Akiba Maid War – 05 – Crimson Swine

Tenchou has the maids making paper roses in their down time; anything to try to make the half-million yen needed to pay off their sweets money or the café will be shuttered. In other words, it’s just another day at the Oinky Doink.

After being as kind as she can in complimenting invitation cards printed with a bare minimum of ink, Nagomi’s acquaintance Nerura (one of the few genuinely nice people in Akiba … at least so far) Suggests she attract business with an event.

When Nagomi learns that Ranko’s birthday is coming up in two days, she asks Tenchou and the other maids if they’ll help her do an event … and they suddenly turn into mean assholes who don’t care about Ranko at all, and let a tearful Nagomi do what she likes.

Following Nerura’s advice to reach out to a fellow Creatureland outfit, Nagomi and Ranko visit Maid Sheep, and are warmly welcomed by its idol, Kaoruko (voiced by Ogura Yui, who can really turn up the syrup when she wants to). She’s friendly, at least, until she learns it’s Ranko’s birthday.

That’s a problem, because it’s also Kaoruko’s party, and these pig maids are stepping on her currently-in-progress birthday event. After enduring some heckling from both Kaoruko (delivered with all the requisite sweetness of a maid on duty) and the customers there, Ranko and Nagomi take their leave.

On the walk home Nagomi confides in Ranko how she’s just not sure she’s cut out for this whole maid thing, especially with their co-workers being so mean, and of course the fact that maids are expected to fight and even kill when called upon. Ranko looks back to when she was new to the game and violence was just starting to become a thing in the maid world. Just because she’s good at violence doesn’t mean she ever liked or wanted to do it.

But when her madame was killed, she accepted her fate as avenging angel, and so it is in the present, when they’re surrounded by Sheep maids. Fellow Creatureland maids aren’t supposed to fight, but Ranko and Nagomi pissed Kaoruko off, so she starts a fight. Ranko holds her own, of course, but Kaoruko takes Nagomi hostage, and Ranko has to stand down.

That’s what brings us to what was hinted at in the now-famous Outrageous Akiba Maid War Stinger: Nagomi and Ranko tied up and weighed down and drowning in a giant barrel full of blood with a damn lamb to keep them company. Turns out Kaoruko doesn’t want any other maids in Akiba to share her birthday, so she’s been killing them all off. Ranko’s next … it doesn’t seem to matter to her that it’s not Nagomi’s birthday.

Never mind that the flowing red liquid turns out to be tomato juice; Nagomi and Ranko are in serious trouble, so it’s a good thing Okachimachi (AKA the Panda) saw what went down. When we cut back to Tenchou and the other maids, we learn that they were only pretending to be mean in order to distract Ranko from the fact they were arranging a surprise party for her birthday. Not only did I sigh in relief, I smiled with joy at learning this!

Ranko and Nagomi believe this might be it for them, so they exchange apologies and thanks for the time they’ve spent together. At first Nagomi feels like her path to maiddom has led to nothing but tragedy and sorrow, but as the tomato juice rises she gets more wistful about her time, and doesn’t regret that time with Ranko and the others.

But as nice as their fellow maids turn out to be, they did subside on nothing but stir-fried bean sprouts for weeks to afford a fancy custom cake for Ranko, so when she and Nagomi are late, they are pissed (especially Tenchou, who has to dress as a maid for the first time, and folks … I’m in love). Okachimachi arrives, shows them the dueling event invites, which (eventually) lead Yumechi, Shiipon, and Zoya to Maid Sheep.

After brandishing pipes, stating their intent, and charging the sheep in a Postcard Memory, we cut to a drowning Nogami hallucinating about living in Tomato Land before her friends bash the barrel open and free her and Ranko. They came through, just as Ranko knew they would. Hell, it’s likely she knew they were just messing with her all along.

When they leave the basement we get to see the carnage that three Oinky Doink maids wrought upon Maid Sheep, but a bruised Kaoruko promises retribution, not by them, but by Creatureland for this assault on an affiliated café. She just can’t keep her mouth shut and take the L, as she unleashes a torrent of insults directed at Ranko…until a bullet to the gut silences her forever.

That bullet is fired by Yumechi, who was not two days ago pretending to be as mean as possible to Ranko to throw her off any possible whiff of a surprise party. But that bullet (and the preceding unseen fracas that couldn’t have just been Zoya) shows us that Yumechi isn’t just fond of her fellow pig maid Ranko, she’s willing to kill to preserve her honor.

The other maids keep acting relatively mean and put-out towards Ranko right up until they enter a strangely dark Oinky-Doink, and then Taichou shows up with the lit (and only partially eaten) birthday cake, and she and everyone else sing “Happy Birthday”. Such a sweet, wholesome end to a day of violence, bloodshed … and tomato juice.

Oh, and Maid Sheep’s record revenues from Kaoruko’s birthday event? Okachimachi snatches them up and presents them to Taichou. Hopefully she won’t gamble them all away, but actually pay off enough of the sweets money to keep the café open at least another week or two! The credits roll as Ranko dances and sings a new number, looking nowhere near her thirty-six years. With friends like hers backing her up, may there be many more!

Rent-a-Girlfriend – 24 (S2 Fin) – Dream On

All of Chizuru’s aspiring acting peers marvel at how hardworking and dedicated she is, but the truth is she’s a surging ball of doubt and anxiety. If she doesn’t pass auditions and get this next role, her dream of having her grandmother Sayuri see her performing on screen before she dies is in serious jeopardy of never coming true.

One night, she gets one more friendly rejection text, cries in her dark apartment, and asks the picture of her late grandfather Katsuhito to stop smirking and tell her what she should do. We then go seven years into the past, to when Chizuru was a surly seventh grader with no real driving force except “men are idiots”.

Chizuru’s gran was once an up-and-coming actor, and when Chizuru watches a rented DVD of her performance, that’s it: the dreamless kid suddenly has a dream: she wants to be an actor too. Her gran starts warning her just how goddamn difficult that will be, but her gramps is all optimism and gumption…remind you of someone in her present day life?

Chizuru spends her years of middle school and high school learning how to act, and seems well on her way, until Truck-kun claims her gramps’ life. Remembering how her grandparents told her the name “Chizuru” comes from a thousand paper cranes and that she was meant to be a talisman of good luck, she runs up and down the local shrine one hundred times to pray for Katsuhiro’s recovery.

