Kageki Shoujo!! – 04 – Opening of Borders

I was both fully expecting and looking forward to Sarasa either scaring Mr. Stalker away with her imposing stature or showing off her jujitsu moves if he persisted. Thankfully something completely unexpected and much better happens. Truly great art tends to challenge the viewer in some way, rather than giving them what they expect or predict.

That kind of narrative and thematic creativity really suffuses this, the best episode yet of Kageki Shoujo and the one that finally had me coming around hoping there’d continue to be less actual on-stage performance and more human drama. Like last week, there are some tough-to-watch moments, but also moments of great joy, goofiness, and redemption.

Mr. Gross Otaku, one of Sarasa’s many hilarious, unintentionally insulting nicknames for the guy, didn’t come to exact “revenge” on Ai; he came to apologize for being the one who ruined her career. He was a shut-in NEET who had lost hope until he first saw Naracchi on-screen, and it fascinated him how she was trying so hard never to smile.

In one unguarded moment, Naracchi does smile, and there’s video evidence, but that little smirk at the sight of her favorite mascot shattered Mr. Gross Otaku’s hermitic existence, inspiring him to get a job and make friends (naturally, other admirers of Naracchi). At the in-person event, he was so nervous about properly thanking her for helping save his life, he held on her her hands too long, leading to her making the remark that ended her idol career.

Taichi, who had been observing from a close distance in case Mr. Gross Otaku was a Mr. Total Perv, tells the guy that it wasn’t anything personal; in fact, it was likely only the straw that broke the camel’s back. Like Otaku Guy once did, Ai has given up on the world, and it led her to shut off her emotions. And yet, running away and leaving Sarasa alone invokes very strong emotions indeed, to the point Ai works up the courage to go back.

Naturally, her timing is terrible, and when she sees Sarasa doing goofy dance moves with the would-be tormentor while Taichi watches, Ai’s concern immediately curdles into something resembling hatred, and she storms off once again. The only problem is, poor Sarasa doesn’t know what she did to engender such hate!

Sarasa is persistent, and Ai finally makes a deal: she’ll tell her why she’s mad if she leaves her alone from now on. But when she does, Sarasa still doesn’t get it: if she came back out of worry for her, she should’ve been happy she was alright! As usual, Sarasa is right, but too blunt, and Ai retreats behind her curtain. Both girls seem incredibly unsatisfied where things end.

Sarasa, understandably getting a little fed up with being treated like this, declares that they’re “through”, though later confesses that might’ve been too harsh via Twitter to her friend Akiya—whose fellow Kabuki actor-in-training is tweeting more profound responses on his behalf. He tells Sarasa not to rush until they know each other, to be prepared for her feelings to be entirely one-sided, and appreciate that that’s beautiful in its own way.

The next day, Hijiri, Kouka’s Shit-Stirrer-in-Residence, confronts Sarasa with the pic she snapped of her with a guy (Mr. Gross Otaku), but Sarasa doesn’t have any time for this nonsense, as Ai is skipping classes and Taichi is worried about where she ended up. Sure enough, while staring at the sea, Ai is harassed by a couple of guys who recognized her, and one of them grabs her arm.

I have scarcely felt more fear and apprehension for a character than I did for Ai in this moment, but that was tempered by the knowledge that somehow in short order, Ai would be rescued. I just didn’t know it would happen by Sarasa calling Mr. Gross Otaku, who predicted Ai would go to the ocean to calm down (as she once stated in an interview) then run a social media search and locate her .

From there, all Mr. Gross Otaku has to do is buy a little time by haplessly trying to attack Ai’s harassers. He fails, faceplants, and gets a bloody nose, but still wins, as Taichi and Sarasa arrive and the latter screams for the police, who come running. There are no words for Sarasa’s transformation above as she voices satisfaction for scaring off the jerks.

What’s even more heartwarming about this entire scene that lets me forgive its many contrivances—as well as the entire premise of using stalking methods to save the target of stalkers—is that at this point, Sarasa is sticking to her guns when she said they were “through.” Yet even if she’s uncertain Ai will ever want to be her friend, she rescued her anyway, because it was the right thing to do.

When Sarasa explains to Ai how they found her and the role Mr. Gross Otaku —real name Kitaouji Mikiya—played, it’s Ai’s turn to do something completely unexpected: offer her handkerchief for Mikiya’s bloody nose. During the hand-off she drops the cloth on the ground, but it wasn’t intentional or meant as a slight.

As Ai says with tears welling up in her eyes, “this is the best I can do right now.” But Mikiya, being uncharacteristically cool, tells her to dry her eyes; all he and her other fans wanted was to see those rare and amazing moments when Naracchi genuinely smiled. Because that meant their idol was happy. He promises to return to see her perform on the Kouka stage.

Ai and Sarasa take the long walk back to their dorms, where they’ll face consequences for the incidents that transpired. While they walk, Ai opens up to Sarasa, asking her what she should do about something she wants to forget but can’t (though not going into detail). All Sarasa can tell her is to keep having good memories that will eventually cause the bad to fade from prominence.

Notably, Ai can’t see Sarasa’s face when she says this, but it sounds like a new invitation to make some of those memories with her, if she’ll have her. At this point, it’s safe to say the cat-and-mouse game between these two girls will continue, but they’ve definitely already made one of those memories Sarasa speaks of, and I’m looking forward to them making more.

