Koi wa Ameagari no You ni – 12 (Fin) – Never Gonna Give Up, Never Gonna Let Down

For the record, I was never against Akira running again, I just wanted it to be because she wanted to do it, not because Haruka or anyone else compelled her to. In any hard endeavor, if your heart isn’t in something, quality suffers, and its evident for all.

What I learned from this finale is that both Akira and Masami got nudges of varying kinds from their respective best friends. One of them, Haruka, may have pushed a little to far in her zealousness, but to her credit, is aware of that, and how it may well be selfish of her to put Akira on the spot.

At the same time, Haruka is being true to what she wants, even if it’s selfish or may not work out; even if Akira never speaks to her again, she had to make her stand, in case there was just the slightest glimmer of an ember of passion remaining in post-op Akira’s heart.

Despite the differing levels of intensity, both “friend nudges” ultimately succeed, because there were indeed embers in the hearts of both Akira and Masami, which only needed a little bit of oxygen to reignite. Perhaps due to how receptive he was to Chihiro’s advice, Masami is back to belting out pages through the night, nearly causing a dozen cigarette fires.

It’s at this point that we return to the budding romance of Nishida and Yoshizawa, never an unwelcome prospect owing to their infectious chemistry and general adorability. Both are unsure of their futures, but while Yoshizawa is simply going to college and will figure out what to do later, Nishida has decided to start on the path of hair-styling.

Yoshizawa was the one that nudged her in that direction, fortifying her courage with his confidence in her ability and satisfaction with the work she’s done and, if she’ll have him, will continue to do into the future. Bawwww.

Meanwhile, Haruka continues to wait for Akira, spotting two middle schoolers sharing a scarf while scouting the high school and remembering when she and Akira did the same exact thing, because it was a school that, according to its name, can “see the wind,” something they wanted to do together.

While Kondo is away at the Head Office again, sparking rumors that he’s soon to be promoted, his son Yuuto suddenly asks Akira if she’s fast, and whether she’ll teach him. Akira just as suddenly agrees, and does a really good job!

When Yuuto falls, he asks if he wants a break, but he refuses, not wanting to give up; wanting to reach the finish line even if he’s last, or else it will feel like he never ran. Just when it sounds like a “from the mouths of babes” moment, Yuuto makes it clear it was his dad that said this stuff to him, adding that he wasn’t going to give up either.

When she catches Kondo in the office, he thanks her for teaching his son, and she tells him what Yuuto told her. Akira can tell he’s gotten back into writing novels, and he tells her he’s essentially added a promise to a promise one from which he’s both suffered and learned, wondering out loud if she has a similar promise she’s forgotten.

That night, she remembers. Unpleasant and overdone as it was, Haruka’s confrontation nevertheless helped unsheath a still-warm ember in her heart. Kondo’s inspiring words and those of his son then reignited it.

Kondo finally announces why he’s been at the head office so much: it’s not that he’s getting promoted, but he has to master a new menu…which he hasn’t been able to do. His coworkers assume it’s another episode of their pitiable bed-headed manager bumbling about again…but nobody knows that he hasn’t kept up with the new menu because he’s so absorbed in writing. Nobody, that is, except Akira.

When he even leaves the menu book behind, Akira decides to tracks him down to return it. She remembers that after the fall that tore her Achilles, Haruka urged her to get back up, and she did, limping across the finish line. She didn’t give up.

Kondou encounter her in a light jog, and after what happened the last time she chased someone down, Kondou is worried. But Akira is perfectly fine, telling him “It’ll stop raining soon.”

Kondou is about to say something but is interrupted by a phone call—no doubt the head office tearing him a new one. But as Tachibana quietly walks away, the rain stops, the clouds part, and a lusciously gorgeous deep blue sky opens up, reflected in the pools of fallen rain.

He calls out her name once more, and she comes running, practically throwing herself into his arms. And she’s fine, no re-aggravation. They resolve to fulfill their own promises—his writing, her running—they’ll let each other know right away, whenever that may be. Akira then texts Haruka, indicating her desire for them to “see the wind” together again.

It’s a lovely end to a lovely show to put a very necessary pause on their romance. Rekindling fires is one thing, keeping them going long and strong is another. It takes time, dedication, effort, and care. As such, I imagine by the time Akira makes some good progress fulfilling her promise, she’ll be sufficiently old to remove the elephant from the room of their relationship.

