To Aru Majutsu no Index III – 26 (Fin) – Grasping Rays of Light, Holding Them Tight

Accelerator’s technobabble solution to saving Last Order works, and she wakes up to her guardian’s warm embrace. But it doesn’t last long, as Accelerator leaves her in Worst’s care (worst babysitter ever?), literally spreads his newly-formed angel wings, and heads to the Star to eliminate another threat to his charge.

Turns out he and Touma never cross paths in this finale. The telesma overload turns out not to be as powerful as Fiamma hoped for, and all he gets for all his planning and scheming is a devastating haymaker from Touma that leaves a fist-sized crater in his cheek.

In his generosity (and unwillingness to kill, even a supervillain) Touma gives the sufficiently cowed Fiamma the last escape pod off the Star. When Misaka finally arrives to rescue him in a fighter jet (sadly without exclaiming “It’s not like I wanted to save you!”), he refuses her outstretched hand.

He’s thankful she came all the way out her to help him in his time of need, but he’s not ready to leave the Star yet; not without locating Index’s remote control, which Fiamma dropped and which Touma finds almost too easily.

A projection of the awakening Index appears before him, and he confesses to having kept her true nature a secret all this time. Of course, Index doesn’t particularly care about and perceived wrongs he may have perpetrated against her; she’s just glad to see him and wants him to come home safe.

Touma’s final heroic acts of both the arc and the season involve smashing three specific points in the Star in order to ditch it somewhere no one will be harmed: the Arctic Ocean. He even manages to collide with an out -of-control Gabriel/Sasha, driving her into the icy depths before punching her in the face. Yes, Archangel Puncher is another possible title for that right arm. I also must applaud Touma’s ability to survive in near-freezing waters as long as he does.

The new ITEM is quickly surrounded by Academy City forces, led by…Celty Sturluson’s sister? I honestly don’t know, but she’s there to take Takitsubo away to further augment her. Hamazura turns the tables thanks to the arrival of villagers he helped earlier, who kill all of not-Celty’s pals and enable him to ask the masked stranger about the “Parameter List” she mentioned.

Accelerator is also captured by Academy City, but either tricks them into turning his switch on, or he just isn’t governed by that switch anymore. He’s not going back to compromise or negotiate, but to issue demands and then make sure they’re carried out. A “triumphant return”, in his words. The time of the City forcing him to work in the underworld, and using the Sisters or Last Order for their bidding, are over. To which I say Amen, brother!

We’re then treated to a very rare cameo by Mr. Aleister Crowley himself, delivering some poetic justice to Fiamma by claiming his arm while chiding him for scratching the surface of something he didn’t adequately understand. Always neat to see Al in action; he’s more like Aiwass than a human in his speed and movements.

Misaka searches for Touma in the frigid sea, but all she can find is his Gekota strap. While “it’s not as if she’s worried or cares what happened to him!”, she’s obviously worried and cares what happened to him. I presume she’ll just have to wait for Index IV. We, meanwhile, get a sneak peek at his fate: he’s rescued up by another character I didn’t recognize, and had to consult the forum to identify: Leivinia Birdway.

I didn’t dive into who she is or what group she’s with, since that’s also a matter for Index IV, whenever it should rear its magical head. While a bit dense and meandering in its second half with the final waves of exposition, in all it was an entertaining wrap-up.

To Aru Majutsu no Index III – 25 – Out Of Many, One

This episode is one story after another of humans continuing to put aside their differences to unite against the existential threat of Fiamma. After Mugino’s big cathartic blow-out, Takitsubo emerges unharmed. When three Bad Dudes attack them, Hamazura provides the bait, coming at them directly, while Takitsubo holds Mugino up and helps her aim from afar. ITEM is back, baby!

Accel and Worst had already joined forces, and I have to say they make a hilarious team, what with all the scowls, aggression, and love of villainy. Worst extracts the song from the Mikasa Network, and Accel proceeds to use the parchments and all of his amassed knowledge to modify the song in order to heal Last Order, which he then sings! He may have sworn to become “the ultimate villain” to save her, but if there’s no more need for him to be villainous, he’s content with simply being…Accelerator.

Back to the Star of Bethlehem, where Fiamma and a suddenly not outmatched Touma bicker about whether the true nature of humanity is wholly evil, or a heck of a lot more complicated than that. Touma’s obviously pushing the latter theory, and it bears out in many ways around them. WWIII hasn’t drawn out the amount of evil Fiamma expected. On the contrary, the emrgence of giant right arms brings opposing human forces together on the battlefield, where the means of theirfoes’ survival is the same as their own.

