At first it looks like CEO Tamura and LIPxLIP manager Uchida have played a cruel prank on an unwitting Hiyori (whom Uchida misnames as “Hiyako”…maybe on purpose?!). Aizou and Yuujirou unleash a barrage of insults on her, but she absorbs them and fires back with some extremely rude and accurate retorts, and all three kids learn why the adults put them together: Hiyako’s got guts, and doesn’t care that they’re idols.
That she’s literally in their class is icing on the cake. In a rather oddly dimly-lit scene where her teacher Akechi-sensei offers her candy (don’t do it Hiyori!) and Hiyori climbs on top of the desk to whisper in his ear (what a dang goof!) she also gets an easy approval of her new job (thanks to Tamura) and also an assurance he’ll keep quiet about it. Hiyori, lovable hayseed that she is, is in awe of what most Tokyo kids would think was a humdrum teacher. He’s there to support her and everyone else in his class and make sure they enjoy their high school life.
She soon learns her job is to further support Aizou and Yuujirou on the idol side of their lives. This means, yes, being a personal assistant to a pair of pretty but ill-mannered cads-and-a-half. We feel every hour of Hiyori’s day that stretches out like the deserts in “Ozymandias”, waking up, studying, running, and then being a human coatrack and vending machine. Still, the pay is good, so while Hiyori hardly sails through her duties she does tough it out with a stiff upper-lip and some lovely withering inner dialogue about how much these two disagreeable fops grind her freakin’ gears.
While the idols suck, Hiyori at least initially isn’t all that good at her job, rendering some of their criticism valid, if indelicately expressed. For one thing, she simply allows girls to swarm the boys during a break, and even gets up to hang out with her friends when Yuujirou artfully reminds her it’s her job to get them out of these situations. That’s when she learns that Aizou is uncomfortable around girls, making him that much more amazing an actor. She knew Yuujirou can be apocalyptically surly, but Aizou confirms that it’s Yuujirou’s normal state.
Even so, Hiyori’s entire life, not even school life, is busied up playing LIPxLIP Service. We watch her steadfast determination to get to the lunch rush early, unto almost breaking the no-running-in-the-halls rule (a truly dastardly and prejudiced rule for, ya know, a runner!). We see her meeting up with Juri, who gives her good advice that nets her her first non-mooched lunch, which she savors accordingly. Then Chizuru casually asks Hiyori what shes been up to, and Hiyori has to lie (badly) because part of her job is keeping her job secret.
We also get a peek at Hiyori’s track life, as her senpai Hina is warm, supported, and extremely protective of her first-year, especially when her friend Koutarou narrowly keeps Hiyori from getting brained by a soccer ball. Hina quickly and expertly extorts free crêpes out of Koutarou, and by doing so inadvertently sparks one of Hiyori’s most heartfelt desires of coming to the big city. Alas, she cannot enjoy crêpes with her senpais … because she has work.
When the boys’ next gig takes them to a podcast recording by Rio and Yui, two members of an established rival idol group AT4, Aizou and Yuujirou play things safe with their sugary smiles and empty platitudes. They’re so perfect and dull that Yui goes off-script and tells them they’re lying about simply wanting to entertain people and make their fans happy. He might be on to something, but Rio stops recording and disciplines Yui. But while he apologizes to Aizou and Yuujirou, he also offers them candid advice: hollow smiles will only get them so far in this business.
Back at school, Hiyori is minding her own business when she hears hollerin’, and spots Aizou and Yuujirou at each others’ throats again. Since Uchida is paying her handsomely even while she’s at school, Hiyori comes between the two. When she stumbles on her landing, the easy play would have been for Hiyori to end up falling onto the boys, but instead she falls into them like a missle, shoving them back. When she warns them that they risk getting suspended, neither seem to care. In fact, attending school was the condition they had to agree upon in order to become idols.
Hiyori, who has always dreamed of going to a big Tokyo school, laments how it hasn’t turned out anything like she expected. That being said, she could quit anytime she wanted; her parents didn’t insist she work to pay for her living expenses (about that: let’s just assume Shibuya is far more affordable in the world of this show, shall we?). But of course, she’s not giving up, no matter how crêpe-deprived she gets.
Back at the studio, Hiyako is put to work sorting a huge box of fan mail and gifts, and she discovers cute hand-made letters from a particular fan, for both the boys and their manager. She delivers it to Uchida, who immediately identifies it as Chutan-san, one of LIPxLIP’s oldest and biggest fans…so big, she writes multi-page letters in perfect 10-point print on custom coorespondence stock for their manager. Inspiring that level passion and devotion is the power of idols, and shows Hiyori that they must have something.
As Hiyori watches the boys sweat, and fight, as they practice choreography in the next room, Uchida tells her that she’s doing fine if they show her their true selves. As to why they’re idols, Uchida tells her all they said at their audition is that they want to be on stage, with no further detail. But by watching them work their asses off in that studio, Hiyori comes to see that bein’ idols means to them what runnin’ means to her. There’s something all three of them want to do, and they’re never going to give up or back down.
Just when Hiyori is having more charitable feelings about the boys do they let her down once more by spurning her peace offering of food and their favorite drinks. But again, they’re quite correct that a manager should be offering water or sports drinks after their practice. So while Aizou and Yuujirou continue to piss Hiyori off, she at least understands them a little better, and appreciates that they’re being their true selves around her.
As for her true self…Suzumi Hiyori looks like a shoo-in for Best Girl of the Season. While I understand totally if her squeaky voice isn’t everyone’s cup of matcha, anyone who doesn’t want to protect her with their life might just be The Grinch. Just two episodes in and I’m completely in love with both her and her show, which as the title confirms, she runs.