Kemono Jihen – 09 – Kabane the Casanova

After she was born and learned to control her golden webbing, Aya had been treated like a tool, and when she was insolent she’d be beaten “like banging on a piece of malfunctioning equipment”. Still, she knew Akio needed her so she was able to live in relative comfort with dresses and books. When Aya learned she had a brother, she imagined him to be like the Prince Charming in her book, taking her and their mother away to live happily ever after.

While a happy ending was deferred, it is still possible. Aya learns this when Shiki welcomes her into the hospital room where their mother is resting. Aya may think she’s a bad seed that should be “done away with” like the other kemono Akio created, but thinks Shiki won’t kill her simply because she looks like a little girl and speaks. But that’s not the reason.

Shiki does not detest Aya, he’s grateful to her for being with their mother and keeping her alive, even though she was all on her own while her big brother had run away and was living in comfort. When she hears Shiki and Aya talking together over her, she wakes up and opens her eyes, and the Tademarus are a family united for the first time. It’s perhaps the sweetest and most moving scene in the entire show, and it was the perfect payoff to the emotional stakes built up the last couple weeks.

Of course, Kumi now being alive and awake means Shiki has some things to think about, and is away for a week, causing Akira to frets and Kabane to bear an all-too-forced smile when asked how he feels about it. Shiki may have his family back and will need to help support them, he promises Kabane he won’t leave the agency before he helps Kabane find his family.

Unbeknownst to Shiki, Aya followed him to the agency and we see that her own style is quite a bit more…modern and mature (read: jailbait) than the frilly dresses Akio gave her. Her precociousness extends beyond wardrobe, however: she’s already planning to work with Granny at her clinic, with plans to start her own “kemonopathy” clinic using her healing webbing.

When Shiki begs Kabane to talk his sister out of this, as she’s only eight, he simply responds “If she has a power shouldn’t she use it?” It’s that cold, certain, honorable logic that draws Aya to Kabane’s side, and she declares him her boyfriend. Then Kon shows up, armed with the absolute worst timing—she had a week to see Kabane alone!

Just like that, Kabane has not one but two would-be lovers, who immediately exchange lightning glares. Inugami interrupts the spat to announce that they do have actual business to attend to: there have been reports of an invisible kemono ripping pieces of women’s faces off in stylish Harajuku.

The three who will go investigate are Kabane, Aya, and Kon, the latter relaxing her no-working-with-tanuki policy by declaring herself a mere “observer”. Really, she wants to closely observe Aya to ensure nothing happens, but it’s also never a bad idea to bring some kitsune muscle as backup.

After Kon’s failed attempt to impress Kabane by trying to order a cop around (Inari’s power doesn’t extend to her anymore), Aya ends up being the kemono’s next victim on accident when she pulls on her hair. Taking the form of a black smoke cloud filled with floating pieces of women’s faces she collected, the kemono’s story is pretty simple: she fell in love with a man who works in the area and wanted to look more human so he’d notice her.


When Kabane says love is about giving, not taking, the kemono is unconvinced, because Kabane has a girl on his arm. Instead she appeals to Kon, who looks like she’s in pain like her. She’s not wrong; ever since watching Kabane and Aya together she’s felt all “mushy” in the chest.  Being with Kabane has always been fun until now, and Kon blames Aya for making it not fun anymore.

Taking on her kitsune form, she tries to eat Aya, but only ends up biting Kabane’s arm. Then she runs off in tears. Aya uses her webbing to create a human body for the kemono, and referred her victims to the clinic where she’ll be able to heal him. Back at the agency, Akira is threatened by Aya’s frightening competence, while Aya thanks Kabane for protecting her with a smooch on the cheek.

Kabane may not quite understand love, romance, or jealousy, but he knows he and Kon didn’t leave things in a good place, so he rushes to the park where she lives and shakes her out of the tree (the gag about her never landing on her feet never gets old). Sure enough, Kon’s face is a mess of big soppy tears. She thinks Kabane must hate her for trying to eat the “bug-smelling girl.”

To Kon’s surprise, when Kabane takes her cheek in his hand, all the chest-mushiness goes away instantly. She sees that Aya wants to be Kabane’s “number one” because in Aya she sees herself having worked tirelessly to become Inari’s number one. Well, Kon wants to be Kabane’s number one, and asks what she should do to do that?