Magical and Scientific humans, and even the Roman, Russian, and English churches join forces to bring down Fiamma’s fortress by cancelling the intertwined spells that keep it together. You could say the entire reason for him being able to build the Star was the same reason it was vulnerable to outside destruction: when it was built those three churches were opposed, but now that Fiamma has presented a threat equally disastrous to them all, they’ve put aside their worldly differences.

As the fortress starts to crumble around them, the product of an amassing of human goodwill on a scale he himself summoned, all Fiamma can seem to do is fume over how badly things are going for him. Touma tells him if he really cares about defeating the evil in the world he should be glad that goodwill is winning out. But Fiamma has one more ace of his Venetian pajama sleeve—though it’s not a part of his original plan.

Turns out the evil that was unleashed during the war he started and the subsequent summoning of angel and building of the Star have all resulted in an “unnatural distortion” developing between heaven and earth, which will result in a potentially civilization-ending amount of telesma is about to be released from above. Fiamma tells Touma that he and his meddling human friends are too late. But c’mon, it’s never too late when Biribiri has yet to take the stage.

Dororo – 06 – Not Everyone Can Get It All Back

Anyone who thought things were going to work out with Mio and her group of orphans has not been paying attention: Dororo is about people losing more than they can bear and trying to press on, but not everyone gets to survive. Some, like Mio and the kids, become another loss for our protagonists, who are cursed with the luck of survival, and with bearing witness to those who aren’t so lucky.

Dororo may have stumbled upon what Mio is up to all night, but Take is still blissfully unaware, and Dororo keeps it that way. Take, like Mio, dreams of the day they have the money to plant a rice paddy that will be green in spring and golden in the autumn. It’s what keeps them going, and it no doubt prompts Dororo to wonder what keeps him going.

At Casa de Daigo, Tahomaru urges his father to let him fight in the army. His head is full of steam and dreams of making his parents proud, but both father and mother forbid his demand, because they know all too well how easy it is to lose your life, no matter how good at martial arts one may be.

Tahomaru takes out his frustrations on his mother, who he’s suspected for some time loves and cares about something more than him. He knows he was childish to guilt trip her, but he’s continually vexed by the mystery of who or what dominates his parents’ thoughts. If he and Hyakkimaru ever meet, it’s not going to be cordial.

Dororo and Mio have to watch Hyakkimaru like a hawk from going back to fight the antlion demon while his leg wound is healing. Mio is eager to hear the voice Hyakkimaru gained , but he only wants to hear her song, which she says she sings to forget the pain. She lives with the pain of both everything she’s lost and what she must deal with nightly.

She worries her soul looks “filthy” to Hyakkimaru, but we can see through his eyes and it’s not; she’s being far too harsh on herself. Dororo also admits after his initial reaction that Mio is only doing what she must to survive. He tells her his mother never did what she did, and she died for it.

But unlike Hyakkimaru and Dororo, Mio doesn’t get to survive anyway, despite going to such lengths. Daigo’s soldiers catch her working on both sides of the conflict, which was always a risk too great no matter the reward, and they punish her by killing her, slaughtering the orphans, and burning their temple shelter.

Worse still, Hyakkimaru’s need to finish his fight with the demon draws him away at the worst possible time. He successfully defeats the demon, and the leg it took from him last week is fully restored. But it wasn’t worth it. I will miss Mio terribly; Mizuki Nana really brought warmth and empathy to her role, but she was just too good for this world.

When Hyakkimaru takes out his hatred for the soldiers and anger at himself for not being there when it mattered, it is a terrifying sight to behold, and almost verbatim what Biwamaru had feared: that the beast that emerged from the cave would be a monster. He doesn’t just quickly, cleanly kill the murderous wretches, he evicerates them, ignoring their pleas for mercy.

Dororo manages to stop him from killing the last man, who escapes and will probably report Hyakkimaru to Daigo, officially ending his time in the shadows and putting him squarely in his father’s sights. That may end up being a very bad idea, but Dororo had to stop him from killing everyone, lest the darkness consume him. He shows Hyakkimaru the bag of rice seed Mio finally got for her services.

She was on the cusp of achieving her dreams and those of the orphans, but their idealized future was never going to be safe in this harsh brutal land of warring factions, whether Hyakkimaru stayed to protect them or not. He couldn’t be a hero to Mio and the kids. All he can do is accept his luck, keep surviving, keep fighting the demons both outside and within, with Dororo making sure to serve as a conscientious check when his aniki’s pain threatens to explode.

