Kaguya-sama: Love is War 2 – 11 – The Other Side of the Story

The Cheer Squad’s cross-dressing skit goes off without a hitch, pleasing Yuu, who feared everyone would think he was gross. He starts to finally think about enjoying life more instead of dwelling on past regrets and failures…only for the greatest regret of his life to show up to anti-cheer him.

Just as Yuu is drafted to fill in for an injured Kazeno as anchor on the club relay race, all of the past unpleasantness rushes back into the forefront of his mind. All his ears hear around him are the discouraged and annoyed voices of the crowd cursing his name and everything about him.

The mystery girl who arrives is Otomo Kyouko, who was neither a crush nor a friend in middle school. She was just a kind classmate who’d look out for him whenever she could. She was a good person. Then she started dating Ogino Kou, whom Yuu soon learns is cheating on Kyouko with other girls.

Honestly I don’t remember middle school being this sexed up, but Kou further demonstrates how pure a scum he truly is by refusing to stop cheating, then using footage of Kyouko on his phone to threaten Yuu into silence.

Not about to let a good person, even someone who’s barely an acquaintance get hurt by a bad one, Yuu’s sense of justice curdles into rage before the despicable Kou, and he punches the shit out of him in the middle of class. He aimed to ruin his face so no girl would approach it again, but Kou quietly threatens to abuse Kyouko if Yuu doesn’t stand down.

If that wasn’t enough, Kou also loudly professes that Yuu is a stalker. To both her and everyone else around, it looks like a crazed Yuu is beating up her boyfriend because he’s jealous and obsessed, and he’s too shocked by how badly things are going for him to defend himself, though I doubt it would have helped.

For the assault, Yuu is suspended for a month and ordered to write a letter of apology to Kou, but despite writing and erasing over the paper hundreds of times, he’s unable to write a single word of anything; neither a false apology nor an indictment of Kou’s own misdeeds. In his absence at school his reputation as a creep crystallizes.

Back in the present, the relay anchors are ordered to their marks, but Yuu is so out of it he forgets what color team he’s on…until Miyuki puts his red headband on his head and offers him words of encouragement and a pat on the back. This mirrors Miyuki’s eventual visit to Yuu’s house to present the “Student Council Secret Report” he prepared with Miyuki and Chika.

While Miyuki doesn’t judge whether Yuu’s actions were right or wrong (merely that they could have been better), he cannot deny that Yuu’s ultimate objective was to protect Otomo Kyouko, and that objective was achieved when Kou broke up with her days after the beating. Turns out all those months of refusing to apologize made Kou paranoid, and he released his grip on the poor girl.

However, Kyouko never saw this report, and still has the same idea of what went down. She still believes Kou to be a good guy and blames Yuu for their breakup. She came to the festival specifically to “unload” on Yuu, but rather than continue to wallow in despair, Yuu draws strength from the knowledge someone—specifically Miyuki, Kaguya and Chika—learned his side of the story and supported him.

So before running his leg of the relay, Yuu responds to Kyouko’s heckling with the same words Miyuki wrote in thick black permanent marker way outside the gridlines of the apology letter stock…so hard that to this day the ink residue is embedded in the desk: GO TO HELL, DUMBASS.

As the race progresses, Yuu is determined to win. He believes he has to win to prove he truly “shake Kyouko off” and move on with his life. Kaguya and Miyuki and Chika cheer him on, hoping the good person they know can overcome adversity. Kobachi loudly cheers him on, while Miko, who helped get Yuu reinstated, cheers for him almost under her breath—but with no less conviction.

Yuu ends up losing by a hair. Like the lack of a forced reconciliation with Kyouko, the defeat is an excellent subversion of how these races usually go. But the fact is, he still tried his best and his cheer squad comrades appreciate that. Koyasu, the pink-haired girl, even tears up, so moved by his genuine frustration. Rather than calling him a loser and failure and weirdo like he feared, they tell him he did good.

Suddenly, as his tears give way and his field of vision clears, he can finally see the EYES of the cheer squad members, a pack of Normies with whom he thought he’d never get along and inherently distrusted due to past traumas. But there they are in all their glory. We’d never seen their eyes either because Yuu never looked at them properly. Now he does, and he’s elated to discover they’re all good people.

As Kyouko departs, she tells her former classmates she was glad to be able to give Yuu a piece of her mind, and leaves Shuchiin with fun memories despite how things turned out. As Kaguya and Ai observe, she’s blissfully ignorant, but the smile she wears as she leaves is the very thing Yuu worked and suffered to protect, and he succeeded.

