Eromanga-sensei – 08

Whether she likes it or not, Sagiri can’t have Masamune all to herself, not matter how adorably she dresses. And though he technically rejected her, the fact Masamune compares Sagiri’s yukata to Muramasa means she’s still in his thoughts, because she was the first person to say what she said about his novels.

Elf also tries to nab her share of Masamune’s attention by dressing like Muramasa; in her case, a school uniform. But despite the fact she and Muramasa are rivals in love and novels, Elf offers the advice she’d offer Masamune even if she didn’t like him: stop worrying about what may or may not be, and have one little chat that settles it all. Of course, she’s clearly not happy at all when he says he wishes she was his big sister.

She is, right, however, that being direct with Muramasa is the best strategy, as her feelings for him haven’t changed since he turned her down, nor is she too uncomfortable to attend the short story competition wrap party he’ll be hosting. They also both acknowledge that they’ve only met each other three times—not enough to get to know each other—and so would both welcome a fourth, fifth, and more.

The fifth wheel, Shidou, arrives first, and has no idea what he’s walking into until Elf and Muramasa arrive at the same time and start immediately fighting over Masamune until Sagiri starts pounding on the floor above them. Elf is also sporting her most ridiculous outfit yet – a frilly lolita-style yukata and flamboyant hairstyle.

The initial awkwardness of the party eventually smooths out, especially when Masamune breaks out all the festival themed food, hoping to create a festival-like atmosphere for Sagiri, who can’t go outside. Everyone shares their ultimate dreams, including “Eromanga-sensei”, who says she wants to be the bride of the one she loves. Oh, girl…

After everyone else files out to go see the fireworks, Masamune stays with Sagiri, and confesses that he’s always been afraid of being alone ever since his birth mother died in an accident. He’s also truly thankful for Sagiri, his new family, for putting up with such a pathetic brother, but she feels no less pathetic for losing the will to leave the house.

As they watch the fireworks from the window of her room, Sagiri reiterates that she never considered Masamune family or her brother; her love has always leaned more towards romance, insomuch as she knows what that is.

Still, if Masamune wants or needs her to just be his little sister, she thinks she can “pretend…for a bit”, only to later remark somewhat ruefully to herself while lying in bed how she’s “gotten much further away”, presumably from her dream of being the bride of the one she loves.

I dunno if that’s a bad thing, Sags! Get over him, get out of that bed, that room, that house; go to school, meet someone whose father didn’t marry your mother. Is that so much to ask?

P.S. Kuroneko Sighting. Repeat: Kuroneko Sighting!!! With her adorable sisters too. That confirms Masamune, Sagiri, & Co. live in the same world as Oreimo, whose MC also had to grow a spine and pick someone, anyone, as long as it wasn’t his damn sister. Obviously, Kuroneko was his best choice.

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Eromanga-sensei – 07

Senju Muramasa doesn’t back down on her intention to crush Masamune, and easily dispatches Elf by having the editor inform her just how many more sales she has (14+ mil vs. 2 mil), forcing a quick Elf retreat. Masamune responds with a challenge to his “senpai”: whoever loses the contest will have to do whatever the victor says.

We knew this was the challenge that was coming, it’s just a matter of what Masamune will write, and whether it will be good enough to beat a platinum powerhouse. He decides he’ll convert his little sister novel to a short story, but short stories aren’t his forte.

Enter Elf, who uses her expertise gained by her own strong sales and puts Masamune through a gauntlet of drafts, until he’s got a “passable”, if not yet good enough, manuscript.

Then the enemy pays him a visit, intentionally wearing a school uniform in order to “make a better impression.” You see, she wants Masamune to surrender, and instead agree to “be hers”, i.e. write novels just for her.

Elf and an on-screen Sagiri are suspicious of her appearance in the midst of the contest, but it would seem Muramasa isn’t trying to sabotage her kohai, just make him pivot to something she sees would benefit both sides. She also doesn’t flinch at Elf’s claim she and Masamune are living together.