He doesn’t make it, but he is conscious long enough to say his last words to her: dreams always come true. He knew this would be the worst moments of her life, and wanted her to know that she couldn’t give up no matter what; no matter how much frustration and tragedy and pain got in the way. But now, faced with yet another rejection for a role and her gran growing frailer by the day, Chizuru is wavering once more.

Enter Kazuya, who blessedly had no screen time or lines for over half of this episode, the better to make this all about Chizuru and not him (for once). He comes to her door with a proposal: crowdfunding a movie for them to make and for her to perform in. It technically would fulfill her dream, and there’s actually a better chance of pulling it off than of her getting a role in the same two-month time frame.

Chizuru retreats to her dark apartment to mull it over while Kazuya returns to his and wonders if he just made a huge blunder once again. Naturally, Chizuru sees in Kazuya the same idiotic optimism as her grandfather, but also realizes that his gramps happened to be right: dreams only truly die if you give up on them, and now life is offering her a chance to revive it just when she thought it was all but dead.

Kazuya hears Chizuru’s door open and close, her footsteps in the fancy shoes of her rental girlfriend outfit she has yet to change out of, and then a ring on his doorbell. She has one question: Can you really do it? And after thinking about it and saying that he, that they can, Chizuru has to cover her face to hide the flow of emotion. Her dream, now so cracked and fragile by the rigors of reality, is suddenly mended into something she can carry once more.

Kazuya, who took a suggestion of Sumi’s and rode with it, fully understands the hard work he’ll have to put in. When her gramps was injured, Chizuru knew she could do more for him than sitting around and crying in the hospital, so she ascended the shrine stairs one hundred times until her feet were scratched and black with dirt.

And in the end, the result of that effort was only fleeting—her gramps woke up for only a moment before expiring. Whether she’s conscious of it or not, the same qualities in her gramps are apparent in Kazuya seems like big part of why she’s falling for him as a romantic partner. But it could also be why she’s so hesitant to go down that road: what if she gave her heart to Kazuya, only to lose him? Truck-kun is still out there…

Getting a movie funded and actually making it is sure to make that running up and down the steps barefoot seem like a gentle walk in the park. Kazuya knows it. Chizuru knows it. It could end in failure too, but failure is all but assured if they give up. Kazuya (via Sumi) gave Chizuru the “loophole” she needed to scale down her dream into something more manageable than becoming a movie star before her gran dies.

Will that cause the already nascent feelings she’s developed for him to grow? Will they merely maintain the increasingly sturdy friendship they’ve forged this season? Whither Ruka, Sumi, and above all Mami, the last glimpse of whom is her smirking and asking herself if she has a life (she doesn’t)?

Will Kazuya get them involved in this “let’s make a movie” venture? Finally, who is that fifth girl, apparently moving into the same building as Kazuya and Chizuru? (At first I thought it was Ruka, but this person has an ahoge, and the blue in her hair is color, not a bow.)

We’ll have to wait for a season 3 to find all this out. Until then, I’m glad the focus was on Chizuru for this final episode, learning the full story of her dream, and that the Kazuya we get is a man who proposes strong and achievable action, not moping or fumbling about with his myriad romantic prospects in his head.

Rating: 4/5 Stars

Rent-a-Girlfriend – 22 – More than a Lie

Kazuya probably feels like Ruka’s kiss, complete with tongue and the requisite saliva strings, lasted the entire week between the last episode and this one. But Ruka felt threatened by Chizuru and didn’t want to lose, so she marked her man. She also hastens to notify Kazuya that it was her first kiss, and despite the saying that the first taste like strawberries or lemons, hers just tasted like booze.

A frankly obscene amount of Kazuya inner dialogue ensues as he tries to deal with having been wall-slammed and made out with by Ruka only to have to return to the table with his mom, grandma, and Chizuru, who can all tell something’s off about both of them. Gran then produces her gift to Chizuru: her heirloom engagement ring. Chizuru says she couldn’t possibly accept it, as one does, but Gran and Kazuya’s mom insist.

Having seen how backed in a corner and desperate Ruka is and seeing Chizuru struggle, Kazuya decides he’s going to come clean, right then and there, or at least say what needs to be said to shatter the charade. Both Ruka and Chizuru can tell he’s about to say something to the effect of “Chizuru and I broke up”, but before he can get the works out, Chizuru gets a call…from the hospital.

Her gran is unconscious, so she, Kazuya, and Kazuya’s gran take a taxi to the hospital, where they find Chizuru’s gran not unconscious, and her usual tough, cheerful self. The grans have fun talking about their young grandkids, and when the doctor asks Chizuru to come with him to talk, she leaves them in Kazuya’s care in a very relationship-y way.

After torturing Kazuya a bit, the grans send him to a konbini for snacks, and he meets Chizuru in the dark corridor, where she tells him that things aren’t great, and despite her smiles and laughs she doesn’t have much time left. Kazuya asks if she’s okay, and she puts on a brave front. When he heads to the hospital room to finish coming clean and making things right, Chizuru grabs his sleeve and tells him not to.

She knows her gran is worried about her being along when she’s gone, so telling her she and Kazuya broke up on her deathbed simply isn’t something she’s willing to do.  I don’t think she’s using this as a pretense to remain in…whatever it is she and Kazuya have.

But when she says that whatever is now “more than a lie”, it feels like she’s saying that more for just her gran’s sake. She and Kazuya head home and go their separate ways, and Kazuya curses himself for not being able to do more for her, while also finding himself in a spot where revealing the truth will cause more harm than good.

That said, the lie is still doing harm to Ruka, but when she and Kazuya go on a grammable pancake date, she shows genuine empathy when she asks about Chizuru and her gran. She also decides to call a truce, as with Chizuru’s family situation it’s just not an appropriate time to continue her “offensive”.

That said, she’s now convinced that now that they’ve had their first kiss, they can now kiss whenever. Kazuya’s not so sure about that. He’s also even more flummoxed that not only Chizuru but also Ruka have decided that the status quo should be maintained until further notice. And that’s even before he’s aware of whatever it is best girl Sumi is planning to celebrate his birthday…

Rating: 4/5 Stars

Rent-a-Girlfriend – 21 – Scents of Hokkaido

It’s time for the annual family birthday party Kazuya’s grandmother and parents always throw for him, and when he informs gran that her beloved Chizuru’s birthday has already passed, she hits him with an air-to-grandson cruise missile of anger and then insists that he invite Chizuru to a shared party.

