Don’t Toy with Me, Miss Nagatoro – 03 – Going Steady

Nagatoro continues her daily intrusions on Naoto’s drawing sessions, but it’s clear it’s not out of malice. She slips off her skirt and top to reveal her school swimsuit for the sheer thrill of it, and to get her fix of that sweet, sweet Naoto fluster. This cold open is nothing new, but when the two are caught in the rain it begins the trend this episode of Nagatoro acting more like Naoto’s friend (and even admirer) and less like his tormentor.

When they find some temporary shelter, Nagatoro plays herself once more by warning Senpai not to look at her as her soaked uniform is see-through. He assumes she’s still wearing the swimsuit underneath, and takes a good long glance at her. You can watch Nagatoro shift from a neutral expression, to a bashful one, and finally to her mischievous one. But when the rain fails to let up, the teasing stops and she suggests they dry off at the nearest house—which is hers.

Once there, it’s Naoto who makes an unforced error by smelling the towel Nagatoro provides, in case she used it first. From there, it’s a pretty standard house visit, or it would be, if it weren’t the very first time Naoto was in a girl’s room. As for Nagatoro, she clearly couldn’t be happier to finally have Naoto firmly ensconced in her lair…so they can play her brother’s video games together!

At first, Naoto kicks Nagatoro’s ass and she is not gracious in defeat. Thinking this could be a way to exact revenge, Naoto presses his attacks, but Nagatoro starts using various forms of physical contact to distract him so she can win. After some tense back-and-forth, the two eventually settle in to having fun together, not worrying about teasing or being teased. Nagatoro seems genuinely touched when Naoto says he had fun before leaving for the day.

Of course, the teasing will never be fully over for Naoto, it will come down to how he chooses to react to it, or whether he ever tells her to flat-out knock if off (which will be never). When he braves the packed cafeteria for lunch, who should have an empty seat next to her but Nagatoro, who uses it to present her new…er…senpai to her two friends Gamo and Yosshi.

Naoto fully expects a three-on-one teasing assault, but both he and Nagatoro’s friends are surprised by how she reacts to them teasing him. While she’s all over him saying he’s her boyfriend/pet/slave, she does not take kindly to Yosshi trying to touch him—giving us the first look at Nagatoro’s “Possessive Face”. Gamo-chan picks up on this and calls Naoto a “bug”, which crosses a line for Nagatoro.

Naoto is shocked to find her getting angry for his sake! This motivates him to stand up for himself and loudly declare that Nagatoro isn’t his girlfriend. The thing is, Nagatoro looks miffed and even a little hurt that he denied it quite so strongly and publicly.

It’s clear from their encounter with Gamo and Yosshi that Nagatoro would much prefer to have her beloved Senpai all to herself. I mean, her demeanor at the restaurant with the other guys compared to her pure unbridled joy hanging out with him at home was as different as night and day. To this end, she attempts to get Nagatoro to fight back…not against her teasing, but the teasing of others.

She suggests the best way to do this is to smack the taunts down with a hearty slap to the shoulder. Nagatoro decides to do a couple of dry runs. The first time he slaps her, she’s surprised by the force and passion he put into it. She in turn cranks up the verbal abuse until once again Naoto is fighting back tears. This time, when he says she doesn’t have to “take it so far”, Nagatoro clearly regrets doing so and apologizes.

Then she changes gears by insisting he give her the shut-down smack, but he’s a little too forceful this time, and his arm ends up smacking against her chest. So he definitely has some work to do . But the bottom line is, even if she’d prefer to tease him at her leisure, she wants him to fight back against others. To her, there’s a clear distinction between their particular “thing” they have, and everyone else.

Rating: 4/5 Stars

Episode 3 “Senpai” Count: 36 (+3 “Paisens”)
Total: 130

Jaku-Chara Tomozaki-kun – 04 – Standing Up to the Queen

Tomozaki just landed a lucky break. If there was no reason for Izumi Yuzu to approach him, he’d been making his presence known to the point that when he approached her, she felt she could come to him with her TackFam problem, which is really a Nakamura Shuuji problem. Bottom line: Izumi likes Shuuji, and wants to get good enough at the game to take him on. We also learn Shuuji recently turned down the Konno Erika, leader of the Neckties to which Yuzu belongs.

