Dororo – 15 – Moths to a Flame

The longer Dororo and Hyakkimaru stay at Lord Sabame’s village, the fishier things get. Dororo finds an almost ideal village full of simple but happy folk who have more than enough to eat. But when he questions an old lady about the nuns and children, she wanders off without answering. The villagers are hiding something, and the ghoul they fought last night was a big part of that something—as well as the reason Sabame insists they stay as long as they like.

Hyakkimaru follows Sabame, but isn’t that good at staying hidden. Sabame shows him the best vantage point of the village, which he would do anything to protect. That includes ghouls, as it happens, and if Hyakki is there to kill them, Sabame intends to stop him. As for Dororo, the villagers trap him under a rice storehouse where he’s to be caterpillar food, but the big baby rescues him as thanks for his earlier kindness, and out of the baby’s head sprout the ghosts of the children who were killed in the fire with the nun.

The fire was set intentionally by Sabame and the villagers as a sacrifice to the demon Maimai-onba, whom he took as his wife. In exchange, they have peace, prosperity, and don’t want for anything. But that butts up against Hyakkimaru’s zero tolerance policy on demons and ghouls, and he attacks Maimai-onba. Almost immediately it’s as if the deal struck with Sabame is called off, as the village is engulfed by flames. When Dororo meets up with Hyakkimaru, the latter’s left leg is shattered.

That night Hyakkimaru, with a makeshift peg leg with a bladder of oil, takes a boat out to a lake where Maimai-onba dwells, enticing it to pluck him up with a flame, then shooting the oil bladder at its body, torching it into ash. In exchange, another statue in the Hall of Hell cracks, and Hyakkimaru gets his real spine back, with his body expelling the artificial one.

But unlike previous demon-slayings, Dororo doesn’t feel right about this. It’s true the villagers got their peace and prosperity through ill-gotten means, but it’s not like the children had any say, and they’re the ones who will suffer most in the conflict that immediately flares up once they realize they no longer have enough food.

Hyakkimaru is utterly dismissive of Dororo’s concerns, and has no sympathy for anyone—not Sabame, not his father Daigo—who makes deals with demons. By the time he realizes Dororo isn’t still right behind him, the kid is suddenly in the clutches of Itashi, who already has one half of the map and wants the rest that’s etched on Dororo’s back. Talk about the wrong time to split up.

Suddenly throwing Itashi into the mix at the end of a monster-of-the-week (spread across two weeks with mixed results), basically immediately after Dororo lagged behind Hyakki out of anger, definitely upped the stakes for next week. On the other hand, Itashi’s appearance felt almost too abrupt and coincidental here. We’ll see how next week pans out.

Kizumonogatari I: Tekketsu-hen

I haven’t read any of the Monogatari novels, but I have seen the events of Kizumonogatari before—in extremely condensed form, in the cold open of Bakemonogatari way back in July of 2009.

That immediate Tsubasa upskirt, followed a dark, bloody, brutal, prologue was one hell of an introduction to the agony and ecstasy of the Monogatari Series. Ever since, I’d hoped we’d get a proper telling of those intense events. Seven-plus years (and a hell of a lot of Monogataris) later, we finally get that story; in the form of a three-part film, no less.

Right off the bat, I have to say the franchise has never looked or sounded better: Shaft and co-directors Oishi Tatsuya and Shinbo Akiyuki pull out all the visual and auditory stops to really give this story the weight (sorry Hitagi) and grandeur it deserves. Familiar buildings and vistas are given a bit of a makeover with no expense spared.

We start with that upskirt from the very beginning of Bakemonogatari, in which Araragi Koyomi happens to catch a good long look at the lacey undergarments of one Hanekawa Tsubasa.

Rather than react the way your typical anime character would after such an incident, Tsubasa laughs it off and discovers that it’s very easy—and fun—to talk with Koyomi, despite the fact he’s a loner-by-choice with no friends.

By the end of their encounter, she’s given him her contact info and declared herself his friend. Tsubasa’s friendly down-to-earth manner is infectious, and Koyomi is over the moon by his encounter, and gets so excited he ends up racing to the adult bookstore.