Kazuya invites Chizuru to the shindig on their balconies, and while she can’t make the 5 PM time, she can come later, after she visits her ailing gran in the hospital. Shortly thereafter, Ruka calls Kazuya to wish him a happy birthday, and catches wind of the party. That afternoon she shows up all dolled up, ready to join the party.

Since Kazuya’s fam knows Ruka as “Chizuru’s friend” it’s not that strange that she shows up with him, and Ruka is quite right that however Kazuya feels for Ruka, he did agree to be her boyfriend (rather than reject her) and making her cover for him and Chizuru isn’t fair.

Thus ensues a wonderfully lively sitcom scenario where conceits like the fact Ruka’s yelling at Kazuya in the kitchen can’t be heard by the fam in the next room. Ruka sees she’s started out with a deficit, imagining a virtual Reversi game of who can be the best future daughter/granddaughter.

But Ruka has no shortage of charm, and quickly ingratiates herself with Kazuya’s fam. This sucks for him in terms of maintaining the fiction of him and Chizuru for his gran’s sake, but it also shows a nice what-if if only he had genuine romantic feelings for Ruka rather than Chizuru…things would go pretty smoothly!

Instead, Ruka comes within mere seconds of telling Kazuya’s fam that she’s his actual girlfriend when he’s saved by a text from Chizuru asking what’s up. Kazuya sucks it up and adds her as a friend, then calls her on her personal line—unthinkable in the first season, but accepted as a necessity here.

When she says she’s still at the hospital, Kazuya does what’s right and tells her she doesn’t have to come, but then a jealous Ruka rips the phone out of his hand and demonstrates to Chizuru that it really is a good idea to show herself before things get messy.

I totally get Ruka’s anger, but if her goal was to keep Chizuru away from the fam tonight, her rant to Chizuru had the opposite effect. Chizuru surprises Kazuya’s fam by showing up and immediately being her perfect professional girl self, even asking to pray at the family shrine, something Ruka didn’t even think of.

As Kazuya’s gran learns he and Chizuru live in the same area (but not that they’re next-door neighbors) she asks why they don’t just live together, Chizuru blushes and says she’d lean on him too much. Ruka spots the lipstick on Chizuru’s glass and heads to the bathroom without saying anything.

When Kazuya heads to the bathroom, Ruka, who is getting absolutely slaughtered by Chizuru out there, decides to resort to drastic (and readily available) measures, i.e. her lips. She gets on her toes, pulls Kazuya in by the goofy gaudy tie she bought him for his birthday, and gives him a long lasting smooch.

It’s given all the weight of a climactic romantic development, but lest we forget, at this moment Kazuya simply likes Chizuru more, and the fact the two of them can call and text each other whenever constitutes Reversi discs that can’t be flipped back over.

This episode featured some fun and genuinely funny girlfriends-family sitcom action, but also made me hope that at some point before this cour is out we get some kind of legitimate development towards untangling some of the romantic knots Kazuya has made. I realize I may be setting myself up for disappointment, but it’s always nice to dream.

Rating: 4/5 Stars

Rent-a-Girlfriend – 20 – The Best Day Ever, Every Time

This episode begins, amazingly, with Kazuya talking on the phone with his actual ostensible girlfriend, Ruka, who is clearly loving every minute of their convo and would happily chat with him for hours. She also shows a bit of maturity by apologizing for her outburst towards Mami, whom we see is still trying to tweetstalk his gran.

When a day Chizuru is free for a date arrives, Kazuya decides to mix things up a bit and fulfill an adolescent dream of his: going on a date with a girl in their high school uniforms. Chizuru doesn’t know about this dream and so wonders why he’s wearing a uniform, but like so much with Kazuya, she rolls with it.

Since he insisted she act like herself for their dates, the ensuing date at TDC (Tokyo Dome City) feels considerably less forced and artificial. This is doubly true to to the fact it’s quite clear Chizuru enjoys being on a date with Kazuya under the guise of a professional transaction. It gives her cover from feelings she clearly harbors but isn’t ready to parse.

And that’s fine! After all, the guy she often finds herself blushing about is still in a state of denial himself. Such is his self-esteem, he is constantly holding Chizuru up on a pedestal she never asked for. Yes, she’s lovely, but his adoration goes way too far. Forget high school, he’s acting like a middle schooler most of the time.

Kazuya’s date plan of holding hands, sharing food, photo booth, and Ferris wheel all goes swimmingly. But he’s so worried about doing or saying the wrong thing at the wrong time, he barely takes the time to simply exist and enjoy the time he’s actually having with this other human being.

As I said, besides the school uniforms, what makes this otherwise fairly rote date episode refreshing is how Chizuru isn’t being overly lovey-dovey or flowery. She knows she doesn’t need to be; that just being herself is fine with Kazuya, both as a rental customer…and as a friend. Indeed, he’s one of very few people in her life she can be herself with, and as such, his presence is comforting, even when he’s being a complete spazz.

Just as Kazuya and Ruka have some genuine conversation on the phone earlier in the episode, it’s also nice to see him and Chizuru just shooting the breeze about her job, and how she’s come to love the job she’s so good at. Since he knows about her dream of becoming an actor, she also tells him how she’s got a role in another play.

She’s clearly as happy to have someone to tell this as Kazuya is to hear it. He’s so happy for her and how her hard work is paying off, he briefly holds her hand a bit too tight. When booking the date, he discovered that Chizuru ranked up from Rookie to Regular, which not only cost more, but only increased his adoration of her.

But for as unattainable as he continues to believe her to be, and as loathsome as he considers himself to be, if I had to guess what Chizuru wanted, it isn’t someone who will worship the ground she walks on, but walks on that ground beside her as an equal. Heck, it’s pretty much what he already has with Sumi.

Rent-a-Girlfriend – 15 – Hello Neighbor

Chizuru lost her key at some point during the evening, and the landlord is out, so she invites herself into Kazuya’s apartment. To do exactly what Kazuya is not sure, but as you’d expect of our horny jackass protagonist, he has a lot of thoughts on the matter, culminating in him almost asking if she wants to spend the night at his place.

He fails to realize that might not even be a last resort for Chizuru, and that there are other resorts to explore, like whether she left her back screen door open. That said, getting around to her side to look is awkward at best and dangerous at worst. Luckily Kazuya is there to keep her from falling; unluckily he grabs her bum, then they both lose their balance and he ends up on top of her again, just as Mami rings his doorbell.

This is when the potential of the classic sitcom “hide one person from the other person” scenario nearly reaches full flower, especially as Kazuya failed to lock the door after Chizuru came in. The two of them hide in the kitchen helplessly as Mami rings again, opens the door, looks in, assumes Kaz has gone shopping…and leaves.