Yuzu invites Tomozaki to her place so he can teach her, and after one match he knows exactly what she needs to get better, starting with learning how to execute a short jump, which is simply a matter of practice and muscle memory. Yuzu is grateful for Tomozaki’s advice but wonders what the deal is with his various poses and gestures…turns out he’s mimicking Hinami’s teaching style without knowing it!

By the time Tomozaki is drawing detailed diagrams of all the moves Yuzu will have to memorize, she asks him: What is all the intense effort even for? He tells her what it’s not for: making friends or winning praise. When Yuzu claims she can’t ever change from her current status of superficially laughing with her necktie-wearing friends, he assures her he is proof that anyone can change; they just need to commit themselves and put in the effort.

While Hinami calls Tomozaki’s break with Yuzu pretty “miraculous” when they meet up for a debrief, she can’t deny he properly capitalized, using what he knows best (TackFam) to really connect with someone. That said, she still wants him to ask Fuuka out on a date, even producing movie tickets for them to use.

The night before, Tomozaki practices asking Fuuka out on the recorder Hinami gave her, showing how he’s learning how to listen to himself and adjust. But he also accidentally opens a folder of recordings Hinami didn’t delete: ones in which she too practices talking. He already considers it amazing she’s so good at the Game of Life; to hear the process firsthand is even more amazing.

Like him with TackFam, no matter how high a level you achieve, you can never stop practicing. But with practice comes the realization that sometimes circumstances won’t always accommodate your plans, nor will practice always inform what to do when it’s go time. To whit: Tomozaki calls an laudable audible: coming clean to Fuuka about having not read any of her favorite author, and thus not yet being ready to read her own novel.

This could have turned out disastrously, but the risk was well worth the reward of starting fresh from a position of honesty. A white lie or misunderstanding rarely forms a strong foundation for a relationship. While there’s clear and justifiable disappointment in Fuuka’s reaction, there’s also the sense she’s happy he’s being so honest. He’s also able to break the news naturally and casually enough not to come off as dismissive or cruel.

Working entirely outside the letter of Hinami’s plan while hewing to the spirit of her training, Tomozaki shows great growth here, while rejecting her “an in is an in” mentality. Yes, the author misunderstanding, got Fuuka talking to him, but so did simply asking Yuzu for a tissue.

He also wisely realizes that to ask her out on a date so soon after basically restarting their friendship from a place of honesty would be overdoing it, so he withholds the tickets for now. If he gets any flak from Hinami, he’ll be ready with a pretty good explanation. However, their next meeting is preempted by Shuuji’s two mates: he wants a TackFam rematch, now.

In the AV room, Tomozaki plays Shuuji while Shuuji’s mates, Yuzu, and Erika and her two Necktie acolytes watch. Tomozaki proceeds to beat Shuuji handily in match after match, but Shuuji keeps asking to play again. He grows more frustrated, even as he starts to improve slightly, to the point he’s able to take out one of Tomozaki’s health stocks.

That frustration creates an increasingly unpleasant tension and aura of desperation around Shuuji, to the point Erika begins to mock him as “weak”, his obsession with a “stupid game” as “creepy”, and that she dodged a bullet when he turned her down. The “stupid game” comment draws the ire of Tomozaki, as does her assertion that all of Shuuji’s hard work and practice amounts to nothing.

The old Tomozaki would have muttered something and not followed through, but this newly Hinami-trained Tomozaki is at least adept enough at the Game of Life to call Erika out for the haughty tourist she is. Shuuji may have been a dick to him all this time, but at least he’s committed to improving and keeps fighting no matter how much he loses. All Erika can do is mock someone else’s effort when she (at least as far as Tomozaki knows) puts in none at all.

Yuzu even has the courage to chime in and call Shuuji’s efforts “beautiful in a boyish way”, despite the fact doing so is contradicting the vaunted Queen of the Neckties. But I have no doubt it was Tomozaki’s earlier words about her ability to change that helped her summon the courage to speak up. Erika slinks away, pretending not to have learned anything, but she did. So did Shuuji, who probably resents Tomozaki defending him but also appreciated it.

