To Aru Majutsu no Index III – 10 – Next Time, Just Use Tsuchimikado’s Quinjet

As Itsuwa searches the internet for a sexy outfit to counter Kaori’s maid assault, Knight Leader stands ready to instruct Kaori on how to act like “a proper English lady” (and presumably dress like one, neither of which appeal to her), while a chance encounter between Touma and Misaka results in the latter getting “overcharged” at the vending machine.

Touma comes home to Index with instant yakisoba, but their meager repast is interrupted by a call from Tsuchimikado, whom Touma demands to keep it short, and he does: “Get your ass to Britain.” A moment later a knockout gas grenade is thrown into the apartment, and Touma and Index pass out.

At some point between then and when we next see the pair, they were given a choice to board Tsuchimikado’s supersonic jet for travel to Britain, but Touma chose the more comfortable alternative of commercial air travel aboard “Air Bus 365” (which sounds more like a make and model of plane than a flight number).

This would be fine, with the biggest problem keeping Index fed and quiet, but due to Touma’s boundless misfortune, the airliner they happen to board has been infiltrated by anti-Britain terrorists with agendas related to heightening tensions between the magical forces of Britain and France.

When Touma discovers something is amiss when searching for (what else) Index’s meal (we’ll never know—beef or fish?!) the flight crew arrests him lest a panic brew in the cabin. One of the terrorists then captures Index and tries to kill her, but Touma manages to rescue her. It’s a tense, claustrophobic situation and the flight crew seems ill-equipped to stop the terrorists, leaving it up to Touma.

On the ground in Britain, Laura Stuart and her logistics nuns represent at least one of the groups trying to bring the plane down (in her case, allowing it to land safely on a closed-off country highway). But their magical manipulation of the plane’s fuel gauges are overridden and the terrorist gets the pilot to regain altitude, so Laura has to switch to Plan S…for Stiyl Magnus, making his first appearance in the trequel.

Touma manages to track down the first terrorist and punches him out, but it isn’t long before he realizes there’s definitely a second, armed terrorist in the cargo hold. He uses hot tea to expand the ductwork so he can slip into the hold undetected, just like they do in the movies! Unfortunately the second terrorist is less of a pushover and has a grenade in his hand.

That’s when Stiyl arrives, perched atop a second plane below Air Bus 365. He uses his cards to neutralize the second terrorist, scolds Touma for not doing the bare minimum to protect Index, then departs as quickly as he arrived. Hi Stiyl, Bye Stiyl!

Air Bus 365 lands safely at Edinburgh; this is reported on the radio being listened to by what looks like another new group of magical users who are about to initiate a plan that will “break up the paradigm that is Britain,” suggesting they’ll be a key part of the complex magical conflict to unfold in this new arc, with Touma right in the middle of it.

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To Aru Majutsu no Index III – 09 – Saint v Saint

Kaori crosses swords with Acqua, whose birth name we learn to be William Orville, a former mercenary for the Anglicans but moved to the Roman Orthodox church. We also learn that Kaori, on her own, is absolutely no match for him.

His attacks have her flat on her back and spread eagle across vasts fields of rubble and debris, though to her credit she never stops getting up and dusting herself off, a resoluteness he admires even if he’s quite certain there’s nothing she or anyone else can do to keep him away from Touma.

As for Touma, he’s limping towards the battle when Misaka encounters him, and insists that he allow her to help. That might well have made the fight an easy one for him, but he declines the offer, and while she’s not happy about not being able to fight, she can understand there’s significance in him going it alone.

That’s ironic, since Kaori, who left the Amakusa church in part to protect her comrades, categorically can not stand alone and survive against Acqua; he’s just too goddamn talented and powerful, and the more beat-up she gets, the more his confidence in victory soars.

But he didn’t count on Kaori calling to Amakusa to jump down to the level of the battle and combine their powers to help her. Itsuwa was just getting done talking about how she and her group’s fighting was child’s play compared to the scale of a saint-on-saint battle (and it was), but Kaori doesn’t need them to defeat Acqua, she just needs a little help.

