Toaru Kagaku no Railgun T – 15 – Clones Aren’t Just People…They’re Some of the Best

Suck up to the researchers. Words Kozaku Mitori lived by while she was at the facility. Put on a happy face, be chipper, never show them you actually hate their guts and everything they’re doing. But even if it was an act, her secret rebelliousness was futile. As long as she was cooperating, she was giving in to their control.

This became untenable when her chipper attitude led the researchers to pairing her up with Dolly. Like Misaki after her, Mitori initially found the lonely sick girl to be a pain in the rear, but Dolly’s sad, beautiful soul eventually wore her down, until she was looking forward to their visits. More importantly, her smiles were always genuine.

More than anything, Mitori saw Dolly as neither a clone nor a lab rat, but above all, a human being, deserving of rights and care. So when she saw the condition of Dolly’s body as a result of the researchers’ merciless experiments, she used her ability to learn more about her, and became even more outraged.

Sadly, nearly every adult in a white lab coat is a psychopathic, redeemable monster who tortures and murders children without blinking an eye. So it’s no surprise that her protests don’t just fall on deaf ears, but mocking laughter, which fuel a smoldering fire of hatred for The System in Mitori’s heart.

For dropping the nice girl act and breaking the rules, Mitori is held in solitary for months, never getting to see Dolly again. But one day her cell door is unlocked and she finds the place deserted. She vows to wage a one-woman campaign of vengeance against the Governing Board who approved what was happening to Dolly.

Her attempts ended in failure, mostly because she was acting alone and even 10,000 of her wouldn’t be enough to tough the bigwigs. Enter Kihara Gensei, who puts his trust in hatred and thus in their aligned desire to bring Academy City to its knees. Again Mitori picked the losing side and lost, this time to the good guys”.

Following Kuroko’s beatdown, Mitori lies in the sewer having utterly given up…until Misaki pays her a visit. She still has every intention of turning her over to Judgment, but before that, she has a personal matter to attend to and could use Mitori’s assistance. You see, the Dolly they know may be gone, but her memories were transferred to her clone sister, who is still alive…and they’re going to free her.

Where as everything involving her researcher handlers at the facility was about bending to their physical and psychological control, Misaki spares the Mental Out remote and plainly asks Mitori if she’ll accompany her. Aside from Mitori not having much else going on, Misaki knows that if Mitori felt the same way about Dolly as she did, she’ll gladly tag alone of her own free will.

Thanks to Misaki’s ability, the pair are able to easily infiltrate the facility and remove “Dolly II” from her stasis tube. A tearful reunion ensues, where again Mitori doesn’t have to put on any act; she’s overwhelmed by emotion upon finding this girl who is for all intents and purposes the same Dolly who knew and loved her, and whom she knew and loved.

This episode and scene in particular are the perfect way to wrap up the arc of Kozaku Mitori, who started out as a shadowy, one-dimensional baddie but soon evolved into a full-fledged character beyond black-and-white labels. Her alliance with the geezer and resulting actions may have been misguided, but everything she did was out of a desire to hurt those who hurt Dolly, and you can’t argue with that.

Misaki too, gets a nice catharsis in this reunion scene. At first she’s so guilty about misleading Dolly and failing to learn the whole picture before it was to late, and feels like she’s not entitled to forgiveness or affection. Dolly, of course doesn’t care about what happened in the past; what matters is that she, Misaki, and Mi-chan are together again. It’s what she’d been dreaming about in that tube, and now it’s a reality.

Thanks to Dolly, and her clone, Misaki and Mitori not only became strong individuals capable of setting their own courses in life, but were able to endure the cynicism and cruelty of the villainous scientific complex and retain their humanity. As Mitori tried to make clear to one of those villains, Dolly is a person, not a clone of fodder.

She also happens to be one of the best people, with a warm and kind soul. But even she wouldn’t be who she was (not to mention free of captivity) without her two friends. Hopefully they’ll never be separated again.

In other housecleaning, Mikoto’s circle of friends celebrates Kuroko finally being 100% and out of her wheelchair, and then Mikoto visits a recovering MISAKA in the hospital. But Mitori, Misaki, and Dolly were the refreshing narrative and emotional core of this epilogue, and I was more than fine with that.

The effects of their reunion seemingly carries across the network of Sisters, as MISAKA has a vague sense of deja vu and a sudden desire to visit the ocean. She’s most likely glimpsing Dolly’s beautiful dreams—which can now be a reality.

Toaru Kagaku no Railgun T – 14 – Here There Be Dragons (and Dancing)

With all other conflicts resolved, all that’s left is for Touma to capitalize on all of the breaks his allies have given him, charge in, and break that nasty shell around Mikoto once and for all. When he does so, his arm flies off from the impact, but a veritable novelty nuts can full of multicolored frikkin’ dragons erupts and attacks the shell from every angle until it finally shatters. Even Sogiita is impressed by such a grand display of Guts.