She comes in, and after briefly getting distracted by a sudden jolt of inspiration forcing her to stop her conversation in the middle and start writing (and she’s left-handed!), tells Masamune what her dream is: to be able to go beyond writing stories she’s rate 100-out-of-100, and create something even she, not just a fan, could rate 1 million out of 100.

She only writes at all because of Masamune, whose battle novels were the only things that moved her to the bottom of her heart. When he shifted to rom-com with the little-sister proposal, and stopped writing her favorite novel, she became a wreck, and only by writing her own stuff could she keep going.

So Muramasa, certain her dream is more important than Masamune’s, once again pleads with him to become “hers” and write only for her, promising she’ll support him and his sister the rest of their lives if that’s what it takes. But Masamune’s dream isn’t just his own, and Sagiri leaves her room to tell Muramasa as much.

Also, Sagiri won’t accept any scenario in which she gives up Masamune for anyone else. She earlier says he’s not allowed to date other girls ever after seeing Elf’s tweet. This is highly unreasonable behavior, but younger sibling jealousy is nothing new or abnormal. Masamune shows a united front with his sister and declines Muramasa’s author, saying he’ll instead get her hooked on his rom-com.

I mean, that’s great and all, but surely Masamune realizes he can’t keep indulging Sagiri’s possessiveness, right? And that any future romantic partner has to be chosen from among girls he’s not related to by marriage? Just asking for a friend…

Masamune ends up winning the contest, because even though Muramasa got 15 more votes, her short story ran double the allowed length, and she was disqualified. Whether this was intentional on her part, or if she simply wrote the number of pages she had to write and didn’t care what happened afterwards, the story was all about her and Masamune.

Like Masamune’s story about his sister, Muramasa’s is a love letter…to him. So now Muramasa is not just in love with his novels, but with him in general. Masamune doesn’t have a satisfying answer: “there’s [already] someone I love.”

It leads me to wonder if Muramasa’s only purpose on the show was to be defeated twice in short order and retreat as Elf did upon hearing about her sales…or if the battle has just begun. Either way, he harem has become really crowded.

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Eromanga-sensei – 06

When Megumi repeatedly calls LNs “creepy”, Ishikawa Yui breaks out a more Mikasa-esque voice for Tomoe, going at Megumi as if she were trying to hurt her beloved Eren. Masamune avoids blows, but Tomoe enacts her revenge by getting Megumi totally hooked on the books she once so cavalierly looked down upon.

Megumi’s original purpose for checking out some novels was to get closer to Sagiri, and she gets closer than she bargained for, not only being allowed an audience with Muramase’s sister, but serving as a lewd model, bound and blindfolded.

Sagiri is so excited and inspired by her new model, she can’t help but impulsively relieve Megumi if her shimapan, an effective if dated way to blow up her “lewd girl” persona. That being said, Megumi gets what she wants: actual contact with Sagiri, and a promise of continued novel exchange—the foundation of a friendship.

When Masamune’s publisher tells him they won’t be publishing his little sister LN for a year (because the younger, more popular Senju Muramasa snatched his earlier publishing spot), Yamada offers to help him get published. But they’re both early for the meeting, so they have a little date that both know is a date but pretend it isn’t.

Yamada, who is surprisingly not the most irritating girl in the show, and has grown quite a bit as a character in her last few episodes, explains how book sales are like the ultimate game, so it makes sense to always keep score. Despite losing to Senju like Masamune in that department, she dismisses Senju as someone playing a “one-player game” with different rules.

She doesn’t believe Senju would be disappointed in the slightest if Yamada crushed her. Yamada accidentally tells Masamune she loves him, because she knows he would be disappointed, and thus a more worthwhile opponent. She quickly walks back the “I love you”, but the vulnerability and honesty of that moment, along with an earlier scene where she stops when she realizes she’s acting tsundere were nice touches.

The date over, the two mosey to the publisher, and encounter a girl who like Yamada is not dressed in normal modern attire, but traditional Japanese garb. Yamada assumes she’s a rookie when she spots her manuscript and is back to the haughty self she was when she first met Masamune. I guess this is just how she initially interacts with peers in her field? The girl doesn’t give her much in return, but accompanies them to the offices.