Notable for her silence during all this is Hinami, which was no accident. The thing is, while she observed that Tomozaki had things well in hand, I also think she stayed above the fray in order to avoid needlessly upsetting the apple cart with Erika & Co., who would have likely felt ganged up on if she’d joined Tomozaki and Yuzu—an example of maintaining balance through inaction. Regardless, both Erika and Shuuji stop giving Tomozaki a hard time, now knowing better what he’s made of.

At their next meeting over lunch, Hinami asks how things are going with Fuuka, wondering if he’s lost motivation. He assures her he hasn’t, but without explaining the whole situation with coming clean and not wanting to pile on with a date request, Tomozaki pulls another laudable audible: whipping out the very tickets she gave him and asking Hinami if she’ll join him instead.

Hinami’s look of surprise is followed by the kind of proud face a master makes when their student has just done something good. Unfortunately, she’s not free tomorrow (what do you know, she does have other obligations!), but she is free for a movie now. Is it just me, or do these two just make a good couple, full stop?

It’s too early to tell, but I appreciate that Hinami doesn’t go all cliché blushy or tsundere at the prospect of Tomozaki asking her out. Maybe she gets that it’s for more “training”, or as thanks for her help so far. But at some point all these times they’re meeting up one-on-one and having fun will start painting the picture of two people…going out. We’ll see if anything comes of their consistently pleasant proximity, and more importantly, if more people start noticing them together all the damn time!

Crucially, this outing proved Tomozaki isn’t just some automaton carrying out Hinami’s directives, nor does she want him to be. She’s taught him the basics, and it’s up to him to experience how to properly use them and switch things up when warranted. The recording of Hinami also shows that her life game is an ongoing work in progress. I know it’s Tomozaki’s name in the title, but I would love to delve more into Hinami’s growth, and if Tomozaki has anything to teach her—something his recent shrewd freestyling might portend.

The Misfit of Demon King Academy – 07 – The Prey Dances

Emilia’s brother (whose name I’ve forgotten) proves to be no challenge at all to Anos. His fan club unveils their new fight song, the lyrics for which include such choice double entendres such as “we are blessed with the sword of our noble Sir Anos” and “You’re below me, and I’m on top”. He credits his newly forged sword holding up to the amount of love his dad poured into it. Emilia-sensei is notably pissed that Anos embarrassed her brother and noble family.

After also easily defeating his first opponent, Ray visits Anos and Misa and tells them they can no longer be friends, as he’s officially a Royalist now, and vows to kill Anos. Anos tells him to try it right there and then, and in the resulting fracas, learns that there’s a contractual magic sword implanted within Ray’s body as a form of control.

This essentially makes him a hostage whose heel turn was orchestrated by the Royalists, and both he and his mom die if he defies them. In a move surely designed to put her in danger later on, Anos’ mom takes charge of his sword, with the fan club serving as her bodyguards.

This leads Anos and Misa to visit Ray’s mother, and while Anos determines there’s no way he can save her by giving her some of his life, the same doesn’t go for Misa, who like Ray’s mother is a demon-spirit hybrid. Despite the risk to her own source and life, Misa is determined to do what she can for Ray’s mom so he’ll have no reason to cooperate with the enemy.

As for Anos’ mom, she’s confronted by Emilia (who is drunk on power but not booze) who orders her to surrender Anos’ sword. Mama won’t do it, so Emilia gets rough. I should be shocked Emilia would be so brazen in her villainy, but then as a pureblood Royalist she considers any and all non-Royalists to be scum. The fan club does their best to protect Anos’ mom, even singing the fight song as Emilia slowly roasts them with her superior magic.

Anos shows up in the nick of time to save his mom, resurrects the eight fan club members, learns their names and promises to remember them, as he’s indebted to them all. As for the girls, I’m sure they’re just happy to have been of service to their noble Demon King.

