Sword Art Online Alternative: Gun Gale Online – 05 – Run, Close In, then Win

After running from a somewhat pathetic display from a suddenly sobbing and Raving M (who actually believes Pitohui will murder him IRL if he loses), LLENN decides she’ll have to win the SJ all by herself, despite her opponents being very smart, crafty, and downright scary in their relentlessness.

Her foes look tough and grizzled, and aren’t afraid to rain bullets down upon LLENN in order to spring her from her hiding spots. The only thing is, she’s so small and quick actually getting a killshot proves most difficult. Despite her wavering confidence and the near-arrogant attitude of her opponent, both parties are on the same level here.

Perhaps due to her critical HP level, LLENN starts to hear her P90 “P-chan” glow, talk to her and even sprout eyes to make a face, which is definitely the most demented and terrifying thing GGO has shown us thus far.

Regardless, P-chan manages to fire LLENN up, and she remembers how and why she’s succeeded so far: not by running, hiding, and keeping her distance, but by blazing in so close to her opponents they cannot get a clean lock on her, and overwhelming them with her quickness, and peppering them with P90 bullets.

She executes her preferred strategy by taking on Eva, the “Boss” of the enemy squad, whose enormous size and brute force end up momentarily overwhelming LLENN, who needs a last-second assist from M, who manage to gathered up what was left of his decency and rejoin the fray (and who does thrive from great distance).

Eventually, LLENN and Eva run out of bullets, but Eva’s lieutenant tosses her a new clip, and LLENN has no choice but to sacrifice P-chan to shield her from the bullets, then whip out her knife and carve the Boss up like a turkey to take the SJ win, demonstrating the literally cutthroat tenacity required to prevail over such a tough opponent.

Back IRL, the short cute girls Karen passes by so often finally approach her, led by Nitobe Saki. They’re second-years at the high school affiliated with Karen’s college, and just wanted to tell her how stylish and cool she always looks, especially with her new ‘do.

Then Saki draws Karen in close with a handshake and quietly congratulates her on her victory. Saki is Eva, the hulking Boss she defeated as LLENN, and her friends and fellow rhythmic gymnastic teammates are ready for a rematch any time.

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Evangelion: 3.0 You Can (Not) Redo

Ikari Shinji

14 years after third impact, Ikari Shinji awakens to a world he does not remember. He hasn’t aged. Much of Earth is laid in ruins, Nerv has been dismantled, and people who he once protected have turned against him. Befriending the enigmatic Nagisa Kaworu, Shinji continues the fight against the angels and realizes the fighting is far from over, even when it could be against his former allies. The characters’ struggles continue amidst the battles against the angels and each other, spiraling down to what could inevitably be the end of the world. (Source: ANN)

We find ourselves in a conundrum: having primarily written reviews on individual episodes lasting an average of twenty or so minutes each for nearly three years, whenever a film comes around, it’s a struggle to write a review about it. Fully aware that having just finished watching the film without even starting to absorb everything we saw and heard, we won’t be able to do our ultimate thoughts justice in this hastily written review. So instead we’re going to try to keep things as brief and simple as possible, starting with our verdict on the third Evangelion film: It was good. Very good. Everything we were hoping for, and far more than we could have expected.

Ayanami Rei

It occurs to us that back in June 2010 (about three months before we started up RABUJOI), after returning from a trip to Tokyo and having been bombarded with promotional material for the second film, we did just that: keep it simple. That review was just 465 words, back before we had written many reviews. We didn’t re-watch the first two films, but we did re-read our review of the second in preparation for the third. In hindsight, we needn’t have bothered. The third film is all-new, continuing the trend of showing us an Eva we have never seen before, drawing from a dense mythos that has endured and thrived for 16 years now.

Like the Children, the Eva franchise is a teenager, and a moody, fiery one at that. It lashes out and grabs you from the thrilling opening minutes, and as usual, even when we found ourselves as lost and confused in all the sci-fi, crypto-theological techno-babble, elaborate mechanical feats, and apotheothetic explosions as Shinji, we still loved every minute of it. But strip away all the fancy eye candy, and intentionally or not, Anno Hideaki tells a very simple story in this film. It’s about Shinji waking up after an amount of time equal to his entire life, finding that everything is different and nothing makes sense, and being totally unable to deal with that.

Asuka Langley Soryu

With his new friend Nagisa Kaworu (AKA Seele’s Child), Shinji calms down and is able to find a purpose in this new world, only that purpose not only makes him an enemy of his friends, but also threatens to destroy the world rather than save it. Still, even when Kaworu warns him not to, Shinji follows through, makes a bigger mess, and has to be bailed out by Kaworu, who becomes the thirteenth angel. He saves Shinji, and by stopping the fourth impact, saves the world as it stands and everyone in it.

Dejected by the loss of Kaworu, with whom he had bonded so deeply, and aware that his actions have somehow been the cause of everything thus far, Shinji cowers in the darkness of his ejected and soft-landed cockpit plug. He’s afraid to move, to do anything else that will hurt others. But then Asuka finds him, pulls him out, grabs him by the hand and makes him move forward with her. Rei has also landed nearby, and what do you know, the three kids are reunited for the grand finale. After dealing with a world where everything had changed and everyone rejected him, and the only person who didn’t died, Shinji now has a little bit of stability back.

His dad is a distant ass and he never knew his mom, so these two girls, whatever else they might be, are his family.

9_superior
Rating: 9 (Superior)

Stray Observations:

  • Misato and Ritsuko looked so different and were so cold to Shinji, at first we thought he’d ended up in an alternative universe.
  • Their organization Wille seems to be a counterbalance to NERV.
  • Wille’s flagship, the Wunder, is suitably awesome. It’s the Avenger’s flying aircraft carrier on steroids, and its bridge is just nuts.
  • Mari Makinami Illustrious remains a very mysterious and somewhat one-note character. She’s just kinda around to back Asuka up and fire off quips. We get it; nothin’ fazes you!
  • Rei’s little hut is just as depressing as her old apartment, with many of the same trappings. 
  • It’s a little detail, but we like how Anno stuck with the same design for title cards as the original series, including the series of flashes at the end of the “A-part”.
  • The film was prety light on fanservice, but at this point Asuka’s entire character design is pure fanservice.
  • Turns out Rei is a cloned copy of Shinji’s mother Yui. Like we said…family!
  • Asuka has ceased calling Shinji “idiot”. She’s moved on to “brat.”
  • Gendou is willing to sacrifice everything in order to complete the Human Instrumentality Project and “kill God”. Shit’s heavy, man.
  • Man, there’s nothing quite like hearing that classic preview music at the end. That is how you do a fucking preview.
  • After our initial post-watching excitement, we’ve reduced the rating to 9. The original tv series would probably score a 10 were we to rate it, and at the end of the day none of the new films quite stand on the same level as the original.