Since her Level 6 pupa destroyed her clothes, Mikoto ends up naked once the remnants of the shell crumble from her body, but Touma is ready to cover her up with his big jacket. He could sense she was mulling some kind of suicide tactic that would purge all the sinister elite forces of Academy City all by her lonesome.

But if there’s anything he learned from this arc, and which she can impart from her eventual rescue, is that nothing can be done about that all at once, or by just one person. Little by little, they’ll change things and shine light on the dark corners together. Before leaving the site of their battle, Sogiita notices the strange metal residue that wasn’t there before, and is likely similar to the material Saten was investigating before everything went nuts.

With that, Mikoto makes her rounds, starting with MISAKA, who is on the mend thanks to Heaven Canceller’s ministrations and the elimination of the virus affecting the Sisters as a whole. But the real treat is when she visits a recovering Mitsuko in the hospital. She offers her heartfelt apologies, but Mitsuko offers her own for not following through on her big words. Mikoto is someone she and others will always naturally gravitate toward.

By watching so many be inspired to action on Mikoto’s behalf, Mitsuko herself has become more compassionate towards others, especially when she learns what Wannai and Akatsuki did on her behalf. Mikoto thinks she’s “not that great” a person, but that’s for others to decide—and they’ve long since decided she is great, and worth putting their lives on the line to aid.

In the aftermath of their epic sub-boss battle, a depleted Kuroko simply left a handcuffed Mitori in the sewers for others to pick up later. As Mitori resigns herself to becoming rat food after realizing the mission has failed if she’s still breathing, she’s visited not by a member of Judgment, but by Misaki. Will she free Mitori as a fellow friend of the dearly departed Dolly? Is there something else afoot for the scheming-yet-slow sparkly-eyed beauty?

Only time will tell, but having learned of all Misaki did to protect the city, Mikoto is committed to seeking common ground with Misaki in future endeavors, citing “her own brand of justice and convictions.” Of course, once Mikoto learns that the memories Misaki implanted in her friends involved her gastrointestinal distress the whole damn school knows about, Mikoto immediately reconsiders simply killing Misaki the next chance she gets.

Misaki also restored the memories of Kuroko, Saten and Uiharu, which almost felt like a bittersweet, almost cruel move, since it meant the off-camera demise of the more nuanced Amnesia!Kuroko, truly one of this arc’s MVPs. I for one would have liked to see her give Mikoto a proper goodbye, even though that would have been tricky as a practical matter.

Aside from Sogiita’s mention of the metal at the battle site and Misaki locating Mitori, this episode doesn’t provide a lot of hints about what future threats are to come, and that’s a good thing; especially after all the episode delays, I was looking for closure on the arc and an opportunity for everyone to kick back, relax, and celebrate their victory, even if none of the city will ever know what transpired.

That means fireworks, festival stall foods…and a positively adorkable folk dance between Mikoto and Touma, set up beautifully by Saten and Uiharu. Kuroko may have her objections to sharing her onee-sama, but the other two acknowledge what Touma did for Mikoto, not to mention how Mikoto acts all flustered whenever he’s around. Of course, Mikoto manages to make herself turn beet red when she also acknowledges she treasures Touma by dint of saying she treasured everyone who helped her this time.

Of course, Saten and Uiharu can only keep Kuroko at bay so long, as she eventually teleport-kicks Touma to the side in order to claim Mikoto for herself, citing “time’s up!” Similarly, while this was a much needed episode to wrap up the arc and provide closure and a period of relief, the preview for the next episode indicates we’ll be getting right back down to business (Edit: it will be an epilogue episode after all…but I don’t mind). All I know is, this was one of if not the best arcs of the entire Index/Railgun franchise, and it will be hard to top.

Toaru Kagaku no Railgun T – 13 – Wagering to Lose

After a week-long postponement, followed by roughly 8 minutes (or a full third of the episode) of Kuroko recapping events so far, events finally, finally take a turn in the good guys’ favor.

There may not be a full episode of full content here, but what we do get is just so goddamn good—not to mention perfectly set up by the events previous episodes—I can’t hold back my “9” rating rubber stamp, which will simply keep coming out as long as Railgun continues to be this compelling and satisfying.


For one thing, even a recap is a delight if narrated by Arai Satomi, including her flowery fluster when mentioning Mikoto’s intoxicatingly trusting smile. The recap is also plot-appropriate, as Kuroko is “calmly reassessing the facts” in real time prior to taking decisive action against Kozaku Mitori.

When Kuroko finally appears in the sewer just as Mitori is about to celebrate her win, it’s not only a great moment (one forgets how much Kuroko can bring the pain), but the culmination of a logical string of events.

Mitori is ultimately undone not just by Kuroko’s constant countermoves, but by the simple fact that she’s operating all on her own (Kihara is obviously indisposed), while Kuroko has the trusty pair of Ruiko and Uiharu back at the Judgment office.

Uiharu is able to isolate the one festival relay camera Mitori hacked out of the thousands and manipulate it so Mitori loses her tactical advantage…at the height of her confidence in said advantage. A proud Ruiko fanning an exhausted Uiharu is the cherry on top.