As for poor, Yamada Ayako, who is now purging regularly and barely has the energy to sing, all I have to say is that every one of her upperclassmen and every adult on the faculty are totally failing her, and I’m terribly worried about how bad things will get until someone helps her. It shouldn’t have to fall to someone like Sarasa and/or Ai, but if it does I won’t complain. I just want Ayako to be happy and healthy!

Kageki Shoujo!! – 03 – Toughing it Out

Ai is aloof, standoffish and antisocial, and makes it crystal clear even to a lunkhead like Sarasa that she doesn’t want to be friends with her or anyone else, despite the fact they live and learn together. Sarasa is flummoxed by this declaration, but before they properly discuss it, Ai is whisked off by her big sister, Hijiri.

This week Kageki Shoujo! takes a long, hard, and sometimes downright distressing look back at how and why Narata Ai became the way she is. She always lied about being a perfect loving daughter to her glamorous actress mother, but the lying became harder as she grew older and more beautiful.

I can’t imagine the torment of men both young and old ogling you left and right, and What a cutie being akin to Hello for her, but that’s what Ai endured. When her mother shacked up with one of those older men, that constant public torment became private. She’d always been creeped out by Seiji, but then one day he was alone wither her and kissed her with his tongue.

After such a horrific assault, Ai no longer felt safe anywhere or with anyone…except her uncle, Taichi. And thank God for Taichi, because he was at least able to give her a measure of peace and security by installing a lock on her door and giving her a key to his place should she need to run away. But before he did that, she had already been assaulted, vomited, cut her hair, and tore apart her big teddy.

Considering her interactions with men who weren’t her uncle up to the point she became an idol, it’s not surprising that one day she’d say or do something to break the façade she’d created. Now that very scruffy dude whom she called a creep at a fan event has stalked her all the way to her school. Again, Ai is fortunate Taichi isn’t far, and she runs headlong into his arms. He’s the brother and dad, the family she never had.

Taichi will always be there for his niece, but he knows she can’t go on with no friends of any gender. Kouka is a chance for her to form new bonds with peers, and Sarasa, as bombastic and annoying as she is, really is a good person who would make a great friend. Sarasa is ready to accept Ai’s rejection, but Taichi insists she keep trying with Ai.

Sarasa does so, by escorting Ai home, which leads to the scene I was hoping for: the gigantic Sarasa spreading that massive wingspan to form an impenetrable shield for Ai against the smelly stalker.

Never mind if he’s not there to “get back” at Ai like she fears, but just wanted to return her bookbag and talk to her. The fact is he had absolutely ZERO right to meet with or speak to her after following her there.

Ai may have been rude to him at the fan event, but being rude isn’t a crime, and he doesn’t get to play the victim after committing the actual crime of stalking. While it wasn’t always easy to watch, I’m glad we gained new insight into Ai’s twisted childhood and coming of age, which only makes someone like Sarasa seem more, not less, suitable to be her friend.

My only gripe is that we’ve still gotten very little actual musical theatre education in, with the exception of a brief tap class in which the teacher berated the objectively scrawny Yamada a “fattie” and all but ordered her to give up food. Fuckin’ yikes! I also wish the stalker situation had been fully resolved, instead of us being left hanging.

Even Sarasa looked a little uncomfortable confronting the guy, and no single high school girl, no matter how big or small, should have to go up against someone like that alone. I just hope that as we learned a lot about Ai, Ai also learned more about Sarasa, and how she’s someone she can lean on in times of strife.

Don’t Toy with Me, Miss Nagatoro – 09 – Rolling With the Punches

There have been plenty of cases of Nagatoro committing an unforced error that nets her a little more closeness with Senpai than she had initially bargained for, but let us not forget that Naoto also commits his fair share of blunders. For instance, he lent her a boxing movie, so now she shadowboxes all over the club room and eventually wants to spar with him.

He has no intention of even pretending to hit back, but when he dodges and loses his balance, he falls into her arms, and his self-own turns into hers. Nagatoro also plays with fire by letting her life with her circle of friends overlap with her Senpai time, such as when a bunch of loud gamers lead the four girls to flee the dining hall and make the club room their hangout space.

When Naoto expresses his surprise such otherwise aggressive girls gave up so easily, they say they’re taking care of it by sending Sakura in to flirt with the gamers and turn them against each other. But by going along with this strategy, Nagatoro is setting herself up for potential heartache in a later segment.

With Senpai and her friends in such consistent close contact, Nagatoro ends up in the unusual position of having to defend his honor…or rather, his depravity. Gamo, who is most definitely messing with Nagatoro because she knows she actually likes Senpai, declares him an “herbovore” with no libido.

Nagatoro strongly disagrees, calling Senpai a “closet perv” and insisting on proving it by finding a dirty book hidden somewhere in the club room. The thing is, she’s right: Naoto does have a pretty dirty (but also artistic) book hidden away; just not in the room where Nagatoro bet she’d find it.

When Naoto sees how frustrated Nagatoro gets, he slinks into the prep room and very transparently tries to hide it while she’s watching him. This leads her to pounce on him with with a mixture of joy and relief, clearly ecstatic she had him pegged correctly. Rather than watch further PDA, Gamo and Yoshi leave the club room.