Emilia does not get let off easily, and frankly I can’t blame Anos for getting particularly sadistic; Emilia went after his mom—who would never hurt a fly—and murdered eight of her students. As punishment, Anos kills Emilia, resurrects her as a hybrid, and ensures that no matter how many times she dies, she’ll always come back a hybrid. Yikes!

As I said, the punishment is tough, but fair and justified; hopefully Emilia will develop a less prejudiced perspective on the world going forward. Meanwhile, Misa has been working on Ray’s mom this whole time, and while he pulls a knife on her when he arrives, once he learns Misa is helping his mom he stands down.

When Ray tells her the day may come when she’ll have to put her life on the line, Misa pointedly replies that that day has already come. If she can’t stop one person’s suffering here and now, she’ll never be able to do it later. If Ray hadn’t put her to sleep, she probably would have sacrificed her life. Instead, Ray and his mom get to talk to each other one last time.

While it’s uncertain whether his mom will ever recover, Ray appears at the tournament finals with clear eyes and a smile, apparently no longer under the heel of the Royalists (though we’ll see if that sword inside him comes into play).

As expected, he and Anos are the finalists. The result probably isn’t in doubt—an Anos win—but no doubt Ray will make it interesting, and in the process perhaps reveal how he knew the Demon King back in the day.

Kaguya-sama: Love is War 2 – 10 – How A Net Feels

Just as it excels when it focuses on just one or two segments, Love is War is arguably even better at juggling a grab bag of stories in one episode. We get the latter this week and it’s all amazing, starting with Miyuki’s mistaken belief that Kaguya is avoiding him because she doesn’t like him. Kei wants to ask about his romance problems, but because she’s in her teenage rebellious phase, talking to him would mean losing face.

When their father comes home and asks Miyuki what’s up, Kei thinks she’s in the clear, but her father only makes Miyuki more tight-lipped and mad, so Kei has no choice but to offer a piece of advice: a girl can still like you even if it seems like they’re avoiding you. Sure enough, when Miyuki and Kaguya cross paths, she uses her calming ritual and the two walk side-by-side to the office. Miyuki had no reason to despair.

The next segment is the latest installment of the “Chika Teaches Miyuki Things He Sucks At” series, and, clocking in at around six miuntes, one of the quickest and most efficient. This time she’s trying to teach him the Soran dance his class will perform, but his idea of dancing looks more like an exorcism. When she finally loses her patience and storms out, Miyuki ends up relying on an Kaguya for pointers (Kaguya is more than happy for an opportunity to touch his body, the lecher!)

As Chika observes Kaguya’s strategy of simply getting Miyuki to replicate the moves irrespective of heart or passion, her honor as an artist must stand and protest, leading to a literal tug-of-war between the two girls. This mimics how historical Edo magistrate Ooka Echizen ordered two women resolve a custody battle for a child, with the winner being the first one to release the child when he was in pain.

In this case, no one’s letting go, but being pulled back and forth is exactly what Miyuki needed to learn what it was like to be the fishermens’ net, and performs a Soran dance that impresses both Kaguya and Chika.

Following two straight victories by Miyuki, we get a segment from the POV of Kobachi as she and Miko go on their DC rounds. Chika and the board game club doing something akin to LARPing, while they find Yuu playing video games at school. When he points out he’s in territory technically outside their jurisdiction, Miko ropes him and pulls him into it.

Kobachi can tell that while Miko and Yuu don’t get along, they’re a lot more alike than they realize. She knows about the rumors of how Yuu stalked a girl in their class in middle school, fought another boy over her, and got suspended, but notes that Yuu never told his side of the story. And because she knows he has a strong sense of justice and distaste for “irrational things” like Miko, his story is likely more complicated.

I’m sure Kobachi is as eager as me to hear that story someday, but for now, she’s impressed with the strides he’s made, including his participation in the Cheer squad, who unlike the majority of first-years were willing to bring him into the fold and give him a chance, as long as he was applying himself seriously, which he is.

The balance of the episode takes place during the vaunted sports festival. Miyuki and his class perform the Soran dance perfectly, but he’s discouraged to find his dad there rather than at work somewhere, snapping pics of Chika (though that was a request from Chika’s hot-shot dad).

