Steins;Gate 0 – 16 – It’s Not Just a Cheap Coat

Daru and Maho are hard at work on “Phone Microwave (Temporary) Unit-02”; progress is slow and full of smoky setbacks, but neither party has any intention of giving up anytime soon. Meanwhile, in Mayuri’s words, the “normie life” of Rintarou (who has given up on trying to have both Kurisu and Mayuri in his life, without starting WWIII) is taking off, and he can’t tell how left behind she feels.

Rintarou can’t so much have a conversation with her without checking his buzzing phone. He says things like his going to America is “good for everyone”, even though it’s not good at all for her. She decides not to go eat with him, but ends up encountering Ruka, who calls her Rintarou’s “Orihime-sama”, pertaining to Vega and the heroine of the story upon which the Tanabata festival is based.

While the lovers representing Vega and Altair were banished to opposite ends of the galaxy, once a year a flock of magpies forms a bridge for them to meet. Mayuri, who can tell that Rintarou loved/loves Kurisu and not her, can’t subscribe to Ruka’s assertion, and all Ruka can do is offer a handkerchief to dry Mayuri’s tears.

Rintarou suddenly arrives at the lab while Maho is showering and Daru is unprepared. He’s ready to drag Daru along with him to America, but the trash is full of bananas and there’s a curtain covering the back of the lab. A light dawns in Rintarou’s head, and his initial suspicions are proven right when he pulls a bunch of slimy green ‘nanners from the trash.

When he discovers the new Phone Microwave, he whips himself into a damn frenzy trying to remind Daru just how much torture he endured and who died last time the device was constructed. Eventually his rantings are interrupted by Maho (in a towel, at first), but he soon turns on her, going so far as to call her a murderer if she proceeds. That earns him a much-deserved punch to the face.

Once heads have cooled a bit, Rintarou and Maho debate the “laws of the world” and whether messing with them is “challenging God.” While Maho can appreciate and even respect certain aspects of Rintarou’s theory about how the world works, she doesn’t believe humans would have the ability to make a time machine if they were never meant to.

Rintarou rebuts, telling her how she couldn’t possibly understand what it’s like to fail and fail hundreds and thousands of times, which is laughable to us because we know that the entire time Kurisu was alive, Maho was struggling and failing to reach any of the breakthroughs or earn any of the accolades or gain any of the fame her kohai had. But she never gave up then, and she’s not giving up now, no matter how much Rintarou yells at her.

Rintarou skulks off, and by chance, ends up encountering Mayuri in the park where they used to spend a lot of time before they met Daru. She used to wait for Rintarou just as we saw her wait outside his college in the present. What Rintarou doesn’t know, but eventually finds out as she talks, is that Mayuri heard every word in his rant back at the lab about how saving Kurisu meant killing her off.

She also tearfully notes how much he’s looked like he’s suffered ever since he made the decision, which makes her think he might’ve made the wrong choice. There’s no way he can be okay with how things have turned out if he has that look. His eyes have always betrayed how he actually feels. Rintarou is devastated, and tries to tell Mayuri to do the impossible: “not think about it.” Things aren’t that simple, Okarin. The clouds part, revealing Vega and Altair.

This was an emotional powerhouse of an episode, with clashes between characters of an intensity that’s been mostly missing from this season. With those scenes came brilliant performances from Miyano Mamoru, Hanazawa Kana, Seki Tomokazu and Yahagi Sayuri. Also brilliant is the fact that there are no right or wrong answers.

As Daru and Maho search for that one perfect solution to the formula among an infinite possibilities—for the Steins Gate—they must be cognizant of the fact that they are imperfect, lest the despair Rintarou has already experienced not only return, but worsen.

Advertisements

Itsudatte Bokura no Koi wa 10 cm Datta. – 05

Just as Miou has come out of her funk and started to work on her painting of love anew, Haruki develops a profound crisis of identity. He stops coming to school snaps at Saku, and decides he won’t be going to America after all, because he’s now convinced filmmaking was his brother’s dream, not his.

Miou pulls out the ol’ “I’ll wait as long as it takes at the usual spot” to draw Haruki out, as when the snow starts coming down, he worries, correctly, that she’ll be standing out in the cold all alone. There, in their usual spot, the two have it out.

While in the moment I was frustrated with how mean Haruki was being, one has to consider how emotionally unmoored he is, as well as frustrated with how Miou wouldn’t talk or even look at him for so long, only to need to talk now.

Haruki really does need to just cool it with the angst and listen, because Miou has to tell him she was the one Chiaki saved, and to apologize for keeping it from him so long, worried he’d hate her.

Haruki is too busy hating himself to hate Miou, but when he starts talking about what an idiot he is to confuse his brother’s dream with his own, Miou gives him the front of her right hand, breaking the 10cm distance in an instant.

She reminds him two brothers can have the same dreams, and that in all her time watching him, she could tell that Haruki’s dream of directing films was his own, and a powerful one at that, so he should really lighten up!

Miou also shows Haruki her recently completed painting, one of a guy and a girl looking out a window in the classroom. I assume it’s meant to be the two of them, and so the painting serves as a kind of confession of sorts for Miou. Haruki is cheered up, and the two head to his place to get out of the cold.

There, after cocoa, Miou remembers she has a DVD Saku told her to watch with Haruki. It is footage recorded right after Chiaki saved the girl Haruki now knows was Miou; Chiaki tells his little brother he’s filming one of the best scenes a director can film: a person’s moment of victory for having achieved something great (in his case, saving Miou).

Young Haruki promises his brother right there that he’ll follow his dream—yes, his dream of directing—making the DVD video evidence that what Miou said to Haruki is true, and he really does love making films. I guess that means he’ll be heading to America after all…which is bittersweet, since it’ll mean being apart from Miou.

Nisekoi – 19

nise191

It’s telling that despite getting one of the things he’s always dreamed of—the opportunity to play Romeo to Kosaki’s Juliet—Raku can’t stop thinking about Chitoge. He can’t enjoy being closer with Kosaki knowing something is up with Chitoge. And the more he presses Chitoge about what that something is, the more cold stone walls Chitoge puts up in front of her.

nise192

When Chitoge insists she wants nothing more to do with him—despite what it could mean for their families—and worse still, tells him she never once enjoyed being with him. Raku, taking all this as the gods’ truth, responds in kind, telling Chitoge off to the point she slaps him and storms off. Neither are able to say what they’re thinking, and end up at rock bottom, having scorched much earth in their wakes.

nise193

But the show brings them both as low as they’ve ever been so they can be brought back up. As if the universe acted to right all missteps the two have taken, poor Kosaki ends up spraining and ankle, and with her understudy Marika home sick, Raku must beg Chitoge to step in as his Juliet, putting aside the fact they “hate” each other. It’s a great little moment when he takes her spatula’d hand, proclaiming “Found you!”

nise194

This gets them talking again, and rather than exchange more barbs at one another, they say actually say a bit of what’s really in their hearts. Raku realizes he hurt her at the beach, and Chitoge learns he doesn’t hate her (not by a long shot). He’s still convinced they’d make a terrible real couple, but he knows they make a great fake one, which makes her the Juliet he needs in the here and now. Their mutual relief upon “finding” each other, after lifting the veil of mutual scorn, is palpable. Break a leg, kids!

9_ses