In the next segment, Nagatoro not so subtly shows off her new earring, which Naoto naturally notices immediately and compliments. These two are now so close that the slightest change in appearance is a big deal. As a couple in everything but name and with their dynamic largely right up against the precipice of “real dating”, it’s the little details that excite them.

But this is, at the end of the day, dilly-dallying on the part of both Nagatoro and Naoto, and they’re punished by Sakura, the most complex, inscrutable, and possibly brightest of Nagatoro’s three girlfriends. As a result of flirting with the gamers, one of them is now stalking her, and she wants to get him to stop…by pretending to date Senpai-kun.

Gamo and Yosshi are all for this, and Naoto is too nice to decline, even knowing how Nagatoro will feel about it. Of course, Nagatoro fucking hates this, and never lets us forget it in her facial expressions throughout the segment. To her credit, she doesn’t seem to place outsize blame on the situation on Senpai. After all, if he wasn’t as stupidly nice as he was, she wouldn’t like him!

That doesn’t make it any easier to watch her smartly cardiagned Senpai being clung to by Sakura in a ridiculously cute outfit on their fake date. That’s especially when Gamo starts tapping against the fourth wall, calling this one of those situations from one of the rom-com anime Paisen watches, and how those dates start out fake but the feelings gradually become real.

Of course, Naoto is just too uncomfortable around Sakura, even when he doesn’t know Nagatoro is watching, for that to happen, while it’s pretty clear from the get-go that Sakura is only using Naoto to flush out the stalker. And yet there’s also clearly part of her using this scenario to try to light a fire under Nagatoro.

Gamo is content to mess with Nagatoro, but Sakura is more like me: growing a little impatient with their schtick and waiting for them to get real with each other. But there’s no guarantee that will ever happen. I’m sure both Naoto and Nagatoro harbor a measure of frustration over their “failure to launch”, as it were.

But that doesn’t change the fact that they still enjoy each other’s company and their daily interactions, some of them thrilling in their accidental (or not-so-accidental) steaminess, but ultimately safe in their mutual ambiguity and deniability. That might just be enough for them, and may continue to remain so indefinitely. I hope it isn’t, but I accept that as a distinct possibility as we head into the home stretch.

Rating: 4/5 Stars

Episode 9 “Senpai” Count: 23 (+11 “Paisens”)
Total: 331

Talentless Nana – 07 – Just Girl Talk

When Yuuka scoffs at Nana’s barb, Nana tries a different tack, stating “Humans don’t believe the truth. They believe people.” Even if Yuuka knows what Nana tried to do, Nana has the trust of the others, while Yuuka is someone who screws her dead boyfriend. So Nana proposes a deal.

She’ll keep Yuuka’s dirty secret and even read her beloved Shinji’s thoughts if Yuuka releases her. Because Yuuka is “a hopeless romantic” she falls for the ruse, and Nana says Shinji is thinking “Kill Nana”, which Shinji later confirms is the true, though Nana was again simply bluffing. Bottom line, she gets the hulking Shinji off her back and flees into the woods.

During the ensuing nighttime game of cat-and-mouse, Nana gains crucial intel on Yuuka’s powers. Yuuka needs a”relic” (an item the deceased has touched) to raise someone. This culminates in her having a whole pile of weird stuff under her bed, and Nana is chased not just by Yuuka and Shinji, but a whole zombie army composed of dead students and teachers.

The presense of so many dead people ont he island suggests that the “Committee” Nana serves didn’t tell her everything, but she’s too busy trying to survive to give that the thought it deserves. That brings us to Yuuka’s other weakness: her zombies, including Shinji, only “work” during the night.

Nana proves that theory by putting her life on the line, locking herself in Shinji’s cabin where zombies are lying in wait. They fall asleep once the sun rises over the horizon, so she’s safe for the time being, but then Yuuka locks her in the cabin for the day, content to finish the job once the sun is back down.

When Yuuka and Shinji return to the cabin after going to class (during which time Kyouya mentions how the clasp of Yuuka’s necklace is damaged and loose), Nana is nowhere to be found. There’s a nice double fake-out when I figured Nana was pretending to be the zombie girl with a similar hairstyle, but that was a red herring.

Nana not only managed to escape from the cabin, but gets the jump on Yuuka as she’s carrying a dormant Shinji during the next sunrise. Then she pulls the real relic Yuuka uses for Shinji from her back pocket. The necklace was a decoy; the scrap of a test is the real thing. And now that it’s in Nana’s possession, Yuuka is in her pocket.

Nana explains that while it looked like she was panicking and barricading the door to the cabin to seal herself in, in reality she was removing screws from the lock, then covering it with tape so Yuuka wouldn’t notice. That’s why she was able to escape the locked room…it wasn’t really locked. She then replaced the screws before Yuuka and Shinji returned.

When Yuuka offers to do anything for Nana, Nana is perhaps a bit too cruel in saying “I’m a cat person…I don’t need another dog,” referencing Michiru. She then has Yuuka return her needles, but drops the scrap of paper off the cliff anyway. With no more relic, Yuuka will be unable to revive her undead boyfriend…he’s gone forever. But that’s not the end of the story.