The obvious answer is to kiss Kabane, but not only does Kon not know that, but even if she did kiss him neither of them might understand what it means. They’re basically the most adorkably hopeless couple ever and I will never stop shipping them. I won’t deny Aya is both cute and capable, but she’s also way way way too young for Kabane. Also, Kon was first!

We get a nice scene of closure where Inugami helps Kumi arrange a memorial for all of her children who were killed. She ask him to keep it secret from Shiki and Aya, but in truth I think they’d understand her need to honor all of the life she created, as they’re in that group too.

Kon is realigning her primary allegiance from Inari to Kabane, but Aya once again beats her to Kabane’s arm at the agency. The two stare each other down once more, with Aya even telling Shiki he shouldn’t mind if she and Kabane married, since that would make them brothers. Akira, the Best Boy, finally steps in to break it down for Kabane: he can only have one lover, so he has to choose.

For Kabane, “lover” simply sounds like “one you love”, which he extends out to the terms “boyfriend” and “girlfriend”. As such, the one he chooses is Inugami, again failing to grasp the difference in kinds of love, and also shocking both Aya and Kon with his apparent confession to “preferring older men”. Inugami, meanwhile, obviously wants no part in a Kabane love polygon!

Wandering Witch: The Journey of Elaina – 08 – The Dollmaker

I already adored Elaina, but now I have one more reason to love her: she’s as creeped out by dolls as I am! And, I imagine, most people? Who really wants dozens of tiny figures staring at you from a shelf? To each their own; I just feel like that’s a bit odd!

Despite the propensity of creepy dolls in this nation, Elaina sticks around, and learns from a fellow Witch, Sheila, that someone known as the “Ripper” has been going along “taking the lives” of women. Elaina also enters a store run by a kooky, sleep-deprived dollmaker who is also the world’s worst ventriloquist. Even though she’s giving the dolls away, Elaina would rather not take one.

She asks Elaina to look out, and Elaina being Elaina, she doesn’t commit to anything; you gotta admire her devotion to her independence. However, after stowing the doll in her hotel room in a closet so it won’t stare at her in the night, Elaina wakes up to find she’s the latest victim of the Ripper. Going by the adage “hair is a woman’s life”, the Ripper took her “life!”

A furious Elaina brings in Sheila, who is the second statuesque woman in as many weeks to declare Elaina “thin”, adding insult to injury. They discover the hotel room doll is gone and only its hair remains in the closet. Makee no mistake: Elaina is pissed that her ashen locks have been chopped, and she openly wishes the death penalty on whomever’s responsible!

After Shiela interrogates the innkeeper, she and Elaina learn that high-quality dolls with human hair are often sold at a late night “secret auction” in the city. The two dress the part, complete with masks, to indicate that they belong among those who “look like they’re doing something they shouldn’t”.

The auction turns out to be full of what I would call hardcore dolltakus—people harboring an obsession for dolls Elaina simply doesn’t get, even though she herself is pretty doll-like and she’s pretty in love with herself! That’s not a bad thing at all, mind you; just an observation!

When the lot comes up in which a doll looking like the one in her hotel is sporting her ashen hair, Elaina puts an end to the auction…with her wand. She takes the stage, rips it’s head off and stomps on it, demanding the Ripper to show themselves. She’s not fuckin’ around.

The Ripper turns out to be…the kooky dollmaker, because DUH. She also proves to be far kookier than I imagined, as she seems to basically get off on strong facial expressions, be they happiness, sadness, or anger. Yes, she makes a profit with the auction, but she gives all the money to charity.

That’s nice, but it doesn’t move Elaina in the least, so she conjures a giant golden birdcage with which Sheila can deliver her to the Magic Association. Also, as I suspected, Elaina doesn’t stick with her new bob cut, as she’s able to use magic to restore her hair to its original length. She also still maintains the Ripper deserved the death penalty.

When Sheila arrives at the UMA branch with her prisoner, she’s approached by Saya, and that’s when we learn Sheila has been Saya’s mentor all this time. When Sheila describes the traveling witch she met as having ashen hair and a dolphin brooch, Saya unilaterally takes over the Ripper’s interrogation, inadvertently making a face that causes the dollmaker to cry out in ecstasy. Alrighty then!

Read Crow’s review of episode 8 here!