That Yuu would do that for a classmate he barely knew, at the cost of so much personal turmoil and with no reward, then he must be the very best quality of person. It’s no wonder he was recruited into the StuCo. This episode of Love is War had virtually no jokes or gags, but it didn’t matter. What it offered instead was masterful character drama, further cementing its status as Anime of the Year.

Kaguya-sama: Love is War 2 – 10 – How A Net Feels

Just as it excels when it focuses on just one or two segments, Love is War is arguably even better at juggling a grab bag of stories in one episode. We get the latter this week and it’s all amazing, starting with Miyuki’s mistaken belief that Kaguya is avoiding him because she doesn’t like him. Kei wants to ask about his romance problems, but because she’s in her teenage rebellious phase, talking to him would mean losing face.

When their father comes home and asks Miyuki what’s up, Kei thinks she’s in the clear, but her father only makes Miyuki more tight-lipped and mad, so Kei has no choice but to offer a piece of advice: a girl can still like you even if it seems like they’re avoiding you. Sure enough, when Miyuki and Kaguya cross paths, she uses her calming ritual and the two walk side-by-side to the office. Miyuki had no reason to despair.

The next segment is the latest installment of the “Chika Teaches Miyuki Things He Sucks At” series, and, clocking in at around six miuntes, one of the quickest and most efficient. This time she’s trying to teach him the Soran dance his class will perform, but his idea of dancing looks more like an exorcism. When she finally loses her patience and storms out, Miyuki ends up relying on an Kaguya for pointers (Kaguya is more than happy for an opportunity to touch his body, the lecher!)

As Chika observes Kaguya’s strategy of simply getting Miyuki to replicate the moves irrespective of heart or passion, her honor as an artist must stand and protest, leading to a literal tug-of-war between the two girls. This mimics how historical Edo magistrate Ooka Echizen ordered two women resolve a custody battle for a child, with the winner being the first one to release the child when he was in pain.

In this case, no one’s letting go, but being pulled back and forth is exactly what Miyuki needed to learn what it was like to be the fishermens’ net, and performs a Soran dance that impresses both Kaguya and Chika.

Following two straight victories by Miyuki, we get a segment from the POV of Kobachi as she and Miko go on their DC rounds. Chika and the board game club doing something akin to LARPing, while they find Yuu playing video games at school. When he points out he’s in territory technically outside their jurisdiction, Miko ropes him and pulls him into it.

Kobachi can tell that while Miko and Yuu don’t get along, they’re a lot more alike than they realize. She knows about the rumors of how Yuu stalked a girl in their class in middle school, fought another boy over her, and got suspended, but notes that Yuu never told his side of the story. And because she knows he has a strong sense of justice and distaste for “irrational things” like Miko, his story is likely more complicated.

I’m sure Kobachi is as eager as me to hear that story someday, but for now, she’s impressed with the strides he’s made, including his participation in the Cheer squad, who unlike the majority of first-years were willing to bring him into the fold and give him a chance, as long as he was applying himself seriously, which he is.

The balance of the episode takes place during the vaunted sports festival. Miyuki and his class perform the Soran dance perfectly, but he’s discouraged to find his dad there rather than at work somewhere, snapping pics of Chika (though that was a request from Chika’s hot-shot dad).

What Miyuki wants to avoid at all costs is his dad getting anywhere near Kaguya, sure that nothing good could come with it. And yet his dad’s advice in the first segment for Miyuki to be the fastest runner, which he dismissed as grade school stuff, actually works like a charm on Kaguya, who despite being on the White team is passionately rooting for the President all the way!

That’s when Miyuki’s dad sidles up to Kaguya without introducing himself and belittles Miyki’s efforts. Kaguya, never one to let people cast aspersions on her beloved Miyuki, offers up all the ways Miyuki is actually a terrific person. When his dad shoots those down one by one, she gets increasingly flustered and annoyed, which leads him to ask not who Miyuki is, but who he is to her.

Kaguya responds with a beautiful monologue from the heart about how Miyuki showed her that not only to kind and wonderful people like him truly exist, but that there are others among her with those qualities (Chika and Yuu, for instance). Miyuki’s dad asks if she’s “romantically interested” just as Miyuki arrives, to which Kaguya compliments Miyuki on having such a “delightfully mischievous” father.

The Cheer squad leader ends up picking Yuu to be his partner in the final relay, and when they win, we cut to the brown-haired girl in the dark flashbacks in which Yuu was accused of stalking and assault.