Dororo – 05 – A Beautiful Soul in an Ugly World

Hyakkimaru may have his hearing back, but at least initially it’s more of a curse than a blessing. Even in an eerily quiet forest he’s assaulted by what he perceives as an intolerable din of creature sounds, not to mention Dororo’s voice. Determining that something has to be done until he gets used to hearing, Dororo wraps his ears in several layers of fabric to lesson the suffering.

When a bird monster suddenly attacks, it’s clear that Hyakkimaru’s newfound hearing is also messing with his ability to fight. He gets a few licks in, but the bird gives as good as it gets, seriously injuring Hyakkimaru. It it isn’t for Biwamaru showing up to finish it off, it probably would have been curtains for Hyakkimaru and Dororo.

Biwamaru fixes him up as best he can, but Hyakkimaru will need medicine to recover properly. He’s also being very stubborn about accepting the fact he can now hear. Biwa compares him to a beast holed up in its cave; he’ll have to come out sooner or later. The boys have run into Biwamaru because the old priest has had to turn around after entering lands in which a war is currently being fought between the Sakai clan and the ally it betrayed.

In the morning, Hyakkimaru hears a sound he’s never heard before: a woman singing a sweet and gentle song. He follows the song and finds its owner, a beautiful young woman, washing her kimono in the river. While some might find the sight of Hyakkimaru frightening, she is concerned…especially when he nearly passes out in her arms.

The songstress, who goes by Mio, invites the three to the ruins of a village where she cares for a group of small war oprhans, most of whom are missing limbs like Hyakkimaru. Dororo meets a lad near his own age in Takebo, who serves as Mio’s second-in-command of the little ‘uns. Takebo also insists Mio get her sleep, as she works all through the night and needs to have her energy. Dororo doesn’t ask Takebo to elaborate.

Meanwhile, Lord Kagematsu’s wife Nuinokata impresses upon her husband the seriousness of recent unfortunate events that have befallen them, from landslides to drought to the betrayal of the Sakai clan. Tahoumaru overhears, and probably thinks he can do something to ease his father’s troubles. Of course, we know that as long as Hyakkimaru keeps killing the demons who stole pieces of him, the demons will continue to seek reparations from Daigo.

As Biwamaru searches for a safe path along which to continue, Mio goes to work when the sun sets. When she returns in the morning, her kimono slightly askwer, Hyakkimaru is waiting for her. She gets the feeling he can not only see her, but see deeper than most; Dororo tells her she’s right; he can see souls.

In both her selfless actions, charity towards both the orphans and her new guests, and the beauty of the song she sings, Hyakkimaru is now able to ascertain with both sight and sound that Mio is a particularly good soul. He signs that wants to hear her song again, and she obliges.

Seemingly invigorated by the song, Hyakkimaru wastes no time heading off when Biwamaru informs them all that there’s a safe area to which to relocate, provided they can defeat the tough demon that dwells there. But with his wounds still held together with hope and still dealing with his new sense of hearing, Hyakkimaru loses a step. He defeats the demon, but loses his one real leg below the knee. Defeating this demon unlocks his voice, and he uses it to cry out in what must be excruciating pain, while Biwamaru looks at him like he’s already got one foot in the grave.

Later that night, while following Mio to town where she hopes to do business with both sides of the conflict to fund her little group’s relocation, Dororo loses track of her. When he finally finds her, it’s due in part because she’s singing, but the reason she’s singing gives Dororo pause: she’s singing while being raped by three soldiers.

Once again Dororo takes a cold hard look at the casual brutality and injustice of feudal Japan. It takes a particularly dim view of lords and the samurai they wield as tools of terror and death. In this time and place wars can pop up at the drop of an obi, leaving children without their parents or even their very limbs. They are only able to survive because poor Mio sells her body every night.

I would hope that Hyakkimaru, Dororo, and Biwamaru could do something to help them, but with Hyakkimaru’s new horrifying injury, it’s hard to believe he’ll be doing anything anytime soon.

Steins;Gate 0 – 12 – Paradox Song

There’s this song. It’s a song Mayuri sang to a young Kagari in the future, just when she finally became her legal mother. When the Kagari of the present hears the Mayuri of the present singing it, she loses consciousness. It’s not that Mayuri’s singing is just that bad—it’s quite lovely—but rather that Kagari’s brain is suddenly getting hit by some pretty profound aural stimuli.

But when Kagari makes the connection between the song and her fainting spell, the question becomes where did Mayuri learn the song? That takes us on a rather wild ride: She heard it from Suzuha, who heard it from Yuki, who heard it from a woman in her baking class who turns out to be…Rintarou’s mother. Yet Rintarou himself, apparently the source, can’t remember singing it. To quote Alice, “curiouser and curiouser.”