Over at Exterior HQ, Kihara uses the code he forcibly extracted from the asphyxiating Misaki…only for the giant brain to self-destruct, rendering Kihara unconscious.

We backtrack to when Misaki first considered how she’d use the gravitron panels against Kihara.  Like Kuroko, she’s calmly assessing her options until the only one that gives her the best chance of winning is…to bet on losing.

In a stunning gamble, she turns her Mental Out remote on herself, switching the limit release code with the self-destruct code then erasing her memory of doing it. Kihara assumed from her body language she was out of options…but only because she herself forgot she had one more option. Just smart, competent writing.

With both Kuroko and Misaki scoring victories, it was inevitable the good guys wouldn’t come out on top in every situation, and so it is with Mikoto, who remains on the way to Level 6.

Even when Kihara goes down and she regains her self-awareness, she remains trapped in the slowly-developing star that is her berserk mode. Sogiita is bloodied and gassed, and all Touma can seem to do is defend from intermittent attacks.

But as he says before the credits roll, this isn’t over. I’m sure Sogiita has a second or third wind in him, and he and Touma no longer have to deal with this alone; Kuroko and Misaki are now free to assist. Even if Misaki is adamant that she doesn’t care what happens to Mikoto, like Mitori she doesn’t like how things ended with Dolly.

Railgun T Episode 13 Delayed Indefinitely (Updating)

Bummer…

Who’s going to step up and stop the out-of-control Mikoto from becoming a supernova (or white dwarf)? Who is going to punch Gensei in his smug cyborg face and foil his plans? Will Kuroko ever get her memories of onee-sama back?

Uh…dunno. We’re seemingly almost at the end of what has so far been the best Toaru arc yet (only five chapters remain to be adapted, apparently), but this week’s episode has been postponed.

UPDATE: Episode 13 will air May 1. We’ll have a review soon after we’ve watched it!

Toaru Kagaku no Railgun T – 12 – A Star is (Being) Born

Misaki hoped that Touma would be able to keep Mikoto under some measure of control with his Imagine Breaker, but that possibility went south almost immediately. Touma finds himself staring down an inability to do anything other than slow Mikoto down a little, and even that largely depends on properly utilizing Gunha’s One Punch Man-style strength.

Meanwhile, Misaki shadows Gensei until she can’t conceal herself anymore, and learns he’s using Multiskill to borrow powers from espers he’s “acquired” (i.e. abducted). He needs the code embedded in her brain (and located nowhere else) in order to release the limiter on Exterior, allowing him to control Mikoto better.

Gensei also deduces that around the halfway point of her transformation to Level 6, she’ll attain other-dimensional entity status. She’ll touch godhood for only an instant, then “come apart” as an individual. And like a dying star, she’ll either end up a withering white dwarf or an explosive supernova—in either case it’s probably curtains for Academy City.

Misaki believes the fact she’s on her home turf, a place full of traps she control, gives her an edge, but it’s not long before Gensei pins her shirt to the wall with ice crystals. Luckily he misses her vitals (and incidentally, her body), but his ability to manipulate air means he can remove all the air from her immediate vicinity, and choke the code out of her.

Fortunately for Misaki, Ginsei’s penchant for theatricality and tendency to get carried away works to her advantage, as she sacrifices a bit of her shirt to slip away while he’s lost in momentary megalomaniacal rapture. A recurring gag throughout the ensuing cat-and-mouse chase is that the un-athletic Misaki is running at, shall we say…a leisurely pace? More moseying than running, really. Just a momentous little nugget of continuity, that.

Meanwhile, Kuroko continues her search for puppetmaster Kozaku Mitori, as she systematically deprives the puppet of sight (destroying the auxiliary camera) and sound (using anti-eavesdropping devices to nullify its echolocation). Her secret agent gadgets and ability to teleport keep Kuroko safe, right up until Ruiko and Uiharu find the building where Mitori is holed up.

Once in that building’s lobby, Kuroko screws up by not assuming Mitori could have a Mk.1 Eyeball on her. She gets grazed in the side and a deep cut to the arm, but she’s still standing, while Uiharu has trained all surveillance cameras on the building, so there’s no escape for Mitori. That’s when Kuroko starts to feel that something is off…is this just an elaborate exercise to keep her busy and out of the way? Is there still something else going on?

Back at Exterior HQ Misaki does her very best to stay one step ahead of Gensei, but while she’s an extremely shrewd and capable (if physically slow) chess player, she’s hamstrung by a much weaker poker game. With his superior years and experience, Gensei can sense when the tables are about to be turned against him through Misaki’s body language, and thus formulate a quick counter.

Misaki’s trump card is the “gravitron panels” that appear to use nanotechnology to build structures and supports. Developed both for scaffolding and making shortcuts for Misaki, she employs them to restrain Gensei by the wrist…only for him to painlessly pop his hand off and cackle in response. Not only does he possess a wide range of esper abilities he can use at will, but his body is more machine than man, a result of a long life of near-death incidents.

