Toaru Kagaku no Railgun T – 14 – Here There Be Dragons (and Dancing)

With all other conflicts resolved, all that’s left is for Touma to capitalize on all of the breaks his allies have given him, charge in, and break that nasty shell around Mikoto once and for all. When he does so, his arm flies off from the impact, but a veritable novelty nuts can full of multicolored frikkin’ dragons erupts and attacks the shell from every angle until it finally shatters. Even Sogiita is impressed by such a grand display of Guts.

Since her Level 6 pupa destroyed her clothes, Mikoto ends up naked once the remnants of the shell crumble from her body, but Touma is ready to cover her up with his big jacket. He could sense she was mulling some kind of suicide tactic that would purge all the sinister elite forces of Academy City all by her lonesome.

But if there’s anything he learned from this arc, and which she can impart from her eventual rescue, is that nothing can be done about that all at once, or by just one person. Little by little, they’ll change things and shine light on the dark corners together. Before leaving the site of their battle, Sogiita notices the strange metal residue that wasn’t there before, and is likely similar to the material Saten was investigating before everything went nuts.

With that, Mikoto makes her rounds, starting with MISAKA, who is on the mend thanks to Heaven Canceller’s ministrations and the elimination of the virus affecting the Sisters as a whole. But the real treat is when she visits a recovering Mitsuko in the hospital. She offers her heartfelt apologies, but Mitsuko offers her own for not following through on her big words. Mikoto is someone she and others will always naturally gravitate toward.

By watching so many be inspired to action on Mikoto’s behalf, Mitsuko herself has become more compassionate towards others, especially when she learns what Wannai and Akatsuki did on her behalf. Mikoto thinks she’s “not that great” a person, but that’s for others to decide—and they’ve long since decided she is great, and worth putting their lives on the line to aid.

In the aftermath of their epic sub-boss battle, a depleted Kuroko simply left a handcuffed Mitori in the sewers for others to pick up later. As Mitori resigns herself to becoming rat food after realizing the mission has failed if she’s still breathing, she’s visited not by a member of Judgment, but by Misaki. Will she free Mitori as a fellow friend of the dearly departed Dolly? Is there something else afoot for the scheming-yet-slow sparkly-eyed beauty?

Only time will tell, but having learned of all Misaki did to protect the city, Mikoto is committed to seeking common ground with Misaki in future endeavors, citing “her own brand of justice and convictions.” Of course, once Mikoto learns that the memories Misaki implanted in her friends involved her gastrointestinal distress the whole damn school knows about, Mikoto immediately reconsiders simply killing Misaki the next chance she gets.

Misaki also restored the memories of Kuroko, Saten and Uiharu, which almost felt like a bittersweet, almost cruel move, since it meant the off-camera demise of the more nuanced Amnesia!Kuroko, truly one of this arc’s MVPs. I for one would have liked to see her give Mikoto a proper goodbye, even though that would have been tricky as a practical matter.

Aside from Sogiita’s mention of the metal at the battle site and Misaki locating Mitori, this episode doesn’t provide a lot of hints about what future threats are to come, and that’s a good thing; especially after all the episode delays, I was looking for closure on the arc and an opportunity for everyone to kick back, relax, and celebrate their victory, even if none of the city will ever know what transpired.

That means fireworks, festival stall foods…and a positively adorkable folk dance between Mikoto and Touma, set up beautifully by Saten and Uiharu. Kuroko may have her objections to sharing her onee-sama, but the other two acknowledge what Touma did for Mikoto, not to mention how Mikoto acts all flustered whenever he’s around. Of course, Mikoto manages to make herself turn beet red when she also acknowledges she treasures Touma by dint of saying she treasured everyone who helped her this time.

Of course, Saten and Uiharu can only keep Kuroko at bay so long, as she eventually teleport-kicks Touma to the side in order to claim Mikoto for herself, citing “time’s up!” Similarly, while this was a much needed episode to wrap up the arc and provide closure and a period of relief, the preview for the next episode indicates we’ll be getting right back down to business (Edit: it will be an epilogue episode after all…but I don’t mind). All I know is, this was one of if not the best arcs of the entire Index/Railgun franchise, and it will be hard to top.

Toaru Kagaku no Railgun T – 13 – Wagering to Lose

After a week-long postponement, followed by roughly 8 minutes (or a full third of the episode) of Kuroko recapping events so far, events finally, finally take a turn in the good guys’ favor.

There may not be a full episode of full content here, but what we do get is just so goddamn good—not to mention perfectly set up by the events previous episodes—I can’t hold back my “9” rating rubber stamp, which will simply keep coming out as long as Railgun continues to be this compelling and satisfying.


For one thing, even a recap is a delight if narrated by Arai Satomi, including her flowery fluster when mentioning Mikoto’s intoxicatingly trusting smile. The recap is also plot-appropriate, as Kuroko is “calmly reassessing the facts” in real time prior to taking decisive action against Kozaku Mitori.