Kaguya-sama: Love is War 2 – 11 – The Other Side of the Story

The Cheer Squad’s cross-dressing skit goes off without a hitch, pleasing Yuu, who feared everyone would think he was gross. He starts to finally think about enjoying life more instead of dwelling on past regrets and failures…only for the greatest regret of his life to show up to anti-cheer him.

Just as Yuu is drafted to fill in for an injured Kazeno as anchor on the club relay race, all of the past unpleasantness rushes back into the forefront of his mind. All his ears hear around him are the discouraged and annoyed voices of the crowd cursing his name and everything about him.

The mystery girl who arrives is Otomo Kyouko, who was neither a crush nor a friend in middle school. She was just a kind classmate who’d look out for him whenever she could. She was a good person. Then she started dating Ogino Kou, whom Yuu soon learns is cheating on Kyouko with other girls.

Honestly I don’t remember middle school being this sexed up, but Kou further demonstrates how pure a scum he truly is by refusing to stop cheating, then using footage of Kyouko on his phone to threaten Yuu into silence.

Not about to let a good person, even someone who’s barely an acquaintance get hurt by a bad one, Yuu’s sense of justice curdles into rage before the despicable Kou, and he punches the shit out of him in the middle of class. He aimed to ruin his face so no girl would approach it again, but Kou quietly threatens to abuse Kyouko if Yuu doesn’t stand down.

If that wasn’t enough, Kou also loudly professes that Yuu is a stalker. To both her and everyone else around, it looks like a crazed Yuu is beating up her boyfriend because he’s jealous and obsessed, and he’s too shocked by how badly things are going for him to defend himself, though I doubt it would have helped.

For the assault, Yuu is suspended for a month and ordered to write a letter of apology to Kou, but despite writing and erasing over the paper hundreds of times, he’s unable to write a single word of anything; neither a false apology nor an indictment of Kou’s own misdeeds. In his absence at school his reputation as a creep crystallizes.

Back in the present, the relay anchors are ordered to their marks, but Yuu is so out of it he forgets what color team he’s on…until Miyuki puts his red headband on his head and offers him words of encouragement and a pat on the back. This mirrors Miyuki’s eventual visit to Yuu’s house to present the “Student Council Secret Report” he prepared with Miyuki and Chika.

While Miyuki doesn’t judge whether Yuu’s actions were right or wrong (merely that they could have been better), he cannot deny that Yuu’s ultimate objective was to protect Otomo Kyouko, and that objective was achieved when Kou broke up with her days after the beating. Turns out all those months of refusing to apologize made Kou paranoid, and he released his grip on the poor girl.

However, Kyouko never saw this report, and still has the same idea of what went down. She still believes Kou to be a good guy and blames Yuu for their breakup. She came to the festival specifically to “unload” on Yuu, but rather than continue to wallow in despair, Yuu draws strength from the knowledge someone—specifically Miyuki, Kaguya and Chika—learned his side of the story and supported him.

So before running his leg of the relay, Yuu responds to Kyouko’s heckling with the same words Miyuki wrote in thick black permanent marker way outside the gridlines of the apology letter stock…so hard that to this day the ink residue is embedded in the desk: GO TO HELL, DUMBASS.

As the race progresses, Yuu is determined to win. He believes he has to win to prove he truly “shake Kyouko off” and move on with his life. Kaguya and Miyuki and Chika cheer him on, hoping the good person they know can overcome adversity. Kobachi loudly cheers him on, while Miko, who helped get Yuu reinstated, cheers for him almost under her breath—but with no less conviction.

Yuu ends up losing by a hair. Like the lack of a forced reconciliation with Kyouko, the defeat is an excellent subversion of how these races usually go. But the fact is, he still tried his best and his cheer squad comrades appreciate that. Koyasu, the pink-haired girl, even tears up, so moved by his genuine frustration. Rather than calling him a loser and failure and weirdo like he feared, they tell him he did good.

Suddenly, as his tears give way and his field of vision clears, he can finally see the EYES of the cheer squad members, a pack of Normies with whom he thought he’d never get along and inherently distrusted due to past traumas. But there they are in all their glory. We’d never seen their eyes either because Yuu never looked at them properly. Now he does, and he’s elated to discover they’re all good people.