However things go, it’s good to see Akira and Kondou end up in such a good place. They both know what they have to do, but more importantly, they know what they want to do, and are going to give it their all—come what may.

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Koi wa Ameagari no You ni – 11

When Haruka learns that a runner from another school fully recovered from the same injury Akira suffered to best her personal 100-meter time, and could threaten Akira’s tournament record, she redoubles her efforts to bring Akira back in the fold, even going so far as to follow her to her workplace.

Kondou sees that a girl from Akira’s school is a customer, and that can tell the conversation isn’t a pleasant one. Let’s get one thing straight: Haruka isn’t here to ask Akira what she wants or how she feels. Haruka is there to tell Akira what Haruka wants—and how sad she’ll be if she doesn’t get it.

She marches in there judging Akira’s choice to work an honest job rather than risk re-injuring herself, saying she’ll “always be waiting” for Akira to come around to wanting to run again, as if that’s the only acceptable path for her. Then she storms off without letting Akira so much as respond.

It’s frankly sickening to watch someone who purports to care about Akira only seem to be interested in what would make herself happy—not to mention shore up her track team. If their roles were reversed, I doubt Akira would treat her so awfully.

Thankfully we get a pleasant palate-cleanser in the form of Chihiro paying Kondou a surprise visit with a brand-new siphon coffee maker. Make no mistake: Chihiro isn’t there just for Kondou’s benefit, he came to ground himself with an old friend he still holds in high regard.

Kondou looks at Chihiro’s success in the same way Haruka looks at Akira’s records and talent—from the outside. The book being made into a movie is a “piece of shit” in Chihiro’s mind, and the more successful he gets, the more expectations mount (much as they did for Akira before her injury), and the more “shit” he feels he has to put out.

Rather than voice any disappointment, Chihiro actually lauds Kondou for living an honest life. Unlike Akira giving up running cold turkey, Kondou has always to maintain the obsession to write, even if it’s for nobody but himself, and even if he’s too excited to do the first one-minute novel in a long time.

Chihiro isn’t asking him to quit being a manager and start selling novels…but he urges Kondou not to give up that obsession, even if it’s not as big a part of his life as it was. Granted, Chihiro and Kondou are older and more matured by life experience, but the contrast between their equitable dynamic and Haruka’s totally unfair one-sided oppression of Akira couldn’t be starker.

Chihiro and Haruka, who are still fully in the respective games their friends left, have similar messages. I’ve always seen Akira as not giving up or running away from track, but simply moving on, while Kondou gives his old habit of late-night writing another go after Chihiro’s visit.

That same night, Akira takes out her cleats, suggesting as terribly as she expressed it, Haruka was right that Akira still yearns to run. But the next day when a customer forgets a phone and she can’t get it back to them without running, she doesn’t run this time, as the camera pulls in on her recently repaired Achilles. I can’t blame her, considering what happened the last time she did.

In the restaurant office, Akira sees that Kondou hasn’t filled out her shift schedule yet with her requested increased shifts, and when he asks her if there’s “anything else she wants to do” besides work there all the time, she should do that. This angers Akira, because it’s almost as if everyone’s ganging up on her…even the man she has feelings for.

The fact of the matter is, even if it’s objectively wrong for Akira to not even consider giving running another go, it’s her goddamn RIGHT to be wrong, no one else’s. Yes, she’s young, and her emotions on this matter are all over the place.

She might not be able to easily answer the question “do you want to run?” if asked because she’s so afraid of the possibility she just can’t do it anymore. Or maybe she really truly doesn’t want to run. In either case, it’s her choice to make. Haruka may have enough confidence in her for the both of them, but at the end of the day…it ain’t her Achilles.

Sora yori mo Tooi Basho – 03

AND THEN THERE WERE FOUR. While I initially liked it when it was just Shirase and Mari, I quickly ended up liking the addition of Hinata, who while fiery and is no more effective at advancing the group’s Antarctic plans than the other two.

Now Shirase’s worst nightmare has come true: another high school girl—celebrity, aspiring idol, social media personality, and former child actress Shiraishi Yuzuki—has beaten her to the punch, as the group learns she’ll be joining the expedition.