When Kuroko finally appears in the sewer just as Mitori is about to celebrate her win, it’s not only a great moment (one forgets how much Kuroko can bring the pain), but the culmination of a logical string of events.

Mitori is ultimately undone not just by Kuroko’s constant countermoves, but by the simple fact that she’s operating all on her own (Kihara is obviously indisposed), while Kuroko has the trusty pair of Ruiko and Uiharu back at the Judgment office.

Uiharu is able to isolate the one festival relay camera Mitori hacked out of the thousands and manipulate it so Mitori loses her tactical advantage…at the height of her confidence in said advantage. A proud Ruiko fanning an exhausted Uiharu is the cherry on top.

Over at Exterior HQ, Kihara uses the code he forcibly extracted from the asphyxiating Misaki…only for the giant brain to self-destruct, rendering Kihara unconscious.

We backtrack to when Misaki first considered how she’d use the gravitron panels against Kihara.  Like Kuroko, she’s calmly assessing her options until the only one that gives her the best chance of winning is…to bet on losing.

In a stunning gamble, she turns her Mental Out remote on herself, switching the limit release code with the self-destruct code then erasing her memory of doing it. Kihara assumed from her body language she was out of options…but only because she herself forgot she had one more option. Just smart, competent writing.

With both Kuroko and Misaki scoring victories, it was inevitable the good guys wouldn’t come out on top in every situation, and so it is with Mikoto, who remains on the way to Level 6.

Even when Kihara goes down and she regains her self-awareness, she remains trapped in the slowly-developing star that is her berserk mode. Sogiita is bloodied and gassed, and all Touma can seem to do is defend from intermittent attacks.

But as he says before the credits roll, this isn’t over. I’m sure Sogiita has a second or third wind in him, and he and Touma no longer have to deal with this alone; Kuroko and Misaki are now free to assist. Even if Misaki is adamant that she doesn’t care what happens to Mikoto, like Mitori she doesn’t like how things ended with Dolly.

Railgun T Episode 13 Delayed Indefinitely (Updating)

Bummer…

Who’s going to step up and stop the out-of-control Mikoto from becoming a supernova (or white dwarf)? Who is going to punch Gensei in his smug cyborg face and foil his plans? Will Kuroko ever get her memories of onee-sama back?

Uh…dunno. We’re seemingly almost at the end of what has so far been the best Toaru arc yet (only five chapters remain to be adapted, apparently), but this week’s episode has been postponed.

UPDATE: Episode 13 will air May 1. We’ll have a review soon after we’ve watched it!

Toaru Kagaku no Railgun T – 12 – A Star is (Being) Born

Misaki hoped that Touma would be able to keep Mikoto under some measure of control with his Imagine Breaker, but that possibility went south almost immediately. Touma finds himself staring down an inability to do anything other than slow Mikoto down a little, and even that largely depends on properly utilizing Gunha’s One Punch Man-style strength.

Meanwhile, Misaki shadows Gensei until she can’t conceal herself anymore, and learns he’s using Multiskill to borrow powers from espers he’s “acquired” (i.e. abducted). He needs the code embedded in her brain (and located nowhere else) in order to release the limiter on Exterior, allowing him to control Mikoto better.

Gensei also deduces that around the halfway point of her transformation to Level 6, she’ll attain other-dimensional entity status. She’ll touch godhood for only an instant, then “come apart” as an individual. And like a dying star, she’ll either end up a withering white dwarf or an explosive supernova—in either case it’s probably curtains for Academy City.

Misaki believes the fact she’s on her home turf, a place full of traps she control, gives her an edge, but it’s not long before Gensei pins her shirt to the wall with ice crystals. Luckily he misses her vitals (and incidentally, her body), but his ability to manipulate air means he can remove all the air from her immediate vicinity, and choke the code out of her.

Fortunately for Misaki, Ginsei’s penchant for theatricality and tendency to get carried away works to her advantage, as she sacrifices a bit of her shirt to slip away while he’s lost in momentary megalomaniacal rapture. A recurring gag throughout the ensuing cat-and-mouse chase is that the un-athletic Misaki is running at, shall we say…a leisurely pace? More moseying than running, really. Just a momentous little nugget of continuity, that.

Meanwhile, Kuroko continues her search for puppetmaster Kozaku Mitori, as she systematically deprives the puppet of sight (destroying the auxiliary camera) and sound (using anti-eavesdropping devices to nullify its echolocation). Her secret agent gadgets and ability to teleport keep Kuroko safe, right up until Ruiko and Uiharu find the building where Mitori is holed up.