After both Kazuya and Chizuru breath a sigh of relief, the recriminations begin: Why, Chizuru wants to know, is Mami popping by his place at 11 PM? He doesn’t know, but it may have something to do with her talk with Chizuru on that bridge, which she’s unaware he overheard. Regardless, Mami is well on her way home when she realizes she saw a fancy girl’s purse in Kazuya’s apartment, and her eyes go dead. So this isn’t over!

Kazuya and Chizuru return to where they were before Mami arrived, which is exactly how to deal with the situation of Chizuru being locked out. But then she sees the light in the landlord’s is on, so she heads down there. That’s when Kazuya remembers her gran’s words and tells her straight-up that she can always come to him, her neighbor, if she needs help and can’t ask family or friends.

That’s when Chizuru partially drops her armor and tells him that other than her hospitalized gran, she has no other family. She promised her late gramps that she’d become and actress, and so she’s following that dream with everything she can, including working as a rental girlfriend to pay for that dream. She tells Kazuya she’s “not that special”, just a normal girl chasing a childish dream.

Clearly moved by her opening up, Kazuya proceeds to let her know a little more about his family situation, and how he doesn’t really have a dream like hers, but nevertheless has a future lined up taking over the family shop. He doesn’t mean to brag, only to acknowledge that he’s lucky, and to reiterate that no matter how she might value or de-value herself, he wants to be by her side.

Adding “forever” at the end of his statement was probably not the best idea! Still, Chizuru says if he wants to stay by her side, she can’t very well refuse…amending that at the end by saying that’s a “rental girlfriend’s job.”

While pure luck brought Chizuru into his home, and their initial interactions were awkward, their evening ends having grown just a little closer to each other. Kazuya saw a little bit of the Chizuru her grandmother described, as well as the Chizuru that is receptive to being cared for. Kazuya hasn’t experienced the pain and loss she has or worked remotely as hard as she has for his future, but he can empathize. She’s not just a hottie; she’s a person he wants to support, labels be damned.

The next day at college, Kazuya crosses paths with Chizuru and is fully prepared to pretend they don’t know each other, per their agreement. But Chizuru, clutching her books, loosens one hand into subtle good morning wave, and acknowledgment that they do in fact know each other. That little gesture makes his entire day, and as he’s making copies and he imagines the copies are photos of her, it’s clear to him and us he’s “down bad” like never before.

So naturally, Mami sidles up to him from behind asking him what’s up, and his outsize reaction to her sudden appearance would automatically make anyone suspicious. Looks like we’re in for a bit of Mami and Ruka cooking time next week.

Rent-a-Girlfriend – 14 – The Usual Is Ideal

Kazuya isn’t quite sure what he’s doing, but he wants to support Chizuru in her pursuit of acting, and he’s also pretty sure he loves her. Booking her every week will certainly support her financially, but when she tells him it’s a bit much and there’s “nothing in it for him”, it reminds him that their rental girlfriend-client relationship is purely transactional as far as she’s concerned.

Nevertheless, Kazuya is serious about supporting her, so much that he bows before Ruka and basically asks her to let him keep going on rental dates with Chizuru. Ruka, who is saintly in her patience of this dude, agrees as long as she gets to accompany him to Chizuru’s play to see if she’s really that great an actor. As for their rental date, Kazuya asks Chizuru to drop the act, as his “ideal” of her is the real Chizuru he knows.

I don’t know if hearing that makes Chizuru happy or what, but I do know that after their date is over and they part ways, she walks right back up to him, not as his rental date, but as Chizuru, and they continue hanging out. But when they go to the batting cages, it’s because Chizuru wants to blow off steam without being hit on by other guys. Kazuya is her shield, but his reward is getting to see her athletic side, along with her home run smile and full force of her high-five.

We then learn that the batting cages were also to kill time before going to visit her grandma, who is back in the hospital. Chizuru knows her gran likes Kazuya (not to mention still believes they’re actually dating), and while she takes a good long time replacing the water in the flowers, it affords Kazuya and her gran another chance to talk about stuff.

When Kazuya says he saw Chizuru’s play and thought she was amazing, and goes on to say she’s incredible and strong while he’s just a burden, Chizuru’s gran can’t help but laugh. She’s known Chizuru a lot longer, so she knows the real real Chizuru is, at the end of the day, a somewhat lonely, needy girl who loves acting and praise, and covers up those weaknesses with an “armor of ice.”

Gran knows that someday that armor won’t be enough for her granddaughter, and she’ll need someone who “sees her for who she is,” and solemnly asks Kazuya to be that someone. Kazuya, for all his issues, at least prefers the genuine Chizuru to her distant, performative rental persona, and now knows that even that version of Chizuru he believes to be so strong is just like him; always beset by and trying to hide her weakness.

Kazuya is also serious about not letting Gran down about being there for Chizuru, even if not as a real boyfriend. I can’t help but question his credibility to do so when he can’t even manage to toss his used tissues in the dustbin. But that also means there’s plenty of room for growth.

As Chizuru appears at his door to declare she’s lost her key and a preview involving Mami at his door too, next week looks to be a sitcommy scenario, but I hope the more serious matters explored this week aren’t left by the wayside.

Rent-a-Girlfriend – 13 (S1 E01) – The Play’s the Thing

After an efficient recap of where the four girls currently stand in the story, we return to Kazuya’s filthy flat (seriously dude, clean it the fuck up!), lamenting the “countdown to ruin”—Chizuru’s big acting break that will lead to her being discovered by a big-deal director and quitting her rental girlfriend gig.

He decides to buy a ticket to Chizuru’s play as “moral support”, but also wonders if he simply wants to watch the beginning of the end of his relationship with her. Sumi spots him, but before she can say anything the lights go down, the curtain comes up, and Kazuya gets a lot more than he bargained for.

Watching Chizuru perform as a completely different person—in this case a puckish kunoichi—is a revelation for Kazuya. He’s taken on an emotional roller coaster as Chizuru grabs the entire audience in her hand and doesn’t let go. She’s magnetic, clearly the “MVP” of the play. He’s so stunned by the end he doesn’t move from his seat for a while. Sumi, who can probably tell why, leaves him be.

But while he, Sumi, and indeed I truly thought Chizuru stole the show in which she wasn’t even the lead, her performance doesn’t lead to the opportunity she’d planned. Turns out the famous director is basically the lead actress’ damn uncle, and gives her the role. Even though she was a victim of nepotism, Chizuru thinks she wasn’t good enough.