And yet the universe isn’t done with Shirase yet, as she soars from the deepest valley to the highest peak when no less than Shiraishi Yuzuki herself shows up at her house, and willing to give up her seat to Shirase. Yuzuki has no interest in going; it’s too cold (lol duh).

Showing she can be just as energetic as the others, Shirase gets a bit too worked up and bangs her foot on the door. As if to further punish her for celebrating too soon, Yuzuki’s manager and mother (apparently in that order) Tamiko puts the kibosh on her client-daughter’s plans to shirk her duty.

Mari and Hinata try their best to sell Shirase to Tamiko, but while she’s gorgeous, Shirase is too shy when put on the spot to be of any interest to the hard-nosed manager, while neither Mari or Hinata are pretty enough. Harsh!

However, Shirase persists as she usually does, and enters into a contract with Tamiko: if she, Mari and Hinata can convince Yuzuki to go to Antarctica, they can come to. Bang, just like that, they’ve got their in.

Again, Shirase is so brimming with excitement and giddiness Hinata has to knock her on the head to calm her down (Hanazawa Kana puts on a clinic this week showing every side of Shirase, but Iguchi Yuka keeps up as Hinata, as does Minase Inori as Mari).

Once Mari heads home, we get what was somewhat lacking last week: some Shirase/Hinata-only interaction, and we see that they to have become fast friends as well. While Hinata and Mari feed of one anothers’ energy (and Mari admires Hinata’s relative maturity), Hinata interestingly serves as more of a straight man to Shirase’s antics.

She’s serves as an open ear to Shirase’s very earnest self-assessment. She knows she’s being selfish, but Hinata considers it assertiveness, not selfishness, and wouldn’t be hanging out if she wasn’t okay with it.

After not-so-slyly staging a “chance encounter” with Yuzuki, they join her at a family restaurant where there are free refills where she can study. There, the trio begins attempting to convince Yuzuki into changing her mind. She’s on to them immediately, but they still want to hear her out: why is she so adamant about not going?

Her reason, as it turns out, is all to understandable: she’s been acting since she was four years old, and has been kept busy since then. As a result, while she may have a stout 38,000 followers (far more than fair RABUJOI), she has zero friends. Even now, when she tries to make them, they’re more interested in glomming onto her celebrity and aren’t that intereted in who she is.

Yuzuki fears she’s running out of time to make good first impressions for potential friends, and if she goes to Antarctica, she’ll lose more precious time still. When Mari hears this story, she feels suddenly compelled to give Yuzuki a big ol’ hug…and who the hell can blame her?! Thankfully for Yuzuki, she has not one or two but three potential new friends sitting at that booth with her.

She’s initially skeptical these three “best friends” could possibly understand her situation, but that’s before they reveal they haven’t known each other that long at all…they’re “just trying to go to the same place.”

In the end, Shirase, Mari and Hinata didn’t have to use any clever tricks to get Yuzuki to reconsider her refusal. They merely had to show up and present themselves as who they really are: three girls who practically just met and want very much to go to Antarctica. Yuzuki could be the fourth.

Add to that the fact Yuzuki’s last potential friends at school seem ready to give up on her, and a bizarre dream in which Yuzuki is plucked from the window by the three girls on a ladder outside her hotel window (which I briefly thought was real—and rather shark-jumping!)

Yuzuki is charmed by the dream, but acknowledges that that was all it was; a fleeting expression of hope friends would come to her rather than laboring to seek them out.

But hey, the basic idea of her dream comes true anyway, with the trio appearing at her door (not her window, thank goodness) to make their final plea. Their timing is impeccable, and moves Yuzuki to tears of joy. She agrees to go, but only if Shirase, Mari, and Hinata can come as well.

The newly minted quartet then head to the Polar Science Museum in Tokyo (which I must visit next time I’m there).

Shirase gets hyped by the realistic penguin models, the four explore an old Snowcat, watch the aurora in the theater, and take a selfie together. Things are starting to feel real.

So, what’s up with the woman with the beauty spot in a “Challenge for Antarctic” car looking at that photo of Shirase and her Mom? She’s neither of the women who turned Shirase down in Kabukicho. Am I supposed to read her somewhat inscrutable expression as “grave” or “neutral”?

In any case, the band has been formed, and I couldn’t be happier. But something tells me things aren’t going to get easier just because they’ve got their tickets all but stamped. Four high school girls going to Antarctica will require, I imagine, a degree of training and preparation. Looking forward to those next steps and how the group responds to them.

