.

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The various Doves, those we know well and those less-so, regard the duty, and cope with the prospect of their imminent doom, in different ways. Takizawa visit his mom. Akira visits graves, then tries to kiss Kotarou, who covers her lips with his hand. Hey, if there is no tomorrow, somethings need to be said and/or done.

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Takizawa, by the way, shows that without any specific vengeance in his heart like Akira’s or Kotarou’s, he can’t quite cope with the enormity of what he’s about to get into. All he can think about is how much he doesn’t want to die. But when going up against Yoshimura, everyone knows dying is a distinct possibility.

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On the other end of the spectrum is Juuzou, who turns his will into paper airplane, which speaks not just to his chaotic nihilism, but to his confidence he’ll come out of this like any other battle; with nary a scratch. What’s chilling is that I believe it.

In a nice bit of character connection across sprawling Tokyo, Ken spots Juuzou’s airplane and watches its flight, leading his eyes to a TV screen announcing the impending battle in the 20th Ward. It’s the same broadcast Touka is watching from a safehouse. Ken and Touka are the only two non-doves in this cold open, alike in the fact they’re both meant to sit this one out, despite how much Anteiku means to them.

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In one final powerful sequence, all the Doves we’ve watched separately are all assembled under the command of Washuu. They’re all there for different reasons and for different people, and despite the fact they’re about to set out to kill our friends, I just can’t see them as the bad guys. It speaks to TG’s fierce devotion to showing us all facets of its characters. In the field of cold opens, TG is locked in; in fact, if this episode were just those first eight minutes of change, I’d probably still give it a 10 despite getting only half the runtime I expected. It’s moving, masterful work.

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But we weren’t cheated. This episode benefited both from some fantastic character moments and some fantastic action. That action is brief, but effective, as we finally see Koma and Kaya in action (at least I think it’s the first time. I don’t recall if they were in the mall battle). They’re pretty badass when it’s just the two of them punching and carving through legions of CCG troops, but then they reveal they have their own ghoul factions fighting for them, this time on the same side, as it’s implied Yoshimura brought the two formerly bitter enemies together.

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Yoshimura himself makes a pretty fantastic entrance, complete with smoke, cloak, and a cool speech about how everyone is evil, because life is a succession of sins, i.e. people taking from other people. I don’t quite agree with him, but he’s right that there is evil in everyone, human and ghoul, and the answer to a peaceful world isn’t “Kill All Ghouls” any more than it’s “Kill All Humans,” as much as either side may want to make that happen.

Yoshimura, Koma and Kaya are fighting, in part, to punish themselves for their sins, but also to protect their younger members who will take their place. I imagine Yoshimura hopes for a time when those successors will find common cause with the Doves the way he was able to broker peace between warring ghoul gangs.

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But it’s clear those people, be they the remnants of Anteiku, members of Aogiri, or both, are a pretty long way from that point, and it doesn’t seem likely they’ll be spared the same suffering and loss that poisoned the previous generations of both sides, and the generations before that.

How can the cycle be broken when Touka won’t simply sit on the sidelines and let the old guard be killed? Touka manages to escape Yomo’s “protection” by pointing out that she too is guilty of sins. She wants to be punished too, even if it’s a futile attempt to hold onto the things slipping away from her. She’s lost enough. But her approach may only lead to losing more.

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Ken doesn’t intend to sit out the battle, either, but he’s not necessarily seeking punishment or revenge. He’s seeking to validate his strength and his agency. Far too many of his friends died and suffered to protect him, and now it’s his turn, come hell or high water. In the only character beat that fell somewhat flat, Ken rejects and defeats a ravenous Shuu, whose desite to eat Ken has driven him even more batshit crazy than he was originally.

Shuu may be a bit of an eyesore, but even in his crazy-ass obsessive state he’s at least pitiable. And in any case, Ken also has a great talk with Nishiki, who plans to honor the ones dying to save them and stay alive, which to him means running.