There, Masamune’s publisher denies his request to go with another house for his novel, but does suggest an alternative: he’ll enter a short-story competition with four other young authors, and the winner will get published not next year, but in September. Masamune emphatically expresses his intense enthusiasm and signs right up, claiming it’s the first brick of the road to realizing his dreams.

Perhaps a bit too emphatically, as the yukata girl finally speaks up, and not in a docile tone, announcing she’ll be the one to crush his sentimental, shonen-esque little dreams in favor of her own dream. She’s no rookie, after all…she’s Senju Muramasa, and she won’t have Masamune speak her name without the -senpai honorific.

So…Senju is a cutthroat, competitive maniac, eh? Well…I guess that’s probably better than what I expected (someone who is pre-in-love with Masamune / his work despite being more successful than him). In any case, the whole group of girls has now been introduced; we’ll soon see if and how Masamune interacts with the newest and most hostile.

Eromanga-sensei – 05

I wasn’t really serious when I stated last week that Sagiri saying “she’s in love with someone” meant a rejection of Masamune. This week Sagiri barely hides her brocon, and if anything is brassed off that her brother won’t return those feelings, because he doesn’t want to admit he’s a siscon. What both can agree on is that if Masamune is going to write a novel about a little sister, she’s going to illustrate it.

Masamune ends up ignoring Elf’s initial pleas to be rescued by her fastidious editors, so caught up in planning the look of the heroine with Sagiri (the more it looks like her, the better), but Elf manages to finally get his attention with a barrage of arrow fire, and he catches her in a manner she later romanticizes when she finally gets to meet Sagiri, and has fun both playing video games and posing in lewd positions until Masamune gives her up to the editors.

While working on his project proposal, which if approved will get the fast track to publication, Sagiri is eager to show him her completed work using Elf as a model. The illustration inspires Masamune to put an Elf-looking character in the novel, which I thought would really irk Sagiri (since another girl is intruding on her life with her brother and now their art) but she takes it well, and wants to continue inspiring him by drawing different kinds of girls she can only draw if she sees in the flesh.

That would create a problem for Masamune…if he wasn’t surrounded by girls. While I still loathe Megumi, at least her role as the only “otaku outsider” becomes clearer, as she so blithely looks down on the kind of books Masamune and the others create and adore.

The final member of the harem also comes a little more into focus, though she’s only mentioned by name: Senju Muramasa, sharing her name with the legendary student of the legendary swordsmith Masamune; fitting since it’s implied she’s younger. With Elf now a neighbor, friend, and collaborator, Masamune needs another distant rival…at least until that distance suddenly closes, which on this show is pretty likely.

Big Order – 02

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Well, that was an…err…interesting sequence of events. If the plot of Big Order continues to be as erratic and silly as this week, watching a lot more of it is going to be a tall order. We start with Eiji successfully achieivng “domain” over Rin by making it impossible for her to kill him, which is the only damn thing she wanted to do by wishing to be immortal.

One could ask why she didn’t simply wish the person who destroyed the world would die, full stop—but I guess she wanted to do it personally, and now it’s backfired on her big-time. By the way, I’ve gotta wonder if the directors told Mikami Shiori to scream in such a way as it sounds like equal parts pain and pleasure…because that’s what came through.

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While Rin can’t kill Eiji, she still wants to, desperately, and so after they’re both taken prisoner by one of her comrades who can stop time (which, like Eiji and Rin’s powers, seems way too powerful a power), and she busts him out, they take the most dangerous route out of the bowels of the government office, so that she can try several different methods of killing him indirectly.

Her numerous failed attempts to cheat are one of the highlights of the episode, as it’s servicable black comedy to see Rin try and try again to get Eiji killed, only to get killed herself in almost every way imaginable, then restore herself. I gotta hand it to the creator: having an immortal sidekick who wants to kill the MC but can’t is a pretty delicious premise.