She gets it, and Acqua is sufficiently distracted in trying to bring the hammer down on all of them that he completely misses Touma slipping him below him, in the direct path of the attack, which Imagine Breaker nullifies in a very satisfying moment.

In Acqua’s moment of vulnerability, Itsuwa comes back at him with Saint Breakout and this time it works. The multi-pronged attack on him actually reminded me of the Avengers in one of their attempts to use teamwork and elaborate tactics to bring Thanos down on Titan. They failed, but Touma, Itsuwa, Kanzaki and Amakusa succeed: Acqua is defeated.

After a brief flashback to when William Orville left England, Touma wakes up back in the hospital, under the gentle ministrations of Itsuwa. The two get a little too close for Index’s comfort, especially considering she was by his bid longer.

Kanzaki wants to thanks Touma for his help, but is a bit squirrelly about it until Tsuchimikado breaks out a “fallen angel maid” outfit for her to wear. Unfortunately we never get to see it in all its glory, but it certainly makes an impression on Index, Itsuwa, and Touma! Glad to see the lighter side of Index closely follow the stern and serious climactic battle.

From there we’re shown the next threats to Academy City in Fiamma of the Right, apparently the leader of the Right Hand of God. While Acqua took out a pillar in the Vatican, the damage Fiamma causes attacking the Roman Pope cracks the dome like an egg. That is not going to buff out!

After Fiamma takes off with Index as his target, the Pope orders the fourth member of RHoG, the pierced-up Vento of the Front, to go after Fiamma. Of course, Vento doesn’t take orders from the Pope, but she’s going anyway.

Finally, we also get a glimpse of Mr. Academy City himself, Al Crowley, upside down in his office-cocoon thingy telling his computers to do various things relating to Imagine Breaker. Looks like we’ll have plenty of material to work through to fill the remaining sixteen weeks.

To Aru Majutsu no Index III – 08 – Unfinished Sentences

As a battered Touma recovers in hospital, Itsuwa is briefly overcome by regret for being beaten by Acqua so easily, failing so completely in her mission, and yet still being thanked by her charge. Tatemiya snaps her out of it by rattling her cage, and as the rest of Amakusa sharpens their blades for a rematch, Itsuwa regathers her fire and commitment to beat Acqua to a pulp.

If only it were that easy. While Itsuwa talks big and she and Amakusa have a deep bag of tricks including Saint Breakout, specifically designed to deal with saints, all of it is for naught, as Acqua isn’t just a saint, but the Right Hand of God, possessed with the angel Gabriel and master of both human and angelic spells.

Even Breakout isn’t enough to so much as singe his collar, and Itsuwa ends up taking a fall off the dome of the underground district and has her turtleneck burned off, leaving only her crop tank. The rest of Amakusa can’t do any better. With only them between Touma and Acqua, the situation is most dire.

Acqua is about to finish Itsuwa off, but someone shows up he must give his full attention: Kanzaki Kaori herself, there not just to bail out her former sect, but to protect Touma. Miss Half-Cutoffs exchanges words with Acqua, but as much as he’s said this episode, he’s really not interested in talk when it comes to Kanzaki. He wants to see what she can do against him. And so they begin.

Meanwhile, Touma wakes up to find Index dozing by his bedside, but as far as he’s concerned there’s a battle to return to, so he gets up and gets going. I really don’t know what else he can do considering how easily he was taken down by Acqua’s saintly powers, but who knows…when there’s a saint in your corner—even a non-Right Hand one—anything is possible.

To Aru Majutsu no Index III – 07 – The Bodyguard

Like a jargon-heavy book that keeps making you flip to the glossary in the back, the Academy City Underworld arc was so laden with groups, individuals, motives and goals that I had to refer to the Index wiki on more than one occasion just to find out who the hell some of the people were. As a result, it was hard to sit back and just enjoy the action.