As Kyouko departs, she tells her former classmates she was glad to be able to give Yuu a piece of her mind, and leaves Shuchiin with fun memories despite how things turned out. As Kaguya and Ai observe, she’s blissfully ignorant, but the smile she wears as she leaves is the very thing Yuu worked and suffered to protect, and he succeeded.

That Yuu would do that for a classmate he barely knew, at the cost of so much personal turmoil and with no reward, then he must be the very best quality of person. It’s no wonder he was recruited into the StuCo. This episode of Love is War had virtually no jokes or gags, but it didn’t matter. What it offered instead was masterful character drama, further cementing its status as Anime of the Year.

Attack on Titan – 50 – Keep Hope Alive

Part Two of Titan’s third season picks up where Part One left off: Eren, Mikasa, Armin are part of a force of 100 scouts led by Erwin, Hange, and Levi, tasked with nothing less than retaking Wall Maria, starting with Shiganshina.

On the way they encounter a motionless Titan that is apparently asleep, but they have no way of knowing for sure, do they? It’s only the latest instance of them having to do the best they can with the information they have…which still isn’t much, and may never be anywhere near as much as they know about humans.

Eren, Mikasa and Armin note the reutrn to their hometown for the first time since they were forced to flee and eventually joined the Scout Regiment that brought them back. But there’s no time for reminiscing (or checking out basements yet); they now stand in enemy territory, and the mission takes precedence. Besides, they’re responsible for preserving humanity’s hope it can survive and be free.

It’s a simple matter of plugging both the inner and outer gates of Shiganshina, then mopping up the Titans within. Throughout the trip there Eren remained dubious of his abilities and usefulness, but his two best mates help get him through that apprehension, and he successfully seals the outer gate with his Titan hardening ability.

Mikasa has steady praise for Eren as they move on to the next gate, but something isn’t right; Armin found signs that people were camping, but they had more than enough time to prepare for an attack…so where are they?

To answer that question, Erwin puts Armin in charge of a whole squad of scouts, confident that Armin has proven himself capable of leading men and women in the field. While initially nervous and hesitant (and far too polite to subbordinates), Armin grows more and more confident in himself as he runs through all the possible ways the Titans could be messing with them this time.

Remembering the Titan-in-the-wall, Armin orders everyone to inspect the wall for hollows. Once scout strikes paydirt, only to be killed by Reiner emerging with sword drawn. Levi in turn swoops down and delivers what would have been a couple of fatal blows to anyone but Reiner, who transforms into the Armored Titan upon hitting the ground.

Thanks to Armin, the enemy has revealed itself sooner than it had planned, but that’s not exactly a good thing for the scouts, as Reiner’s reveal spurs the teleportation of the Beast Titan and a host of other Titans who had been hiding nearby.

With that, the battle for Wall Maria—and indeed for the survival of humanity itself—begins in earnest. With just Eren the only one on the good guys’ side able to transform, and the need to plug that second gate, this is not going to be an easy fight. And there are sure to be more curveballs in store for the scouts courtesy of the kooky Titans.

Dororo – 13 – Face/Off

Since leaving Daigo’s lands Hyakkimaru has barely slept, as he seeks out any and all demons to kill until all of his parts have been returned, and Dororo is worried about him. He suggests they head to a hot spring for some rest and recovery, but has to lie about there being a monster there to get Hyakkimaru to go along.

Turns out Dororo’s only half-wrong: there is a monster in these parts, but it can be found under a waterfall. A great stone statue possessed by a demon cleanly cleaves the faces off victims. A woman with long black hair is delivering these fools to be de-faced, and she in turn can look and sound like anyone.

When Dororo encounters the statue while collecting firewood, the woman appears as his mama, and the resemblance and sound of her voice are so familiar he can’t help but want to call her Mama, which she allows (her real name is Okaka).

As Hyakkimaru dozes, Okaka tells Dororo the story of the statue, a giant Fudo that was to be a scorned carver’s masterpiece and thumb in the eye of his detractors. But he never completed the face, working himself to death but never satisfied with the results.

As Dororo starts to nod off, Okaka reveals that she drugged the both of them, and that she is in fact the carver, revived by a demon to complete the Fudo’s face. And Okaka thinks she’s finally found the perfect face in Hyakkimaru’s.

When Dororo comes to, he’s just in time to slow Okaka down before she can place Hyakkimaru in the path of the Fudo’s giant sword; that buys enough time for Hyakkimaru to wake up, cut himself free, and start hacking at the Fudo, much to Okaka’s chagrin.