There’s seemingly nothing left in Misaki’s bag of tricks, and Gensei can sense that too, so he again sucks the very air from her lungs, and uses the resulting mental weakness to steal the limiter codes from her mind. Things look very dire for Misaki—and Kuroko, if she gets injured any worse. More troubling is that unlike Touma with Gunha, neither Misaki nor Kuroko have any backup (other than the latter’s open comm link to Uiharu and Ruiko).

This episode was a great collection of isolated standoffs and chases, but Mikoto doesn’t have a chance of ever returning to her normal adorable self—nor does Academy City have a chance of remaining standing—if there isn’t some kind of consolidation of good guys, and soon. It makes me wonder if there aren’t more players destined to join the fight.

Toaru Kagaku no Railgun T – 11 – Team Lightning Round

Berserk Mikoto is no longer in control of her body, while her mind is being invaded and manipulated by Kozaku Mitori, using the Exterior ability Kihara Gensei is sharing with her in exchange for protection. Mitori convinces a very confused Mikoto to attack the Windowless Building, but a lightning blast dozens of times stronger than her normal Railgun doesn’t even scratch it. Gensei estimates Mikoto is only about 2% on her way to Level 6.

Mikoto is thus well and truly not in control of her fate. After an entire season of running around trying to fix things, it’s up to external parties to save her—and, incidentally, Academy City itself. Misaki serves as coordinator. She may have lost Exterior but she still has Mental Out, and uses it to convince Antiskill to evacuate the festival civilians and not interfere, lest needless casualties mount.

Thanks to overhearing Xochitl and Ruiko, Touma is now involved as well, and Misaki helpfully uploads all of the information he needs to be brought up to speed. Even so, all she can tell him is that his Imagine Breaker might cancel Mikoto’s Berserk Mode. The problem is, there’s so much electricity and debris surrounding Mikoto, Touma can’t get close enough to touch her and test that theory.

That’s when Sogiita Gunha, our third Level 5 of the episode, makes his reappearance, saving Touma from being pummeled by a giant ball of amassed stone and metal debris by giving it the ol’ Amazing Punch. Since Misaki never gave him a headdump Gunha’s a little slow on the uptake, but Touma’s Imagine Breaker intrigues him, and he’s clearly excited to punch stuff, especially if it’s for a good cause. His ultimate offense and Touma’s ultimate defense makes for an inspired pairing.

Thanks to support from Uiharu and Ruiko, Kuroko manages to pinpoint Kozaku Mitori’s location. Since Mitori is at least Level 4 it’s an even match on paper, but I wouldn’t bet against Kuroko any day. I actually like how Misaki gave her a headdump but didn’t restore all of her memories, perhaps assuming they’d be a distraction. Nevertheless, Kuroko is energized by the fact Mikoto trusted her with Mama’s safety. She’s practically shining in this episode.

Once Gunha learns that Touma needs to get close…too close to Mikoto in order to attempt to dispel her Berserk, he uses his Punches to clear a path and then tosses Touma like a baseball straight at Mikoto. Touma finds and opening and touches her shoulder, but it only exposes a few square inches of her normal skin, and only for a second before the electrified skin closes up. Gunha then catches Touma in a Princess Hold, which is frikking adorable, but it’s clear they’ll have to keep this up quite a bit to put a dent in Mikoto’s stout defense.

We end with Misaki, who networked with all of the allies we saw this week to get them on the same page, stealthily stalking Gensei. Since Kuroko is taking Mitori on, Gensei would seem to be all on his own, but I don’t believe for a second he doesn’t know he’s being followed, and has more traps in place for when Misaki eventually confronts him.

Hopefully by then others will have made progress with their jobs and can back her up. However things unfold, this is one hell of a start to the final skirmish that will takes us to Railgun T’s halfway point. I’m thoroughly invested in every one of the little mini-battles going on at once. How often can you say that about a show?

Toaru Kagaku no Railgun T – 10 – Goodbye, Dolly

When Misaki and Mikoto hit a major traffic jam, Misaki summons the power of the “Exterior” to brainwash every driver in their path to pull aside, thus clearing a path. It’s clearly a significant effort for Misaki, pushing Mental Out to its limits. From there, we learn about how her ability was developed at the same facility as Prototype, perhaps the first Mikoto clone. Her nickname, “Dolly” is a reference to the first successfully cloned sheep.

Dolly ‘s handlers have been unable to make progress with her ever since her friend “Mi-chan” (heavily implied to have been Kozaku Mitori) went away. The white coats (who distressingly see both Dolly and Misaki as merely test samples to be used and disposed of as needed) conscript Misaki to be Dolly’s new lab-issued friend.

Misaki uses Mental Out to brainwash Dolly into believing she’s Mi-chan. Misaki was just as haughty back then, so she’s initialy feels his whole enterprise to be a hassle…until she becomes fast friends with Dolly. Like the girl who was cloned to create her, Dolly is far more athletic than Misaki, as evidenced by her far superior garbage can aim.