Nana is curious why Yuuka chose something so flimsy for a relic for someone so important to her. Breaking down the details of Yuuka’s story about their movie date and ensuing fire, she determines that Yuuka and Shinji were never boyfriend and girlfriend; that Yuuka was merely a stalker, and she set the fire to kill the girl he was going with.

This sends an already crazed, despair-ridden Yuuka fully off the deep end, but Nana doesn’t bother pushing her off the cliff. Instead, she kills her with a needle, and the phone confirms she saved 500,000 lives by doing so. Her greatest threat thus far has been eliminated, but in the process a lot has been revealed about just how little she knows about the people who hired her. She could well be struggling and fighting for the wrong side!

Rating: 4/5 Stars

Kaguya-sama: Love is War 2 – 11 – The Other Side of the Story

The Cheer Squad’s cross-dressing skit goes off without a hitch, pleasing Yuu, who feared everyone would think he was gross. He starts to finally think about enjoying life more instead of dwelling on past regrets and failures…only for the greatest regret of his life to show up to anti-cheer him.

Just as Yuu is drafted to fill in for an injured Kazeno as anchor on the club relay race, all of the past unpleasantness rushes back into the forefront of his mind. All his ears hear around him are the discouraged and annoyed voices of the crowd cursing his name and everything about him.

The mystery girl who arrives is Otomo Kyouko, who was neither a crush nor a friend in middle school. She was just a kind classmate who’d look out for him whenever she could. She was a good person. Then she started dating Ogino Kou, whom Yuu soon learns is cheating on Kyouko with other girls.

Honestly I don’t remember middle school being this sexed up, but Kou further demonstrates how pure a scum he truly is by refusing to stop cheating, then using footage of Kyouko on his phone to threaten Yuu into silence.

Not about to let a good person, even someone who’s barely an acquaintance get hurt by a bad one, Yuu’s sense of justice curdles into rage before the despicable Kou, and he punches the shit out of him in the middle of class. He aimed to ruin his face so no girl would approach it again, but Kou quietly threatens to abuse Kyouko if Yuu doesn’t stand down.

If that wasn’t enough, Kou also loudly professes that Yuu is a stalker. To both her and everyone else around, it looks like a crazed Yuu is beating up her boyfriend because he’s jealous and obsessed, and he’s too shocked by how badly things are going for him to defend himself, though I doubt it would have helped.

For the assault, Yuu is suspended for a month and ordered to write a letter of apology to Kou, but despite writing and erasing over the paper hundreds of times, he’s unable to write a single word of anything; neither a false apology nor an indictment of Kou’s own misdeeds. In his absence at school his reputation as a creep crystallizes.

Back in the present, the relay anchors are ordered to their marks, but Yuu is so out of it he forgets what color team he’s on…until Miyuki puts his red headband on his head and offers him words of encouragement and a pat on the back. This mirrors Miyuki’s eventual visit to Yuu’s house to present the “Student Council Secret Report” he prepared with Miyuki and Chika.

While Miyuki doesn’t judge whether Yuu’s actions were right or wrong (merely that they could have been better), he cannot deny that Yuu’s ultimate objective was to protect Otomo Kyouko, and that objective was achieved when Kou broke up with her days after the beating. Turns out all those months of refusing to apologize made Kou paranoid, and he released his grip on the poor girl.

However, Kyouko never saw this report, and still has the same idea of what went down. She still believes Kou to be a good guy and blames Yuu for their breakup. She came to the festival specifically to “unload” on Yuu, but rather than continue to wallow in despair, Yuu draws strength from the knowledge someone—specifically Miyuki, Kaguya and Chika—learned his side of the story and supported him.

So before running his leg of the relay, Yuu responds to Kyouko’s heckling with the same words Miyuki wrote in thick black permanent marker way outside the gridlines of the apology letter stock…so hard that to this day the ink residue is embedded in the desk: GO TO HELL, DUMBASS.

As the race progresses, Yuu is determined to win. He believes he has to win to prove he truly “shake Kyouko off” and move on with his life. Kaguya and Miyuki and Chika cheer him on, hoping the good person they know can overcome adversity. Kobachi loudly cheers him on, while Miko, who helped get Yuu reinstated, cheers for him almost under her breath—but with no less conviction.

Yuu ends up losing by a hair. Like the lack of a forced reconciliation with Kyouko, the defeat is an excellent subversion of how these races usually go. But the fact is, he still tried his best and his cheer squad comrades appreciate that. Koyasu, the pink-haired girl, even tears up, so moved by his genuine frustration. Rather than calling him a loser and failure and weirdo like he feared, they tell him he did good.

Suddenly, as his tears give way and his field of vision clears, he can finally see the EYES of the cheer squad members, a pack of Normies with whom he thought he’d never get along and inherently distrusted due to past traumas. But there they are in all their glory. We’d never seen their eyes either because Yuu never looked at them properly. Now he does, and he’s elated to discover they’re all good people.

As Kyouko departs, she tells her former classmates she was glad to be able to give Yuu a piece of her mind, and leaves Shuchiin with fun memories despite how things turned out. As Kaguya and Ai observe, she’s blissfully ignorant, but the smile she wears as she leaves is the very thing Yuu worked and suffered to protect, and he succeeded.