Once in that building’s lobby, Kuroko screws up by not assuming Mitori could have a Mk.1 Eyeball on her. She gets grazed in the side and a deep cut to the arm, but she’s still standing, while Uiharu has trained all surveillance cameras on the building, so there’s no escape for Mitori. That’s when Kuroko starts to feel that something is off…is this just an elaborate exercise to keep her busy and out of the way? Is there still something else going on?

Back at Exterior HQ Misaki does her very best to stay one step ahead of Gensei, but while she’s an extremely shrewd and capable (if physically slow) chess player, she’s hamstrung by a much weaker poker game. With his superior years and experience, Gensei can sense when the tables are about to be turned against him through Misaki’s body language, and thus formulate a quick counter.

Misaki’s trump card is the “gravitron panels” that appear to use nanotechnology to build structures and supports. Developed both for scaffolding and making shortcuts for Misaki, she employs them to restrain Gensei by the wrist…only for him to painlessly pop his hand off and cackle in response. Not only does he possess a wide range of esper abilities he can use at will, but his body is more machine than man, a result of a long life of near-death incidents.

There’s seemingly nothing left in Misaki’s bag of tricks, and Gensei can sense that too, so he again sucks the very air from her lungs, and uses the resulting mental weakness to steal the limiter codes from her mind. Things look very dire for Misaki—and Kuroko, if she gets injured any worse. More troubling is that unlike Touma with Gunha, neither Misaki nor Kuroko have any backup (other than the latter’s open comm link to Uiharu and Ruiko).

This episode was a great collection of isolated standoffs and chases, but Mikoto doesn’t have a chance of ever returning to her normal adorable self—nor does Academy City have a chance of remaining standing—if there isn’t some kind of consolidation of good guys, and soon. It makes me wonder if there aren’t more players destined to join the fight.

Toaru Kagaku no Railgun T – 11 – Team Lightning Round

Berserk Mikoto is no longer in control of her body, while her mind is being invaded and manipulated by Kozaku Mitori, using the Exterior ability Kihara Gensei is sharing with her in exchange for protection. Mitori convinces a very confused Mikoto to attack the Windowless Building, but a lightning blast dozens of times stronger than her normal Railgun doesn’t even scratch it. Gensei estimates Mikoto is only about 2% on her way to Level 6.

Mikoto is thus well and truly not in control of her fate. After an entire season of running around trying to fix things, it’s up to external parties to save her—and, incidentally, Academy City itself. Misaki serves as coordinator. She may have lost Exterior but she still has Mental Out, and uses it to convince Antiskill to evacuate the festival civilians and not interfere, lest needless casualties mount.

Thanks to overhearing Xochitl and Ruiko, Touma is now involved as well, and Misaki helpfully uploads all of the information he needs to be brought up to speed. Even so, all she can tell him is that his Imagine Breaker might cancel Mikoto’s Berserk Mode. The problem is, there’s so much electricity and debris surrounding Mikoto, Touma can’t get close enough to touch her and test that theory.

That’s when Sogiita Gunha, our third Level 5 of the episode, makes his reappearance, saving Touma from being pummeled by a giant ball of amassed stone and metal debris by giving it the ol’ Amazing Punch. Since Misaki never gave him a headdump Gunha’s a little slow on the uptake, but Touma’s Imagine Breaker intrigues him, and he’s clearly excited to punch stuff, especially if it’s for a good cause. His ultimate offense and Touma’s ultimate defense makes for an inspired pairing.

Thanks to support from Uiharu and Ruiko, Kuroko manages to pinpoint Kozaku Mitori’s location. Since Mitori is at least Level 4 it’s an even match on paper, but I wouldn’t bet against Kuroko any day. I actually like how Misaki gave her a headdump but didn’t restore all of her memories, perhaps assuming they’d be a distraction. Nevertheless, Kuroko is energized by the fact Mikoto trusted her with Mama’s safety. She’s practically shining in this episode.

Once Gunha learns that Touma needs to get close…too close to Mikoto in order to attempt to dispel her Berserk, he uses his Punches to clear a path and then tosses Touma like a baseball straight at Mikoto. Touma finds and opening and touches her shoulder, but it only exposes a few square inches of her normal skin, and only for a second before the electrified skin closes up. Gunha then catches Touma in a Princess Hold, which is frikking adorable, but it’s clear they’ll have to keep this up quite a bit to put a dent in Mikoto’s stout defense.

We end with Misaki, who networked with all of the allies we saw this week to get them on the same page, stealthily stalking Gensei. Since Kuroko is taking Mitori on, Gensei would seem to be all on his own, but I don’t believe for a second he doesn’t know he’s being followed, and has more traps in place for when Misaki eventually confronts him.

Hopefully by then others will have made progress with their jobs and can back her up. However things unfold, this is one hell of a start to the final skirmish that will takes us to Railgun T’s halfway point. I’m thoroughly invested in every one of the little mini-battles going on at once. How often can you say that about a show?