So thank goodness this week is a far simpler Index episode (even though it takes a number of turns), featuring a straightforward plot and familiar, beloved  characters. It certainly starts out where Kamijou Touma would prefer to be, at school, where the most fraught action is being chased by a burly teacher when he and Tsuchimikado are the only two able to escape school to get to the convenience store for the lunch they want.

For all the misfortune swirling around him, Touma does catch a break every once in a while. In this case, a very lovely break in the person of Itsuwa, who mistakes Saigo for a hostile and takes him out for Touma. She’s come to A.C. to serve as Touma’s bodyguard due to stirrings that the powerful Saint Acqua of the Back (or Rear) is going to target him.

The rest of Amakusa is there to back Itsuwa up, as well as to try to get her to pull the trigger on Touma, whom she apparently likes. In this venture it’s Itsuwa who is more unfortunate, since she must contend with the jealousy of Biribiri, who makes a welcome return to the show. Misaka was actually concerned that Touma had amnesia, only to catch him deep in Itsuwa’s bust. Thankfully, Touma manages to keep Itsuwa from mistaking her for a hostile…even though she kinda is!

This also marks the rare Index III episode that actually has sizable portions of Index in it, as she watches with concern as Itsuwa enters her and Touma’s home, buys the loyalty of Sphinx with some high-quality bonito, and starts making dinner.

Like living a simple high school life with occasionally exciting lunch runs, just seeing a girl in his kitchen making dinner gives him no end of joy. The fact that Itsuwa is acting like a proper house guest and helping out exposes how comparatively little his other guest Index does.

Of course, the reason Index doesn’t help out is that her help often only causes more work, such as when she pours an entire bottle of drain cleaner down the shower and almost causes a fire.

Itsuwa cuts off their ensuing dust-up, rents a motorcycle and sidecar, and takes Touma and Index to a splendid public bathhouse in the 22nd School District, which is entirely underground yet has a giant screen in its “sky” projecting the real sky. It’s a really beautiful motorcycle ride that shows yet another side of the sprawling city.

Naturally, Misaka ends up in the same bath as Index and Itsuwa, and as Itsuwa clumsily tries to explain how Touma came to end up in her breasts she then becomes the target of Index’s ire, while Biribiri stews until she overheats and a medical team with a stretcher has to be called.

I presume Misaka had to be temporarily taken out of comission in order to lend more peril to the final act of the episode. Touma and Itsuwa go on what could be construed as a romantic evening constitutional, but once they reach the bridge (Touma and bridges don’t mix!), Acqua suddenly appears, and wastes no time mopping the floor with the both of them.

Itsuwa is a strong and honorable bodyguard, but she simply has no chance against a Saint, and her restoration spells have limited effect on Touma due to his right arm. About that arm: Acqua will let him live if he cuts it off and gives it to him. He couldn’t care less about Kamijou Touma, he wants Imagine Breaker taken out of the equation of church and global affairs.

In his surpassing charity, Acqua doesn’t simply take what he wants, even though he’s certainly capable of doing so (unless Imagine Breaker somehow prevents the arm from being separated from Touma’s body). He gives Touma one day to decide whether he’ll give it up willingly, or die. And since Itsuwa is his sworn bodyguard, she and the rest of Amakusa will certainly die defending him before he does.

So yeah, a Saint with the Right Hand of God either wants Touma’s arm or his life, and Itsuwa alone won’t be enough to stop him. Like I said, straightforward! I imagine one needs a Saint to fight a Saint, so we’ll see if Kanzaki enters the fray…not to mention Misaka once she recovers from overheating in the bath.

To Aru Majutsu no Index III – 01 (First Impressions) – Misfortune and More Misfortune

Here we are, back in Academy City. I remember most of the faces, as well as most of their connections. There’s yet another threat looming as a large and ominous protest by a religious group takes place all the way in Toulouse, France, and the worlds of magic and science seem to be teetering on the precipice of another nasty conflict.

Seemingly in the middle of it all is Kamijou Touma, he of Imagine Breaker—and eternal misfortune—fame. In less than two days he loses his wallet, gets bitten by Index, gets detention for a debate over bunny girls, gets beaned by a Fukiyose fastball, and then yelled at and attacked with lightning by Biribiri.