This certainly lends credence to the theory that not only was Yuu not really stalking her, but that there might even have been mutual affection between them. Will we ever meet this mystery person, and if so, how will this “New Yuu” react? I can’t say, but I’d love to see it.

As it stands, Love is War has deftly and painstakingly painted fully-realized portraits of all four of its main characters plus Miko. It just happens to be both one of the most hilarious comedies in years and a riveting, heartfelt character drama. Shows this unassailably superb don’t come around often. It’s hard to not sound like I’m mindlessly gushing about it, but the excellence is there for all to see.

Toaru Kagaku no Railgun T – 03 – In Borrowed Clothes

Railgun T has done a great job so far putting a fun esper-y twist on the classic sports festival formula. Like the three-legged race last week, the balloon hunt is made more creative and exciting with the use of abilities. Adding MISAKA 10032 while Misaka Prime takes a rest takes things up a notch.

MISAKA is never not fun to watch as she calmly assesses her environment dodges attackers and adds notches to her belt. Unfortunately the rest of the Tokiawadai team is so confident of victory they don’t bother with any real teamwork and are undone by the scrappy underdogs’ simple tactics.

That said, Kongo’s melodramatic “death scene” was so worth it, and I liked the idea of Tokiwadai’s adult leaders being glad their pompous rich girl students are having their asses handed to them. They intend punish them with extra dorm chores, and hopefully the sting of the loss will make them rethink their strategy next time they face a seemingly easy opponent.

Speaking of stings, MISAKA probably only loses because Baba-kun (the other team’s leader who had intel on all the Tokiwadai students) uses the balloon hunting fracas as a distraction so he could sting her with a tiny robotic bug. When MISAKA meets with Misaka later, the real deal tells her there’s no reason to hang her head as long as she had fun.

This week marks the first Kamijou Touma cameo, as he runs into Misaka quite by chance as she’s in line for drinks. Misaka is uncharacteristically civil with him as he offers to grab drinks for her, but things take a turn when Misaki spots her with him, is momentarily embarrassed, and takes Misaka’s arm like they’re BFFs.

The last straw is when Misaki, seeking to insert herself into their relationship, gloms onto an unwitting Touma, and her much larger breasts press against him, leading Biribiri to shock him—and for him to cancel said shock with his Imagine Breaker, which sports yet another new sound effect.

As packed as this episode was with Misaka, MISAKA, Touma, and the Balloon Hunt, the show doesn’t forget to check in on the rest of the central quartet. Whether it’s Shirai not losing a step with her Judgment duties (thanks to her teleportation) or Uiharu agreeing to help Ruiko locate “Shadow Metal” for the thrill of it, it’s just great to see these characters back in action and in the spotlight.

If all the preceding events make it sound like a lightweight episode, the episode’s conclusion certainly changed that perception, as the effects of the robo-bug hit MISAKA when she’s alone and isolated (aside from her cat) while Misaki and a suited fellow move in to apprehend her.

Earlier, Misaki was watching a big screen and I could have sworn she could tell the real Misaka wasn’t participating in the balloon hunt. She also mentions how her Mental Out ability is another tool she can use to prove someone’s identity.

Either she’s still fooled into thinking MISAKA is Misaka despite all that, or she’s going to use MISAKA as bait to nab the genuine article. Either way, Misaka’s troubles are about to outstrip Misaki glomming on her guy…

Toaru Kagaku no Railgun T – 02 – The Esperlympics Commence

A Steering Committee member had a bad feeling about the Level 5s they chose to deliver the Athlete’s Pledge, and with good reason: Gunha Sogiita is a classic loose cannon, not only forgetting have the pledge and replacing it with various platitudes about GUTS, but upstages Misaki Shokuhou (who hilariously customizes her gym uniform with gloves and stockings) by unleashing an unplanned multicolored smoke explosion.

It’s probably for the best that Misaka wasn’t the one to stand with Sogiita, especially as she’s entered into one of the first events of the Daihesai: a three-legged race where her primary electrical powers are prohibited. Depsite the handicap, she and the always wonderfully haughty Kongo Mitsuko manage to counter all of the rival schools’ espers’ tricks and win.

Misaka’s friends watch it all on one of the city’s many large public TV screens; Kuroko in particular is very proud of her Sissy. Afterwards she heads off for Judgment patrol, and Ruiko comes across a woman in a tracksuit fumbling with her smartphone. This turns out to be the Aztecan Xochitl, member of MEMBER, one of the groups we saw in Index III who is clearly up to no good.