Toaru Kagaku no Railgun T – 10 – Goodbye, Dolly

When Misaki and Mikoto hit a major traffic jam, Misaki summons the power of the “Exterior” to brainwash every driver in their path to pull aside, thus clearing a path. It’s clearly a significant effort for Misaki, pushing Mental Out to its limits. From there, we learn about how her ability was developed at the same facility as Prototype, perhaps the first Mikoto clone. Her nickname, “Dolly” is a reference to the first successfully cloned sheep.

Dolly ‘s handlers have been unable to make progress with her ever since her friend “Mi-chan” (heavily implied to have been Kozaku Mitori) went away. The white coats (who distressingly see both Dolly and Misaki as merely test samples to be used and disposed of as needed) conscript Misaki to be Dolly’s new lab-issued friend.

Misaki uses Mental Out to brainwash Dolly into believing she’s Mi-chan. Misaki was just as haughty back then, so she’s initialy feels his whole enterprise to be a hassle…until she becomes fast friends with Dolly. Like the girl who was cloned to create her, Dolly is far more athletic than Misaki, as evidenced by her far superior garbage can aim.

At the same time, Misaki tries to impress upon Dolly the importance of growing into a refined lady—a losing battle she picks up with Mikoto, to a degree. Without even intending to go along with the white coats, Misaki ends up restoring Dolly’s “inner peace”, allowing research on her to continue without emotional anomalies.

More than that, Misaki forms a real emotional bond with Dolly, blushing when Dolly suddenly hugs her—and pointedly smells out the deception. The two are simply playing around until Dolly suddenly collapses, her clone body shutting down.

It’s then, when she reaches her hand out for a distraught Misaki, that Dolly asks her her name. It dawns on Misaki that Dolly knew she wasn’t Mi-chan, but kept the fiction going because she was happy to have a new friend, and grateful to Misaki for being one. Dolly’s death is a gut punch.

The white coats are then frustrated when Misaki is the one in emotional turmoil, as if it never occurred to them she’d have these things called feelings. Call it professional detachment from one’s scientific subjects…but Misaki is human, for chrissakes! Showing no deference to them, Misaki uses her Mental Out on all of them and learns the truth: once they’re done tinkering with her, she’ll meet the same fate as Dolly.

The Exterior project continues, with part of Misaki’s brain removed and cultivated into a huge brain, which serves as a booster for her powers—and which is what she used to part traffic back in the present. It’s also the “DNA Computer” the urban legends site mentioned. By the time she and Mikoto arrive at Exterior, Kihara Gensei’s forces have already infiltrated, forcing Misaki’s associate Keitz to flee to the roof with 10032.

But Misaki is too late: Kihara tunes the giant brain to his own brainwaves, bypassing the need for length registration and enabling him to use Mental Out. He uses it to freeze Keitz, takes his phone, and uses it to trash talk Misaki, revealing that it was he who instructed Kiyama Harumi on how to use Level Upper.

He then removes all of the protection placed on MISAKA 10032, something First Order immediately notices while playing cards with Accelerator in a hospital room. Then Kihara injects a kind of mental virus into 10032, which is instantaneously transmitted to all other Sisters in the network, knocking them all out.

Mikoto arrives on the rooftop just in time for Kihara to trigger her dormant esper powers. She’s revealed to be his main target all along, as he hopes she’ll be the first to achieve a stable Level 6. Several floors below, Misaki no longer has access to Exterior, while Touma manages to track down Saten as she’s exiting the factory with Xochitl.

The main pair of powerful lasses, then, will need some outside help if they’re going to have a chance of escaping Kihara’s clutches. Mikoto looks completely out of control—half-Akira, half-Little Prince—or worse, under Kihara’s control. Will spirited, virtuous youth win out over the greed and contempt of an old man with a Gorbachev birthmark? We shall see…

Toaru Kagaku no Railgun T – 09 – The Thick of It

Mikoto and Misaki take different routes to get to Kihara Gensei, underscoring their very different methods of infiltration. Mikoto can blast her way in with her Railgun, but has to wear a suit and sunglasses as a disguise, but Misaki can stroll right in the front door and simply Mental Out anyone posing a threat, then use them to assist her search.

For all the buildup around the two girls teaming up, we don’t actually see them together as much as I’d expected, and they ultimately don’t have much to do at the facility (more on that later). Instead, the episode checks in on Kuroko and Uiharu’s investigation of Kozaku Mitori, who apparently faked her death at the reform school she was sent after committing acts of terrorism.

And then there’s Ruiko, who makes the mistake of letting Touma of all people borrow her good luck charm for his scavenger hunt! It’s a nice little cameo that is also a way of the show admitting with a shrug that “yeah, the Daihesai Festival doesn’t really matter anymore!” 