And all that turns out to be the least of his problems. An old lady who encounters Index later nabs Touma and takes him somewhere secluded at gunpoint. She’s part of Academy City’s governing board, and seems interested in Touma’s ability should the Orthodox Church be using the protests as a booster to “attack the world”, something to which the city would have to respond.

This old lady is then promptly shot by Tsuchimikado, who then whisks Touma off to France via supersonic jet and skydive, where he and Touma will recover a Roman Orthodox magical item called the Document of Constantine. It’s a good thing Tsuchimikado’s stepsister Maika is cooking for Index, because it doesn’t look like Touma will be home for a while…

To Aru Kagaku no Railgun S – 24 (Fin)

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The four small groups holding back Study’s AIMs are supplemented by the entirety of Judgment, stepping in after Anti-Skill’s hands were tied. With Febri’s help, Mikoto reaches Janie’s general position, but Aritomi sends hundreds of AIMs to surround her in an arena. When the first waves of AIMs are taken out, his colleagues sortie in heavier-duty robots armed with a facsimile of the Meltdowner’s beam weapon. On the front lines, they’re taken care of by a robot built by Kongou Airlines and piloted by Saten and Uiharu. In the arena, a furious Mugino and the rest of ITEM mop up the robots.

Fearing defeat is eminent, Aritomi enables Janie’s “Final Stage”, which will launch a missile from orbit that will turn Academy City to Ash. He tries to commit suicide, but Mikoto stops him, vehemently voices her commitment to protecting Febri and the city. As Shinobu and Saten coax Febri into forming a connection with Janie, Mikoto and Kuroko pilot the Kongou-bot up into orbit – with the Sister network assisting with calculations. Mikoto launches the robot at the missile before it fractures into warheads, averting disaster. Later, after Mikoto & Co. bid farewell to Shinobu, Febri, and Janie boarding an overseas flight, they agree to grab lunch before heading to their classes.

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We’re not going to sit here and tell you this episode didn’t have its share of plausibility issues. If you watched, you saw what we saw: a bunch of frail high schoolers holding back giant sophisticated robots with glorified shields and spears and low-level esper powers. We saw live ammunition being fired into large crowds of unprotected people and no one was shot. We saw Study Corp’s mission quickly evolving wanting to be recognized to wanting to turn the entire city to ash. And yes, we saw the a hastily-built off-screen mecha being used to even the odds on the ground, then used to launch into orbit, where Mikoto and Kuroko hold their breath while destroying a missile.

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None of this makes any damn sense, but Raildex has never been about plausibility or hard science. It’s been about cute slice-of-life interrupted by elaborate spectacle. And we’ll admit, watching everyone fighting together in one huge climactic battle was fun and exciting enough for us to forgive the many implausible jumps the episode takes as the stakes are raised. Of course, we were also a bit spoiled by watching the Index film, in which pretty much the same thing happens, only even more parties are involved. But as ridiculous as things got, the point is, many people together can do great things, things no one could ever do alone.

This season started with Sisters who thought they were expendable puppets. Mikoto and Touma helped them understand they were more. And those sisters were the first expression of that idea that there’s strength in numbers, a lesson Mikoto finally learned which led to all the great deeds that took place in this finale. Study was a group working together too, but they were megalomaniacal thugs threatening the city and the innocent. Once a larger group was mobilized against them, Aritomi never had a chance. In the last montage, we see that no one is alone and all’s right in the world…until the next baddie comes along.

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Rating: 8 
(Great)

To Aru Kagaku no Railgun S – 23

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After telling Mikoto he and his colleagues will start a “revolution” tomorrow, Aritomi locks her up with Nunotaba. Mikoto recognizes Nunotaba acting as she once did, and tells her she’ll be able to do more by depending on others and letting them depend on her. Mikoto uses her esper ability to move her body just as Kuroko arrives to rescue them. Nunotaba stays behind to learn the location of Study Corp.’s base and Janie.