At the same time, Misaki tries to impress upon Dolly the importance of growing into a refined lady—a losing battle she picks up with Mikoto, to a degree. Without even intending to go along with the white coats, Misaki ends up restoring Dolly’s “inner peace”, allowing research on her to continue without emotional anomalies.

More than that, Misaki forms a real emotional bond with Dolly, blushing when Dolly suddenly hugs her—and pointedly smells out the deception. The two are simply playing around until Dolly suddenly collapses, her clone body shutting down.

It’s then, when she reaches her hand out for a distraught Misaki, that Dolly asks her her name. It dawns on Misaki that Dolly knew she wasn’t Mi-chan, but kept the fiction going because she was happy to have a new friend, and grateful to Misaki for being one. Dolly’s death is a gut punch.

The white coats are then frustrated when Misaki is the one in emotional turmoil, as if it never occurred to them she’d have these things called feelings. Call it professional detachment from one’s scientific subjects…but Misaki is human, for chrissakes! Showing no deference to them, Misaki uses her Mental Out on all of them and learns the truth: once they’re done tinkering with her, she’ll meet the same fate as Dolly.

The Exterior project continues, with part of Misaki’s brain removed and cultivated into a huge brain, which serves as a booster for her powers—and which is what she used to part traffic back in the present. It’s also the “DNA Computer” the urban legends site mentioned. By the time she and Mikoto arrive at Exterior, Kihara Gensei’s forces have already infiltrated, forcing Misaki’s associate Keitz to flee to the roof with 10032.

But Misaki is too late: Kihara tunes the giant brain to his own brainwaves, bypassing the need for length registration and enabling him to use Mental Out. He uses it to freeze Keitz, takes his phone, and uses it to trash talk Misaki, revealing that it was he who instructed Kiyama Harumi on how to use Level Upper.

He then removes all of the protection placed on MISAKA 10032, something First Order immediately notices while playing cards with Accelerator in a hospital room. Then Kihara injects a kind of mental virus into 10032, which is instantaneously transmitted to all other Sisters in the network, knocking them all out.

Mikoto arrives on the rooftop just in time for Kihara to trigger her dormant esper powers. She’s revealed to be his main target all along, as he hopes she’ll be the first to achieve a stable Level 6. Several floors below, Misaki no longer has access to Exterior, while Touma manages to track down Saten as she’s exiting the factory with Xochitl.

The main pair of powerful lasses, then, will need some outside help if they’re going to have a chance of escaping Kihara’s clutches. Mikoto looks completely out of control—half-Akira, half-Little Prince—or worse, under Kihara’s control. Will spirited, virtuous youth win out over the greed and contempt of an old man with a Gorbachev birthmark? We shall see…

Toaru Kagaku no Railgun T – 09 – The Thick of It

Mikoto and Misaki take different routes to get to Kihara Gensei, underscoring their very different methods of infiltration. Mikoto can blast her way in with her Railgun, but has to wear a suit and sunglasses as a disguise, but Misaki can stroll right in the front door and simply Mental Out anyone posing a threat, then use them to assist her search.

For all the buildup around the two girls teaming up, we don’t actually see them together as much as I’d expected, and they ultimately don’t have much to do at the facility (more on that later). Instead, the episode checks in on Kuroko and Uiharu’s investigation of Kozaku Mitori, who apparently faked her death at the reform school she was sent after committing acts of terrorism.

And then there’s Ruiko, who makes the mistake of letting Touma of all people borrow her good luck charm for his scavenger hunt! It’s a nice little cameo that is also a way of the show admitting with a shrug that “yeah, the Daihesai Festival doesn’t really matter anymore!” 

Ruiko could’ve used that charm on her impromptu trip to the abandoned liquid metal factory. She had a hunch that it might not be so abandoned after all, and she learns not only are the lights and security doors functioning, but the place is crawling with people probably up to no good.

Soon she’s lost and trapped and bumps into Xochitl (in her latest disguise), who is content to let a foolhardy civilian go unharmed until Kozaku Mitori shows up and demands Ruiko be disposed of after (likely harsh) interrogation.

Instead, Xochitl challenges Kozaku to a fight, condemning her as a traitor working outside the bounds of the Governing Board who basically used MEMBER’s services without the proper paperwork. Mitori decides to retreat rather than risk finding out what weird tricks Xochitl has up her sleeve, and Ruiko is free to go.

Meanwhile, Mikoto and Misaki’s infiltration efforts prove all for naught—if Kihara Gensei was ever in the building, he’s not there now. All they find is an underling disguised as Kihara, with memories that address Misaki by name. As powerful as Misaki’s Mental Out is, Kihara managed to troll her with it! That’s bound to stick in the craw of someone as prideful as Misaki.

Mikoto can only follow, shedding her fetching suit (which fit perfectly somehow!) and piling into another Mental Out Lyft with Misaki as she races to where the real Kihara might be. The old man also mentioned something called Exterior, but Misaki deflects Mikoto’s questions about it in the preview.