While talking with Tsubasa, she informs Koyomi of rumors going around town about a hauntingly beautiful blonde woman with piercing gaze. That prepares us for when he discovers a very long trail of blood that leads him deeper and deeper into a deserted subway station that feels like a descent into the underworld.

With Kubrickian precision, a marvelous tension is built up as signs of a horrendous struggle mar the otherwise pristine metal, tile, glass, and white of the station. And then he finds her: our favorite super-vampire, Kiss-Shot Acerola-Orion Heart-Under-Blade, lying in a pile of her own blood, relieved of her limbs, and near death.

She beseeches, or actually more like commands Koyomi to give him her blood to save her—all of it will probably do—but the kid is understandably terrified beyond rational thought, and his first instinct is to run the fuck away screaming, even as she too screams and pleads for help.

Eventually, however, the thing we all knew was coming occurs: Koyomi has a change of heart, and decides to head back down and offer his blood, which he believes to mean his life, to the vampire, hoping to earn the right to have a next life that isn’t so horribly fucked up.

But that’s just the thing: his life doesn’t end; his ‘clock’ starts right back up in a revamped-for-film, more impressive than ever abandoned cram school. Beside him is a dozing little blonde girl who isn’t ready to wake up yet.

Koyomi steps outside, and we return to the dramatic cold open of the film in which he’s set ablaze. I thought at the time it was just a nightmare, but no, his flesh actually bursts into flames upon exposure to the sun, but is continually regenerated.

Kiss-shot runs out and brings him back inside, and warns him not to go out during the day now that he’s an immortal vampire, and her second and newest servant.

As Koyomi points out, she’s no longer as “mature” as she was when they met, but it’s to be expected: Koyomi’s blood alone was not enough to fully restore her; she must be content with her smaller form. And while she’s been reduced in size, her personality is as big and imperious as ever.

Kiss-shot has little power remaining, and so must rely on Koyomi to destroy her enemies: three specialist vampire hunters whom she initially underestimated and allowed to attack her all at once. She believes if Koyomi takes them on one-by-one it should be a simple matter.

Of course, Kiss-shot’s perspective is somewhat skewed by the fact she’s over 500 years old and did things like jump from Antarctica to Japan over three centuries before the Meiji Restoration. If Koyomi can pull it off and get Kiss-shot’s limbs back, she promises she’ll turn him back into a human.

Unfortunately, when Koyomi first encounters these three hunters: Dramaturgy, Episode, and Guillotine Cutter, not only does he have no idea how to fight the extremely tough customers, they come at him all at once just like they did Kiss-shot.

All Koyomi can do is crumple into a ball and wait for another inevitable end, but the universe ain’t done with him yet, because one particularly badass dude stops all three specialists in their tracks at once.

We know this guy, even if Koyomi hadn’t yet been introduced: he’s Oshino Meme, who describes himself as a keeper of “balance” between the worlds of humans and oddities (AKA monsters).

In this instance, at least, maintaining the balance means helping Koyomi and Kiss-shot get her limbs back so she can return to full strength and restore Koyomi’s humanity. And so off we go!

There’s a unique exhilaration in watching earlier versions of characters I’ve known for years meeting for the very first time, particularly a Koyomi who is new to all this oddity stuff and extremely out of his depth.

Prequels are notoriously tricky to pull off, but if the first of three parts is any indication, with a neat balance of levity and gravitas, Kizumonogatari is one of the rare ones that succeeds and excels; actually more powerful and engaging for arriving so long after the series it precedes.

Alderamin on the Sky – 10

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This tenth Alderamin begins with a flashback from nine years ago, and the show is hardly timely in revealing that the fiery Sinack chieftain Nanaku Daru was childhood friends with Ikta.

It’s also hardly subtle in juxtaposing her paying a visit to Ikta’s bedroom of her own free will—but too young to know the true reason woman would do such a thing—with the present, where she suddenly finds herself in a huge heap of trouble, surrounded by three enemy soldiers who plan to rape her.

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Who comes to her rescue in the nick of time but her old friend Ikta, whom she doesn’t yet recognize? Ikta is pissed, not being one to suffer “beasts.” Nanaku is taken into safe custody. It’s a sobering glimpse of what war often boils down to, and what depths the battle-weary and under-supervised can stoop to when their enemy is demonized and dehumanized by their superiors.