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Unfortunately, the episode quickly gets glommed up with all kinds of other shit, and the Eiji & Rin show I was enjoying is pushed to the sides in favor of a larger scheme by Rin’s superiors, the Group of Ten.

Under their orders, time-stopping guy Fran has Sena in stasis, holding back her six-month shelf life. In exchange, they’re prepared to finish what Eiji started, naming him their puppet king, declaring their jurisdiction (Kyushu) an independent nation, and declaring war on the rest of the world.

After introducing all ten people with graphics and their plan with lots of explanations and maps, my head was spinning a bit, wanting it all to just stahp for a second and let me regroup.

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But like Eiji, the Group of Ten’s plan would not wait, and he sees no other option but to put the Ten under his domain, sticking them with his tendrils (including in a naughty place for one of the female members) and officially making them his.

Their fates would now seem to be tied together, though considering how Rin acted after he domain’d her, and the knowing smirk from his new chief of staff Hiiragi, I’m inclinded to doubt Eiji’s reign will be a long and smooth one.

‘Smooth’ is not a word I’d use to describe this episode. More like crude, rude, and chaotic. The snowballing plot is mildly goofy, there were too many character intros packed in, Eiji’s not particularly likable, his interactions with women leave a bad aftertaste, and the CGI monster-packed action is often too abstract. We’ll see if any of this improves next week when Eiji’s rule begins in earnest.

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Big Order – 01 (First Impressions)

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From the artist behind Mirai Nikki comes a story about people called Orders who can turn their wishes into powers thanks to the mysterious, annoying Daisy. Ten years ago, Hoshimiya Eiji believes she made his wish to become a TV antihero come true, leading to the near-destruction of the world, the death of his parents, and the hospitalization of his brocon sister.

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One day a ridiculously out-of-the-entire-school’s-league cutie transfers to his class and follows him home, claiming she lives above him and broke her key. When he opens his door, she shocks him, then reveals her true face: she’s an assassin sent to get rid of him. Or wait, she’s there for revenge for her dead parents.

In any case, the initially pure and innocent cutie who turns out to be sadistic and homicidal is nothing new, and I’m not sure at this point what if anything Rin adds to the conversation. I will say that I did not expect Eiji to inadvertently kill her with her own blade via the more focused use of his power, visualized by a glowing medallion on his hand.

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Rin steps out of Yuno’s shadow a bit by later revealing she can’t be killed; she’s an Order to, who gained the ability to instantly regenerate from even serious wounds. She shows more cold cruelty by stabbing Eiji’s sister Sena in the back, using her as bait to draw Eiji to her and her assembled army dudes.

(Rin is part of some military/paramilitary cadre of Orders, who all look like a bunch of weirdos. She’s a second lieutenant, so pretty low on the food chain).

After Eiji’s initial rage at seeing Sena maimed subsides, Daisy visits him and makes a slight mod to his powers, reducing their range considerably so he won’t lose control like ten years ago (why ten years had to pass for any of this to come down on him isn’t clear).

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Eiji is done being Mr. Nice Guy. His wish, which had remained a secret the whole episode, is revealed as “world domination.” As such, his powers give him dominion over anywhere he goes, and over anyone or anything in that vicinity. Unfortunately for Rin and her troops, that includes physics, which means bullets fired at Eiji do not reach him.

Now that the beast has been awakened, he gets his ‘tentacles of domination’ into Rin (in a fairly suggestive cut to black), I suspect he’ll have dominion over her as well.

I mean, this show is awfully on-the-nose and trying too hard to be edgy at times, but is better-looking and has more interesting (and far fewer!) characters than Mayoiga, plus I enjoyed Mirai Nikki well enough…so I believe I’ll give this late starter a try. At the very least I’m interested to see if Eiji joins Rin’s little org…or simply turns them into his peons.

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Rakudai Kishi no Cavalry – 02

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It’s nice to see how well Stella and Ikki are already getting along even before their first day of school; it’s a testament to the equity and fairness with which they each treat each other. They’re both on first-name terms without any reservations, and Stella makes a habit of bringing up things like the possibility of indirect kisses as a big deal, but never once denies that she doesn’t mind such things, when sharing Ikki’s sports drink. She also insists on running the full 20km a day that he runs, which speaks to her competitiveness.