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Steins Gate – 19

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Kiryuu Moeka. Long hair. Glasses. Taciturn. A bit odd. Obsessed with the IBN 5100 and someone named “FB.” Shiina Mayuri’s killer. She’s been absent for seven episodes, but it feels like seven years. Yet her actions reverberated through each one of those seven each time Mayushii died again. It all started with her. Can it end with her? Okarin is hopeful.

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But there’s something else: Okabe Rintarou is not well. There’s no overt evidence that anything’s medically wrong with him, but all this time-leaping and all of the tragedy and heartache he’s had to endure, and all the times he’s had to explain himself, are clearly taking their toll. I don’t think he cracks one joke this entire episode. The time for jokes is past. He’s only keeping it marginally together thanks to his soulmate Kurisu, who promises him he’s not alone on these time-leaps; she’s there too.

And she is; each time, she believes him and helps him out. But when he goes to track down Moeka, he learns she committed suicide, the walls close in a little more. Hearing an inconsolable Kurisu dutifully call him up despite the fact Mayushii died right in front of her proves how dedicated she is. But Okarin has no time for tears or solace any more than jokes. To save Mayushii, he has to save Moeka.

One remarkable quality to the women in Okarin’s life is their staggering diversity of personality and circumstances. Each girl is utterly unique in every way, and thus far getting them to undo their D-mails has required equally unique words and actions. But Moeka proves to be Okarin’s toughest challenge yet.

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The commentariat may be able to assist in this, but I draw a blank when I survey the anime continuum for a character the like of Moeka—someone who has morphed from what seemed to be odd but harmless comic relief, to ruthless, leather-clad femme fatale, and now to the pathetic wretch she is now, yearning with every fiber of her remaining being for a text from her beloved “FB.” She looks every bit like someone who will commit suicide in four days. On the absolute edge.

But Okarin isn’t that much better off, when you think about it, and he has no sympathy or patience for the girl who murdered Mayushii in cold blood in the future. So when she won’t surrender the phone or respond to him in any way, she slugs her in the face and slams her against the wall, and steals her phone. Desperate times, etc.

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As she bangs on the door and screams incessantly to give her phone back, Okarin sends the d-mail…but it doesn’t work. My heart sunk, just as it did when he learned Moeka had committed suicide, because these are potential “game over” developments. So much has to go just right in order for Okarin to succeed, and the margin of error is essentially nil.

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Realizing Moeka must have sent a second d-mail right after her first, he goes back into the “arena” to ascertain the contents of that second d-mail. Unsurprisingly, Moeka is uncooperative. The two rush at each other and Okarin tackles her to the ground. Did I mention how uncharacteristic of Okarin this kind of behavior is? Rather, it would be, if he hadn’t been so damaged by all the events of his time-leaps thus far.

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Taking a firm “the ends he seeks justify the means” stance towards Moeka, he holds her down and even kisses her to keep her from screaming for help, and gets his tongue bitten. He offers to give her precious phone back if she tells him what was in the second d-mail, but she doesn’t want to betray FB, and the episode’s cryptic cold open is revealed as a preface for why she’s so damned loyal.

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Four years ago, on the roof of a building on a dark, cloudy night, a morose Moeka prepares to leap (not time leap, mind you…leap leap). But just when she’s about to, she gets her first text from FB, offering her a job and answering all of her questions favorably.

From that point on, it was as if Moeka’s life belonged to FB. By stopping her suicide and giving her a job, FB gave her a “place”, which is also what Okarin had given her in the lab, but his invite wasn’t nearly as impactful. Okarin proceeds to turn the screws on her, expressing his loathing for what a piece of shit she is until she’s no longer even resisting him, but simply crumpled on the floor crying. At this wretched sight, Okarin remembers himself and offers her an apology.