Kakegurui – 09

Yume-Yume was soooo confident her victory was a lock with this idol gambling competition with Yumeko, she already planned details for her opponent’s future such as sleeping up the corporate ladder and having a porno debut. It’s not really personal; Yume is trying to get to the top of the celebrity mountain, and she needs stepping stones.

So it comes as a shock when Yumeko beats her , just because the competition included just enough luck to favor her over Yumemi. Yumeko’s luck is so conspicuous, it even gets in Yumemi’s head, as thoughts of Yumeko’s doomed future are replaced by the very real present possibility that rant recording will be played and ruin her career.

But here’s the thing: after handing over 50 million yen, and after Yumeko plays the recording to the entire crowd of 100—most of them in Yumemi’s fan club—and afterwards when she confesses and thanks those fans for cheering her on thus far…they don’t abandon her.

Of course they don’t, what self-respecting super-fan would be put off by the discovery of another layer of their idol? They love her unconditionally, and don’t ask for her love in return. In fact, they love her even more because she was honest!

Throw in the fact more than a few of those fans quite enjoy Yumemi yelling at them and telling them they’re scum, and you can see why there weren’t any shots of Yumeko’s reaction to their collective shrug: she too knew that real fans wouldn’t care about Yumemi’s rant.

Well, the game’s over, the money’s been paid, the ‘blackmail’ material backfired as planned, Yumemi’s idol career is safe, and she learned a valuable lesson. Time to SING! And hey, credit where it’s due: Kakegurui actually bothers to animate the two Yumes dancing and singing through the credits.

After that, Yumeko reveals the reason she fought Yumemi at all, besides the thrill of the gamble: she wants to have another gamble with a superior foe: Manyuda Kaede, the Sudent Council member who put the whole idol competition together.

When Kaede pleads innocence and demands proof he “deceived” Yumemi with the fan letter that set her off, Yumeko rightly points out they’re not in a court of law, but in a gambling school. She challenges him to a gamble in which the winner’s story will be deemed the truth.

Kaede refuses…but Yumeko to use her Miké tag to request an official match; one Kaede cannot refuse. Looks like Yumeko was using Yumemi as a stepping stone to Kaede, and eventually, the president herself.

Kakegurui – 08

When the cat (Momobari) is away, the mice (the student council second-years) will play. The latest member to set her sights on Yumeko is Yumemite Yumemi, who despite having a tongue-twister of a name is the school’s unofficial idol, already viral on YourTube and with a loyal army of fans.

Meanwhile, the rumors flying of Yumeko retaining her livestock status so she can challenge the presdient, Sumeragi approaches her, and after pretending to play innocent, she later fesses up to wanting a position in the council back, once Yumeko takes over.

We also quickly learn Yumemi is another two-face; with probably the greatest difference between her public and private personas. While she’s open and hands on with her sweaty fans, she secretly despises them, flashing horrific faces twisted in disgust. But she accepts the discomfort as the price of attaining her goals.

When Yumeko and Yumemi finally meet, they don’t play nice for long, as Yumeko is pretty aware of Yumemi’s disdain for her fans. The facade drops, and Yumeko manages to provoke Yumemi into an anti-fan tirade that she secretly records on a device she hid in Yumemi’s assistant.

The gamble in question seems to be a battle of idols, with Yumeko having to join Yumemi’s idol group and live the life of an idol if she loses, while Yumemi, confident Yumeko is underestimating her, agrees that if she loses the incriminating audio will be distributed and ruin her idol career in its infancy.

The details on how this particular idol-themed gamble will be laid out and scored remains a mystery, but there’s not doubt that whatever happens, Yumeko’s star will only rise with this new, very public opportunity. We also learn Ryouta is a big fan of Yumemi’s, but I assume he’ll be rooting for Yumeko as the two square off.

Handa-kun – 06

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The Gist: Kawafuji is aware of Handa’s increasing paranoia in the wake of the amnesia plot and tries to introduce him to a new friend. Handa, being paranoid, dresses in a disguise for the meeting. However, at the end of their hang out day he comes to like the new person… but totally confuses issues be rescuing his new friend from bullies as Handa.

Later, Handa defeats his middle school nemesis, a track star named Dash. Dash gets raped by a horny dog. Twice.