Mikoto returns to Judgment, where both Uiharu and Kongou learn Study has deployed 20,000 AIM units around tomorrow’s Assembly, which they’ll control remotely using Janie. Everyone agrees to help Mikoto save Febri and her sister. At sunrise, Study Corp. activates Janie, at which point Febri can detect her location. Mikoto heads that way, while her friends form a perimeter around around the Assembly gates, ready to defend it from the swarming AIMs.

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“By depending on others, and letting them depend on you, people can exced what they can do as individuals.”

Damn straight. If it weren’t for leaning on her eager-to-assist friends, Mikoto would still be at square one, and Study Corp.’s revolution would have taken place by surprise. Instead, Mikoto infiltrates a lab and gets captured by Aritomi, who, annoyingly predictable antagonist as he is, helpfully provides hints as to his plan. And again Mikoto relies on her friends to fill in the blanks, and to know where to be and what to do when Study makes their move.

Now armed with the wisdom of relying on others, Mikoto sees Nunotaba struggle as she did with the feeling she had to go it alone, and getting frustrated and feeling “useless” when going it alone came up short. But she’s not useless; she’s just ineffective when she insists on going it alone, as Mikoto was. So she too asks for help, and agrees to help out in return. Therestina mocked Princess Railgun for having so many friends, believing them to be fake. They aren’t, and those many friends (including the Sisters) will prove crucial in stopping Aritomi’s revolution and saving Febri and Janie.

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Rating: 8 
(Great)

Stray Observations:

  • It is sad to see Aritomi in the cold open speaking to a mostly empty assembly hall; it makes us understand the frustration that much come from working so hard and getting no recognition for it. 
  • And he has a point: the flashier espers get all the attention in Academy City. But there are better ways of changing that status quo. Swallowing his pride, reaching out to espers like Mikoto, and starting a public dialogue would be one way. Launching a large-scale terrorist attack will only get him and Study recognized as terrorists.
  • The moment Mikoto uses electricity to get up off the bed was pretty damned badass.
  • “Let’s guard the Level 5 esper, the extent of whose powers we don’t fully understand, with weak little security bots we can find!” Study Corp: cutting corners where it counts.
  • Febri changes into the white dress Kongou got her. Turns out it was Nunotaba who got her the black dress, which will almost certainly be worn by Janie if/when they rescue her.
  • Also cool: seeing everyone taking their positions against the coming onslaugh…though we’re a little worried about Saten and Uiharu. Isn’t the former a Level 0 and the latter’s only power maintaining temperatures?

Toaru Majutsu no Index: Endymion no Kiseki

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On the streets of Academy City, Touma and Index meet Meigo Arisa, a street singer/songwriter with mysterious miracle-like powers. She wins an audition to become the “spokes-idol” for Endymion, a space elevator nearing completion. Touma protects Arisa as she’s pursued by both the church – who believe her to be a saint, and Ladylee Tangleroad, the CEO of the company that built the elevator who has been cursed with eternal life. She sends her employee, the militaristic music-deaf Shutaura Sequenzia to retirev Arisa seeking to use Arisa and the elevator to create a magical device that will end her life – destroying half the world in the process.

When Shutaura learns of Ladylee’s true plans she turns against her. With the help of his many friends, acquaintances, and one-time enemies, Touma and Index launch into orbit to reach the top of the elevator, where Arisa performs before a massive crowd. As the parties on the ground disable Endymion, Index disrupts Ladylee’s spell, while Touma convinces Shutaura not to kill Arisa, punching her in the process. It turns out Arisa was the manifestation of Shutaura’s own wish when she was aboard the doomed space plane piloted by her father. Arisa merges with Shutaura, who regains as Ladylee’s spell is destroyed, ending the crisis. Life returns to normal.