What Miyuki wants to avoid at all costs is his dad getting anywhere near Kaguya, sure that nothing good could come with it. And yet his dad’s advice in the first segment for Miyuki to be the fastest runner, which he dismissed as grade school stuff, actually works like a charm on Kaguya, who despite being on the White team is passionately rooting for the President all the way!

That’s when Miyuki’s dad sidles up to Kaguya without introducing himself and belittles Miyki’s efforts. Kaguya, never one to let people cast aspersions on her beloved Miyuki, offers up all the ways Miyuki is actually a terrific person. When his dad shoots those down one by one, she gets increasingly flustered and annoyed, which leads him to ask not who Miyuki is, but who he is to her.

Kaguya responds with a beautiful monologue from the heart about how Miyuki showed her that not only to kind and wonderful people like him truly exist, but that there are others among her with those qualities (Chika and Yuu, for instance). Miyuki’s dad asks if she’s “romantically interested” just as Miyuki arrives, to which Kaguya compliments Miyuki on having such a “delightfully mischievous” father.

The Cheer squad leader ends up picking Yuu to be his partner in the final relay, and when they win, we cut to the brown-haired girl in the dark flashbacks in which Yuu was accused of stalking and assault.

This certainly lends credence to the theory that not only was Yuu not really stalking her, but that there might even have been mutual affection between them. Will we ever meet this mystery person, and if so, how will this “New Yuu” react? I can’t say, but I’d love to see it.

As it stands, Love is War has deftly and painstakingly painted fully-realized portraits of all four of its main characters plus Miko. It just happens to be both one of the most hilarious comedies in years and a riveting, heartfelt character drama. Shows this unassailably superb don’t come around often. It’s hard to not sound like I’m mindlessly gushing about it, but the excellence is there for all to see.

Cop Craft – 10 – Democracy in Action

On the way to an interview with Coal Mozeleemay, Kei is stopped by the reporter Kevin Randall, but insists he has no comment. In their meeting with Coal (definitely awkward due to his last encounter with Tilarna), he has no comment either, as his wife Marla handles all the questions, confirming to Tilarna that he’s no leader.

Turns out he’ll never have a chance to prove Tilarna wrong, as he’s shot during a speech. Kei pares down 92 potential suspects in the crowd down to three by eliminating anyone not acting like an assassin would, showing Tilarna that Kei’s pretty good at this detective stuff when all’s said and done.

Unfortunately for both of them, the black suit-wearing culprit won’t surrender or come with them without a lengthy chase, during which he demonstrates superhuman speed, agility, strength, and an uncanny ability to shrug off multiple gunshot wounds.

Again predicting he’d require more agility than a full-size car, Kei commandeers a tiny, quirky Messerschmitt KR200, which is naturally abused and badly damaged in the dust-up with the perp.

Kei and Tilarna have no choice but to put the guy down by whatever means, but before he dies, his appearance completely changes, revealing he wasn’t Semanian at all, but a human soldier using Semani magic. His gun was also disguised as a camera, made of ridiculously precise Vaifaht steel Tilarna claims even the best smiths back home couldn’t come close to creating.

So on one hand we have two dead candidates, and the only one left standing is in favor of kicking out all “aliens,” and on the other you have a highly-trained human soldier using immensely sophisticated magics in order to make it look like a Semanian killed his own.

Chief Zimmer instructs Kei and Tilarna to interview Tourte next; we’ll see if he knows anything about this apparent human-led conspiracy to make him the next mayor, which could well lead to the expulsion of all Semanians, many of whom might not go without a fight—either legal or physical.

Meanwhile all these murders of candidates have the public on edge, and well-organized anti-Semani demonstrations are already underway. Whether they popped up organically due to fear or something arranged by pro-Tourte partisans, we shall see, but in the meantime Kei urges Tilarna to keep her cool, even if what’s going on is both unjust and undemocratic.

Cop Craft – 09 – The Cat’s Out of the (Garbage) Bag

As silly as I thought the Tilarna-Kuroi body swap is, if you ever find yourself in such a pinch, it helps to have a competent friend in Cecil Epps. Having missed the trash pickup, she calls the waste management company, and when they stonewall her, she plays the police card to get access.