After winning her first race and encountering her Mama (whom her friends insist is only 20 years old), Misaka heads home to change out of her dirty uniform, but in the process both Awatsuki and Wannai mistake MISAKA 10032 for the real deal, and prep her for the next competition.

MISAKA had been milling around talking to her cat and lamenting her inability to participate, but fate has smiled on her today, because the real Misaka keeps out of sight. This also means MEMBER will be attacking the wrong Misaka when they inevitably make their move. This festival is off to an interesting start!

Toaru Kagaku no Railgun T – 01 (First Impressions) – Back in the Game

Ever since erroneously watching the first season of Railgun before Index, I’ve always preferred Railgun and its focus on the quartet of Misaka Mikoto, Shirai Kuroko, Saten Ruiko, and Uiharu Kazari. After seven years, it finally gets a third season, and its first episode eases us back into the semi-Utopian Academy City, which is presently preparing for the Daihesai inter-school sports festival.

We check in with all seven Level 5 Espers dwelling in Academy City as the Daihesai steering committee seeks at least two of them to take the “Athlete’s Pledge.” The Top Four we know: Accelerator, Kakine Teitoku, Biribiri, and Mugino Shizuri. Newly brought to the foreground is fifth-ranked Misaki Shokuhou, a preening socialite who appropriately uses a remote to control others.

Sixth-ranked Etsu Aihana goes unseen, but seventh-ranked Gunha Sogiita goes very much seen. The fiery, shounen protagonist-type loves people with “Guts” like Uiharu, who uses her authority as Judgment member to try to break up two arguing cheer squads. Gunha dispenses with talking and simply punches the squads into submission.

That’s a lot of names, but Misaka still thankfully has the most screen time. She loosely bookends the episode with demonstrations of her power, first by helping three little kids get their robo-bear working to cutting away steel supports that were coming down on Ruiko and Uiharu after Gunha’s hijinx.

Gunha and Shokuhou are chosen from the Level 5s as the pledge-takers. We learn Misaka’s self-appointed rival Shokuhou is clandestinely looking into the Sisters, so there’s sure to be some of that trademark Raildex intrigue adding depth to what looks to be a sports festival-style arc. I stand (well, sit) ready to watch every minute.

Ao-chan Can’t Study! – 10 – …But She CAN Run!

Ao is utterly apathetic about the upcoming sports festival, until she learns Takumi will be on the cheer squad, and dedicates herself to training hard for the 800m run so she can experience the joy of being cheered on by the guy she likes.

Kudos for the show finally portraying these two as a comfortable, easygoing couple, even if they’re not 100% officially “dating;” it’s nice to see Ao not only publicly acknowledging her interest in Takumi (already well known in her class) but contributing to him making the decision to participate.

Of course, there has to be a conflict of some kind (beyond winning the race) and it comes in the form of her father, who has embarrassed her at every level of her education during the sports festival. When she bans him from this one, he bans her from ever moving out, and the two.

Yet, despite their fight, and despite the fact Ao made sure Yabe increased his workload tenfold, her father still makes it to the festival. Ao notices him just after having a talk with Takumi, who tells her he’s probably not that upset over their fight and that she should just talk to him.

While Pops gets to apologize, and explains his presence as having done all the work put before him with maximum efficiency, all so he could watch her compete, Ao is about to apologize back, but it’s time to run. Her dad joins Takumi and the cheer squad, and Ao takes the lead, but starts flagging in the home stretch.

This is when Pops fulfills Ao’s worst fear, yelling for her to hold onto her “G-cups” so she can run faster. This embarrasses her, Takumi, the cheer squad, and also freezes the other runners, as well as energizes Ao into finding her second wind and finishing first. But her Pops doesn’t escape a beatdown for his raunchy words.

Of course all of this could have been avoided if the show remembered there are these things called sports bras, to be used while running, jumping, and doing other athletic things!

Tsuki ga Kirei – 04

It’s the School Trip episode, and there’s a sense of adventure to the proceedings, as the whole amassed class boards the Shinkansen and arrives in a bustling Kyoto. It’s just the start of a dense, lush, richly-detailed episode that nevertheless has a light touch due to the elegant plot.

You see, amidst this big trip, all Kotarou really wants is to know Akane’s answer to whether she’ll go out with him; the sooner the better. Because cell phones are officially forbidden, he has to hide his and hope it’s not confiscated; otherwise he’s doomed.