Kazuya leaving the theater in no particular hurry combined with an upset Chizuru skipping the wrap party means the two inevitably bump into each other on the streets. Kazuya quickly owns up to coming to see her perform, and is extremely effluent in his praise. He also accepts the fact that this probably means the end of their rental dating.

When Chizuru explains that things didn’t work out and then puts on a brave happy face, Kazuya at least realizes that she’s trying to keep her frustration bottled up. But he’s not going to let her say she’s “just like him” in getting “too worked up” about acting, because her rental girlfriend gig is proof she does have talent, and plenty of it.

Chizuru’s attitude suggests she’s ready to throw in the towel and face reality, but Kazuya suspect she doesn’t want to, and also doesn’t think she should. If she needs to keep funding her dream of acting, then he’s going to keep hiring her to be his rental girlfriend, getting a job to pay the fees.

Chizuru is recalling Kazuya’s words when she comes home and sits in the dark, and then she gets a call from the lead actress who got the role thanking her for “warming up the crowd”, twisting the dagger and sending the cork on the bottle of her tears shooting across the room.

That said, her tear-filled eyes are suddenly reflecting the light of her phone, which just alerted her to a whole slew of new bookings from Kazuya, putting his money where his mouth is and adding financial support to his moral support. While she calls him a dumbass as usual for going to such lengths for her sake, the gesture doesn’t fail to bring a smile to her face and color to her cheeks.

I said in my review of the first season finale that if a sequel of RaG was made, it would be the girls who’d bring me back, since Kazuya was mostly an infuriating pest of an MC. Well, that sequel has now arrived two years later, and while Kazuya continues to keep a pigsty of a place and harbor a lot of misunderstandings, he’s…not that bad in this episode!

Ruka would probably disagree, seeing as how he continues to utterly ignore her, but that’s for another episode. Here Chizuru clearly stole the show, and Kazuya did what he could to make her feel better and encouraged her not to stop dreaming after one setback. He was a pretty good fake boyfriend! Now, keep it up!

Rating: 4/5 Stars

Kaguya-sama: Love Is War – Ultra Romantic – 02 – Better to Not Put on an Act

The Ishigami-Iino Accords

Kaguya-sama is about far more than two goofs who won’t admit their love out of pride and fear. It has the ammo to provide a veritable kaleidoscope of spinoff stories about its other characters. Ishigami and Iino Don’t Get Along could not only be a decent series unto itself, but has an incredibly catchy English title!

That Ishi-Iino isn’t a spinoff from the Kaguya-sama: Love Is War Cinematic Universe is a shame, but it’s also the mark of a great series that it keeps you wanting to see more of its greatness. Also, it’s good enough that it doesn’t have to spin things off. Sometimes a small taste is enough.

So we’ve known for a while now that Ishigami and Iino hate each other…but do they? Sure, they seem to inhabit opposite ends of the Discipline-Rebellion Spectrum, but we know better. Ishigami has as strong a sense of justice as Iino, especially where Iino herself is concerned. He just chooses to conceal it behind an outer crust she loathes.

By the same token, Ishigami obviously respects Iino’s honesty and diligence, or he wouldn’t stand to defend her from embarrassment. The thing is, their practiced hostility has escalated to a level neither Miyuki nor Iino’s friend Osaragi can suffer. Hence, the Ishigami-Iino Friendship Plan.

After an exchange of compliments turns into a hatefest, ear-cleaning becomes awkward contortionism, and Pocky-eating leads to aggressively gnashing teeth, Osaragi ditches Miyuki’s plan and pulls out the big guns, telling the two what a good match they are, and how it’s “typical teen behavior” to not be able to stop yourself from being mean to the one you like.

Ishigami and Iino are so shocked by the checkmate they relent on the spot, then devolve into an automated, emotionless, auto-tuned exchange of Iino saying “I like you quite a lot” and Ishigami returning the sentiment. It’s very far from normal human interaction, but by the letter of what the segment victor Osaragi and Miyuki set out to do, it gets the job done.

Play Along, All Right?

Of course, simply getting the job done on paper is not Kaguya-sama’s M.O., as evidenced by the epic two-parter that closes the episode. This might also just be my favorite segment of all the shows two-plus seasons. After declining several times in the past, Miyuki finally accepts an invite from classmates to go out for karaoke and “networking” with kids from other schools, unaware that it’s really going to be a group date.

Hayasaka can’t help but point this out to Kaguya, but Hayasaka ends up being inconvenienced, as Kaguya orders her to attend the group date and make sure no girls get near the President. Hayasaka is so good at getting herself mixed up in Kaguya’s man mess that one frankly can’t rule out that she does it on purpose, for sport or personal achievement.

This scenario marks the return of Hayasaka’s alter-ego “Miss Herthaka”, and when Miyuki recognizes her, she’s grumpy enough with her plight that she decides to take the fact that he dumped her like a bag of sand when last they met and run with it like Marshawn Lynch in Beast Mode.

After making clear to Miyuki’s pals that he dumped her, she takes the stage and belts out a stirring, pitch-perfect rendition of “My Feelings” by Akasaka Saka/Giorgio Giorgio. If there’s such a thing as anime nirvana, it’s this.

What makes this performance so powerful is that it’s not played 100% as a joke. Hayasaka is legitimately frustrated both by her past failure to seduce Miyuki and Kaguya’s continued taking of the President for granted as someone who will always be available to her.

After the song, Hayasaka and Miyuki have a serious discussion about putting on acts. When she rants about her “little sister” forcing her to come to this to get over being dumped, he feels like he’s talking to the something like the “real her” … which of course she is, since she’s voicing real frustrations! Miyuki, always forthright in everything but his love of Kaguya, feels he can relate to her better, and you get the feeling he likes this “Herthaka” more than the obviously fake one from their first encounter.

Hayasaka then reveals her position on the matter, which is that “no one will ever love you unless you’re acting”, and that weakness and ugliness must be hidden by that acting. He then puts it to him whether he’s actually the real Shirogane Miyuki, or if he overreaches and bluffs. He thinks on this and decides it would probably be best to call it a night.

Hurt You Just a Little

When some rando tries to put the moves on Hayasaka the moment she’s alone, Miyuki returns, takes her by the hand, and leads her to safety, telling her to “play along”. She’s so moved by the gesture, she reserves a room just for her and Miyuki, where she plans to succeed in Kaguya’s dare for her to seduce him.