Once at the processing center they find the exact truck that took the bag containing the crossbow, but they’re a little too late and it ends up the proverbial needle in a trash mountain. Still, they’ve narrowed down the location enough for Tilarna to go in and attempt to sense the crossbow’s latena, which she does.

Unfortunately, Tilarna-cat’s lack of thumbs means the crossbow ends up destroyed on the trash conveyor. But the good news is, destroying the artifact reverses the spell, and Tilarna returns to her own body, right when the smuggler has broken in and is trying to get her to cough up the crossbow.

Tilarna allows herself a few moments to jump for joy over getting her body back (as we all would), but the intruder saw her butt and everything else below the waist, so she beats the crap out of him, only sparing his life when Kei arrives, having been briefed by Cecil.

All’s well that ends well, though Tilarna would prefer if Kei were a little more upset about another man seeing her naked, again underscoring their…complex relationship.

With the body swap reversed, the episode trades Tilarna’s lack of pants for a school swimsuit, as Zimmer’s entire unit has a summer cookout at his place. It’s nice to see everyone unwinding after some hard cases—and for Kei’s extreme food snobbishness and bossiness exposed…honestly, he’s almost as bad as Zane!

The fun and relaxation is cut short when there’s breaking news report on the TV: mayoral candidate Nathan Kahns has been shot and killed. They determine the culprit, who had no criminal record, was being controlled by a wizard, possibly Zelada. With the “compromise” candidate in Kahns out, that leaves the Semanian Mozeleemay and the far-right Tourte, who wants to banish all Semanians.

That means this case will have long-term ramifications for all of San Teresa that could threaten the future of human-Semanian coexistance. There’s a small but telling example of the insidious ethnic strife inherent in this case when a beat cop calls a passing Tilarna a “damn alien” under his breath.

Kei hears that, and aggressively defends Tilarna, who is both embarrassed and grateful that Kei did it. Kei’s explanation about how it’s not the same when he uses slurs like “alien” (because it comes from familiarity and not hate) isn’t the strongest, but it is realistic behavior. But Tilarna may find herself turning the other cheek a lot more as they dig into this sensitive case.

ReLIFE – 08

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From the preview, I suspected for some reason that Tamarai Honoka would become interested in Kaizaki, but I was mistaken because I got his room confused with Inukai Akira’s, her childhood friend’s. That being said, Honoka does bond with Kaizaki a bit this week, as he becomes someone she’s comfortable confiding in on matters of volleyball, Kariu, and whether Onoya likes Oga (she doesn’t!).

And while ReLIFE continues its recent trend of focusing on a different character each week, this time Honoka, Kaizaki still gets a key scene in with Hishino, who expresses her envy of Honoka and Kariu’s close friendship. She also seems happy to walk to the station with Kaizaki, indicating her feelings for him are on a steady simmer in the background.

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The foreground this week, however, is all Tamarai Honoka, Volleyball Ace. She’s painted as a victim of her own immense athletic talent, as her coach tells her she’s pivotal to the team (and worries she lacks “appetite”), and her teammates talk about her behind her back like she doesn’t have to actually work to be as good as she is.

Honoka is disheartened when she overhears those teammates, but when Kariu hears them, she storms into the locker room and sets them straight, as Honoka listens around the corner, so happy she has such a good friend, she can’t help but cry. Kariu is absolutely honest about her feelings toward Honoka, including occasional envy and frustration, but she still loves the girl.

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Unlike Kariu, Honoka also has to deal with make-up tests after failing most of her midterms (which is how she comes to befriend Kaizaki), but her ever-loyal childhood friend Inukai Akira (whose older sister is the school nurse, as it happens) helps her study through the night.

Kaizaki is also studying, on his own, even, when Yoake calls to encourage him. An is with Yoake, causing Kaizaki to think the same thing I thought last week: Yoake and An like each other…right?