And I’m not kidding when I say Kyoto is bustling; the scenes of throngs of tourists milling around are pretty impressive, even if the CGI models are a little stiff, it’s better than panning stills; not to mention the accurate-to-Kyoto environs look great.

The fact that Kotarou and Akane have to contend not only with their nosy classmates, but also the vast space and volume of humanity Kyoto throws at them, really heightens the tension. Will they be able to meet on this trip?

C’mon, haven’t we all been there at some point: staring at our phone, the only light in the room at night, willing that next text to come in from the person you like? Even if you haven’t, the tension is thick enough to cut through with a knife.

The show does an excellent job thrusting us into the shoes of both Kotarou and Akane, making their various friends, nice that they are, feel like hovering irritants. They want to reach out to each other, but they’re mired in their respective circles.

Kotarou finally gathers the courage to send Akane a place and a time to meet…only for his phone to be confiscated by a (drunk) teacher at the worst possible time.

From there, it’s a textbook “missed/lost connection” scenario, as Akane sent a text asking Kotarou to elaborate on what he meant by the time and place…and she waits and waits, to no avail. So much must fly through her head: did he lose his phone, or is he intentionally ignoring her replies?

The beauty of this particular situation is that it simply unfolds before us without undue explanation, exposition, and precious little inner dialogue, really giving the increasingly awful-feeling situation room to breathe without undue verbal interference.

Kotarou has to muster courage once more, in order to borrow Chinatsu’s phone to call Akane. And Akane is rightly pissed, though neither she nor Kotarou should place so much hope in the reliability of cell phones. That’ll lead them to ruin!

All’s well that ends well, thankfully, and the tension is released when, after voicing her frustration with her ordeal and with their inability to clearly communicate thus far, Akane is the one who musters the courage to say something: that she wants to talk with Kotarou more.

That’s her answer, all but eliminating the ambiguity her fortune said would lead to calamity. Sure enough, the pouring rain ceases and the clouds part to reveal the beautiful blue sky. Now let’s hope these two crazy kids didn’t catch colds!

Tsuki ga Kirei – 03

I said last week that Akane and Kotarou aren’t in a hurry, but I guess I have to take that back now. Between all the pairing off going on in the run-up to the class trip, and the fact that at some point everyone will be heading off to various high schools, the two can’t sit on their hands forever. That being said, neither has any experience with courtship, so much of their nascent relationship is sustained through the messenger app LINE, as they remain painfully unable to talk to one another in school.

They also have a lot going on, what with Kotarou’s literature club and local festival activities and Akane’s track meet. This eats up the time they could be spending hanging out. Akane’s track buddy Nishio (who tended Kotarou’s wounds) considers him a friend now, and she’s serious about surpassing Akane, at least in track. Akane, meanwhile gets perilously close to being asked out by Hira; it’s only a random exclamation from a nearby party that makes him think better of it.

Kotarou can’t attend Akane’s meet due to his drumming practice, and the show really excels both at capturing the tension involved in waiting for someone you like to text you, and showing just how torturous it can be to have to carry on with your plans that don’t include that person.

Fortunately, fate smiles upon the couple, or rather, volition does. Kotarou isn’t in a hurry to leave the shrine, while Akane, whose phone died, decides to check out said shrine on the off-chance Kotarou is still there. He is, and they have a lovely, if at times understandably awkward, encounter under the beautiful moon.

And feeling both the pressure of time and the auspiciousness of another meeting with the lovely, warm, kind Akane, Kotarou manages to finally ask her out—not with Line, but with words. Not with chance, but with choice. Naturally, we don’t hear her reply, but their once tentative dynamic has already entered a new phase.

Tsuki ga Kirei – 02

This week’s episode is dominated by an interminable sports festival, during which the students, split into four groups of different colors, compete in various physical activities.

But those activities, and the final scores of the teams, don’t end up meaning much. Instead, due to circumstances that occurred during the festival, Kotarou and Akane were able to grow just a little bit closer together.

Much to Kotarou’s surprise, he couldn’t help but be influenced by her to do what he likes and not worry about being embarrassed. Akane doesn’t like being in front of big crowds, but she loves to run, so she runs. Kotarou likes to write, so he might as well show off his work.

Maybe he’ll be teased or mocked by some, but he’s just as likely to be celebrated and cheered on by others. And his dad insinuates that your youth is the time to do what you like—since you may not be able to when that youth is gone!