The war is over between the Empire and the Sinack, but before they can even catch their breath, a new, mutual, and well-rested enemy arrives at their doorstep in the form of “La Saia Alderamin”, a once-neutral, highly religious country Ikta suspects is being used as a Kioka pawn as part of the wider conflict.

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What made this episode so strong, and, for me, eliminated any concerns about plot convenience or retconning, was how Ikta handled things with “Nana,” knowing they’ll need her help to cover their retreat from Aldera, and he’s the only one who can negotiate with her.

He gets her attention and reveals who he is by carrying out the Sinack tradition of cutting digits off one’s hand; a legend she told him about nine years ago. He cuts his entire left pinky off in a visceral, powerful scene, and you can tell he’s not putting on a performance, but dead serious about his role as agent of apology and olive branch.

That last part is important, since Nana agrees to help because she knows the religious Alderamin will never tolerate their “heretical” religion, but the Empire will. Obviously it’s not what she wanted (to be rid of both), but she has to compromise, because Aldera won’t.

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Our Knights all get promotions this week – Yatori and Ikta to First Lieutenant, the others to Second, and after Matthew and Haro protest, they agree to stick together in the force that will delay the Alderamin advance. That is achieved by creating a fire line at a crucial forest crossing.

But it would seem Ikta has finally met his match in the form of newly-introduced Kioka Army Major Jean Alkiniks, he of tirelessness to Ikta’s sloth; white hair to Ikta’s black. Both seem excited to have met strategists who will really challenge them for once.

One of the weaknesses of the show has been the appalling ineptitude of the brass, but Jean here is high-ranking enough to do what needs to be done at a larger scale. He’s come further than Ikta so far, but will no doubt be the catalyst by which Ikta continues to advance and progress to become the hero Princess Chamille believes him to be.

I also hope we get to see a little more Nana.

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Kekkai Sensen – 09

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As Libra, joined by another one of Jugei’s pupils, the half-man, half-fish Zed O’Brien, contine battling the blood breed, Black & White’s story thankfully comes into better focus. We also see HSL’s tentacle defense system in action, knocking the cargo plane the blood breed hijacked out of the sky (This is the second show in a row I’ve watched with vampires operating military planes. Weird!).

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The cockpit of the plane crashes into a giant skyscraper, and Klaus, Zapp and Leo do a little BASE jumping, a sequence that really nicely captures the scale of the building and the drop into the big hole the plane made. Just another instance of the extraordinary made ordinary in HSL.

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While they’re battling, something glows and beats like a heart in an eerie city-sized GeoFront-like cavern.

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Black, or rather the guy possessing Black, seems to have something to do with this beating heart, but nothing seems to come of it, much to the disappointment of Femt and Aligura, fellow n’er-do-wells looking for excitement.

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The blood breed puts up a fight, but is ultimately defeated by the combined efforts of KK, Zapp, Zed, Steve, and Klaus, using the true name Leo discovered to seal him away. And that’s pretty much that. Zed joins Libra, and Jugei peaces out, possibly for another decade. All’s well that ends well.

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But all is not well with White, who also seems tied to that underground heartbeat, passes out, and wakes up in bed, where Black, or rather the entity possessing him, give her a device Aligura fashioned for him, which will allow White to take Leo’s eyes. As Leo is now a friend, White, or rather Mary, doesn’t want to do it, but the agreement was the eyes in exchange for releasing Black, or rather Will.

It’s an unenviable choice between her good friend and kind lad and her beloved twin brother, who sacrificed himself to save her. On the one hand, she feels a duty to her kin, but I wonder if Will would really want her to help a monster to save him. What with Klaus saying Leo’s eyes weren’t the only reason they let him join Libra, maybe Leo isn’t fated to have them forever.

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Kekkai Sensen – 08

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After a White and Black cold open that might confirm they’re the orphans of the “casters” who stopped the catastrophe that threatened the city, we get a lovely rapid fire sequence of Zapp’s daily hedonistic life. It takes on a familiar pattern:

  1. Wake up hungover in the bed of last night’s conquest
  2. Grab breakfast at a fast food joint
  3. Gamble at the horse races and lose
  4. Beat up would be thieves and take their money
  5. Gamble at the slots and lose
  6. Drink away his bad fortune at a hostess club
  7. Repeat!