Ruiko could’ve used that charm on her impromptu trip to the abandoned liquid metal factory. She had a hunch that it might not be so abandoned after all, and she learns not only are the lights and security doors functioning, but the place is crawling with people probably up to no good.

Soon she’s lost and trapped and bumps into Xochitl (in her latest disguise), who is content to let a foolhardy civilian go unharmed until Kozaku Mitori shows up and demands Ruiko be disposed of after (likely harsh) interrogation.

Instead, Xochitl challenges Kozaku to a fight, condemning her as a traitor working outside the bounds of the Governing Board who basically used MEMBER’s services without the proper paperwork. Mitori decides to retreat rather than risk finding out what weird tricks Xochitl has up her sleeve, and Ruiko is free to go.

Meanwhile, Mikoto and Misaki’s infiltration efforts prove all for naught—if Kihara Gensei was ever in the building, he’s not there now. All they find is an underling disguised as Kihara, with memories that address Misaki by name. As powerful as Misaki’s Mental Out is, Kihara managed to troll her with it! That’s bound to stick in the craw of someone as prideful as Misaki.

Mikoto can only follow, shedding her fetching suit (which fit perfectly somehow!) and piling into another Mental Out Lyft with Misaki as she races to where the real Kihara might be. The old man also mentioned something called Exterior, but Misaki deflects Mikoto’s questions about it in the preview.

Just when I was quietly praising how relatively straightforward and character-driven Railgun T has been compared to its Index cousins, here comes the underworld organizations and their shadowy agents muddling everything up. Even so, characters still shined this week, especially Debonair Mikoto and the near-pathologically curious Ruiko.


Toaru Kagaku no Railgun T – 03 – In Borrowed Clothes

Railgun T has done a great job so far putting a fun esper-y twist on the classic sports festival formula. Like the three-legged race last week, the balloon hunt is made more creative and exciting with the use of abilities. Adding MISAKA 10032 while Misaka Prime takes a rest takes things up a notch.

MISAKA is never not fun to watch as she calmly assesses her environment dodges attackers and adds notches to her belt. Unfortunately the rest of the Tokiawadai team is so confident of victory they don’t bother with any real teamwork and are undone by the scrappy underdogs’ simple tactics.

That said, Kongo’s melodramatic “death scene” was so worth it, and I liked the idea of Tokiwadai’s adult leaders being glad their pompous rich girl students are having their asses handed to them. They intend punish them with extra dorm chores, and hopefully the sting of the loss will make them rethink their strategy next time they face a seemingly easy opponent.

Speaking of stings, MISAKA probably only loses because Baba-kun (the other team’s leader who had intel on all the Tokiwadai students) uses the balloon hunting fracas as a distraction so he could sting her with a tiny robotic bug. When MISAKA meets with Misaka later, the real deal tells her there’s no reason to hang her head as long as she had fun.

This week marks the first Kamijou Touma cameo, as he runs into Misaka quite by chance as she’s in line for drinks. Misaka is uncharacteristically civil with him as he offers to grab drinks for her, but things take a turn when Misaki spots her with him, is momentarily embarrassed, and takes Misaka’s arm like they’re BFFs.

The last straw is when Misaki, seeking to insert herself into their relationship, gloms onto an unwitting Touma, and her much larger breasts press against him, leading Biribiri to shock him—and for him to cancel said shock with his Imagine Breaker, which sports yet another new sound effect.

As packed as this episode was with Misaka, MISAKA, Touma, and the Balloon Hunt, the show doesn’t forget to check in on the rest of the central quartet. Whether it’s Shirai not losing a step with her Judgment duties (thanks to her teleportation) or Uiharu agreeing to help Ruiko locate “Shadow Metal” for the thrill of it, it’s just great to see these characters back in action and in the spotlight.

If all the preceding events make it sound like a lightweight episode, the episode’s conclusion certainly changed that perception, as the effects of the robo-bug hit MISAKA when she’s alone and isolated (aside from her cat) while Misaki and a suited fellow move in to apprehend her.

Earlier, Misaki was watching a big screen and I could have sworn she could tell the real Misaka wasn’t participating in the balloon hunt. She also mentions how her Mental Out ability is another tool she can use to prove someone’s identity.

Either she’s still fooled into thinking MISAKA is Misaka despite all that, or she’s going to use MISAKA as bait to nab the genuine article. Either way, Misaka’s troubles are about to outstrip Misaki glomming on her guy…

To Aru Majutsu no Index III – 26 (Fin) – Grasping Rays of Light, Holding Them Tight

Accelerator’s technobabble solution to saving Last Order works, and she wakes up to her guardian’s warm embrace. But it doesn’t last long, as Accelerator leaves her in Worst’s care (worst babysitter ever?), literally spreads his newly-formed angel wings, and heads to the Star to eliminate another threat to his charge.