Dororo, whose guileless kindness has clearly had an effect on Okaka to this point, manages to convince the carver of the madness she has wrought. Okaka doesn’t know how her obsession with artistic perfection has turned him into a murderer.

The demon within the Fudo isn’t so contrite, however, and it slashes Okaka nearly in half with its sword. Hyakkimaru finishes it off, and the demon disperses, but before Okaka dies and turns to ash, she asks if she can feel Dororo’s smiling face—like the kind face of the Buddha statues she once carved.

Dororo apologizes to Hyakkimaru for getting tricked by his mama’s face, but Hyakkimaru tells him out loud that he’s fine, and that they should proceed to the hot spring to rest. Once they get there, they find Biwamaru is already there (and he believes they were fated to keep meeting like this).

They also encounter a father and two rugrats who jump into the spring and splash about, disturbing the tranquility. But they also notice something on the annoyed Dororo’s back: an elaborate red tattoo that looks like some kind of map. That just may indicate where they should head next, as they’re currently lacking a set destination.

Dororo returns with a new OP (not as good as the first but still nice), ED (wonderful vocals with somewhat muddled visuals, though that’s probably the point), and demon-of-the-week. We also learn Hyakkimaru’s mom is still alive (though not in good shape) and that Daigo believes his deal with the demons is still in effect, but who knows for how long.

Attack on Titan – 49 (S3 Fin) – To The Basement

The bigwigs decide that the serum Kenny gave Levi should stay with Levi, to use if, when, and where he deems necessary. Where Levi bumps up against the brass is when Erwin insists on leading the battle to retake Wall Maria.

Even when Levi threatens to break his legs, Erwin is adamant about being present when they learn the truth, and if they retake the wall and gain access to the basement of Eren’s house. If he dies before that, so be it; Hange will take command in his place, and someone else if she dies.

The night before the battle (which is kept secret from the public) is to commence, the Scouts are treated to a morale-boosting feast that includes meat, something that’s been in short supply since Maria fell.

The mere sight of the meat on the table sends Sasha into an uncontrollable berserk mode, and she has to be tied up. Meanwhile, Eren and Jean start heartily going at it, at first with words, then with their fists…but no one stops them, at least until Levi kicks their asses and orders them to bed.

Mikasa and Armin decided not to interfere in Eren’s fight with Jean, both due to his quick healing, and the fact that it’s just nice to see Eren being “spunky” again, rather than moping or skulking or wallowing in despair. No doubt his experiences with Historia have changed his perspective and narrowed what he deems his responsibility.

He’s no longer trying to do everything on his own, or feeling like he needs to. Rather, he now accepts that nobody, not even Mikasa and Levi (of whom he always jealous for their ridiculous strength and skills) can accomplish much alone. Individuals have to find what they can do, and then rely on others for the rest.

The next morning, it’s quickly apparent the embargo on news relating to the battle for Maria was broken by Flugel, whose company provided the meat for the scouts the previous night.

As a result, the regiment gets perhaps its warmest and most enthusiastic sendoff, with the crowds below cheering as the scouts scale the wall, and Erwin pumping them up with battle cries and an order to commence.

It’s all very triumphant…but I couldn’t help but feel uneasy. It’s not going to be easy to retake a whole wall, after all, and it’s certainly not going to happen this third season.

Rather, we’ll have to wait for a fourth, and judging from the little teaser we get mid-credits—in which a bloodsoaked Levi slugs Eren and ends up with Mikasa’s blade at his throat—it’s clear that all of the hardships overcome this season will be replaced by a whole new batch of new ones.

And then there’s the nagging question of whether we’ll ever see that dang basement—or if it will continue to endure as one of anime’s longest and most frustrating teases. Until next year (or whenever), farewell, AoT.

Attack on Titan – 48 – A Story Utterly Useless to Humanity

Since ascending to the throne, Queen Historia seems to have led a very modest lifestyle, preferring to run an orphanage in the countryside than sitting on some gilded chair in a stuffy hall. The people call her the “Cattle-Farming Goddess”, and it’s not at all meant as an insult.

Also, as both she and Eren continue to adjust to their new roles they are spending a lot of time together, side-by-side, and some of that time they are engaged in what some could call flirting, and I am THERE for it. I am also there for Mikasa shutting such instances down with a glare for the ages.