Rintarou’s mom said he used to sing it to Mayuri to cheer her up when she was in her “reaching up at the sky at a cemetery” part of her life. They visit Mayuri’s grandma’s grave to try to spark Rintarou’s memory, but get caught in the rain.

While seeking shelter by a shop window, Kagari hears “The Magic Flute” (K620) playing on the radio and goes into a kind of trance, remembering when she once walked along that same street in her bare feet and pajamas. She’s almost hit by a truck (of course), but Rintarou makes a diving save.

While she’s out this time, something happens. Kagari runs to her mother’s arms; a blurry figure that she discovers is Shiina Mayuri. Waking up in a hospital room, she sees Mayuri by her bedside and immediately recognizes her as her one and only mommy.

Mayuri protests that she’s not a mommy, but, well, she just is. Or rather, she will be…just as Suzu is Daru’s daughter. Rintarou nods assent, and Mayuri goes with it, providing Kagari with the affection she needs. The plain credits roll as a very lovely rendition of the song is sung, at it seems things will end on a pleasant note.

Of course, this is the twist-loving White Fox we’re talking about, so after the credits we find ourselves on a train platform where that same barefoot pajama’d Kagari is singing the song, and a teenaged boy overhears it—a teenaged boy with the same color hair and eyes as Rintarou.

I’ll admit, I was a little confused by this scene, but maybe that was the point. Here is Kagari, who will presumably be adopted by Mayuri in the future, in Rintarou’s past, singing the song he’ll sing to Mayuri to cheer her up. Seems an awful lot like a causal loop to me.

That would be fine, except there’s a creepy white van parked near the platform, confirming that “Runaway K-6205” has been found. Are we watching past events here, or is Kagari in danger no matter where or when she is? Will the next episode continue in this world line, with “Macho Psychologist” Rintarou helping Kagari out? I honestly have no idea, but I can’t wait to find out.

Qualidea Code – 09

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Kasumi is taking all of this weird stuff going on very slowly and carefully. He keeps Asuha out of it for the time being, so he can try to dig up some info on what it is that’s happening to him. He manages to find a ruined building that still has power, but it’s paper books that give him answers, and images, that suggests something very strange going on.

Asuha, with no one else to turn to, turns to Ichiya, who is still angsting over the loss of Cana, but still agrees to help lead the defense during the latest Unknown raid, since he believes he’s the only one who can give proper direction to said defence (making me wonder why they put Aoi in charge in the first place).

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Kasumi decides to use this battle to “jailbreak” Ichiya, in a very strange (from Ichiya’s perspective) way: he kills an adult trying to force Ichiya to retreat, then when Ichiya confronts him on a rooftop, Kasumi fires at him and not the humanoid Unknown in front of him. Indeed, Kasumi seems capable of communicating with the ‘enemy’.

At the same time, Asuha is outnumbered and starts to feel like things are going to get very bad, but the Unknown only target her Code, and once it’s shattered, see can see that the Unknown standing before her is actually…a person.

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All that’s left is for Kasumi to get Ichiya into a position where an Unknown can shatter his code, thus completing the “jailbreak.” This uncommonly affectionate Unknown turns out to be Canaria, whom I figured was going to return sooner or later.

I don’t mind her resurrection, because the details of her death were so strange I was never 100% convinced she was dead anyway. Her death also turned Ichiya into an even more insufferable wretch, so knowing she’s alive will certainly improve his character, since he’s going to do everything he can to make sure this time he’ll protect her.

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And just like that, all six main characters are now aware that the world they’ve seen and lived in as long as they can remember is not, indeed, real, or at least not the only world that exists. The “red” world they can now see, however, is hardly welcoming.

Is it merely the truth they’re seeing: a wrecked post-apocalyptic world the way it really is? Does the ED, which heavily features our characters wearing ordinary present-day school uniforms and doing ordinary present-day school stuff, represent still another reality, or the reality before everything went all “red” and ruined?

Qualidea Code ups the weird in a big way by bringing everyone in on the big secret. It really sells it with awesome sound design and an atmospheric Iwasaki score. I can’t wait to see what comes next.

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Macross Delta – 18

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I never thought it would happen, but Macross Delta actually made me care a little bit about one of the bad guys. A big part of why is because he’s unsure the direction his people are headed it. Cassim is on the wrong side of 25, and knows full well the king is now Lloyd’s puppet. Like Hayate and Freyja, whom he invites into a storehouse where he’s thinking things over, he’s not exactly sure what is the right thing to do.