That Yuu would do that for a classmate he barely knew, at the cost of so much personal turmoil and with no reward, then he must be the very best quality of person. It’s no wonder he was recruited into the StuCo. This episode of Love is War had virtually no jokes or gags, but it didn’t matter. What it offered instead was masterful character drama, further cementing its status as Anime of the Year.

Chuubyou Gekihatsu Boy – 02 – Taking Out the Trash and Making Friends Along the Way

The culprit in the “throwing things at Mizuki” mystery turns out not to be Rei/Purple, but Sekiya, a third-year who asked class rep Watase Nanako out. She never outright rejected him but said she needed time to think about it, and in the meantime, Sekiya has been stalking her, while taking his frustrations out on Mizuki.

In a meeting Nakamura/Black’s house, the club determines that the best way to get Sekiya off Watase’s back is to make it appear she has a boyfriend, even if it’s a fake one for that purpose. While “pretty boy” Tomoki/Yellow is the most obvious choice, Watase picks a wild card in Nakamura, judging him the best guy to get the job done.

She doesn’t get Nakamura Kazuhiro, but Hououin Kyouma Ryushouin Touga, his chuuni alter-ego. This proves highly effective at the mall where Watase tells Sekiya she’s already dating someone. As Sekiya follows them while they go clothes shopping (Kaz gets soaked in the rain during his introduction), the stalker is constantly kept off balance by all of the chuuni jargon and Watase’s apparent fondness for it (and knack for translating).

By the time Touga whips out his “Lost Child Apocalypse” tome (at which which the others got a sneak peak while doing a room search) Sekiya is in full chuunibabble overload.

With the stalker dispatched, Watase expresses her gratitude to Nakamura for helping her out, along with Mizuki for giving her courage to deal with Sekiya face-on. For this, Watase asks if she and Mizuki can be friends, and if she’ll call her by her given name, Nanako. Thus the Hero Club completed two missions: ridding Watase of a pest, and getting Mizuki a new friend.

As for Rei/Purple, there’s still something shifty about him, like he’s hovering over all, controlling things. Mizuki’s suspicions were only intensified when he saw Rei with Sekiya outside the mall bathroom, discussing something. We’ll see if there’s anything to this, or if like last week, attention on Rei is directed to someone else. The preview indicates the latter.

HenSuki – 07 – Cupid Can Only Do So Much

HenSuki takes a break from Keiki’s Cinderella investigation to focus on his duties as Designated Cupid for Koharu and Shouma. After Keiki plays the third wheel, a double date is the next phase, with Keiki selecting Sayuki as the girl who’d least interfere with what they’re trying to do (Yuika might entice Shouma; Ayano might like his stink, and Mao won’t accept Shouma going out with a girl).

Everyone has a great time, except for Sayuki, who assumed Koharu would be bad a bowling (she isn’t). Koharu beats everyone, and gets to command Shouma to call her by her given name. Later, with Keiki, Koharu declares their contract complete (she deleted his photo long ago, knowing he’d keep his promise). What’s left to do, only she can do: tell Shouma the truth about her age, and confess her love.

Keiki cheers Koharu on, but as he knows Shouma so well, also has a pretty good idea how it will go. And so it goes: as soon as Koharu shows him that blue ribbon indicating she’s older, he dumps her on the spot, citing his lolicon as a disqualifying factor in dating her. Koharu runs off crying her eyes out, heartbroken.

Later, with Keiki, Shouma admits dumping Koharu broke his heart too, and was one of the hardest things he’d ever had to do. Keiki understands that Shouma can date whoever he likes for whatever reason, but still thinks it’s bullshit for him to give such a lame reason for utterly crushing Koharu’s dreams, after she spent a year mustering the courage to even speak to him.

As Koharu is about to start deleting her pics of her and Shouma, Keiki comes in to cheer her up, telling her only Shouma is at fault here for being such a rotten guy beneath his good looks. The Two Minutes Hate is interrupted by a contrite Shouma, who suggests a compromise: between getting over his lolicon and dating her, he needs a “rehab” period.

Koharu hits back at him by saying he’s essentially asking for his cake (not “Keiki”) and eating it too; he doesn’t want to be exclusive, but also isn’t willing to cut her loose for good. In other words, he’s the worst! Koharu dials it back, saying she’s just getting back at him for dumping her so harshly.

But then, Shouma wonders why it’s so dark in the club room and turns on the lights, revealing the hundreds of candid photos of him Koharu has collected since falling for him. With that, Shouma has a very good reason for not wanting to date her…such obsessive affection would quickly turn to hate if things ever went south.

Still, I wonder if, like Keiki with all his admirers, Shouma will make good on staying friends with her. She could help him get over his lolicon, and he could help her…stop so aggressively stalking him? ¯\_(ツ)_/¯

HenSuki – 05 – Beware the White Rabbit

In an effort to keep “Witch-senpai” from monopolizing Keiki, Yuika joins the Shodou club, even abiding by Sayuki’s directive that she dress as a bunny girl for a day. Mao also joins, but doesn’t have to wear a costume, as Sayuki is already a huge fan of her BL manga.

But Keiki has bigger problems than the three weirdos in his orbit joining forces: a fourth weirdo who took an incriminating picture of him. She intends to blackmail him, but isn’t interested in him, only his friend Shouta.