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It’s either an honest life Zapp loves living, or the only life he knows how to live. It’s probably the latter, because when he meets the girl of his dreams in step 2, it’s as if a new path opens before him, and he’s majorly excited to go down it.

He’s so overzealous in pursuing her, he grows a huge gut from all the fast food he’s ordering, and creeps her out with stalkeresque obsessive behavior. But hey, the man knows what he wants, which we’re not quite sure of since we never see her face!

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This is an entertaining episode in that it doesn’t just very efficiently dive deep into Zapp’s personal life, of which we’ve only seen bits and pieces, but also teach us a bit about his roots. A lot of his present lifestyle may be a means of rebelling against a past of torturous training under the heel of his Big Dipper Style master, Raju Jugei Shizuyoshi.

Jugei’s a dude so powerful and badass that only a small piece of his body is able to take on and defeat a hi-class blood breed. He’s the latest in this show’s cavalcade of unique and intriguing non-human characters, this time it’s the super-arrogant alien who speaks a language too complex for lowly humans to comprehend.

Libra even mistakes him for a blood breed, even though he’s one of their greatest weapons against them. The problem is, he’s like smoke only showing up once every decade or so and doing what he wants. He’s like a hyper-distilled Zapp.

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To test his former pupil, Jugei places Zapp in a blood bubble and tasks him with sealing the final form of the blood breed, AKA zhen tai dan. He has no idea how he’s going to do it until Chain gets the idea to pretend Angelica’s calling him aching for Zapp’s masculine touch. In the blink of an eye the job is done. You gotta hand it to the guy, he’s got a system, and it works: make him think he’s going to get laid by his crush, and he can do anything. Naturally, Chain only called Time.

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Operating almost totally independently of the Zapp/Jugei/Libra A-plot is the B-plot of Black and White, in which we learn Black actually has two distinct personas, one of which is worried the other is manipulating their sister, but the other, nastier one assuring himself that White knows what she’s doing and is doing it willingly.

What is “it?” Being friends with Leo…to snatch his eyes? The show is keeping its cards close on this one. I’ve enjoyed Leo and White’s interactions so far, but I need more info to be fully emotionally invested.

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Kekkai Sensen – 07

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Leo and White’s brother Black (who is also voiced by Kugimiya Rie) hit it off, despite my expectations they’d treat each other more like rivals. They bond over the fact that they both have headstrong little sisters and both of them are mocked by their peers for being weak or ineffectual. Black tries to sell this further by spilling his drink and then falling out of the booth while cleaning it up.

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But the truth is: Black is not the 4-eyed weenie he’s presenting himself as. He’s deceiving the boy with the All Seeing Eyes. In fact, his true identity is “XXXX” or “Blank”, one of the 13 Elder Vampires.

That revelation isn’t unveiled until the very end of the episode, but frankly, there was always something not quite right about Black, ever since Leo saw him on the subway, so it doesn’t come as a huge surprise he’s up to no good, and possibly after Leo’s eyes, as Leo might just be the most normal person in HSL if he didn’t have those eyes,

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The bulk of the episode is given over to a situation in which Zapp is taken prisoner by a gangster and boxing junkie, and resolves the situation by inviting Klaus to “rescue” him. Klaus arrives at what turns out to be a massive underground boxing arena, and he is thrown into the ring to throw down bare-knuckle with huma and monster alike.

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The brawl is fun enough, I guess, but it feels like a bit of a re-hash of Klaus’ far more inspired and elegant Prosfair match with Fulgrouche, and lacks the heart of, say, Leo’s friendships with White and the mushroom man Nej. There also isn’t much in the way of stakes, as even the largest and most fearsome combatants are taken out all too easily.

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The only challenger to put up any kind of fight is the proprietor of the establishment, who is so excited about Klaus’ dominance he can’t help step into the ring personally. Klaus whips out his left fist (he’d been using his right the whole time, holding back) and blasts the gangster’s head off in a graphic display that shocks everyone, but not half as much as when a tiny red blood breed emerges from the stump to finally defeat, but not kill, Klaus.