Hayasaka reports this to Kaguya via earpiece, who is in her covert ops outfit on a rooftop. And again, this is all played straight. We have a legit love triangle here! There’s a part of Hayasaka who likes Shirogane and a part of her that wants to win, and when opportunity like this knocks she’s not going to ignore it. What started as a playful dare is no longer just a game. When Hayasaka cuts off communication, Kaguya panics.

She knows that normally Hayasaka operates within the bounds of common sense. But she also knows that Hayasaka was furious for having to go to the group date to begin with, so who knows what she’s capable of. Kaguya finds the door of the booth where they are, but there she’s paralyzed from further action.

The window is covered by Hayasaka’s coat, rendering it a Schrödinger’s Shirogane scenario. Whatever is or isn’t happening in there, Kaguya’s imagining of what it might be is far worse. And she knows she can’t just barge in without “losing”, i.e. revealing she cares so much about Miyuki that she’ll stalk him when he’s hanging out with friends (which, yes, she does, and is!).

Her solution? Invite Chika to karaoke, being sure to give her the number of the booth. But before Chika can arrive to open the box, Kaguya starts hearing suggestive noises and a flurry of double entendres. When Miyuki exits the booth to go to the bathroom, Kaguya slips in and learns the truth: Hayasaka’s strange utterings were reactions to Miyuki’s rapping.

While I saw this coming, it’s still an excellent callback to Chika’s attempts to improve Miyuki’s vocal skills. But I don’t believe rapping lessons were part of her curriculum judging by the state of Hayasaka. When Chika finally arrives and hears Hayasaka describe what she heard, it immediately puts her off karaoke and the three take off, leaving Miyuki all alone.

On the ride home, Hayasaka admits to Kaguya that she had become somewhat jealous of how happy and carefree she’s been of late, and selfishly wanted to take her down a peg, or as she puts it wanted her to “hurt just a little.”

She accomplished that mission admirably thanks to her intimate knowledge of Kaguya, but Kaguya already knew it must’ve been something like that thanks to her intimate knowledge of Hayasaka; specifically, how twisted her personality is. Hayasaka shoots back that Kaguya’s no different than her, and Kaguya doesn’t argue that fact.

While Hayasaka might have started out as Kaguya’s maid and attendant, the fact of the matter is in the ensuing years they’ve grown into something far more like sisters. Siblings love each other, but they can also irritate or hurt each other like no one else. I really loved this sprawling segment’s ability to balance humor and character drama so perfectly.

Mind you, the credits could have rolled during this last exchange between Kaguya and Hayasaka, but that would simply be “getting the job done.” Instead, the end credits roll over an lovingly, amazingly detailed intro for a Starship Troopers anime adaptation, with Miyuki, Kaguya and Hayasaka reflecting that film’s triangle of Rico, Carmen, and Dizzy.

Again, this ED could be a whole show, and it would be incredible. But here it’s just a fun throwaway gag. We live in rare and tremendous times that anime like this is still made.

RABUJOI WORLD HERITAGE LIST

TenSura – 47 – Good Times Had By All (But One)

Veldora didn’t show up because he sensed Rimuru was in danger—he wasn’t—but because he wanted Rimuru to give him the next volume of a manga he was really getting into. That’s kind of the lazy otaku energy I’m here for.

While he’s there, he’s all too happy to spar with his older brother’s only child, Milim (while pulling off Street Fighter and Dragon Ball moves!). When Rimuru tells him not to hurt her as she’s being controlled by Clayman, Veldora tries to correct him, but Rimuru is in to much of a hurry to listen.

After dealing with the magical beasts by freeing Nine Tails (who was suffering under Clayman’s Demon Dominate, a spell removed with Raphael’s help) Rimuru checks in on how Beretta’s fight against Viola is doing, only to find Beretta happily humming as she neatly arranges Viola’s parts around her.

After shit got super-serious last week, it’s good to see that playful humor return, along with easy but still cool-looking wins. The pieces are meant as an offering to Rimuru in hopes he’ll find a place for her new master Ramiris and her to live in Tempest.

Speaking of cool, Shion may have the best moves of anyone this week, easily freeing herself of Clayman’s bonds and pummeling the shit out of him. When he transforms into his apparent final boss form, he’s just as easily dealt with, showing just how large the gap is between Rimuru’s most trusted lieutenants and everyone else who isn’t a Demon Lord.

It’s when Clayman is on his back and bloodied when he calls for Milim to get over there and bail him out that Milim reveals to all that still didn’t know it that she’s acting of her own free will. I complained last week that we were basically getting a Milim devoid of personality, and this episode gave me exactly what I wanted: the regular sweet, joyful, and completely chaotic Milim Nava. Plus, Hidaka Rina finally gets to say words!

We learn that Milim was pretending all along in order to get Clayman where she wanted him: in a place where he couldn’t win, and where he’d reveal the person hiding in the shadows: Yuuki (apparently).

This calls into question why she had to destroy Carrion’s kingdom in service of that lie, but since none of its denizens were harmed and Rimuru has ample treasure and labor to rebuild the kingdom, all’s good in the hood!

That is, until we get what is supposed to be Clayman’s sadsack story about being the weakest member of the Moderate Harlequin Alliance, calling out to the heavens to give him more power, and the heavens rather curiously answering his call.

As he converts his soul and the souls of all he’s had killed into energy and power, we learn this was Rimuru’s plan all along: awaken this next-level Clayman so that he can be defeated once and for all and free all those souls. And after getting his warmup in with Milim, Rimuru chooses himself for the task of taking out Clayman—to demonstrate that he has arrived as a genuine Demon Lord.

Kageki Shoujo!! – 10 – Give the People What They Want

Due to various circumstances, a member of one of the four troupe relay race teams cannot run, so the Superiors assign a member of the 100th class as a sub. That class member is Watanabe Sarasa, who at first glance is a ringer due to her impressive height and gait. But as large an honor as the assignment is, Sarasa suddenly becomes a magnet for resentment and envy,

This comes most strongly from Hijiri, from whose 99th class Sarasa leapfrogged over with her ridiculously long legs. Hijiri not only tells Sarasa she’s only special for her height, then insists she “become nothingness itself” to allow the top stars to shine.

Ai, like everyone else, is surprised by how much Hijiri’s ill advice trips up Sarasa, who is downright nervous the night before the festival. Ai tells Sarasa her own lack of nerves in JPX was due to being the center of attention (and particularly male attention) from a young age, and basically developing an A.T. Field to deflect it.