This fourth girl is Ootori Koharu, who despite being tiny and having a bunny-like aura, is actually older than Keiki, and a third-year. That makes her demand to Keiki difficult, as she’s obsessed with Shouta and wants to meet him, but Keiki knows his best mate only likes younger girls.

Thanks to some inspiration from Mizuha, Keiki crafts a plan: when the summer unis come out, which are all the same color regardless of year, he’ll have Koharu meet Shouta wearing a hoodie concealing the bow that indicates she’s older. She also addresses him as senpai. Shouta falls for it hook, line, and sinker.

Things bode well for Keiki having the photo of him groping Sayuki deleted from Koharu’s phone—though I hasten to note she didn’t actually do it yet. Instead, after another quick check on the shodou club (which is a bit too much concentrated weirdness for Keiki’s taste), he spots the vice-chairperson Fujimoto descending the stairs with a tall stack of printouts.

Predictably, one of the papers ends up under her shoe, and she slips and falls, but Keiki saves her, ending up underneath. In a subversion of cliche, Fujimoto is not mortified by their ensuing amorous position. On the contrary, she’d prefer if they stayed that way a little longer. Could Keiki have finally found his Cinderella?

Carole & Tuesday – 11 – Plucked from the Jaws of Success

Tuesday’s hand is badly burned, and once bandaged, she cannot play the guitar. As the MC delays by appealing to the boundless ego of Ertegun, Gus tries to find the culprit with the security cams, with no success. We know that it was Cybelle, but everyone in the show has to play catch up, which leads to more interpersonal problems.

What I didn’t know? Whether Cybelle was sicced on Tuesday by either Katie or Dahlia, whether it was egging on her anger or giving her access to the dressing room. When Katie mentions who has motive, Angela suspects her mama. but Dahlia seems too proud for that kind of trickery. Katie has been very shifty the last couple episodes, and her “dumb assistant” act seems almost too practiced.

Whent C&T take the stage, the judges immediately note Tues’ injury and lack of a guitar. Carole passes it off nicely by saying they’e going to show they’re more of a guitar-and-piano duo; which isn’t really lying, since they may well want or have to branch out without either of those instruments at some point.

Carole is also asked about being a refugee and her family. She’s not sure what she’d say if her parents were watching, just “I’m here.” There’s not much of a crowd reaction to her background, so they move on with the song. It’s…fine, again. No ear bleeding thankfully, but the lyrics are reliably trite, sparse, and poorly structured. We see Cybelle is still somewhere in the building, watching on.

Ertegun starts the judge’s review by stating that someone who gets injured just before a performance has no business being a musician, and as harsh as he sounds, he’s not wrong. If Tuesday wants to make the big time, she’s got to learn how to protect herself, speak up, say no, and be a better judge of character. Unable to do all of the above led directly to her burns.

That said, the other judges loved them, and the woman who was introduced as the Simon Cowell of the trio states that the duo “stole her heart.” All the Insta followers in the world can’t keep Pyotr from losing this one, but like GGK he’s a good sport about it, happy he gained even more followers and has a bright future.

The final, then, is set: Carole & Tuesday vs. Angela. This leads Gus, absent any hard evidence, to accuse Dahlia of sabotaging Tuesday, just as Angela initially did. But when the culprit is described as “a slender young woman”, Angela’s suspicions shift immediately to Katie, and she reams her out for doubting her ability.

Katie, who we previously see smelling Angela’s lipstick, is either a very good actor, or legitimately devastated by her favorite artist’s accusations. Thankfully, the cops find Cybelle while she’s trying to flee, all thanks, incidentally, to Roddy spotting her in one of Pyotr’s many video posts. During her perp walk, Cybelle blows up at Tuesday, telling her she got what she deserved.

Like Ertegun, Cybelle isn’t the most tactful here, but she’s right. Though even a firm rejection at the start may have caused Cybelle to go after her, leading someone like her on was playing with fire…or in this, case dry ice. Carole tells her as much outside the hospital, where Tues was told she could play again in a week.

Carole doesn’t hold back in telling Tuesday she needs to not only learn how to handle people better, but also seemed unfocused in their performance, and that perhaps her commitment is less serious because she has a big fancy home to go to if this doesn’t pan out. It’s definitely the most distant these two have been for a while.

But things could always be worse…and they become worse almost immediately after Carole’s shots are fired, as burly goons sent by Tuesday’s family roll up and roughly toss her into the car. Carole gets punched when she tries to interfere, and when she manages to jump onto the fleeing car, the driver switches to manual mode and she’s thrown from it, though she suffers no serious injuries due to good rolling form.

Still, just like that, the duo has been severed, moments after cracks started to form due to their deeply different backgrounds. The timing is horrifically cruel, almost as if it was meant to be. But as we’ve seen, Tuesday is, like a young princess out in the world, not quite equipped to survive in it, and her injured hand was clear for all the millions of viewers to see.

A lot of those viewers are voters, so it behooves Tuesday’s pragmatic mom to put her house in order. I smell a rescue mission in the works.

Carole & Tuesday – 10 – Out of Whack

It’s the semifinals, which means bringing in a new guest judge to replace the AI dog, and it’s none other than DJ Ertegun, whose troubled history with Carole & Tuesday should have precluded him from judging at all, but I guess Mars Brightest doesn’t do much research!