Just when I was quietly praising how relatively straightforward and character-driven Railgun T has been compared to its Index cousins, here comes the underworld organizations and their shadowy agents muddling everything up. Even so, characters still shined this week, especially Debonair Mikoto and the near-pathologically curious Ruiko.


Toaru Kagaku no Railgun T – 08 – Oil and Water

“YOU CAN’T HIDE FROM ME.” “Uhh, I’m not hiding?”

First of all, a heartfelt Arigatou gozaimasu to all producers and creatives involved in the continued production of Railgun T (and heck, all anime) even in the midst of the COVID-19 pandemic. I don’t take their efforts for granted, and hope they’re staying safe as they work. If they can’t proceed without putting themselves and/or others at risk, then production must obviously cease.

However, that is not currently the case, and we have finally been blessed with a new episode of Railgun T after two weeks off. It was worth the wait. The previous episode promised a showdown between Mikoto and Misaki, but it ends up being way more of an exchange of info, and thankfully Misaki doesn’t have to be “persuaded” by Mikoto to talk.

“What kind of LUNATIC wears long gloves and thigh-high stockings with a gym uniform?!” “Um…a STYLISH one!

Misaki is revealed not only as a more dimensional antagonist (and she’s undoubtedly hiding something from Mikoto), but someone who, either due to her life experience or ability or both, simply cannot fully trust others to help her out, as Misaka always has. It’s why she never came to Mikoto asking to join forces against Kihara Gensei and Kozaku Mitori.

She can’t read Mikoto’s mind like she can most others, but she does think it was choices by Mikoto, who once trusted everyone blindly, led to the Radio Noise and Level 6 Shift projects. Instead, she kept a chaotic element like Mikoto out of her plans, and made sure her chaotic friends wouldn’t interfere or get into danger.

Nothing like a spot-o-tea to center you…

Of course, even with their minds and memories manipulated, Kuroko, Ruiko and Uiharu are gradually piecing things together. While Mikoto told them to stay put at Judgment, that doesn’t mean Kuroko can’t track down Kozaku Mitori’s file (if any).

Even though Uiharu was unknowingly working at cross purposes, Kuroko and Ruiko are willing to trust her now to use her skills to help out. And even with their memories scrambled, Mikoto in turn trusts all of them. Compare that to Misaki, who bypasses trust altogether in making people into Mental Out minions to do her bidding.

Misaki Shoujo Pose, Meet Misaka Shounen Pose

Incidentally, Mikoto is able to chat with Misaki while the latter is already on her way to Kihara Gensei’s location (and assures Mikoto that neither MISAKA or the other Sisters are in any immediate mortal danger). It’s fun to see how Misaki gets around quietly—by simply Mental Out-ing a random truck driver into an impromptu Lyft.

She even tells Mikoto she can sit this one out if she doesn’t feel right about joining forces now. Of course, there’s absolutely no way Mikoto is turning down a change to “pull the plug” on Kihara. In fact, she rushes ahead so fast, she exposes Misaki’s abject lack of athleticism—something Mikoto hilariously mistakes as being set up. When Misaki chalks her slowness up to having a more mature feminine figure, Mikoto mocks her “shoujo manga” eyes, and the two start bickering like, well, two middle school girls.

The sudden pairing of the two rivals is immediately bursting with charm, comedy, and chemistry. I’m glad that unlike Baba, there’s no cruelty or sadism in her activities. Of course, she could show her ugly side once Kihara is dealt with. But if that’s the case, she’d better be prepared to tango with one pissed-off Railgun.

Toaru Kagaku no Railgun T – 07 – See No Evil, Hear No Evil

Biribiri scored her first big win of the arc against Shokuhou and whatever shadowy organization (*cough*MEMBER*cough*) she’s working for, but could she build on the momentum gained by sending Baba packing? Thankfully, her friends are helping connect the dots, even if in Saten’s case she doesn’t know they’re friends! The psychometric girl gleans a clue from reading MISAKA’s cat’s mind.

Saten is also the first to consider that Shokuhou may have altered her, Uiharu, and Kuroko’s memories, which would explain why she has Misaka’s number on her phone. Uiharu is still in the dark, and yet she knows Misaka’s Mama, and explains to her how everyone with an entrance pass also has a GPS so Judgment and Antiskill can keep tabs on them. Little do the two know they’re being stalked by Baba’s mysterious contact, a girl in purple (I went to the wiki to learn her name is Kouzaku Mitori).

In the middle of arranging to meet with Saten and Kuroko, Misaka’s phone call is interrupted by Kouzaku, who threatens Uiharu and Mama with a knife (in two different spots) unless Misaka tells her the locations of the Sisters clones. Likely still humming from her ownage of Baba, Misaka defiantly clams up, justifiably confident her currents are faster than Kouzaku’s knives.

Misaka saves Uiharu in a novel, very Railgun way: by launching her to safety using the metal supports of the bench, then disarming and neutralizing Kouzaku. This leaves Mama unprotected, but Kuroko teleports to her location and tosses her wheelchair at the second Kouzaku. Misaka has Kuroko teleport Uiharu and Mama to a safer place, but Kouzaku’s liquid metal puppet eventually melts, its operator apparently out of range.