Why does he spare him? Not quite sure. For a moment I thought he was going to take over his body, but that didn’t happen either. Still, it was very unexpected and creepy.

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By the end, everyone is safe, and Zapp tries to take advantage of the fact Klaus is pretty beaten up by attacking him, but fails once more, as he’s no match at all. Between all that dawdling in the ring, the brief commentary on the universality of fighting in the ring, and the not-so-surprising reveal of Black as Blank all add up to this not being Kekkai Sensen’s finest effort.

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Kekkai Sensen – 06

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Hellsalem’s Lot (or HLC) seemed like a topsy-turvy melting pot up until this week, when we learn there is a fully-enclosed “Humans Only” district along 42nd Street called “Ghetto Heights.” I guess it’s to be expected; after all, most humans wouldn’t venture to deep into the Alterworld.

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Still, the fact there’s a pocket of segregation where ignorance of and prejudice towards the alterworld “monsters” who inhabit the rest of the city can take root and fester gives this episode a distinct political bent, and paints Leonardo Watch as someone who’s not 100% okay with the idea of such a district…even if its where you can get the best burgers in the city.

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When stripped of its Blood Blockade Battlefront trappings, this week’s story is simplicity itself: Leo comes across a mushroom-type Alterworldian named Nej who also loves those famous burgers; so much so that it’s the first thing he asks for when hit by a tanker truck. But because he isn’t allowed in Ghetto Heights, it isn’t easy to acquire them.

When the truckers start screwing Nej on the price of the burgers, Leo decides to buy them for him without any upcharge, and they become fast friends, sharing the food that united them all over the city.

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One night, those same two up-to-no-good truckers hit Nej again, and one of them starts to beat him with a bat in the street; about as awful and dark moment in race relations as we’ve seen in Kekkai, which is saying something in a show with vampires!

Beating Nej turns him red, until he finally releases a cloud of spores that knock everyone out and wipe their memories of the past 13 hours, including his own. Everyone, except the one trucker who was wearing a gas mask because his partner peed his pants in the truck. I’m not going to asks who these guys owe money, but they’re certainly not the sharpest tacks.

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When Libra gets word of the amnesia cloud, Leo gets it in his head Nej may have had darker motives, but we know, of course, it was all a misunderstanding; the cloud his body simply reacted naturally to stress. In any case, Nej doesn’t remember anything.

The truckers then kidnap Leo and Nej, hoping to use the latter to help them commit crimes and amnesize their victims. Except that they underestimate the depth of Leo and Nej’s friendship. Leo hits the truckers with his trippy nausea-vision, and gets slugged in the head for his trouble, causing Nej to get so angry he blows his top again.

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Leo wakes up in a familiar place—the hospital—with White by his bedside. He goes out for another burger from 42nd Street, and scenes of all the places where he had burgers with Nej flash through his mind’s eye, only with no one in them. He tears up, but knows not why, until Nej is once again hit by a vehicle in the street and asks Leo for a burger.

Whether because the friendship he forged or his eyes transcended the effect of the spores, Leo kinda sorta remembers the affable mushroom man, and gladly hands a burger over. He unwittingly ordered enough for two, after all.

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I like how the Leo & Nej story comes full circle like this, and that even people who supposedly “never met” (but really did) still find each other in HLC and still manage to hit it off, despite their profound biological differences.

The episode closes on a not-so-related but still interesting note, with Leo entering the hospital ward to find White sitting on a bed smiling and laughing with another guy. Leo switches from panic to nervous relief when he learns the guy is White’s big bro, Black.

But to both Leo and us, it’s the kid on the subway, whom we’ve also seen with Femt, opening a whole can of worms about whether Black always intended for Leo to get close to White so he could meet him this night. He’s got the All-Seeing Eyes, after all.

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Kekkai Sensen – 05

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Sometimes, when there’s a girl you like, you just need a kick in the pants to ask her out, or in Leo’s case, a gargantuan monster truck-slash-fortress operated by Aligura, the Queen of Monomania.

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Leo is out with Zapp, lamenting the fact he can’t tell what White is thinking, when that truck suddenly bears down on them, and Aligura snatches up Leo. Once aboard Aligura’s awesome, sumptuously-appointed vehicle-base, Leo gets a little crash course in the monomania Aligura is infamous for.