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First things first: woe betide ye who attempt to watch this film as a newbie to the Index/Railgun franchise. Aside from having no idea why a normal guy like Touma keeps shrugging off multiple blows and severe burns to his body, and has a tiny bitey nun for a roommate, all of the dozens of cameos in the film will go right over their heads. We ourselves have a certain soft spot for the franchise, and so were eager to see what they could do with a feature-length film. The results were very ambitious, and we came away from the viewing feeling it succeeded insofar as it adapted the spirit of the show – magic vs. science – and was a most entertaining romp, complete with robot fights, mecha/car chases, and space battles, all taking place in gorgeous settings.

We also dug the idea of dual heroines in Arisa and Shutaura. Looking back there were plenty of clues that they were pretty much the same person split in two: music was Arisa’s life, but Shutaura’s ears couldn’t even discern it; Arisa remembers nothing prior to three years ago; they both possess halves of the same blue bracelet. Arisa’s meteoric rise to fame reminded us of Ranka Lee’s similar arc in Macross Frontier, a series we kept thinking of due to the similar space opera-y milieu the film adopts in the second half. The film looked and sounded great, we had a lot of fun watching it. Had it run in a theater near us, we would have definitely felt we got our money’s worth.

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Rating: 8 
(Great)

To Aru Kagaku no Railgun S – 22

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After some wrangling, Therestina Kihara Lifeline gives Mikoto a lead: whomever created Febri, a “chemicaloid”, want the world to know they exist, perhaps during the upcoming assembly. Uiharu searches through past participants and Kongou recognizes Aritomi Haruki on a file, and ties him to Study Corporation, which owns a suspicious old factory. Mikoto goes there to find ITEM destroying its security robots. When they leave she breaks in and finds Nunotaba Shinobu, who hands her the recipe for Febri’s candy. Airtomi arrives, saying it’s a fake, and offers the real stuff in exchange for Mikoto accepting a paralyzing shot. She does, but he destroys the vial anyway, calling Febri an expendable spare for their greatest invention: “Janie.”

Tokiwadai’s Level 5 Railgun has gotten a harsh education in the realities of Academy City. She may claim to “love” it , but not all of it loves her. As she lives her happy top-flight esper high school life with her regal title, it’s not surprising that she’d lose sight of the very real unsavory elements in the city, including a group of non-espers toiling in obscurity, seething in envy and resentment as the espers of the city get all the attention, utterly unable to do anything about it. In this episode Therestina and Aritomi both pay her sarcastic deference to her title, as if to pat her on the head and say “oh, you silly!”

Of course Therestina is safely behind bars, and can only gloat about having put Mikoto in a bad mood (which subsides when Kuroko assures her that – Level 5 or not – she loves her onee-sama). Aritomi wants to experiment on Railgun, and by episode’s end, he has her right where he wants her: isolated and defenseless, with the clock on Febri running out. Nunotaba is caught in the middle; her compassion for Febri mirrors her compassion for the MISAKA clones. But Aritomi doesn’t care about any of that. Very soon, that tank labeled “JANIE” will open, and if his plans succeed, the world will know he and STUDY Corporation exist.

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Rating: 8 
(Great)

Stray Observations:

  • Therestina’s cell is pretty…sparse. Where’s the bed? The toilet? Why isn’t that heavy metal chair bolted to the ground? 
  • But hey, at least they let her have M&M’s (or the Japanese equivalent). We liked how she offered one to Mikoto believing she’d assume it was poison, only to eat it without fuss, which led to Therestina giving her info.
  • Mikoto puts her trust in Aritomi as well, holding her arm out to receive that injection…but that didn’t work out so well.
  • If there was any doubt that the show seems unsure what else to do with ITEM, this week they get a brief pool scene and are then used to distract security for Nunotaba. But work is work, right?
  • Loved how Mikoto and Kuroko’s lovely little moment was cut short when Mikoto realized her roommate was trying to cop a feel.
  • While on the train, Mikoto spots that bridge remembers one of our favorite scenes of the franchise. Of course, Imagine Breaker is kinda useless against non-espers…
  • Can’t someone buy normal, modern clothes for Febri? What’s with the wedding cakes?