When Kuroko asks Misaka why she chose Uiharu over Mama, Misaka tells her her Mama wouldn’t be happy to hear her daughter saved her before someone else. Misaka also knew Kuroko knew her location would be able to teleport there in under ten seconds, and had faith in Kuroko’s ability to save Mama.

This praise makes Kuroko blush despite herself, and she blushes more when Misaka insists on drawing close to help her walk. It’s immensely fun and hilarious to watch “Tsundere Kuroko” squirm with discomfort in the same situation where she’d normally shudder with bliss. It’s as if she’s falling in love with Onee-sama all over again! Arai Satomi is killing it.

With everyone safe for the time being (except of course for MISAKA), Misaka, Saten and Kuroko continue to try to piece things together at the Judgment office. There, Saten brings up the urban legends website that she and Uiharu were using to try to track the Shadow Metal. They discover that Shokuhou Misaki likely used her power to make Uiharu tamper with the site and alter her memories.

When Misaka reactivates Uiharu’s computer, the data on the site has been reconstructed, revealing a particularly inflammatory urban legend about a “DNA computer” that “generates abilities”, and a prominent photo of Misaki in a garage with men in white coats. Perhaps that’s where MISAKA is being held? If not, at least it’s a new lead, and more evidence with which to implicate Misaki.

Toaru Kagaku no Railgun T – 06 – Karma’s a Ba-ba-bitch

Baba got to kick Mitsuko around to his heart’s content because she was alone at the time and unaware of his immobilizing robot mosquitoes. But she was never going to be alone for long; Mitsuko is someone with many friends, and two of them in Awatsuki Maaya and Wannai Kinuho arrive in time to save her.

Maaya uses her buoyancy manipulation to make Mitsuko temporarily light as a feather, so Ruiko can get her to the hospital quickly. Then she and Kinuho show how well they work in sync by demolishing Baba’s dog-bots one by one. Unlike Mitsuko, Baba has no friends. It would be pitiable if it were not all his fault for looking down on everyone.

Ruiko succeeds in getting Mitsuko to the hospital, and Misaka just so happens to witness her battered friend being unloaded from the ambulance. It’s too much to bear. Blaming herself for letting Mitsuko get hurt, a switch flips, and Misaka calmly starts walking, not running, towards her target.

When two of Shokuhou’s clique attempt to stop her, she gives them a choice: let her walk right past them to her destination, or walk right through them. The girls wisely stand aside. Hopefully they’re merely being controlled by Shokuhou and aren’t aware of the crimes she’s committing.

Baba turns down help from his mysterious business associate so he can claim all the credit, which turns out to be his undoing, as is overconfidence in his ability to quickly analyze and neutralize Kinuho and Maaya. He believes he can trick Kinuho into exhausting her water then mobilize his reserve dogs, but Kinuho had a water stream in reserve, and uses it to waterboard him, for a duration that’s not as long as he deserves.

He also thought Maaya was a telekinesis-user, but she’s actually able to control the buoyancy/gravity of herself and objects, including the last trick up his sleeve: his second robo mosquito. She neutralizes it just as it’s about to bite Kinuho, proving yet again that there’s no substitute for friends who care about your well-being in your corner.

Baba ends up running away screaming after Wannai tells him something he needs to hear about his personality flaws, but he’s not screaming because he’s scared. He’s angry because the girls looked down on him, which is what people do to worms like him but he for whatever reason doesn’t see himself as a worm.

He flees to a trailer in a cargo depot and prepares to mobilize his giant Mantis-type robot, planning to get back at Kinuho and Maaya by not just killing them, but defiling and humiliating them and broadcasting it on the internet. You know, just in case you forgot what an apocalyptic asshole this guy is.

Of course, Baba’s most fatal flaw of all is relying so much on things that the Railgun can manipulate and destroy as easily as breathing. And he’s gone and made the Railgun very very mad.

The calmly ferocious avenging Misaka leisurely strides up to the Mantis, relieves it of its arms one by one, and with one nonchalant wave of her arm, reduces it to a cloud of metal shards and wires. She only keeps the communications equipment in tact so she can have a nice little chat with Baba, who is cowering in his suddenly useless control van.

Misaka can’t be 100% sure Baba isn’t being controlled by Shokuhou, so she let’s him of…this one and only time. If he lays a finger on any of her friends ever again, she promises not to hesitate to track him down and crush him. Part of me hopes Baba will learn his lesson and never bother anyone again, or even reform his ways…but another part hopes he’ll test her again and get buried in the grave he already dug for himself.

Toaru Kagaku no Railgun T – 05 – Bow Before Your Ojou-sama

Like Biribiri herself, despite her personality quirks there are few people you’d want in your corner more than Kongou Mitsuko. This week on Railgun T she finally gets the much-deserved spotlight, demonstrating her value as a person, a young lady, and a friend, and that while three of Misaka’s best friends have been neutralized, there are plenty of others willing to help in her time of need.