But Ai, already a veteran stage performer, tells Sarasa that what Hijiri proposed isn’t the best method. You can’t be up there pretending to pay attention to the audience, just as you can’t be nothingness itself. Instead, one must always be conscious of what the audience wants, and then find a way to give it to them. That’s what makes top stars. That’s what makes legends.

The day of the festival at Hakusen Grand Hall, the students participate in the opening ceremony, but Hijiri’s shit-stirring campaign has twisted Sarasa up so bad she mimes playing her recorder. Her designated senpai Risa, whom we’ve seen far too little of in recent weeks, knows exactly what that bitch Hijiri is doing and doesn’t like it one bit.

Taking Sarasa aside, Risa spares no measure of cage-rattling, and tells Sarasa to get out of her head and remember the fact that the Superiors picked her. If she can’t understand why, that’s fine, but she at least has to accept that they did it because she was someone worth believing in. Giving up without putting herself out there and doing her absolute best will only make her naysayers angrier…and in any case, fuck the naysayers!

Risa’s own strong big sis pep talk gets an unexpected boost from Winter Top Star Satomi Sei, who gives Sarara a wall slam. Having overheard that Sarasa is most nervous about “being herself”, she invites her to imagine she’s playing the role of herself instead. Sei also delivers a bouquet of roses to the kabuki actor and senpai to Akiya we can be reasonably certain is Sarasa’s biological father.

While the pep talk by Risa and Sei works, Sarasa still overthinks things by getting all caught up in whether playing the role of herself and being herself is different or better. Here Ai comes to the rescue with more sage advice, following up on what she said the night before: be the person you want the audience to think you are: your ideal self.

Hilariously, for Sarasa “ideal” means an E-cup bust so she can properly fit into an Eva-style plug suit (between this and the A.T. Field, KS had some Eva nostalgia this week!). Ai is mortified, but whatever gives Sarasa the confidence to perform—and releases her from Hijiri’s psychological black magic—is just fine!

Unfortunately, in the actual relay race in which Sarasa and Sei are in the same leg, Sei’s teammate loses her grip on the baton and sends it flying. While leaping out to catch it, Sei collides with Sarasa and they both end up on the ground. Suddenly it seems like even if the Superiors didn’t make a mistake by putting a rangy first year on a relay team, the end effect was a fiasco.

Only…that doesn’t happen. In the few seconds she’s on the ground, Sarasa considers the best action to take: get up, run, and win it for her Summer team, or lend a helping hand to Sei. In the end, she gauges what the audience at Hakusen Grand Hall wants, then gives it to them, by staying laid out flat on the floor and letting Winter’s Top Star give her a helping hand up.

The choice proves to be the correct one, as the crowd goes wild watching Sei and Sarasa run their leg while holding hands, and their anchors also finishing the race together. Summer and Winter may have lost the festival, but they won the crowd. That’s the kind of instincts Sarasa naturally possesses; Ai just needed to give her a little push.

While I wish we could have seen a cutaway to Hijiri stewing over Sarasa’s win, it seems her efforts were successfully countered by Risa, Sei, and Ai. I still worry about how Sarasa’s guilelessness will hold up against someone even more obnoxiously evil than Hijiri (if such a human exists), but for now, as long as she has that safety net of people who genuinely love and care for her, Sarasa will be fine. No one needs to fight their fight alone.

Rating: 4/5 Stars

Kageki Shoujo!! – 09 – A Beautiful Frame

Even Kouka has a sports festival, and every ten years it’s a grand sports festival; since this will be the centennial festival it’s even more significant. For instance, Kouka’s “Superiors” will be heavily involved in the festivities.

Since Ai, like us, has no idea what that meants, Sawa helpfully explains they’re venerable veteran actresses who don’t belong to any one troupe and enjoy a higher rank than top stars and troupe leads. They are the creme de la creme, and the episode really sells that fact.

That said, the four top otoko-yaku in one room is a pretty awe-inspiring sight too. These ladies are very, very good at portraying men and boys, and the first years are understandably starstruck; Sawa even bleeds from the nose at the sight of them.

The four are not just there to look handsome and get fawned upon. Just as their individual troupes compete for the most and most passionate fanbases, they’re equally passionate rivals in the sports festival. Each of them intends to win and beat the others.

At one point Sawa needs some scissors, so Sarasa voluntters to grab some from the faculty lounge. There, she encounters Andou-sensei for the first time since he basically told her to forget everything she knew about acting to that point and start over.

I love how Sarasa shows Andou what he was hoping for: that she wasn’t going to let harsh but true criticism keep her down in the dumps forever. After summer break that fleeting disappointment is in her rearview mirror. She’s back and ready to put in the work.

Back in episode 6 I mentioned my wish to learn more about the Sawada Twins, Chika and Chiaki. The remainder of this episode grants my wish and then some, delivering what I believe to be one of the most beautiful and realistic depictions of the unique issues that befall twins; namely the realization they’re not the same.

Chika, the “darker” twin, resents when Chiaki easily befriends one of the Superiors, Mirai—whom we later learn was the top star that inspired them as children to become Kouka actresses. When Mirai mistakes Chika for Chiaki and calls her “Juliet”, Chika ignores her and walks away.

It’s Chiaki who later gets in trouble with Mirai when she next sees her, ruining the good vibes of the rehearsals….but Chika, the real culprit, keeps quiet. Ultimately it’s Sarasa and her good hearing who clears up the mix-up.

That night, the twin sisters have a fight that quickly grows in nastiness, with Chika spewing most of the venom. Later we’ll learn it’s the first time they’ve fought. Now Chiaki moves out of the dorm room they share, switching places with Sarasa.

As we’d expect, Ai neither knows how nor tries to get Chiaki to open up, but Sarasa and Chika are a different story. We learn that the two did everything together and even walked in lockstep, but when they both applied for Kouka and only Chika got in, that suddenly ended their run of identicalness.

Rather than attend as was her right, Chika felt bad for Chiaki, who wasn’t eating or sleeping and didn’t leave their room, and as her twin knew the only way to console her was to turn down her acceptance and try again with her sister next year.

That pulled Chiaki out of her emotional nosedive, but it came as a cost: the twins were always going to be out of balance due to Chika’s sacrifice, which is both something she decided on her own to do and something she felt she was obligated to do, out of loyalty to her twin. She chose blood over fame.