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Love could be described as a kind of monomania, and when Aligura loved two men: Dendro Brody for his personality and Dog Hummer for his looks, she combined them into one, similar to the way someone takes separate ingredients to make their ideal dish.  Throughout his ordeal with the highly unstable Aligura, who tries to press him for details about his own love life, Leo is mostly terrified and begging Klaus to save him.

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Turns out this is more than just a job for Klaus, or KK, Chain, Lucky, or Zapp; it’s also a job for the object of Aligura’s affection, as well as her creation: Hummer-Brody, who in his combined form is a massive red demon-like monster with incredible brute strength who is also intensely upbeat, friendly and personable.

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Aligura wants her man/men back, but as she herself says about love, you push and push and the one who pushes hardest wins, and that’s Hummer-Brody, fusing all of Dendro’s blood into a giant fist with which he launches Aligura’s truck into the sky, where it breaks up and spreads debris all over the city, injuring “hundreds if not thousands.” Chain plucks Leo out of the sky, and all he needs are five stitches. Just another day!

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Only it isn’t just another day, because even before Aligura kidnaps him, White is on Leo’s mind. When he mentions her, she sneezes where she is, and when she sees him at the hospital smiling and laughing with another guy, he’s jealous. So just when he’s about to drive off home after a long, tiring day, he marches into White’s room and asks her out to a movie.

After the giddy thrills of aiding her escape from the hospital and motorcycle ride, the comedy movie surprisingly makes her cry, but cheers her up with some good-old self-deprecation, calling himself “pathetic” compared to his more capable sister Michella, something White refutes by calling saying he’s a good guy before cuddling up to him.

Thanks in part to Aligura’s unique perspective on the matter, Leo was able to push himself a little closer to the girl he likes.

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Kekkai Sensen – 04

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A third of the way into Spring ’15, Blood Blockade Battlefront is my number one. Nothing can match its scale and complexity, and creativity of its world(s), the swiftness and confidence of its storytelling, or its rapidly expanding yet increasingly diverse and charming cast, anchored by perhaps the weakest among them, possessing the strongest of weapons in their battle for balance.

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Elaborate action and effective comedy go hand in hand with Kekkai, as demonstrated when a big Libra party to let their hair down comes to screetching halt when Leo finally decides to say something, which happens to be his description of something he saw in the subway that matches the description of the greatest potential threat to humanity: blood breeds, AKA vampires.

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Just like that the stakes are raised significantly. We only got the smallest glimpse of what Angel Scale could do to the balance, but this feels like a much more existential threat. Vampires are taken seriously here; something I’m thankful for after seven seasons of True Blood, in which they did everything from play Wii Golf in their living rooms to have sex with their head turned around backwards. But they were never very frightening, nor are the ones in Owari no Seraph. The Blood Breeds of Kekkai are, because they’re strange and unknown and…er…variably corporeal.

That doesn’t mean the leading expert on them can be the hilariously lucky Blitz T. Abrams, who possesses a curse that only affects people (and vehicles) around him, meaning he’s never that fun to be around if you don’t like physical pain, even if it’s not his fault. It doesn’t bother Klaus, who sees Abrams as a mentor of sorts.

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With Leo’s eyes, Abrams is confident they can really get the lay of the vampire land (normally people aren’t able to see vamps unless they want to be seen.) So they plunge into the depths of Hell—on public transportation!—so Leo can take a good look at the “Edge of Nothingness” so Libra can get a better idea of what they’re up against.

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Like previous journeys to the Alterworld, this was another lush symphony of bizarre dreamscapes—I really dug the Final Fantasy vibe of the train station carved into a tree, below which is their ultimate destination. Along with all its narrative and character pros, this eye candy, and the eclectic soundtrack, are what pull Kekkai ahead of the rest.

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While there are a lot of bright sparks affecting his vision, Leo is still able to discern the blood breeds within the nothingness, and it’s not good: more than the 13 believed to exist, there are hundreds of them lurking down there, and if any one of them wanted to take human form and wreak havoc in Hellsalem’s Lot, they’d do plenty of damage indeed. And As the members of Libra back in Hellsalem report, that’s exactly what’s happening.