Turns out he and Touma never cross paths in this finale. The telesma overload turns out not to be as powerful as Fiamma hoped for, and all he gets for all his planning and scheming is a devastating haymaker from Touma that leaves a fist-sized crater in his cheek.

In his generosity (and unwillingness to kill, even a supervillain) Touma gives the sufficiently cowed Fiamma the last escape pod off the Star. When Misaka finally arrives to rescue him in a fighter jet (sadly without exclaiming “It’s not like I wanted to save you!”), he refuses her outstretched hand.

He’s thankful she came all the way out her to help him in his time of need, but he’s not ready to leave the Star yet; not without locating Index’s remote control, which Fiamma dropped and which Touma finds almost too easily.

A projection of the awakening Index appears before him, and he confesses to having kept her true nature a secret all this time. Of course, Index doesn’t particularly care about and perceived wrongs he may have perpetrated against her; she’s just glad to see him and wants him to come home safe.

Touma’s final heroic acts of both the arc and the season involve smashing three specific points in the Star in order to ditch it somewhere no one will be harmed: the Arctic Ocean. He even manages to collide with an out -of-control Gabriel/Sasha, driving her into the icy depths before punching her in the face. Yes, Archangel Puncher is another possible title for that right arm. I also must applaud Touma’s ability to survive in near-freezing waters as long as he does.

The new ITEM is quickly surrounded by Academy City forces, led by…Celty Sturluson’s sister? I honestly don’t know, but she’s there to take Takitsubo away to further augment her. Hamazura turns the tables thanks to the arrival of villagers he helped earlier, who kill all of not-Celty’s pals and enable him to ask the masked stranger about the “Parameter List” she mentioned.

Accelerator is also captured by Academy City, but either tricks them into turning his switch on, or he just isn’t governed by that switch anymore. He’s not going back to compromise or negotiate, but to issue demands and then make sure they’re carried out. A “triumphant return”, in his words. The time of the City forcing him to work in the underworld, and using the Sisters or Last Order for their bidding, are over. To which I say Amen, brother!

We’re then treated to a very rare cameo by Mr. Aleister Crowley himself, delivering some poetic justice to Fiamma by claiming his arm while chiding him for scratching the surface of something he didn’t adequately understand. Always neat to see Al in action; he’s more like Aiwass than a human in his speed and movements.

Misaka searches for Touma in the frigid sea, but all she can find is his Gekota strap. While “it’s not as if she’s worried or cares what happened to him!”, she’s obviously worried and cares what happened to him. I presume she’ll just have to wait for Index IV. We, meanwhile, get a sneak peek at his fate: he’s rescued up by another character I didn’t recognize, and had to consult the forum to identify: Leivinia Birdway.

I didn’t dive into who she is or what group she’s with, since that’s also a matter for Index IV, whenever it should rear its magical head. While a bit dense and meandering in its second half with the final waves of exposition, in all it was an entertaining wrap-up.

To Aru Majutsu no Index III – 25 – Out Of Many, One

This episode is one story after another of humans continuing to put aside their differences to unite against the existential threat of Fiamma. After Mugino’s big cathartic blow-out, Takitsubo emerges unharmed. When three Bad Dudes attack them, Hamazura provides the bait, coming at them directly, while Takitsubo holds Mugino up and helps her aim from afar. ITEM is back, baby!

Accel and Worst had already joined forces, and I have to say they make a hilarious team, what with all the scowls, aggression, and love of villainy. Worst extracts the song from the Mikasa Network, and Accel proceeds to use the parchments and all of his amassed knowledge to modify the song in order to heal Last Order, which he then sings! He may have sworn to become “the ultimate villain” to save her, but if there’s no more need for him to be villainous, he’s content with simply being…Accelerator.

Back to the Star of Bethlehem, where Fiamma and a suddenly not outmatched Touma bicker about whether the true nature of humanity is wholly evil, or a heck of a lot more complicated than that. Touma’s obviously pushing the latter theory, and it bears out in many ways around them. WWIII hasn’t drawn out the amount of evil Fiamma expected. On the contrary, the emrgence of giant right arms brings opposing human forces together on the battlefield, where the means of theirfoes’ survival is the same as their own.

Magical and Scientific humans, and even the Roman, Russian, and English churches join forces to bring down Fiamma’s fortress by cancelling the intertwined spells that keep it together. You could say the entire reason for him being able to build the Star was the same reason it was vulnerable to outside destruction: when it was built those three churches were opposed, but now that Fiamma has presented a threat equally disastrous to them all, they’ve put aside their worldly differences.

As the fortress starts to crumble around them, the product of an amassing of human goodwill on a scale he himself summoned, all Fiamma can seem to do is fume over how badly things are going for him. Touma tells him if he really cares about defeating the evil in the world he should be glad that goodwill is winning out. But Fiamma has one more ace of his Venetian pajama sleeve—though it’s not a part of his original plan.