As for Kotarou and Akane, they play a quiet game of cat and mouse, with Akane often interacting with a potential rival for Kotarou in Hira, another track club member. But it sure seems like he has to be told to go talk to Akane, while Kotarou tracks down Akane and returns her lost, beloved stress “imo” to her, then tells her he thinks she’s fine the way she is, and shouldn’t get embarrassed by running (very well-timed remarks, considering she overheard girls in the bathroom making fun of her).

That night the two fumble with their phones for the right words and stickers to send to one another via LINE, and have a pleasant little virtual chat; one that would have seemed inconceivable just last week. They’re both growing more comfortable with each other little by little. And unlike most of the events in the festival, it’s not a race!

Orange – 10

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Kakeru continues to look and act forlorn, and even Naho in a cheerleader outfit doesn’t change that. What ultimately does is a team effort by Naho, Suwa, Hagita, Azu and Tako, which is not only used to help Kakeru carry a futon (kind of a bizarre errand in the middle of a sports festival, if you ask me).

The metaphor is not subtle, but effective: his burdens will be lighter because they’ll help bear them. Kakeru feels safe enough to reveal the cause of his less-than-stellar mood: he’s unsure if he should be laughing and having fun when his mom could be watching.

Well duh, any mom would want their kid to be happy, and to not let himself be happy would only worry her, jsut as it worries Naho and the others.

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It becomes clear to all that there’s no way they’ll be able to dissuade Kakeru from participating in the relay, so they have to carry it out, doing everything they can on their end to make sure it’s a victory, and hoping fate doesn’t rain on their parade in the form of Kakeru worsening his injury, losing the relay to the blue team, and restart a spiral of regret and self-hatred.

Just before the relay, both Suwa and Kakeru are given extra motivation to win the whole thing: a kiss from Naho, which she neither agrees nor disagrees to (she’s too shocked by the prospect). As for Azusa and Hagita, yeah, this is starting to get old. Just date already. Right now. Do it.

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I never thought I’d get all excited about Emotionally Significant School Relay #937…but with some serious stakes in play, I daresay I was. A strong lead by Suwa starts to erode when Tako and Azu run, but Hagita manages to pass a few people.

After Naho’s leg, Kakeru summons heretofore unsummoned athletic ability and hits the finish tape first, no down cheered on by the telephone-style message constructed by his teammates, ending with the sentiments that they’ll all be together in ten years

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After the race, Kakeru’s grandma recalls a relay in the past that his mother attended not long after getting divorced, when Kekeru looked down-in-the-dumps…until he won, and flashed the same smile he flashed today. So all’s well that ends well; Naho & Co. change the future again, without any further speed bumps in the relay phase.

That only leaves the matter of Naho’s “promised kiss.” When coming in close to bandage his shoulder scrape, Kakeru ends up stealing a little kiss to her cheek before running off, no doubt over the moon. Naho reacts exactly the way you’d expect: stunned silence, followed shortly by a warm expression of acknowledgment in said kiss’s power.

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Orange – 09

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Now that it’s confirmed everyone in Naho’s circle has letters from their future selves guiding them support Naho and Kakeru, we see the first instance of someone other than Naho and Suwa reading their letter and acting on it. In this case, it’s Azusa, whose letters are a lot more fancy and flowery than Naho’s austere correspondence.

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The letter instructs her, during her birthday, to make sure everyone refuses to let Kakeru borrow their umbrella, so that he and Naho can share one and walk home together. It works like a charm, and just like that, Orange has arrived in episode 9 where Momokuri got in it’s second half-episode.

Naho even holds out her hand for him to take, insisting once isn’t enough. But the two still maintain they’re fine with things they way they are, rather than officially going out.

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That’s a not entirely honest position that is put to the test during the sports festival, when the group of friends are to participate in a relay. There are a number of events preceding that race, during which we get a look at everyone’s parents.

Suwa makes sure Kakeru’s grandma comes so he’s not too lonely…but he still feels lonely, because he’s not sure how long it will be before he has to move, before he “disappears.”

Suwa elects to rattle his cage, asking him if it’s really okay to not be going out with Naho, and if it’s really okay with him if he went out with Naho. Kakeru, gloomy and dejected, says that would be fine; not even a bad idea. He’s still speaking from a place of self-hatred and resignation to an uncertain, lonely life in the wake of his mother’s suicide.