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When the traditional authorities prove not to be up to the challenge against elite vampires, “specialists” Steven and KK take over, and at least for a time, hold their own with their special abilities, before the female vampire brings the hammer down on them. Klaus, who is watching a live video stream courtesy of Chain (use of modern mobile tech is another neat aspect of Kekkai’s world-building), hops back on the train with Abrams and Zapp, and implores Leo to find those vamps’ weaknesses, because only he has the eyes to see them.

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Steve and KK weren’t sure if they’d survive the fight they were getting into. All they knew was that they had to buy as much time for Klaus and Leo as they could before being neutralized, trusting they’d come through. They do: Klaus makes almost as awesome an entrance as Abrams, and armed with the Vampire’s true name, seals her into a cyberpunk cross.

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Leo is amazed they made it, and weary that it took so much exertion to take out one elite blood breed when there are perhaps a thousand lurking in hell. But the lesson that sets him a little more at ease is as simple as the world he lives in is complicated: no one knows what’s coming tomorrow. Plenty of pain and suffering may be in store. But defeat is assured if one gives up.

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Kekkai Sensen – 03

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Leo isn’t one to freak out when confronted by a ghost, especially if she’s cute. Instead, he takes her picture to confirm if she’s a ghost, but she shows up in the photos. White tells him she likes him and draws nearer, only for Leo to wake up in his apartment. The transition has us wondering how much of his interactino with White is in his head, but there’s no time to ponder such things, as he’s being evicted and has forty seconds to vacate or, presumably, be eaten. Just another day in the ‘Lot!

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From there, we see him dozing on the couch in Libra HQ, refusing a stipend any higher than the standard rate even though he’s still delivering pizzas and sending money home. But this week Leo is on the sidelines, as the bulk of the episode follows Klaus on his quest to satisfy his fix of Prosfair, which is perhaps best described as “Chess on Acid”. It’s a game as intricate and bonkers as the world that conceived it.

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Initially, the game is introduced as a little joke, with the physically imposing yet cultured Klaus getting way to into it on his original Macintosh(!), to the bemusement of his colleagues. But when Zapp and Chain’s efforts to investigate the distribution of an advanced (and world-unbalancing) new drug called Angel Scale, it rises to the utmost importance, since one of the most powerful overbosses in the Alterworld, Arlelelle Eruca Fulgrouche (what a name!), happens to be a huge fan of Prosfair.

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When he arrives with his comely colleague K.K., Klaus is shocked to find Prosfair grandmaster Ulchenko has also come to challenge Fulgrouche. In the Russian’s mind, he has risen as high as he can amongst mankind in the game, and so playing a non-human is the next logical step. Also, he wants his country to have nuclear weapons, something Fulgrouche can make happen.

Alas, Ulchenko is no match for the don, coming up two minutes short of the nine hours he had to survive in a game. The exponentialy increasing speed and complexity of the game as it drags out nearly kills Ulchenko, and as per their agreement, since he lost, Fulgrouche will take the rest of that life.

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That’s when Klaus finds his opening to finally connect these events with the mission to uncover the Angel Scale ring. If Klaus lasts 99 hours straight, Fulgrouche agrees to not only reveal the trafficking routes of the drug, but also spare the Russian. And doggone it, the guy does it! As K.K. chain smokes and Ulchenko waits in stunned disbelief.

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Klaus doesn’t win, but he hangs with Fulgrouche for the full 99 hours, and all to the lovely stylings of Ludwig van’s vaunted Ninth Symphony, Ode to Joy, an inspired use of a classic piece of music that really lends the duel otherworldly grandeur, as befits a prosfair battle taking place in the Alterworld.

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Klaus gets the trafficking routes, Ulchenko is freed, and K.K. makes sure Libra takes out all the cells pushing Angel Scale. It’s all made possible thanks to Klaus’ unparalleled strength, selflessness, and perseverance. Yet, to hear it from Leo, book-ending the episode with his interactions with White, he has no idea what Klaus did for the firm, and he may never know.

All Steve Starphase said is that “anything in this world can happen”, which has so far proven true. For Leo, those words must be pretty reassuring, because the one thing he wants most in the world is to heal Michella.

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