Turns out the evil that was unleashed during the war he started and the subsequent summoning of angel and building of the Star have all resulted in an “unnatural distortion” developing between heaven and earth, which will result in a potentially civilization-ending amount of telesma is about to be released from above. Fiamma tells Touma that he and his meddling human friends are too late. But c’mon, it’s never too late when Biribiri has yet to take the stage.

To Aru Majutsu no Index III – 24 – Renouncement And Forgiveness

When Accelerator finds Last Order and Worst, banged up but alive, Hyouka stops by before phasing out to tell him the data to save the little one, like the song once used to save Index, is somewhere in the network, waiting to be extracted and reconfigured. Worst can access the network to find the song, but when asked how he’ll change the parameters, Accel produces the parchment he’s been carrying.

Meanwhile, Hamazura has survived the blast, but instead of Takitsubo, he encounters Mugino in disguise. She swallows a whole handful of ability crystals and goes berserk, with Hamazura barely able to dodge her massive green beam attacks until she basically burns out.

At this point, Hamazura could kill her, but instead he gathers her into a hug, asks for the fighting and death feuds to end, and for the remaining members of ITEM to forgive and unite once more. Before that can happen, they need to escape Academy City’s bombers. But if Mugino indeed stops hunting Hamazura, then progress has definitely been made here.

As Stiyl continues to struggle for a way to free Index from her trance and Laura stands by not helping at all, Lessar and Sasha come to an agreement whereby Lessar will help the Russian sorcerers escape the Star of Bethlehem before shit starts going down, in exchange for them and Sasha helping Britain out next time they’re in a spot.

It’s a crucial gesture of peace and cooperation between two warring foes in a world war started by Fiamma. The remaining half of the episode is spent on his one-on-one confrontation with Touma.

With the dual powers of he Right Hand of God and the grimoires within Index, Fiamma starts by simply having a little bit of fun using various overpowered attacks against Touma, seeing if he can dodge or absorb everything with his Imagine Breaker. Fiamma also describes the current world like a mechanism or watch whose parts are hopelessly rusted and bent.

Project Bethlehem will restore the world to the way it was, which of course means brushing aside most if not all human civilization and industry. This is a personal project, as Fiamma now sees himself as beyond any one faith. It’s actually quite a shock to see Fiamma suddenly slice off Touma’s arm, turning Touma into a crumbled mess of a blood fountain as he absorbs the arm into his own giant hand.

It was around this time that I thought the killing blow to Touma would be stopped by Misaka, but she’s still on the ground with her clone looking for a way to get up to the Star. Instead, from his bloody stump, a second giant arm and hand emerges and grapples with Fiamma’s. It wrests Touma’s arm back and reattaches it, utterly renouncing the power Fiamma offered.

This is just another demonstration that Touma’s arm is not meant save the world on its own, or do anything else that big and important. Fiamma wanted to free it from what he saw was a mundane existence attached to Touma, and a waste of its potential, but the arm thought otherwise, as does Touma.

It’s at this point Touma starts to understand that the reason Fiamma has constructed the massive Star of Bethlehem and utilized the power of so many others (by force, not fellowship), is because he’s actually afraid that he never had sufficient power to “save” the world on his own—and he’s right; he doesn’t. Touma, meanwhile, has saved countless “worlds,” the worlds of individuals who have relied on him and on whom he’s relied right back.

Like Mugino with Hamazura, only on a larger scale, Fiamma’s plotting and raging at the status quo is unnecessary and unproductive. Like her, he risks burning himself out, along with all the bridges that were built to get him to this point. Looking out at that mess of stolen churches and artifacts he’s amassed, I’m tempted for him to say “look on my works and despair” in the ironic sense Shelley intended.

I don’t know if Touma, with Misaka’s imminent help, will have to utterly destroy Fiamma or simply deliver a devastating, cathartic right hook, of if they can convince him to stand down and accept his vision for a new world ain’t gonna happen. All I know is, it’s sure to be epic.

To Aru Majutsu no Index III – 23 – Joining Hands To Fight

Stiyl’s efforts to bring Index out of her trance go rather poorly (he only ends up digging a big hole for himself…literally!) But Kazakiri Hyouka is on the scene in Russia to take it to the archangel Gabriel. Their ensuing fight about the Star of Bethlehem is appropriately epic in its speed and ferocity.

When Sasha asks what’s up with Hyouka, he assures her with confidence: he may not know exactly what she’s doing there, but Hyouka’s a friend. In fact, they go back a full decade to when their character designs and color palette hadn’t yet evolved to the present 2010s style!