Speaking of glares, all of the scouts we’ve followed realize how much they’ve been through in the last few months, and how they’re no longer newbies or rookies or greenhorns. They are veterans, and their ‘resting grave faces’ practically scream “we’ve been through some shit” to their “juniors” in the 104th who relatively speaking haven’t seen much action. They certainly haven’t seen their former comrades and friends turn into Titans.

But whatever shit they’ve been through pales compared to Eren, who has been through some truly existential, philosophical shit. As Jean remarks, he’s always off in the corner muttering weird shit to himself, like whether those who are Titans are merely being tormented by some kind of nightmare (Ymir’s word for it) that takes a terrifying physical form.

However, thanks to the flashes he’s been getting, he now knows who to talk to next about his father: no less than the cadet corps commandant (i.e. hardass drill sergeant) Keith Sadies. He, Levi, and the other scouts in their circle return to where their training began. Keith can tell how much they’ve been through, and how they’re no longer the maggots who crawled into his camp not too long ago.

Still, he doesn’t know how helpful he can be to Eren & Co., other than telling them the story of how he first met Grisha Yeager twenty years ago, at the gates of Shiganshina, dazed confused, and lacking memories of how he got outside the wall.

Grisha eventually remembers he is a doctor, and starts serving the people of the district in that role curing them of plague and other maladies—including the bar waitress Carla, in whom Keith seemed interested, but who would later become Grisha’s wife and give birth to Eren.

Keith also distinguished himself, rising to Scout Regiment commander (Erwin’s predecessor). He was well-suited for scouting, as life inside the walls always felt too cramped for him. But he also could sense that he wasn’t “special” enough to do much with his position or his life outside the walls, something all but confirmed when he led an assault on the Titans that ended in defeat and an embarrassing retreat that harmed the Scouts’ reputation with the people.

By the time he returns from this defeat, he, Grisha, and Carla, once so close, had drifted far apart, and Carla had little Eren. Carla and her husband worry about Keith and when his next mission will kill him, but Keith angrily tells her that he’s not like the other multitudes of people within the walls, utterly lacking imagination and unashamed of living “useless” lives producing “nothing but shit.”

It’s perhaps too harsh a diatribe to subject to a mother holding her young child, but considering what he just returned from, his rage and exasperation were understandable.

By the time the Colossal and Armored Titans breach the wall at Shiganshina, Keith had already stepped down as Commander. Lacking that “special” quality he felt to be absolutely essential, Keith felt he had accomplished nothing, because that’s all normal people can do. All he could hope for was to be a “bystander,” not a leader or agent of change. He joined the flow of those he once despised, feeling he had no other choice.

Hange is disgusted by what she sees as nothing but puerile self-pity on Keith’s part…but being pretty damn special herself, she can’t really ever relate to how he felt in the past when he gave up his title, or how he feels now.

In the aftermath of Shiganshina, he and Grisha crossed paths once more, but not for long. Rather than avenge Carla as Keith suspected he would, Grisha took Eren away and fashioned him into his instrument of vengeance.

The utter hatred for and desire to kill all Titans that Eren possesses at the very beginning of the series was instilled not only by what he witnessed, but also at the urging of his father. And Keith was the one to find him unconscious in the woods, with Grisha, who’d likely injected him with the power of the Titan earlier, nowhere to be found.

Eren too has also come to believe he’s not special either, merely the son of someone special. He was chosen, sure, but by that father. Everything he is and does, he became because of that father’s choices.

It’s a somewhat narrow view that ignores the fact he had to make his own choices along the way, but never mind; his mother Carla never cared whether his son was “special” or “normal”; instead, she felt it was special enough simply to be alive, and to be able to survive.

Out of worry for his ultimate well-being, Keith worked hard to keep Eren from getting into the Scout Regiment. But Eren was able to overcome everything he threw at him, including sabotage to his ODM training gear. But it wasn’t that Keith Sadies couldn’t do anything because he was’t special; it was because he was Keith Sadies.

Karakai Jouzu no Takagi-san – 02

Nothing new to report, but that’s a good thing: Master Teaser Takagi-san continues bringing the warmth, charm, and sweetness. It does so with a trio of new situations, starting with calligraphy class, in which Takagi and Nishikata agree to write “what they want from one another.”