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Okarin finds the mail telling Moeka to retrieve the IBN from Ruka’s shrine, but when he tries to send a d-mail to undo it, again his d-mail fails, because the Moeka of the past didn’t believe it. After that long ordeal with Moeka I’d almost forgotten that he was to keep in contact with Kurisu; she was so worried about him, and relieved to tears when he calls her back (though she obviously doesn’t admit this).

The stopped sand in the hourglass also threw me off, because whenever that happened, Mayushii ended up dead not long afterwards. But Okarin realizes Moeka of the past will only listen to FB, so he decides to go look for him…or her. Heck, it could be a machine for all we know, since Moeka has never seen nor spoken to it.

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But he only has four days to find FB before Moeka dies too, something he belives is the will of the universe. As with Mayushii, and because of Mayushii, he vows to Moeka that he’ll do everything he can to prevent her from dying. As he starts to leave, Moeka looks at the welts Okarin’s hands left on her arms, the marks of someone pushed beyond the bounds of conventional morality by his grief and obsession she caused.

Knowing now that she killed Mayushii on FB’s orders, knowing she’d obey FB and do it again in a heartbeat, and believing that she’ll die in four days, Moeka has a moment of clarity and lucidity that saves Okarin the trouble of searching for someone he’ll never find: he tells him the location of the locker where she stashed the IBN. It felt like an act of contrition, but also of self-preservation.

As for Okarin, neither he nor I shall forget the dark places he had to go in Mayushii’s name. It goes without saying she’d never in a million world lines have approved of the methods he resorted to, especially in her name. But if, at this juncture, Okarin’s primary concern is Mayushii’s life, not her approval or her smile, he may prove to be as capable of anything as Moeka. Is Mayushii becoming his FB?

10_brav2RABUJOI World Heritage List

7 Boob Grabs of October

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Boob grabs, whether by mistake or intent, are pretty commonplace in anime, spanning across virtually all genres. This month has had its fair share of cops, and we’re not talking about law enforcement. If anything, fewer shows relied on them than we first realized, though many went the “Accidentally Saw Panties” route instead. At any rate, here are seven offenses, and their extenuating circumstances, if any.

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1. Cross Ange – 01

As the end credits of Ange’s first episode begin to roll, we get a somewhat jaring cut from the awful assault of Ange by Jill to the sumptuously-appointed chambers of someone we later learn is Captain Zola, First Troop leader. She’s grabbing the boob of Hilda, one of her…lovers? Companions? Bedwarmers? Subordinates?…without any context. We later learn Hilda is probably a little bit of all of those things.

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2. Cross Ange – 02

I won’t say Hilda was necessarily enjoying Zola’s treatment; she may legitimately like/admire/desire Zola, or she may just be currying favor by banging her commanding officer. What I can say is that what Zola started to do to Ange in the second episode, before she was stopped by the battle alert, wasn’t merely a boob grab…it was straight-up sexual assault.

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3. Daitoshokan no Hitsujikai – 01

Yikes…let’s move on to lighter fare, such as when Kakei Kyoutarou attempts to catch Shirasaki Megumi as she’s falling. Once he realizes what he’s caught hold of, he releases immediately, full of shame; It’s not like him to do such things intentionally. Still, when pictures are distributed via the school’s online news stream, it takes emphatic convincing from both grabber and grabbee to get a correction published.

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4. Parasyte – the maxim – 01

Kyoutarou was the victim of bad luck, but not as bad as poor Izumi Shinichi. He likes Murano Satomi and she likes him, but with an alien parasite taking the place of his right hand, he’s not always in control of what it does – like when it grabs the odd mammory. Satomi eventually forgave him.

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5. Nanatsu no Taizai

Aw..C’mon, man. What is wrong with you?!

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6. Trinity Seven – 01

While it makes anime logic sense that the protagonist is reaching out in his dream and then grabs his cousin in real life, his happy “Whatever” response to the situation is more than a little creepy. The extra squeeze seals the deal. None of Kakei’s shame.

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7. Sanzoku Musume no Ronja…?

Well…to be fair…this is just Lovis milking a goat. Aaaaand that’ll do it!