It’s an episode full of odd but interesting pairings, starting with the continued collaboration between Accelerator and Worst. They’ve come so far in so short a time, he’s trusting her to protect Last Order while he deals with the dueling angels. Like Touma, Accelerator doesn’t know what Hyouka is there for. Unlike Touma he has no reason to trust her, especially when he believes she was drawn there by the parchment Gabe is after.

One would think coming straight at an archangel with power on a level hard to fathom who is specifically looking for something on your person would be a bad move, and even with Hyouka also fighting, Gabriel still manages to gain ground on them. When her huge special move is done charging up, a massive “Sweep” of holy arrows rain down on both Accelerator and Hyouka.

They’re largely bailed out by an assist from another seemingly unlikely comrade in Acqua, who uses his presidential authority to draw the water-element telesma out of Gabriel, stopping her in her tracks and weakening her, but its a risky move that could kill him.

Touma figures out that the Star of Bethlehem, being a necessary element in Fiamma’s plans, must have a means of controlling Sasha somewhere among the labyrinth of structures, so he starts wrecking up the place with his Imagine Breaker.

Accelerator, remembering Touma’s words of wisdom (and punch to the face) throws everything he’s got in what he takes the most pride in: protecting Last Order at any cost, even losing. Gabriel self-destructs, but with help from Hyouka, he manages to prevent cataclysmic collateral damage.

The minimization of damage was also made possible by Acqua’s assist, and after taking most of Gabe’s power he’s prepared to pay for it by dying…but Hamazura and Takitsubo find him first, and the former straight up refuses to let him give up. Acqua gets on his feet and lets out a triumphant roar, but I wonder how much he has left in the tank after such exertion.

Once enough setbacks in his carefully-orchestrated plan have taken place and all the myriad forces suddenly united against him actually start making some progress, Fiamma decides to accelerate the part where he takes Touma’s right arm, separating him from Sasha. Turns out even though Gabriel was taken out, she managed to read the parchment and align the Star in such a way that Fiamma could start an element-re-configuring ceremony.

In the aftermath of the Gabriel battle, Accelerator is troubled to find Worst ended up crashing the Hummer she was driving, and both she and Last Order are unconscious. Hamazura and Takitsubo reach the facility where the bacteriological agent will be released, but an Academy City bomber gets there at the same time and obliterates the place, separating the lovebirds.

Our heroes have shown that by putting aside less important differences and combining their forces, they can put a dent in Fiamma’s plans, to the point where he now no longer looks invincible. But it’s taking a harsh toll with Fiamma far from beaten, which means they’re going to need backup, and soon. Thankfully, Misaka’s only 70km away, and her clone presumably knows how to drive.

To Aru Majutsu no Index III – 22 – Angels And Saints Converge

We check in with pretty much everyone this week, from Stiyl trying to keep Index safe from Laura in England, to Touma and Sasha up in the giant floating fortress called the “Star of Bethlehem,” the narrative darts back and forth between all of the various forces converging both directly and indirectly towards the Star and Fiamma, who is seeking nothing less than to becoming superior to God. The ego of this guy, amirite?

You gotta admit, he’s done a lot of preparation for this; his isn’t some half-baked plot easily ended by one punch from Touma’s right hand. He’s not only controlling Index, giving him powers a Right Hand of God would normally wouldn’t have; while he’s used Sasha (via the control device) to summon the archangel Gabriel to mop up all of the “secondary players.”

As Fiamma consolidates all his power for his final push, there’s one thing for the good guys to celebrate: Thanks to Vasilissa, Takitsubo Rikou is finally healed. Naturally, she agrees with Hamazura that they must then immediately jump back into danger to protect the villagers who saved them from being wiped out by the government.

The last piece Fiamma needs is the parchment in Accelerator’s possession, which he believes can be used to save Last Order. Misaka Worst offers to retrieve the mighty mite, as well as to serve as her weapon. Over in Rome, a bishop intends to use the crisis to ascend to the papacy, but the former Pope has already given up his mantle, preferring to calm the throngs of people outside and lead them into the Vatican…for safety?

Kanzaki Kaori also prefers to offer aid those in need rather take center stage in a battle, leaving Princess Carissa and “Frenchy” to battle Gabriel with their national weapons. When Carissa’s Curtana Second fragment is shattered, she simply summons a half-dozen more, then launches a massive missile strike on the Star diverting the archangel and buying more time for the wounded.

Back up on the Star, Touma is riding a monorail with Sasha when Gabriel appears to stop the missiles. There, the archangel is met by Kazakiri Hyouka in full battle mode. Back on the ground, Misaka is watching the Star through binoculars, and figures since she’s come this far, there’s no way she’s not getting involved.

Misaka also shows her envious Clone the Gekota strap she got on her date with Touma (or as she calls him, “the idiot”). Touma just better hope Misaka doesn’t hear anything about him pawing Sasha (which got him crowbar-ed), or she’ll kill him herself!