Then the school palm reader is stumped by how average Handa’s palm is. Also, that he will never marry nor have love, but will be surrounded by many children in the near future. She too takes this as an accidental compliment from Handa and strives to work harder.

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The Verdict: while I greatly enjoyed the dog-rape segment for it’s rapier like subtlety, the third act was the most concise joke. There’s not much to say beyond that really… Handa-kun’s accidental nice guy hero formula is pretty straight forward and the cast around him follows such a predictable pattern, once you’ve seen one, you’ve seen it all.

Still worth a chuckle. Not a very clever chuckle but a chuckle all the same;

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Handa-kun – 05

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The age of males is long gone…

The Gist: This week’s unintentional conflict pits Handa against Tennouji Sawako-sama, the man-hating student council president. This is because Handa is popular, technically viceless, and looks like he is amassing a group of powerful students… all things that could challenge Sawako’s domination of the school, and males in general.

Sawako’s first plan is to seduce and control Handa with two of the school’s most predatory females but it’s thwarted in traditional Handa fashion: the girls overhear what seems like a genuine life lesson directed at them and leave, only for Handa to actually be talking to stray cats.

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Sawako’s second plan is to capture Handa and force him to wear a skirt. This leads to a chase by de-masculinated student council vice-president Rikimaru, which culminates in Handa and Sawako falling down the stares. Handa appears to have protected her during the fall and, again following the show’s formula, wins Sawako’s heart without knowing what is going on at all.

In an unexpected twist, Handa loses his memory and becomes a creepy opportunist clown. There are many jokes about him trying to pick up girls but everyone things he’s just another fake because the real Handa would never cheapen himself like that. Eventually, Handa becomes depressed again, maybe or maybe not actually regaining his memory in the process…

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The Verdict: The opening act was pure formula but it was moderately entertaining. The jokes were well timed, the visuals were silly, and the accidental life lesson was amusing.

Unfortunately, the second act was not so good. It didn’t do anything with the amnesia tropes, it was short, and nothing really came of it except end everything was back to normal by the end.

To its credit, Handa-kun builds a remarkably lived in world where any character that has received a face and screen time continues to weave in and out of future episodes. Suicide-chan and the Predator Girls and not-Handa all make appearances here. But it’s a pretty average, lightly funny world to have dedicated so much effort to.

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Handa-kun – 04

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The Gist: This week Handa-kun continued to hit its stride with another trio of silly nonsensical situations. First we meet a Handa-kun cosplayer with terrible teeth, then students misunderstand Handa’s mom to be his girlfriend, and last Handa tries to make small talk because his parent teacher meeting doesn’t go well.

The Verdict: Handa-kun’s shortcomings as a show remain the same but so do its strengths in comedic timing. This leaves me with little to say beyond summarizing the episode, unfortunately. Fortunately, I was laughing most of the way!

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Handa-kun – 03

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The Gist: This week concludes the character introductions with Tsutsui Akane-kun, Kondo Yokio and Kawafuji-kun. The three-part episode format makes each segment feel a little short but, honestly, that’s probably for the best.

Even though the core gag is the same in each segment (Handa-kun thinks the opposite of what everyone thinks he thinks), hopping from segment to segment keeps it from feeling over used. Played out or not, the question is, does Handa-kun have enough to like in the first place?

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Tsutsui Akane-kun’s segment is the most interesting, structurally. See, Akane-Kun used to be a girly boy and he was literally tormented by the way Handa imagines being tormented. In a way, it is the way Handa is tormented: Girls thought Akane was stealing their boyfriends.

Unlike Handa, Akane broke and left school to become a shut in. Then he became a tough and redefined himself. When Handa/misunderstanding inevitably brings Akane back to school, the cycle continues with his own awkwardness leading Handa to think they are enemies.

tl;dr? It’s smarter than it is funny but it was also pretty funny.

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Yokio’s section would be straight forward except we, as viewers, can draw a deeper understanding of Handa’s weird popularity from Yokio’s conclusions. Yokio see’s Handa’s decisions as bizarre, and he can see everyone is forcing themselves to think of these decisions in a positive light, but he can also see that the results are positive. Handa-Force stops fighting to pay attention to Handa’s kitchen fire and they all appreciate getting ‘treat’ of special custard at the end, even if it’s gross.