To Aru Kagaku no Railgun S – 21

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Heaven Canceler tells Mikoto Febri’s body creates a poison that must be neutralized with her lollipops. Finding her creators is the key to helping her, but they’re likely in the underground. Mikoto plans to look for them herself, but after Kongou tells her about her similar situation, she decides to tell Kuroko, Saten, and Uiharu, who immediately begin an investigation. After analyzing the candy, Canceler determines Febri has only 72 hours to live without more lollipops. When Mikoto tells him she’s resolved to save her, he arranges a meeting between her and the incarcerated Therestina.

Early in the episode, things were starting to feel all too familiar: Mikoto learns a dark truth about her charge; Mikoto decides to keep it all to herself and not get her friends involved; Mikoto conducts a sloppy, inefficient investigation, gets caught, and gets her ass kicked. Fortunately, she too realizes she’s on well-trodden ground. Last week Kongou saved her and the others; this week Kongou saves us by unwittingly convincing Mikoto that this time, she should tell her friends, since true friends share joys and dangers. Her encounter with an oblivious Kuroko before setting out is the catalyst that induces her to tell everyone about Febri’s nature, her suspicions, her past dealings with dangerous people.

After saying all this and voicing her uncertainty she’ll be able to protect them from the coming “darkness”, as Canceler puts it, the three girls react exactly how we thought: they don’t give it a second thought and thrust immediately into Investigation Mode. You can see it on Mikoto’s face as she beholds this: she may be good at kicking ass and making powerful enemies, but these girls may well be better than she is at this kind of stuff. It probably also occurs to her that things may have gone more smoothly had she also called upon them to help her in the Sisters arc. But the important thing is, she’s no longer doing things herself, which means those who must answer for their misdeeds will have more than just her to deal with.

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Rating: 8 
(Great)

Stray Observations:

  • Nice assist by MISAKA 10032, whose observations makes Mikoto suspect Nunotaba Shinobu is involved in some fashion (as the audience, we know this to be true, though we don’t know why).
  • We really wouldn’t mind a Railgun spinoff starring Kongou, Awatsuki and Wannai.
  • Febri is actually pretty good at drawing Gekota. Her drawing of Mii is less impressive.
  • We also love how the girls are all discussing the investigation as a restless Febri simply goofs off like a real kid does in such situations. Very accurate depiction there.
  • We’ve always seen Anti-Skill’s Yomikawa Aiho as a stickler for the rules, but when HQ nicks her evidence, she’s pissed enough to hand a crucial component they missed to Mikoto, which is definitely against the rules.
  • We were concerned about the lollipop supply before Canceler instituted the 72-hour ticking clock, but you mean to tell us this medical genius can’t make a serviceable facsimile in the interim? C’mon!
  • Ah yes, Therestina, the villain from the first series, and definitely knowledgeable about the underground scientific world. We see and intriguing if uneasy partnership ahead.

To Aru Kagaku no Railgun S – 20

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The robots that attacked Febli had no batteries, leaving Antiskill scratching their heads. Mikoto, Saten, UIhau and Shirai take Febri out to eat and to a bathhouse. While on their way home, they keep running into detour signs, corralling them into a dead end where they’re attacked by a giant robot deployed by Aritomi and his fellow researchers. Mikoto’s electricity has no effect on it, but Kongou swoops in to save them. Febri develops a fever and is hospitalized. Mikoto & Co. spend the night there, and in the morning Heaven Canceler tells Mikoto Febri is man-made.

“Those who rely on their powers are powerless,” says one of the researchers now targeting Mikoto. They’re bold words, infused with a degree of bitterness and jealousy, spoken by someone who is tired of the espers getting all the attention. But they also ring a bit hollow in light of what’s happened so far. It may be more accurate to say “those who rely on their powers will be bailed out by their friends’ powers.” Kongou is proving to be the X-factor of this arc, foiling the brainiacs’ plans at every turn in her usual arrogant-but-elegant style.