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Things take a turn for the worse between Naho and Kakeru when the former dresses Suwa’s wound with the same care she bandaged Kakeru a ways back. The timing sucks, and when Naho offers to dress his wounds too, Kakeru recoils, even slapping her hand away. Immediately ashamed, he scurries off, and Naho wonders what she did wrong (nothing, really).

But Suwa is still optimistic that he’s put Kakeru on the right track to more forcefully and confidently stake a claim and pursue that which he wants – Naho. I’m…less optimistic. Even with the whole circle of friends working toward a single goal, it isn’t going to be easy to bring Kakeru and Naho closer together.

Not when they’re so cripplingly inept at courtship, and possess so little self-worth, thinking the other person too good for them. I don’t envy their friends: this isn’t going to be a smooth ride, and a future where Kakeru is with them is far from assured when he’s still speaking with dark permenance about the certainty of ‘disappearing’.

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Ore Monogatari!! – 16

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—”I wonder if I can like someone again.”
—”I’m sure you can.”
—”When?”
—”Eventually.”
—”I’m sick of this! I want to now! But I can’t right now!”

That exchange between a fiercely honest, freshly-heartbroken Saijou Mariya and a savvy, supportive, tissue-providing Suna, says it all: Falling for someone who’s already firmly in love with someone else SUCKS. But it’s also a near-universal feeling we all have at some point in our lives. Even “Nature Is My Master” Takeo felt that way, when he thought Rinko liked Suna and not him.

As such, it’s a near-ubiquitous theme in romance anime. But rarely have I seen it so beautifully—and efficiently!—handled than these last two episodes. Saijou’s arc went by breathlessly quickly, yet still allowed us to get lost in it, in her head, and in all those swirling emotions people in her situation tend to have.

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When she added “…as a person” to her confession to Takeo last week, I knew she actually liked him as a man, you knew she actually liked Takeo as a man, and after a couple periods of class, Suna knew she actually liked Takeo as a man. But Takeo? Forget it. In exchange for all his wonderful qualities, he’s an appallingly oblivious fellow, and that’s okay; I don’t need a perfect protagonist.

But more to the point, he simply trusts Saijou’s words as she spoke them, because he has no reason he knows of not to. He’s convinced he’s not popular with girls…and because neither Ai nor Saijou confessed their love, he has no reason to doubt that assessment of himself, either.

Similarly, Rinko trusts Saijou, and even decides to cultivate a kind of friendship with her, as they find it easy to talk to each other. Rinko is worried about other girls falling for Takeo, but not Saijou, because she said she likes him as a PERSON. That’s enough for Takeo, and it’s enough for Rinko, and neither will be hurt by Saijou continuing this charade indefinitely.

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No, the person who will end up hurt is Saijou herself. When Suna approaches her, she expects to be castigated and comes clean to him: “Yes, I know I’m a cheat, and I’m lying about the extent of my feelings. So what?” She knows the answer: because she’ll never be happy with things like this. At the end of the day, she’s a good person, and isn’t going to try to break anyone up. To her surprise, Suna isn’t concerned with her actions thus far, but rather the emotional toll they’re having on her. He…he cares about her! AS A PERSON!!

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Thanks to Suna, Saijou decides to nip things in the bud. The limbo she’s in is untenable; she has to be honest about her feelings, because Takeo and Rinko will never accuse her of being dishonest. The scene where she finds Takeo alone in the dark classroom, which then fills with gorgeous golden light, is as good a visual metaphor for a weight being lifted as one can ask for. It’s also mighty purty.

Takeo briefly sports an appropriately stunned look, followed by a quick and categorical rejection. But he’s not saying no because he already has a girlfriend; he’s saying it because he loves Rinko with all his heart, for any, all, and no reasons at all. He’s oblivious about a lot of things, but his heart never lets him doubt his love for Rinko for a minute.

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Saijou tells Takeo she wasn’t lying when she said she liked him as a person too, and is able to withdraw with dignity, but once she hits the bench outside, the tears come hard and fast, so it’s good Suna’s there with two(!) boxes of Kleenex to help her through this trying but ultimately necessary time. She fell for the wrong person, but it will pass, and she’ll fall for someone else eventually. Hopefully Suna, AMIRITE!?!

As for Takeo, the sudden realization that there are girls besides Rinko who do like him, make him look upon his constant protestations to the contrary with contempt. All this time he was telling Rinko something he believed was true, but wasn’t. So as soon as Saijou is gone, he runs as fast as he can to Rinko to make everything sparkling clear: it doesn’t matter whether other girls like him or not (sorry Ai!); Rinko is the only girl for him.