The results make the intention unimportant. In a way, because Handa is an eccentric artist, his actions are basically performances too, which makes them not out of place for him to do… in an academic sense.

Looking at it from another angle, Yokio knows Handa’s work is high concept and he gets that ‘an ordinary Joe can’t grasp his appeal’ but that’s not going to stop him from trying.

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Kawafuji’s segment isn’t particularly interesting from a structural stand point and the jokes are over the top instead of funny. However, it shows us why Handa is so terrified of everyone, why Kawafuji is his only friend and why they would still be together in Barakamon.

Spoilers: it’s Kawafuji’s fault because he was jealous. It’s also his fault because he hasn’t told Handa the truth yet. It’s also likely in Handa’s favor not to learn the truth because a normal acting Handa loses all the mystique. It loses any purpose to watch the show, really.

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The Verdict: This week gave us the best Handa outing so far, largely because Akane, Yokio and Kawafuji are more interesting characters than the chairman and the model. Yokio and Kawafuji are especially good, because they actually see Handa for what he is: a wreck and bizarre.

Now that the comedic timing and dialog are tight, Handa-kun is enjoyable to watch. (even with the socially awkward cringe-factor) If some chuckles and tie-forward to the better show is enough to warrant keeping it on your schedule, there you have it. If not, summer’s packed with great shows. No big loss.

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Handa-kun – 02

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The Gist: Handa ‘defeats’ the two girls from last week, as well as ‘glasses’ Aizawa Junichi and ‘model’ Nikaido Reo who were introduced as members of Handa-force last week.

As with last week, Handa ‘defeats’ these opponents largely through his lack of understanding and, for the same reason, most people think highly of him. As you may have expected: all’s well that ends well: ‘muscles’ Juri-chan and Maiko-chan are back to being friends… and accept being romantic rivals.

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What makes Handa-kun special: its protagonist is a hot mess of illogical responses that, against all odds, turn out in his favor. Take his misunderstanding of Maiko and his choice to write her a letter.

By making Muscles (Juri) fall for him, she became aware of the inequity of her relationship with Maiko. Then, after they both fail to win his affections and choose to try calligraphy, their relationship realigns, but with a new balance between them. A truer balance. That’s good narrative building!

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What holds Handa-kun back from being great is that it only gives us one side of the coin seen in Barakamon. There, Handa played off of another character, and there was warmth from their back-and-forth.

Here, there is truly no warmth. Handa doesn’t like anyone here, not even a little. This isn’t ‘wrong’ but it is a little weird if you think about it: it’s about a talented jackass getting away with whatever and everyone assuming he’s a nice person.

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The Verdict: Handa-kun has a solid formula and it deserves plenty of laughs. There’s real craft to how the narrative is constructed too. That said, it’s hard to imagine Handa-kun standing out without Barakamon.

And this is no Barakamon.

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Handa-kun – 01 (First Impressions)

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Barakamon was an awesome, often frenetic comedy with a ton of heart, so I was weary of a prequel taking place in high school. There was no need to worry: Handa-kun is an entirely different animal in the best way. It’s no match for Barakamon, but it has it’s own absurd energy and charm.

If you’d assume the first half of the first episode of a show called Handa-kun would contain…Handa-kun, you’d be mistaken! Instead, we get a lengthy, and very meta, scene in which four of Handa’s friends miss the first episode of his anime, and so make their own horrifying Handa-kun, until the studio mails the real anime to them.

The scene plays with out own expectations and ignorance about what exactly this show is going to be about (besides Handa in high school), while taking a couple of good-hearted digs at the expectant audience-anime studio relationship.

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When we finally get to Handa in high school, he’s an absolute mess, as expected. While everyone around him either loves, envies, or reveres him, Handa doesn’t have a clue, and gets the exact opposite vibes that are being thrown his way. Even the button-cute class idol wants to date him, but he assumes she’s trying to beat him up.

Handa’s talent also lets him get away with murder in class, as his thought processes often leak into public hearing, the math lesson be damned. He doesn’t bother to look or hear anything anyone does or says correctly. He’s hopeless.

That being said, Handa tries to hear Maiko out, but in the strangest way possible; writing a note for Maiko’s gruff, bizarrely proportioned friend Juri, in a scrawl elaborate and nigh-incomprehensible to a high schooler. Not exactly the best way to relay a clear message!