It’s also hard to take these guys seriously though, considering how slowly this episode went. There’s absolutely no hurry to reveal who they are or how they plan to defeat the espers. We hang out with the girls as they entertain Febri, and the battle is almost an afterthought, thanks to Kongou just happening to be in the right place at the right time. Still, Febri being present for both instances of machines working without internal power and the revelation she’s an android got us a little more invested. If she’s the source of the machines’ power, then Kongou’s attack harmed her too.


Rating: 6 (Good)

Motto Marutto Railgun III

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This was a thoroughly weird and surreal eight minutes of Railgun. It had nothing to do with the story, but consisted entirely of the voice actors simply having fun during “outtakes” from some of the more serious past scenes in the show’s run.

It was pretty funny throughout, and we wouldn’t mind more shorts like this. Here’s what went down, in chronological order:

  • Saten’s Super Nose deciding what’s good to eat
  • Nunotaba Shinobu giving Mikoto a “Real Usable English Lesson”
  • Kuroko dry-humping Mikoto’s bear
  • Mikoto reminicing on the joy of race car erasers and canned slime.
  • Kuroko dry-humping Mikoto’s bear
  • Mikoto answering her clone out of reflex
  • Kuroko dry-humping Mikoto’s bear
  • Shinobu showing Mikoto a pixelated next-gen console
  • MISAKA musing on the impracticalities of said console during the pretty rooftop sunset scene, which lead to retrogaming.
  • SHinobu reporting to Mikoto what MISAKA said to her, and Mikoto warning that she’ll get “game brain”.
  • Kuroko dry-humping Mikoto’s bear
  • MISAKA and Accelerator talking about their voice roles thus far, with Accelerator mentioning how the “A Certain” series has been his big break (all while Accelerator’s stirring theme is playing)
  • Kuroko dry-humping Mikoto’s bear while mentioning she’s a free agent and looking for work
  • Mikoto muses on the efficacy of sticking little dolls on one’s bag, and asks Accelerator (at railgunpoint) what he thinks about girls who are into girly things (he’s fine with it, unless it’s her)
  • Kuroko dry-humping Mikoto’s bear
  • Mikoto treats everyone to parfaits as an apology for being away “studying koans”. Uiharu’s flowers are getting repaired, so no one notices she’s sitting right there with them, repeatedly pleading “I’m here!” while Haruue scarfs down an enormous bowl of rice hiding her face.


Rating: 6 (Good)

To Aru Kagaku no Railgun S – 19

railguns19

Ruiko and the others befriend Febri, but she’s apprehensive of Mikoto. They can’t find a record of her anywhere, so they list her as a child error and arrange for her to stay at the Cypress Children’s Home. It isn’t ready to take her in yet, so for the next five days Ruiko and the others will have to take care of her. At the grounds of the Academic Assembly, Ruiko leaves Febri with Mikoto, but they get separated. When they find her, Aritomi has sent robots after her, but Mikoto dispatches them, surprising Aritomi, who along with his science team votes to experiment on the third-strongest esper, the Railgun.

This was another one of those “interacting with little kids” episodes that Railgun/Index does sometimes (in fact, probably every episode with Index can count as one of those). It’s not that we don’t like kids (nor is it like Mikoto, where they don’t like her), it’s just that these episodes tend to be quite slow and plodding, in a series that is always best when the pace is, forgive the expression, more electric. As for Febri (or Febli), she’s cute as a button, but otherwise was basically your run-of-the-mill lost kid: shy and weary, but eventually opening up to everyone but Mikoto, whose name she inexplicably knows (Ruiko and Uiharu also make a good ‘mom-and-dad’ pair).

Still, we learn next to nothing about her, except that Aritomi and his colleagues are aware of her existence. We assumed she was an escaped scientific subject on the order of the MISAKAs or Last Order, or possibly even some kind of android built by Aritomi’s team. But the truth of her origin has yet to reveal itself, so for now she seems to be the piece that led Aritomi to Mikoto, starting another story of espers vs. the knowledge- and power-greedy scientists, only on a smaller scale, and with students (not adults) as the antagonists.


Rating: 6 (Good)