One thing’s for certain: in a a tough competition where personalities can clash and tempers can flare, MB has appallingly bad security. Consider Cybelle, a stalker Tuesday never should have had to interact with again after she lost in the quarterfinals.

And yet here she is, in the green room, getting in Tues’ face and intimidating her with her unpredictable, capable-of-anything, nothing-to-lose vibe. Then Tuesday simply runs after Cybelle…and Carole lets her! So I ask: where the fuck is security???

When GGK dishes out more cosmic prattle and then performs a competently-produced song with like seven words in the repetitive lyrics, Tao finally pays Angela a visit to tell her they’re changing her song at the last minute.

GGK impresses the judges—who it should be said are easily impressed—and Gus and Dahlia continue their juvenile little competition with poor Roddy in the middle acting as a conduit for their barbs. I’m just not getting much out of the friction between these two.

Once again, Angela delivers the best song of the episode, though that’s not a high bar to clear, with a genuinely catchy pop number that honestly wouldn’t be out of place on a Top 40 radio station. The only strange thing is how it ends: the vocals and music just…stop. On a dime. Seems more like an AI production bug than a feature.

Meanwhile, instead of preparing for her performance with Carole, Tuesday has her priorities all out of order, running around the studio like a headless chicken looking for a Cybelle who is clearly not there anymore and furthermore, doesn’t want to be found. Carole wants to give Tuesday a present, but every time one of them shows up in one spot, the other has just left.

Angela ends up beating GGK, and heads to the showers afterwards, leading to a very suspicious scene of Katie Kimura dropping her smile and staring at the phone Angela left on a table. Is there more to Katie than hyper syncophant? God I hope so, because Angela’s path to becoming a pop star has seemed way too easy so far.

As Pyotr performs another mostly meh pop performance, Tuesday returns to the green room to find a present on the table…but not Carole’s present. The chaotic scrawl wishing her a Happy Birthday suggests it’s from Cybele, who must have doubled back after Tues followed her.

As for the contents of that present? My guess is dry ice, judging from the white smoke cloud that surrounds Tuesday as she clutches her hand in pain when Carole enters. Since Tuesday needs that hand to play guitar, a dry ice burn is going to be a big problem.

But all this could have been avoided with someany backstage security procedures. Cybelle’s revenge, if that’s what this is, only happened because the show decided that Mars Brightest is not a professional company of long standing capable of protecting one of the four contestants who were whittled down from a quarter of a million. That seems awfully implausible, but here we are. Better break out the aloe!

Carole & Tuesday – 09 – Blessing of a Goddess

Carole & Tuesday don’t sing on the second day of competition, but Gus has them attend the studio anyway so they can scout the next four contestants. One of those, Cybelle, continues acting extremely stalker-y, brushing Tues’ hair without asking first, and suggestion they form their own duo without Carole. In other odd pairings, Dahlia ends up sitting beside Gus, but nothing much comes of it. As for Angela, she wants to know where the hell Tao is.

Tao is there, but seems content to stand in the shadows rather than engage with anyone. The first pair of contestants performs, starting with GGK, FKA Twigs’ Martian anime counterpart. The song is crisply produced and competently sung, but falls down on generic lyrics. Definitely not ear-bleedingly bad, but thoroughly MEH.

The gender-fluid Mermaid Sisters, on the other hand, had me howling with laughter as they proceeded to sing all manner of profanities in sweet Barbershop harmonies. It’s by far the most English swears I’ve ever heard in an anime, but it ends up disqualifying them, and the competition has to paused when they lash out at the judges, giving GGK the win by default.

Cybelle and Angela are next, with the former telling Tuesday (not asking her) to hold her before she takes the stage. Cybelle then bites Tuesday in the fucking neck, confirming Carole’s insistence that Tuesday extricate herself from this weirdo as soon as possible.

Turns out Tao isn’t interested in Angela or any of the other contestants performing that day; instead, he asks C&T who writes their lyrics. They tell him they do, with no AIs, and he kinda just goes “huh, okay” and leaves without seeing Angela, much to her chagrin.

As intolerable as her character is, Cybelle actually delivers one of the best performances of the entire show thus far. Why is that? Because she’s not singing awful English lyrics; she’s singing awful French lyrics.

I don’t speak French, so if I switch off the subtitles, it just sounds like nice music, which it was. Not earth-shattering, but nice. If only all the songs were performed in French, or Japanese, or any language that could cover up the hack lyrics.

It’s just bad luck Cybelle wasn’t paired with the Mermaid Sisters, Fire Brothers, or OG Bulldog, or she would have advanced. Instead, her first opponent is Angela. And whether or not the entire production is rigged towards her winning, she still puts in IMO the best all-around performance of the competition with the very catchy “Move Mountains” song, showing that she definitely belongs there.

Angela beats Cybelle easily, but Cybelle seeks consolation in Tuesday’s arms, attempting to goad her into making a new duo together. It’s here where Tuesday finally rejects her, and Cybelle storms away in a huff, her shock quickly turning to anger.