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I especially liked when Freyja showed up first and they just shot the Windermerean breeze, so to speak. When Hayate shows up, he’s not hostile, but sees that these two like each other and worries for them, as he worries for the future in general, which for him, is far shorter than he’d like. He also worries for his son back home. Lloyd may be hell-bent on galactic domination, but Cassim just wants to die happy, assured his family will be safe and prosperous when he’s gone.

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It’s good to see Hayate and Freyja trying and largely succeeding in moving past the awkwardness of his father’s past, at least for now, and dedicating themselves to working to support one another, along with their respective teams, Delta and Walkure.

Freyja is back to her ebullient self when she joins her groupmates by the Protoculture structure for a tactical show kicked off by Mikumo, and the structure starts to react immediately. Interestingly, Lloyd lets them sing, which suggests…maybe they shouldn’t be doing something he’s okay with?

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Freyja’s fold waves mesh with Hayate and make him a better wind-rider, able to keep up with Keith in the skies. But the song and aerial battle get progressively more intense and chaotic, with both Freyja and Hayate seemingly going out of control—perhaps the very reason Lloyd let them play on.

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Even more troubling is that after Heinz sings his Song of the Wind, nearly causing Hayate to succumb to the Var, Freyja essentially shorts out after going into a trance. Then Mikumo goes into a trance of her own, recalling old, buried memories of being some kind of test subject (of course) before restarting a song so strong and assertive it even knocks out Heinz’s song—as well as his clothes— before she passes out.

The episode kinda leaves us hanging with her collapse, following it up with an ending sequence that looks for all the world like a Mikumo tribute. Is this it for Mikumo? What exactly did she and Walkure do that seemed to play right into Lloyd’s hands? Will Freyja, Hayate, and Cassim ever figure out what exactly is the right thing to do?

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Macross Delta – 17

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As the oldest Windermerean soldier smirks at the fact only Lord Lloyd heard Gramia’s last wish—to press their fight until all the galaxy is theirs—Lloyd becomes more interested in Freyja and Mikumo. Targets to take out, or backup weapons in case Heinz falls prematurely?

Whatever his plans, it’s back to work for Delta/Walkure, as Arad and Kaname announce a new plan to infiltrate Vordor (where Var-immune rebel forces are still holding out) and try to find a way to use the ruins to their advantage. Freyja, meanwhile, has totally fallen for Hayate, who sadly seems only a quarter-aware.

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Work Comes First this week, however, and it comes in the form of an elaborate Walkure network and media saturation campaign spearheaded by Reina as a huge, dazzling cover for hacking the galactic network in order to facilitate their infiltration of Vordor.

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It’s Walkure’s most aggressive “tour” yet, able to appear seemingly in every planet in the cluster, and they turn up the heat by, for one, exploiting their sexuality, Makina’s in particular.

While discussion of objectification may crop up in some circles, the fact is Walkure chose to go in this direction; the military didn’t make them. This was all Reina and Makina’s scheme, and it works,

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While watching Freyja sing and glance at him with a bright rune, Hayate starts to maybe-kinda-sorta pick up on all the lovey-dovey vibes emanating from Freyja. He gives her an, ahem, glowing review of her singing, and Freyja is this close to confessing her feelings.

What stops them? An elderly couple waving to her, before walking off, hand-in-hand. At that crucial moment, Freyja saw a future she’d never enjoy with Hayate. It’s the opposite of the Arwen-Aragorn tragedy, with Freyja leaving Hayate by death before he even reaches the middle of his life.

Things get more awkward when Hayate brings up how he hasn’t seen his Mom in a while, but it’s “no big deal” because it’s “just a couple of years.” That stings Freyja to the core, and her rune goes out like a candle.

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Still, her work continues, and with even Windermeran pilots (and Bogue) falling for their spell, Reina’s hidden virus reaches 100% saturation, clearing the way for the Vordor operation.

Before they set out, Hayate runs into the guy who knew his dad, and after getting nowhere answers-wise, Hayate storms the bridge and confronts Arad: He wants the truth, now.

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He gets it, or at least more of it than he’s ever gotten, and it’s nothing good: Wright Immelmann stole a dimensional weapon and dropped it on the NUNs garrison in Windermere, killing all the forces, a good number of civilians, and leaving that scar on the landscape.

Now he knows: his father was, at least according to the facts at hand, a mass murderer and war criminal, a realization that makes Freyja’s rune go darker than ever. It’s not a great place for either of them to end up after she’d gotten so close to telling him how she felt; now the love window has closed for the time being.