But that resentment lingered, and festered, and caused Chika to become someone who’d pass up opportunities again and again for Chiaki’s sake. She felt she couldn’t do things for her sake and eventually came to hate Chiaki for it.

When Chika gets the opportunity to apologize to Mirai for her rudeness, she explains the dark thoughts that had overcome her, and Mirai understands. Jealous befalls us all, but the key is to turn it into ambition, and not let it twist us into self-destructive choices.

Rather than be a haughty Superior, Mirai comforts her junior like a mother would comfort a daughter, assuring her that her desire to apologize and make up with Chika means she’s a good person, and this bad experience will ultimately make her stronger person.

I’m not an identical twin, so I can’t imagine how scary and lonely it feels to them when they come upon a “fork in the road” past which they won’t be the same in everything. That fork came earlier than they expected; the mere fact they had to expect it would happen really speaks to that unique turmoil.

Part of Chika was just as apprehensive about taking off ahead of Chiaki on her side that fork in the road as Chiaki was about getting left behind. The two have accepted that they can’t be the same anymore, but they’re not ready to drift apart forever, either.

There’s potential in the Kouka Revue for twin roles, and Mirai, now friends with both twins, tells them they can realize that potential if they become popular enough. Nothing in Kouka comes easily; it takes blood, sweat, and tears. But the Superiors, and the Top Stars below them, embody what you get for all that hard work: a kind of apotheosis and immortality. Chika and Chiaki could be Kouka’s Apollo and Artemis…or twin Juliets.

Kageki Shoujo!! – 08 – The Bus Stop by the Sea

Back at school after summer break, Hoshino Kaoru is sporting a new super-short hairstyle, in keeping with her goal to become an otoko-yaku, but soon  scolds Sarasa and Ai for allowing themselves to get a tan. Flashback to a formative summer in Kaoru’s life: the summer before her third year of high school, her last chance to get into Kouka…and when she fell in love for the first time.

Kaoru walking on sunny days with an umbrella was derided by some, not only was it odd behavior, but also presumptuous to those who knew her pedigree. While using a bus stop to the hospital to visit her gran (recovering from surgery), she encounters Tsuji Rikuto, the younger brother of a famous rising star of baseball.

Since his gran is so into the Kouka Revue and he overheard from mean girls of Kaoru’s relation, Rikuto works up the courage to ask her about the troupe, but is interrupted by another girl in love with his brother to give him her love letter. He refuses, and shortly thereafter, Kaoru tells him her name.

At first, Rikuto thinks she’s another girl trying to get closer to his bro through him, but she quickly clears that up by telling him about the expectations being the daughter of a Kouka actress and granddaughter of a top star, and he gets it; they’re like kindred spirits.

Of the two, Kaoru is the one more keen to fight against those who would define them by their more accomplished relations, and it’s her texts to him encouraging him to be himself and not worry about being compared that causes an uptick in Rikuto’s baseball play.

Their bus stop encounters and bus rides soon become something both look forward to, such that Kaoru starts visiting her gran more so she can also see Rikuto. She confides in him how she’d never be somebody to say “I’m getting in” knowing how hard it really is (Sarasa doesn’t have that problem). Kaoru is all about the hard work, right down to covering up in the sun to avoid getting tanned.

When she shows off the skirt she’s wearing, eager to wear as many as she can before she gets into wearing men’s clothes when she’s an otoko-yaku, Rikuto is sure that even if she had a mustache she’d be pretty. It’s the first time a boy ever called her pretty, and she wasn’t prepared for how happy it made her.

Rikuto eventually asks Kaoru out to the fireworks festival marking the end of summer; unaware that it would also mark the end of their brief, cozy romance. Before meeting him there, his grandmother assures her she doesn’t have to keep trying to become a Kouka actress if she doesn’t want to.

Kaoru isn’t about to tell her still-recovering gran that she’s full of shit, but she’s still down in the dumps when she meets Rikuto. For a time, him complimenting her yukata catching her when she’s pushed by some kids, and holding her hand is enough to soothe her troubled heart.

But then she asks why Rikuto seems so down, and he tells her that he’s questioning what the point of forcing himself to follow in his brother’s footsteps and fulfill everyone’s expectations of him…then he says he’s sure Kaoru thinks the same way all the time.

Kaoru…does not. Like her gran, and practically everyone else in her life, Rikuto doesn’t understand her after all; that this is precisely the path she chose to walk and she’s never questioned why she was walking it. She’s not trying to get into Kouka for anyone other than herself.

As she runs away from Rikuto in tears, she calls herself stupid for feeling jealous of the “typical high school girl’s life”, including having a boy worry about her and cheer her up. She runs along the beach singing a song, her voice wavering from her flowing tears, but eventually her voice clears as heartbreak turns into iron determination.

She swears to herself she’s going to make it. The normal life isn’t for her. She’s bound for the world of dreams and glamour.

While she intends to make a clean break by blocking Rikuto on her phone, his team actually makes it to the Koshien prelim final, and he just so happens to hit a game-winning pinch-hit home run as Kaoru is walking past a TV in the window broadcasting his game.

Despite knowing nothing about baseball (except what he taught her), and how things turned out at the fireworks festival, Kaoru is still happy Rikuto got to play, and win. Seeing him succeed on TV showed her that he didn’t give up on his path after questioning the point of it all, and after he incorrectly assumed her motives for walking hers.

She still never went back to that seaside bus stop, but it reappears again at Kouka of all places, when Sarasa sees it going viral on social media. Some mystery person left a note on the wall of the stop saying he didn’t give up and thanking another mystery person. Being a hopeless romantic, this kind of thing is right up Sarasa’s alley.

As the newly-shorn Kaoru examines the picture, she smiles knowingly and blushes ever so slightly. Of the thousands sharing that picture, only she and Rikuto know who it’s for and what it means, just like only they know what they want to do in life and are going to go after it with everything they can.

Hoshino Kaoru closes this incredibly moving portrait of her character the way one would close an epic romantic movie: by saying that when she gets to walk out on that Silver Bridge, she’ll save Rikuto “a primo seat in the SS section”…and maybe even say she was in love with him one bright, beautiful summer.

The perfect parting shot of the two having fun at the bus stop by the sea, at the height of that summer and the height of their love, was a thing of exquisite bittersweet beauty—as was the closing theme as sung by Kaoru ‘s seiyu Taichi You. And just like that, I’m in love with yet another character in this show, along with Sarasa, Ai, and Ayako.

GODDAMN TEARJERKER™ CERTIFIED

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