After she overhears Kuroko talking like she doesn’t know who Misaka is, Mitsuko admits to Misaka that she knows it wasn’t her for the Balloon Hunter, but her “sister” who looks just like her; abilities aside, Mitsuko can just read people that way. When Misaka asks her to investigate the sister’s disappearance on her behalf, Mitsuko refuses.

This is because for all Misaka knows, Mitsuko could also be brainwashed. Therefore, rather than feed Misaka info that she has no way of knowing is genuine, Mitsuko takes it upon herself to personally find Misaka’s sister and bring her back safe and sound. All she asks is that Misaka keep Shokuhous minions off her back.

Mitsuko’s investigation is off to a good start when she locates Misaka’s frog mask and kitty. But in her rush to take the cat to Judgment so she can continue her sleuthing unfettered, she bumps into Wannai and blurts out exactly what she’s doing without a hint of subterfuge.

While ultimately Wannai is not compromised, one of Baba’s robotic recon dogs picks up the conversation. He wastes no time isolating Mitsuko and then demanding she tell him everything she knows about the Sisters, or else. He’s confident from watching her events that he knows her Aero Hand ability back to front and how to neutralize it.

That’s when Mitsuko proves him so very wrong, by unleashing Aero Hand in a manner and at an intensity of which he was totally unaware. We’re reminded that even a Level 4 can cause plenty of destruction if she wishes, as Mitsuko disperses the robo-dogs and brings down a huge parabolic antenna.

She’s not worried about collateral damage—she is exceedingly wealthy—only protecting Misaka’s sister’s innocent cat. It’s notable she’s also not particularly concerned with her own personal safety; despite her pompous manner, Mitsuko is True Blue when it comes to helping those she considers friends, as well as those whom those friends consider dear.

This ends up her undoing, however, as Baba decides to fight dirty by unleashing a robo-bug that delivers an immobilizing bite to her leg. When Mitsuko takes exception to Baba mocking her selflessness and insults Misaka for “using people”—even if she can’t stand, she’s not going to stand for that!—he starts kicking her until she’s bloody. But still, Mitsuko shields the kitty from harm.

Baba’s about to gather her up to his lair to conduct a drug-induced interrogation—dude is such a loathsome sack of shit—when Saten, Wannai, and Awatsuki arrive just in time. Baba insults Mitsuko as “human debris” their faces, so the latter two calmly ask Saten to take Mitsuko and the cat to safety so they can have some “words” with the dastardly scoundrel.

P.S. Misaka had some good moments this week, despite not being at the forefront. It was mostly just to add color to the group of minders, but I loved how their lilac-haired leader shares Misaka’s genuine love for all things Gekota, and that Misaka took note of how easily her passion could be used to lower her defenses. Her “accidental” train ride was also masterfully done, even if it was ultimately unsuccessful.

Toaru Kagaku no Railgun T – 04 – Starry Eyes

Saten’s quest to find Shadow Metal hits a dead end with a dull thud when she’s caught snooping by ominous men in isolation suits. Misaka and Kuroko teleport to her and zap the men, but it’s all a misunderstanding: they’re a deep-cleaning crew responsible for preventing the illegal acquisition of esper DNA. The girls were the ones who were somewhere they shouldn’t have been.

I doubt that’s the end of Saten’s search for the semi-mythical metal. But it may be a while before it’s mentioned again, at least not until after a brutal cascade of events that end up all but burying Misaka are dealt with. Before that, however, the quartet finds a prime viewing spot for the nightly Daihesai fireworks display. I didn’t know it would be the last time for a while that the four are together as friends!

The next day, Wannai meekly asks Misaka for her gym clothes back, and Misaka realizes MISAKA never gave them back. With no events on her schedule, she uses her free time to fly around the city checking cameras for signs of MISAKA’s whereabouts. That leads her to two ambulance drivers she eventually suspects to be under Shokuhou’s influence.

Frustrated over her lack of progress in finding MISAKA and unwilling to reveal the secret of the Sisters, Misaka loses her temper and nearly assaults one of the drivers, leading to a confrontation with Antiskill and a punitive ride back to school and lecture about comporting herself properly from Headmistress Watanabe. Meanwhile, Kuroko, Uiharu and Saten are all “paused” by Shokuhou’s remote when her accomplice distracts them.

Due in part to Misaka’s own actions and loss of her cool, Watanabe assigns members of Shokuhou’s clique to “keep an eye on her” henchforth. One of the members is a telepath who can track Misaka wherever she goes. She may be a more powerful esper than any one of them, but all of them will be tougher, especially when she has to try to undertake a coherent investigation.

The last straw is when she encounters her three best friends…and they have no idea who she is. You do NOT mess with Misaka’s friends. Now no matter what Shokuhou says or does from here on out, we can be assured she’ll be on the end of some shocking retribution. Misaka also still has a few allies not yet under Shokuhou’s web of control. Fun-and-games time is officially over.