Freyja has her job, and so does Hayate. As Mikumo’s voice seems to be changing (and possibly weakening, suggesting she may be a secret Windermerean, nearing 30), Walkure will support Freyja while Mirage and Chuck will support Hayate. Because as long as King Heinz can sing, Lloyd’s not going to stop his galactic conquest.

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Macross Delta – 16

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Aside from a brief (and fairly pointless) visit to Windermere and a scene with Mikumo proposing they use the ruins to counter the Song of the Wind, this episode was given over completely to celebrating Freyja’s fifteenth birthday with a surprise party. As it’s the middle of a Windermeran’s lifespan, Maki and Reina wanted to make it special.

In other words, there’s no action whatsoever, nor is there any movement on the galactic war front. The episode is carried only by the characters, so how much you enjoyed it depends on how much you like and/or care about said characters when they’re not fighting (or singing) to save the galaxy.

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I went on record as saying I liked how desperate things had gotten a couple weeks back when the lights went off on the Island Ship, but now that Elysion is docked with it, there’s little difference between the ship and being on Ragna, which kind of undermines the peril.

That said, I did appreciate the efforts made to expound on the Freyja/Hayate/Mirage triangle in a less stressful environment. At the same time, Mirage’s shopping “date” makes it clear Hayate is “denser than a black hole”, as his stalkers put it.

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He’s aware that he has a special bond with Freyja (and even hears her song from afar), but he doesn’t come right out an call it romance, nor is he even a little aware of Mirage’s burgeoning feelings for him. Mirage plays the good friend to both, though, when the night of the party comes.

The party is when Freyja and the episode shine, as her story about when she discovered Earth music and started singing for her villagewas actually very moving. Her surprise and elation at everyone coming together for her sake was also infectious.

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Finally, Hayate is very late to the party, but for a good reason: after a lengthy but fruitless trip to the mall, he realized the best birthday gift he could give her was home, in the form of snow. And if he realized how close he was to Freyja before, their little moment in the snow was likely the final nail the coffin for poor Mirage and her unacknowledged, unrequited love.

Then again, there were moments for both Ranka Lee and Sheryl Nome when one thought the other had won the Alto Sweepstakes, and it ended up being a triangle that was never broken in Frontier. But in terms of who made the most of this brief respite from intergalactic warfare, I’m inclined to place Freyja firmly in the winner’s column.

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Macross Delta – 13

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In case we forgot, Macross Delta reminded us it can present an epic climactic air-and-space battle, augmented with the dualling, increasingly powerful songs from Prince Heinz and Walkure. But before the aerial battle down on Ragna, both Johnson and Gramia play a little game of chess with their respective armadas, and the Sigur Valens’ stereo system gets knocked out. Alpha, Beta, and Gamma Squadrons engage the Valens, but Hayate, Mirage and Delta go after the Aerial Knights led by Keith.

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Delta also has to contend with NUNS, which considers their gambit a failure and detonates a nuke-type reaction bomb in the Protoculture Ruins, causing a massive explosion that threatens to consume Delta Squadron. Hayate manages to escape the blast radius, but his plane is wrecked and he has to eject. Freyja steps down from the stage to check on Hayate’s status, but it’s Mirage who rescues him, and gets a warm, unexpected hug in return.

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Not long after that, the ruins reappear in a different form, and connect with the Windermeran flagship, enabling Heinz to pipe his song out to the masses of Ragna, resulting in instant Var contamination. Johnson orders all units to pick up as many civilians as they can and retreat from Ragna, meaning for all intents and purposes the Windermerans have won.

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Walkure fights to counter Heinz’s song, but Heinz risks his life to boost his output, and the Windermerans take a shot that shatters Walkure’s stage shield, injuring Mikumo (who shilds Freyja from harm, showing she’s not all about herself). The Valens fires a huge cannon to finish the Island ship, but Johnson swoops in just in time to absorb the hit before plunging into the sea in one of the many fist-pumping moments in the episode. With that, Freyja realizes her song simply must reach Hayate at all costs, so she jumps off the ship and starts flying, using her rune and her voice to ride the wind.

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Hayate gets his groove back, is able to read Keith’s moves, and actually seems to best him, While Mirage rescues Freyja from a watery grave. Both Freyja and Mirage then risked their lives to keep Hayate—and their longstanding flames—alive for Part Two. Walkure joins Freyja’s extended arrangement of the OP, the Elysion emerges from the waves and takes a shot at the Valens, and Keith takes a nosedive towards the ruins (it’s unlikely he’s dead though). Walkure, Delta, and the Ragnan evacuees escape Ragna, now a Windermere-held world like the others, and Gramia dies shortly thereafter.