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The intense studying results in Honoka passing her make-ups (Kaizaki, alas, does not), but she’s exhausted and pale, and even blacks out during practice. Not long after getting back up, Kariu has a spill of her own, trying to avoid a ball that wouldn’t have gone her way had Honoka not blacked out.

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This episode is called “Rift”, and I assumed it meant some kind of rift between Kaizaki and someone else, but it turns out to be one between Honoka and Kariu, sparked by Kariu’s sprained ankle. Nurse Inukai estimates she’l need 2-3 weeks to fully heal, which Kariu takes to mean she’ll miss the last tournament they’ll play in high school. It’s a crushing blow.

But Honoka tries to be optimistic: if the ankle heals in two weeks, Kariu can play! Kariu rebukes her; even if it did, she can’t play without practice. And that’s when it comes out: Kariu says she’s not a “genius” like Honoka; she can’t just run out onto the court and ball like it’s nothing.

In this moment, Kariu is vulnerable and devastated and pissed off, and ends up saying the same things Honoka has heard from other teammates and friends—former teammates and friends—in the past, but never thought she’d her from Kariu, who made volleyball fun for her again.

And so the rift is open. Honoka has Inukai’s and Asaji’s shoulders to cry on, but that rift ain’t gonna repair itself. I’d say Kaizaki could moderate some kind of detente as he did with Hishiro and Kariu, but with Hishiro seemingly growing ever more enamored of him, he may have his own fish to fry.

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Ookami Shoujo to Kuro Ouji – 11

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In a high percentage of rom-coms, there are two kinds of second-to-last episodes: the ones where either the guy or girl is on the verge of confession, which won’t come until the finale; or the ones where the couple, already together, faces the biggest threat to their relationship, which will be resolved one way or another in the finale. Ookami Shoujo avoids both tropes in its second-to-last episode.

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Granted, it does so by employing another pretty common trope — the Unapproving Family Member — but employs it well. Kyoya and Erika are already a pretty stable, happy couple, and as much of a force of nature as she is, Kyoya’s sis Reika never seems intent on wrecking the relationship. She mostly wants to know if it’s really true, because it would mean not only that Kyoya had changed a great deal, but the woman who changed him did something that she, his own big sis, couldn’t.

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The progression of Erika and Reika’s interactions is predictable, considering their personalities. Erika, who respects Reika telling off a half-assed flirting guy before they even meet, is incredibly intimidated and thus polite and boilerplate ‘brother’s girlfriend’ to Reika. Reika stuffs her full of sweets and continually mocks Kyoya until Erika is forced to put her wolf ears away and defend her man.

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While Erika’s outburst and harsh words surprise her, Reika is actually pleased with this development, as it proves that Erika isn’t just another one of her bro’s ‘ways to kill time.’ But she still wants to know if things between Erika and her bro are as serious as they’re both letting on. The Tigress Reika challenges Erika the Wolf, vowing to apologize if Erika wins.

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Reika calls Kyoya asking him to pick her up, letting him know Erika is with her, and because she ran her mouth she had to ‘deal with her.’ Much to Reika’s surprise, Kyoya races to the scene and promises consequences depending on how badly Reika treated Erika. This Kyoya is nothing new; he won’t let anyone hurt Erika, not even his sister, just as Erika won’t suffer insults directed at Kyoya, even if they’re from Reika.

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In a way, Reika did ‘bust Erika up’, but only because she made her eat too much. Erika is sick, and more to the point, sick right in front of Kyoya, something Reika slaps him for, as it was insensitive for him to barge in while Erika was having such an embarrassing time. It was just as wrong for Reika to set them up, but while she won the eating contest, Kyoya’s behavior proved that Erika was right: he can love someone, and he does: her.

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But there’s no time to rest even though the hurdle of the big sister has been overcome; it’s Summer break, and Erika has nothing to do, so she can’t refuse Reika’s invitation to join her and Kyoya at their mom’s place in Kobe. It’s actually pretty funny how quickly they end up there.

It’s just…I’m not sure what to make the mother herself: she appears to be an extremely well-built, extremely tanned ‘middle-aged lady’. Or the mom could actually be the blonde-haired face behind her left elbow (unless that’s Kyoya). Either way, this should be interesting!

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