Nishikata, believing this an opportunity to get Takagi to stop teasing him, first writes”restraint”, but she writes “status quo.” When he writes “kindness”, Takagi suddenly seems really kind, even though she didn’t see what he wrote.

Finally, he decides not to dance around it anymore, and simply writes “Don’t tease me,” then backs it up with direct spoken words as well. Takagi really enjoys teasing him, but she says she’ll “try her best” not to.

Of course, she wrote her calligraphy before making that promise: “You have ink on your face,” and she put it there while acting kind! Mind you, she kinda cheated by writing what was on him instead of what she wanted from him. Alas, Nishikata is too embarrassed to point that out.

After a brief interlude in which the three girls in Takagi and Nishikata’s class struggle to change to their short-sleeved uniforms on the same day, it’s back to the cute couple who have eyes only for one another, who are in English Translation class. (Hey! A school anime that actually depicts students in class most of the time! AMAZING!)

Nishikata finally gets a relatively clever idea: it’s June 18th, and Takagi is student #18, so he tries to distract her so that when the teacher calls on her, she’ll be unprepared. The plan seems to succeed at first, with Takagi even betraying a half-moment of flustered-ness we’ve come to expect of Nishikata. But when called upon, she knows exactly what line to read.

Noticing Nishikata looking at her, Takagi turns the tables by saying she’s “always thinking” about Nishikata, and the teacher decides to add the month and the day to select Student #24…Nishikata. And yet, for all her teasing, you get the feeling she’s being honest about thinking about Nishikata a lot, just as he thinks about her.

Teasing Nishikata is Takagi’s way of expressing her interest in him, it’s just that he’s so wound up in the cycle of teasing, he either overlooks the underlying affection or suspects it as another layer of teasing. And it’s often both!

That inability to ever interpret Takagi correctly rears its head in the final segment, “Pool.” Nishikata can’t swim due to a bandaged hand, and to his shock, Takagi is also sitting it out. She correctly guesses that his hand was injured when he tried to pet a stray cat, so she asks him to guess why she’s not swimming.

When she holds her stomach, he remembers a classmate saying girls on their period don’t swim and experience abdominal pain. But he doesn’t want to say that, because it’s generally considered rude. Searching for another reason, he remembers another sage classmate telling him small-chested girls are self-conscious about their chest size.

This time, we get visualizations of how Nishikata thinks the interactions with Takagi will go after giving each answer. When he also remembers that periods are nothing to be ashamed of, he finally guesses that, which is wrong…and rude, says an apparently offended Takagi.

However, she immediately laughs afterwards, then slowly removes her shirt and shorts in front of Nishikata to reveal her school swimsuit. Turns out she only stayed out of the pool so she could tease Takagi. She says hopefully next time they’ll be able to swim together. Takagi is dubious as always, but I don’t doubt Takagi’s sincerity in the slightest. So till then, Nishikata, avoid stray cats!

Karakai Jouzu no Takagi-san – 01 (First Impressions)

It’s said that boys tease girls that they like. It’s also said they do this because, in their adolescence, they don’t yet know how else to express their like properly.

Well, in Karakai Jouzu no Takagi-san, the titular girl Takagi teases the Nishikata, the boy who likes her, and the time and effort she puts into getting him to laugh, shout, and/or otherwise disrupt class and get in trouble, suggests the affection is mutual.

Of course, this is middle school, so Nishikata treats Takagi’s incessant teasing as something that must be responded to in kind. He focuses on the fact this girl is beating him at the teasing game he wants to win, instead of the fact that, hey, this pretty girl is interested in me.

This teasing takes three forms in the first episode: an eraser (upon which one writes the name of their crush), during early day duty (where Takagi lies in wait behind a curtain) and with funny faces (which Takagi immediately turns back on Nishikata).

In every case, Takagi always wins and is always at least one step ahead, and Nishikata always fumes internally, his pride constantly being shattered.

To which I say WHO CARES? If this lady wants to tease you, let her! Don’t get so worked up about being beaten. (I know, I know, he can’t hear me. Even if he could, he wouldn’t listen.) 

In any case, I never tired of watching Takagi get one over on Nishikata, and I don’t think I ever will, which is why I think I can keep this on my Winter list. Takahashi Rie and Kaji Yuki’s voices are a delight to listen to. The show is oozing with warmth and charm.