Lord Roid is put in charge and announces the completion of the Starwind Sector. But they’ve surely only won this latest battle. As long as Walkure have a voice and the Deltas have their planes, the war isn’t over yet. Until next season.

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Macross Delta – 12

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To quote Ron Burgundy, of all people: “Boy, that escalated quickly.” I thought we were being set up for a huge battle in Al Shahal, but Heinz’s song is so powerful, Al Shahal falls in fifteen minutes, putting a very large target on Ragna, the last world they haven’t annexed.

I like how off-guard Walkure and Delta Platoon are by this news; it matched my own surprise quite nicely. I knew our heroes would be heading into battle very soon; I just assumed Al Shahal would last longer than fifteen minutes—shorter even than the running time of this episode.

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But you know what? I’m glad the stakes have so rapidly escalated. I like the mild sense of dread and disquiet everyone wears on their faces, and the desperation in all of the remaining forces amassing at Ragna for what could be their only shot at a serious counterattack. The only reason they have any time to prepare at all is because King Gramia won’t allow Heinz to sing again so soon; though Heinz says he’s ready to sing again at once.

While Heinz rests, Arad promotes Mirage to 1st Lieutenant and puts her in charge of Delta Platoon, while Keith continues to question Roid’s dedication while Roid worries that Heinz, Keith, and Gramia are all intent on burning out in a blaze of righteous glory…without any plans for the future of Windermere. As Roid puts it, a new wind must come to take the place of the old, just as Mirage must step into Messer’s place.

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Ernest Johnson is prominent this week, and not just because he’s the commander of the counterattack; he actually trained King Gramia when he was a lad (the king is 35, old for a Windermeran, but no one else). He knows how proud he is and how far he’ll go to preserve his people’s honor. Then a liason from NUNS arrives to inform Johnson that his forces are to destroy the Protoculture ruins on Ragna to prevent the Windies from taking control of the planet and the cluster.

This plan seems akin to releasing all the ghosts from their custom-built storage facility in the basement of a run-down firehouse in Ghostbusters (the original, not the upcoming film): a bad idea that could have unpredictable, possibly cataclysmic consequences. Put simply, the ruins are dug in too deep in Ragna, who knows what destroying them would do to the planet? Probably nothing good.

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When Lady M gets NUNs to agree not to destroy the ruins until after Johnson’s forces counterattack, I felt very relieved for the people of Ragna. Meanwhile, Walkure and Delta mentally prepare for the imminent battle of their lives. Hayate, Freyja, and Mirage all independently end up on the same flight deck, though Mirage hides while the other two talk, though I like how she doesn’t know why she’s hiding.

She catches a couple of tender nuggets between the couple about things like how far they’ve come together, the mutual respect they’ve developed, and their commitment to keep fighting for each other, their friends, and their freedom, but it’s not like they snog or anything. Even better, Mirage’s comms blow up, giving away her position, and rather than run off in a tizzy, Hayate has her stand her ground and encourages her as he and Freyja encouraged one another. All three intend to get through this, together.

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When the previously stationary Macross Elysion finally burbles to life and lifts off into orbit and fold space, it’s a pretty impressive and awe-inspiring moment: very much the ‘good-guy’ equivalent of the Windermeran flagship launch last week.

Then the Windermere fleet intercepts them, and we see how comparitively puny the Elysion is, and I got a lump in my throat. Okay, maybe this isn’t going to be as easy as giving the aggressive schoolyard bully a bloody nose…

In terms of raising stakes, building tension, putting us in the heads of its characters, and sheer adrenaline extraction, this episode of Delta put all the pieces of the previous eleven together and delivered a must-watch experience, even absent the actual battle. I hope the payoff matches the excitement of the setup.

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Macross Delta – 11

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Denial, Anger, Bargaining, Depression, Acceptance: the Five Stages of Grief. Macross Delta wsn’t going to cheapen Messer’s apparent death by bringing him back, so no one is really in denial.

Hayate, Freyja and Mirage are angry that they didn’t do everything they thought they could to prevent his death. Others still have more or less moved to acceptance, or at least the veneer of it, in the case of Kaname and Arad; keeping busy so the veneer doesn’t crack.

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Heck, even Lord Keith is angry about to loss of his wind-dancing rival, putting a blade to Bogue’s throat when he mocks the dead. It’s an interesting moment for Keith, who shares a moment on the balcony with Roid, reminding him of their promise to make their world strong again.