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As they walk home hand-in-hand, tears suddenly come to Rinko; tears of happiness, which finally spur Takeo to say “I love you” out loud. Woo! And she says the same. Saijou may have felt like a rival and a possible antagonist last week, but turned out to be neither, but something much, much better: a lifting of the misconception of Takeo’s popularity with girls, a catalyst for the deepening of his relationship with Rinko, and, as we see the next day, a new friend who still wants to call him “master.” Saijou Mariya was another revelation in a show positively stacked with ’em.

Now, start falling for Suna. Immediately.

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Ore Monogatari!! – 15

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I’m not sure I’ve heard the parable about the bear who danced with the girl, but because Rinko likes big things the way Takanashi likes small things, in her version the girl who dances with the bear comes to like said bear. And so it comes to pass, when Takeo takes an athletically ungifted classmate everyone else is miffed about being in the upcoming Swedish relay under his wing. So just as the door seemed to be closed (for the time being) on Ai, it opens on one Saijou Mariya, she of short statue but ample bust.

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Saijou feels like she’s in the way and, like most people, assumes Takeo is mean, scary, and easily upset, when none of the above are the case. Gradually, as she spends more time with Takeo simply being Takeo, you can see the increased affection growing in her eyes, in the many gorgeous close-ups of her normally reserved for Rinko (and to a lesser extent, Ai). Ironically, it’s running from Takeo out of a misplaced sense of fear that motivates Mariya to run her fastest…along with his constant support.

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When the day of the relay arrives, he tells her, quite simply, just run as fast as she can and pass him the baton. Well, once everyone else passes her, she trips and drops that baton, but remembering his directives, she gets back up, keeps running, and passes that sucker off. Then Takeo does his thing and they win by a landslide. Then the kicker: he congratulates her, then asks her if she’s okay from her spill, and BOOM, without even trying, “not popular with girls” Takeo has finished unlocked Mariya’s heart.

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Let me say one thing: I like Mariya, even though she’s Rinko’s new rival. I like her a lot. She’s cute, she’s kind, and in some ways, she’s a lot more normal than the often eccentric Rinko. Not that eccentric is bad; Takeo is eccentric too (so is Suna, for that matter…and Takeo’s parents…and Ai…aw jeez, what have I done?!). But despite the fact she sees Rinko right there, and Takeo introduces her as “my girlfriend” she still has the guts to give him her gift of a towel (his first, somehow!) to him. This is a girl who knows how she feels, and is honest about her feelings, at least in this instance.

Meanwhile, because Rinko has always felt her grip on Takeo was precarious at best due to her own perceived inadequacies, she seeks advice from her girlfriends on how best to fight for Takeo. Despite Takeo’s protests he’s not popular with the girls, Rinko, to her credit, knows what she saw: Mariya danced with the bear, and liked it. (Oh God, that sounds so wrong!) 

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Mariya is also the recipient of some good luck vis-a-vis Takeo. She goes to the same school and is in his class. Even when she nervously mocks his couple background and matching straps (which IS a bit overkill, if not SO overkill)when she runs after him to apologize and trips down the stairs, she ends up in his arms, and after it’s clear the shoulder-leaning is out due to Takeo and Suna’s imposing height, she gets to choose Takeo to ride piggyback on. Suna really tried to do it so Takeo didn’t have to, but Mariya overruled him.

Unfortunately for Rinko, she chose this afternoon to wait outside Takeo’s school, though Takeo doesn’t act guilty, because he isn’t guilty, because he loves Rinko and is just giving Mariya a hand. When he runs straight back to Rinko after his errand, she can’t help but beam with glee. But in the normal universe where high schoolers of the opposite sex aren’t normally so friggin’ nice to each other—like the universe Mariya normally inhabits—Takeo with another girl riding him still looks bad.

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By the way, I’m not considering Mariya’s non-confession legit. She’s not giving up; she’s just decided to play the long game. She only tells Takeo (with Rinko eavesdropping) that she likes him “as a person”, but we know better, since we’re in her head too. Now that she’s allowed to call him “Master”, she has an excuse to stay by his side as his “student”. Rinko has been enjoying a “Pax Gouda” up until now, but love is war, and the battle has begun.

Takeo won’t be easily swayed—had Mariya had confessed for real here, I’m certain he’d have shot her down without hesitation—he does love Rinko deeply. But Mariya knows that, and I hope she’ll apply the same determination to pursuing Takeo as she did preparing for the relay with him.

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