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His note convinces Juri that he’s into her, and so when Handa arrives at the agreed upon spot behind the gym after school, both Juri and Maiko are there waiting for him. Naturally, he assumes the worst: some kind of challenged or fight is imminent, but you have to respect his “courage”…if only he had a friggin’ clue what was going on around him! Alas, his constantly churning mind obscures all.

We close on that spot behind the gym, and go back to the group of four friends who started the episode, just as frustrated as I am by the “To Be Continued.” But the kicker is when they mail Handa their creepily-drawn homemade anime, and before the OP is over,  he simply has to switch it off.

Well, that’s not what I’ll be doing with the real anime…it was a gas, and I’m excited to see what bizarreness it can bring to bear next time.

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Sore ga Seiyuu! – 10

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As the OP states, even though Kohana Rin is only fifteen, she’s been working for ten years. As such, she’s by definition not your ordinary, run-of-the-mill fifteen-year-old junior high schooler. She’s a special case, which is why her counselor counsels her to seek education at a high school better suited for special cases such as hers, in which she can take acting classes and her work-related absences can be worked around.

The whole reason Rin’s been working so long (in addition to being talented) is that she used to be so painfully shy, so her parents put her in a theater trope. Since then, she’s simply gone with the flow, but it isn’t until now, when she’s now faced with going to a different school than her oldest and best friend, the heart-eyed Sayo, that she starts to doubt whether she even should be a seiyu.

The episode makes it a point to show that unlike Futaba and Ichigo, her present situation didn’t come about as a result of a choice she consciously made; her parents made it for her in hopes it would help her social skills. Futaba and Ichigo don’t lets their doubts get the best of them because they know they’re on the path they want to be on. But Rin isn’t so sure anymore.

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Things become a little clearer when, suddenly and coincidentally, her manager hands her a script for an anime film where she’ll be playing the little sister of the lead, voiced by Kamiya Hiroshi (making his second appearance on SgS). The director specifically chose Rin because he wanted a real 15-year-old actor.

With few actors her age out there with as much experience, she seems the perfect choice, but Rin’s recent realization she hasn’t led a typical 15-year-old’s life makes her uncertain. The director cuts several times because she’s either sounding too responsible or too young. But that’s to be expected, considering Rin is more responsible and composed than most kids her age.

Even Kamiya tells her she impresses him; when he was fifteen, all he did was goof off, and even though he’s regarded as one of the industry’s top voices, his own opinion of himself is of someone constantly unsure if he’s even cut out to be a seiyu. He can be negative and overthink things. He never thinks he’s good enough, so he’s always polishing.

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Learning this insight from such a towering voice works wonders for Rin, now that she knows she’s not the only one who feels the way she does. And however her career started, she is a seiyu, and she wants to become a great one. For that, she decides she’ll change schools for high school.

When she breaks the news to Sayo, Sayo takes it as you’d expect. She can’t hide her sadness or tears, but nor does she think it’s the end of their eternal relationship; not by a long shot. In fact, Sayo’s tears are both of sadness they won’t see as much of each other, but also joy and pride that her once-profoundly shy friend has grown so strong, and can now stand on her own two feet.

Of course, Rin still needs Sayo’s help with one thing, and will continue to year after year, no matter what: their annual end-of summer giant parfait.

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Sore ga Seiyuu! – 09

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After eight episodes focusing on the seiyu, mostly Futaba, this episode switches things up a bit and re-tells many of the past events, along with a couple future ones, from the perspective of Futaba’s petite but tireless manager Konno Aoi.

As the intermediary between numerous seiyu and numerous production companies, her day is never not busy, and it’s full of small victories and failures, either made better or worse by how she reacts to them and how she delivers the news to her charges.

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From a flashback in the cold open we see what brought Konno into this kind of work: while taking the stage or the spotlight isn’t for her, facilitating the rise of others is not only something she’s good at, but something she enjoys, especially when she gets a big hug from the recipient as a reward.

Just as Futaba makes up for her relative deficiency of otherworldly talent of the Kamiyas and Hories by working hard and trying to stay positive, Konno works no less hard to get Futaba two jobs in one day, further building up her experience, motivation, and confidence as she gets better with time.

Plus, their increasingly dramatic run through the city to make a recording appointment (instead of simply calling to say they got held up in traffic) made for an unexpectedly amusingly action sequence.

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