Clearly Keith is pretty miffed Messer had to die for that end, but will get over it, while Roid worries for Heinz because no one else (including Heinz) will. Hayate has to storm off when Arad brings up the necessary matter of re-filling Messer’s cockpit, while Freyja keeps getting up and running no matter how many times she faceplants in the mud.

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As everyone processes, the tech boffins sort out why Windermere is annexing planets with ruins: annexing them all (and they only have two to go) will allow them to exert mind control on all 8 billion inhabitants of the Globular Cluster (AKA Starwind Sector), bending everyone to their will.

To show he means business, the ailing king gets out of bed (possibly inspired by Hundred’s Karen) and leads the attack himself, overseeing the launch of the positively gargantuan, Final Fantasy-esque baroque flagship called the Sigur Valens, which was being hidden under a retractable mountain range.

It seems to me, if you have this much power, you’re probably set. But this is also about revenge. Revenge for that mysterious scar in Windermere; and perhaps also due to a powerful collective envy at the other races of the sector for their longevity. Windermere is committed to burning brightest, even if briefly.

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A fire burns on the beach, with the whole gang assembled, when Hayate arrives. They have a kind of wake for Messer there, during which they eat, drink, sing, and be merry. A model plane is constructed as a symbol of Messer, which in a Ragnian ceremony will be committed to the sea to become one of the endless jellyfish beneath the waves.

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The music during this scene is top notch – soulful, moving; especially when Mikumo finally shows up and starts singing, and the rest of Walkure joins in. They also read from Messer’s log, which is full of detailed critiques of his kohais.

Even though we didn’t see all that much of Messer, the outpouring of emotion here makes it clear that he was loved and appreciated, and will be hard to replace. That being said, I’m not sure Hayate is being very sensible when he assures Arad no replacement pilot is necessary.

The beach wake also kinda contradicts Arad’s comment about their being no time to mourn, as they had an entire evening to do so. However, that’s all they get, because not long after the sun rises on Ragna, the huge Windermere fleet arrives at Al Shahal—and they’re not their for R&R.

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Macross Delta – 10

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Walkure/Delta earned themselves a little respite, and so their mission pivots this week to cultural interaction on Ragna in the form of participating in the Jellyfish Festival, which is a big draw for lovers, which of course makes the likes of Mirage very nervous, but also brings to the forefront a potential Kaname/Messer pairing.

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Maki and Reina aren’t trying to be matchmakers per se; they just want Messer to have at least one more happy memory with Kaname, since who knows what tomorrow will bring. Well, we can kinda guess it will bring hard times and tragedy, since Messer is surrounded by death flags before his sendoff, after being reassigned from Delta following his escapades last week.

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Perhaps to the disappointment of the colleagues who brought them together, Messer only manages a heartfelt thank you to Kaname—no confessions and no kiss, just gratitude—and the next morning, he’s off to his new assignment. While he’ll probably never be allowed to fly combat missions, he’s being allowed to keep his plane. Hmmmmm.

Meanwhile in Windermere, Roid tries to stop Keith from using his little brother’s song when he needs rest. An ally of Keith’s has come up with a way to amplify the power of the song, at the cost of more strain on the little prince. But after Keith beats Roid in a duel (for the first time), Heinz insists both but their swords down: he’s made his decision: he’ll sing, and die, for his people.

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The song that follows resonates in the ruins across several planets, including one where it wasn’t known there were ruins. Walkure and Delta quickly scramble, and Mikumo sings like a songstress possessed in order to counter Heinz. What results is an unprecedented “clashing of winds”, which puts both Mikumo and Freyja out of commission at a crucial time.

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The Aerial Knights also harass Delta, who immediately miss Messer…only for Messer to show up in the nick of time to protect Kaname from a direct attack from the Knights. He’s Var-ing again, and begs Kaname to sing. With two of her girls down and seeing the protruding veins on Messer’s face, Kaname does the only thing she can do: belt out “Axia.”

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With Kaname’s song, Messer is able to not only stay in control, but ride the wind, garnering impressed comments from both Keith and the older Windermereans. But then all those foreboding lines about living the life you have to the fullest (since you never know how long that life will be) come home to roost, Keith looses a single shot that goes straight through Messer’s canopy, filling the cockpit with blood.

In short: shit’s in a bad way for Walkure and Delta. Offing Messer was all but inevitable, but the death still stings, as this episode let him be less hardass training officer and more nice guy with bad luck and a special place in his heart for a certain someone. Kaname’s crestfallen look to close the episode had real impact. She sang as hard as she could; he fought as hard as he could; yet it just wasn’t enough.

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