But this, like Asterisk War is still a harem, which means there will be plenty of competition for Ikki’s attention. The first to glom onto him is Kusakabe Kagami, who means to run the school newspaper and saw him fight. Whether you’re a boy or a girl, people dig ability, and it’s clear Ikki has skills, even if there’s no surefire way to evaluate it. Still, the way the six school reps will be chosen works in his favor: rather than assess people by their stats, everyone will be fighting for those spots.

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Kagami essentially fades into the background, however, when a petite silver-haired girl everyone calls “Lorelei” beckons to Ikki. As we gleaned from the cold open, she’s his little sister Shizuku, and the only member of his family who she believes really loves him. Because of that, on top of her sheltered, upper-crust upbringing, to her, that means she needs to show Ikki enough love to make up for all the family members who show none.

To Shizuku, that means French-kissing him in front of Stella and half the school. Now, this is some standard brocon incest ikkiness? On the surface, sure, but it’s nicely mitigated by two factors: Shizuku’s aforementioned strange upbringing, and the fact no one else, including Ikki, is okay with his sister Frenching him.

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Then a catfight breaks out between Shizuku and Stella, who draw their devices, but they get in trouble with the director and must clean all 27 of the school’s girls’ restrooms, which they do while exchanging insults about one another’s breast size and body type.

It’s petty, but it’s conflict born out of mutual misunderstanding. Shizuku doesn’t yet know the full extent of Stella’s bond with Ikki, and Stella doesn’t yet know why Shizuku is acting so possessive.

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That changes quick when Shizuku mentions that the rest of the Kurogane family has always treated Ikki like he didn’t exist, and she hates them for it. Stella, concerned and eager to learn more about her roommate (and master, a promise she hasn’t forgotten), wastes no time asking Ikki about it, and he’s very open about it: due to his lack of verifiable talent, he was shunned as the family’s black sheep. The ostracization was so bad, he once ran away from home into the brutal cold.

He was saved from death by his grandfather Ryouma—a samurai so famous even Stella knows the name—who told him to harness his frustration with being called the weakest or the worst; make that weakness a strength, and never give up or stop working to prove everyone wrong. Ikki then started to train alone—something Stella also did when she was younger. Thus Stella’s understanding of Ikki deepens, as does her affection.

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Those affections lead her to make a move on Ikki for the second week in a row, entirely on a whim while cooking. Her excuse is that a good servant must fulfill a master’s wishes before he even asks, but really, she liked what she saw and felt last week, and wants more. Ikki is understandably a bit on-edge about the whole thing—Stella is a knockout in her pink bikini (her concession to modesty and not letting things get too far too fast)—but lets Stella do what she wants to do, and tells her what she wants to hear.

A nice detail: when the newspaper girl Kagami put Ikki’s arm against her chest, Stella noticed, and so brings it up here, because it looked like Ikki liked it…and Stella wants Ikki to like when she does it. I loved the honesty and equity of this romantic encounter: both Stella and Ikki are getting something they want out of it…right up until Stella loses her top, which she didn’t want to happen. Scream; Slap; Womp-Womp.

Lastly, we come to the show’s ED, with all the girls in Ikki’s prospective harem lounging around nude in a bed of roses with their weapons, to the welcome eclectic tunes of ALI PROJECT.

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Danchigai – 01 (First Impressions)

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I’ll be brief, like this episode was (under three minutes, if excluding OP, ED and preview): Guy lives with his four sisters who are always on his case about something. One looks older than him, one is a little younger and seems to be a brocon tsundere, and the other two are tiny balls of energy.

We only get the slightest glimpse of their morning. There’s nothing terrible here, but I already have my full-length slice-of-life about a guy with lots of sisters. It’s called Working!!!, plus another show about a big family, Dandelion. So this is redundant. But hey, at least the sisters aren’t eating their brother!