This is most definitely not over (she has Tuesday’s contact info, after all), so now in addition to having an extremely tough opponent in Angela to defeat, they’ll have to deal with the consequences of Tuesday not dispatching her earlier. Doubtless hell hath no fury like a Cybelle scorned…

Happy Sugar Life – 02 – All Adults are Terrible

Are those bags of human remains Satou’s former classmates, Shio’s parents…or her former Aunt? Flashes back to her past seem to strongly suggest the emotional toll from that past is what molded her into what she is today, only clinging to normalcy with the knowledge there’ll be a cute Shio waiting for her at home…but how long will that remain the case?

It certainly feels so far like that aunt let her down after her parents died, and after having to deal with an awful adult in the cafe manager last week, this time Satou’s adult nemesis is a teacher at her school—one who the other girls fawn over for being “single and hot” but who is not only married with a kid, but gets off on the thrill of stalking girls.

This time, he stalked the wrong girl.

Satou pulls a personal alarm, and the teacher slinks away, and she’s able to get home to Shio and cancel out the adult’s bitterness with Shio’s almost overwhelming sweetness. The next morning Satou is at the gate of the teacher’s house, and his wife almost sees her unbuttoning her blouse.

Satou knows threatening an M like him will only get him excited, but she still does it to make it perfectly clear she won’t brook any more nonsense from him, especially comparing his version of love to hers. She also makes him dispose of her body part bags…which he also likes.

Meanwhile, we get some Shio day-in-the-life, where she tries to help out by cleaning but can’t grasp the need to plug in a vacuum, and has no idea how to cook. She also notices the locked door to Satou’s death room, and actually passes out when the outside balcony triggers a flashback of her own; perhaps to the time when Satou first snatched her.

Of course, it isn’t just adults who are awful on this show. Mitsuboshi, who starts work at Satou’s other cafe, may be a victim of an older woman (and the trauma makes him nauseous whenever another older woman touches him), but he privately reveals he’s a lolicon, with specific hots for Shio, who he knows from the missing posters Shio’s older brother has distributed.

Strange connections are made when Satou’s co-worker Shoko, then Mitsuboshi come across the brother getting beaten up by punks. The brother’s state of hygiene suggests his parents are dead and he’s all alone on the streets, desperate to find Shio. Mitsuboshi brings him to the cafe break room, where the brother starts muttering the same “marriage vows” she and Shio made.

All alone with the brother, who is a direct risk to her only recently-stabilized happy sugar life, Satou snaps into the mode she deems necessary to preserve and protect that life, and prepares to brain the brother with a crowbar. Does she end up killing him right there in her very public workspace?

Steins;Gate 0 – 05 – Time Goes On

Needless to say, the sudden appearance of Moeka Kiryuu puts Okabe on edge, and even if this is not the same world line in which she killed Mayushii, he suspects she’s still a “Rounder”, and cannot fully trust her. Suzu can tell almost immediately that Moeka is someone Okabe knows (or knew), even if he won’t come out and say it. Nevertheless, Okabe assents to Daru’s hiring of Moeka in order to find the lost girl.

Meanwhile, Hiyajou can tell that Okabe hasn’t been answering Amakurisu’s calls, and feels partially responsible for telling him that Kurisu he knows is dead, even if a part of her is jealous that he was so much closer to her. With Leskinen’s unsolicited blessing she strikes out into Akiba to meet with Okabe, but suddenly feels extremely paranoid about being followed.

The camera angles, editing, and music all conspire to make us really feel that paranoia, initially brought on by the sudden appearance of Moeka and only intensified here. By the time Hiyajou is calling Okabe in a near-panic, and he runs out to find her dropped bag, I truly feared for the worst, as he did.

Mercifully (though also a bit disappointingly) the person initiating contact with Hiyajou turns out to be Professor Judy Reyes, a colleague at her university. While communicating in English Okabe fails to correct Reyes’ assertion that he’s Hiyajou’s boyfriend (though the prospect makes Hiyajou blush).

Once they’re alone, Hiyajou brings up Okabe’s lack of responding to Amakurisu. She’s no dummy (obviously), and can tell Kurisu had an incredibly “large presence” in Okabe’s life; far larger than he lets on.

When she reminds him that Amadeus is merely a system, Okabe tells her he simply needs more time. He’s confused, but that’s because he’s not willing to dismiss Amakurisu out of hand, at least not yet (and with no other alternative).

Okabe (and the episode) finally remember the somewhat urgent call Rukako made to him about a guest of his family’s…he comes to the lab with that guest in tow, and Okabe is shocked to find that guest is a dead ringer for Kurisu. However, he later chalks it up as a coincidence (plenty of blue-eyed redheads with bangs out there, after all).

Rukako informs Okabe that the girl has amnesia, and they’ve simply been calling her “Kana” in lieu of her name. She’s hoping Okabe with all his brainy sciency know-how can find a way to help Kana find her real name, where she came from, and how she lost her memory.

While flattered, Okabe is honest about not being an expert in any of that stuff (even if he knows people who are), but Kana’s identity is quite surreptitiously revealed by Mayushii, who recognizes the oopa that is the only possession of Kana’s that might be a clue.

What’s odd is that the oopa is from a very recent movie, but looks like it’s much older than that. Upon the pointing out of that fact, Kana suddenly collapses, just as Suzuha shows up, and instantly recognizes the girl for Kagari, the girl she lost. Well, now she’s found. What’s next; and is it merely a coincidence that she so closely resembles Kurisu?