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Servant x Service – 05

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Yamagami wakes up in bed with a girl who turns out to be Hasebe’s sister Kaoru, who is also an easy-.going civil servant and also loves to mess with people. When Yamagami stops by Kaoru’s the next day to thank her, she takes her to her brother’s place, which is awkward. Back at the office, Ichimiya warns Hasebe of the perils of dating co-workers. Chihaya lets fly that she and Ichimiya are dating, but passes it off as a joke to cure Yamagami of her hiccups. Chihaya arranges for Miyoshi to occupy Touko while she and Ichimiya discuss their relationship. Touko returns early, adding to Taishi’s stress.

Those who were thinking Hasebe would stoop to getting a room at a love hotel with a passed-out Lucy were soundly rebuked, as he – as Megumi puts it, “acts like a human being.” Still, it’s clear Miss Cowlick won’t be drinking any alcohol anytime soon. He takes her to his sister’s place instead, but her sister, like all the Hasebes, can’t quite help themselves when presented with a mark as easy as Lucy. Kaoru also gets the feeling her brother cares about this mark, and so gets them together on Sunday, hoping the resulting awkwardness will be entertaining, and it is. But with all this discussion about Yamagami and Hasebe as a prospective couple, there’s been a real and long-lasting couple hiding in plain sight: Chihaya and Ichimiya.

It’s a bit out of left field, though if we were to go back and watch all their past interactions in the office, we’d probably find slight clues here and there of the fact they’re a couple, albeit one that doesn’t make it public knowledge at their workplace. For her part, Chihaya is a good sport, willing to be with Ichimiya despite his self-confidence problems and his horror of a little sister. She doesn’t come right out and list the reasons she dates him – and has dated him for a year-plus. But she does have her reasons. For what is worth, we like them as a couple, if for no other reason than it has neither the predatory air of Hasebe’s pursuit of Yamagami nor Touko’s bro-con tediousness.

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Rating:7 (Very Good)

Stray Observations:

  • Yamagami seems to have a closet consisting of nothing but white pants and black turtlenecks. We hope to see this closet at some point to confirm this.
  • Kaoru and Yamagami wait at a metro station with a green circle marked H-07. Thus the city can’t be Tokyo, as H-07 in real life is Hibiya Station on the Hibiya line, which is silver, not green.
  • Enduring Hiccups are a very old comic device, but Yamagami is so cute doing them we don’t mind.
  • Touko’s birthday is Christmas Eve, making it difficult for Ichimiya to keep girlfriends. Talk about a Catch-22…
  • Chihaya loves cosplay, but wearing Touko’s uniform is still pretty darned kinky. We feel like her explanation to Touko shouldn’t have passed muster.
  • That said, that look Chihaya shoots at Touko when she comes in (see above) is pretty great.

Oreimo 2 – 13 (Fin)

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Kirino used to adore her big brother, but as he grew older they grew apart, and as she strived to surpass him, he stopped seeming as amazing as she once deemed him. She suspects Manami’s influence, but Manami tells her the amazing Kyousuke Kirino loved never really existed. Kirino made a friend in Ayase through modeling, and also discovered siscon eroge, which she had to keep a secret, until it grew out of control, and she finally had to ask her average, unremarkable brother for advice, and he performed his brotherly duty admirably, if not as cool and confidently as he once did.

The last episode of Oreimo for some time serves as a prequel to everything we’ve seen thus far, and documents the evolution of Kirino’s feelings for her brother, leading up to their current, cordial relationship. Basically, the younger she and Kyousuke were, the more amazing she thought he was, and the more he was willing to spend time with her. But he eventually outgrew that arrangement before she did, leading her to aim to surpass him. So we can imagine her disappointment when Kyousuke devolved from the driven, talented, cool brother she once knew into a lazy, unmotivated layabout. The person who drove her to become better than she was had gotten worse. Since the very beginning, it’s been clear that Kirino is a big, hopeless otaku, but this episode finally confirms why: she was seeking the ideal brother Kyousuke no longer was.

She shunned her real brother in exchange for the brothers in the games she played, who would always do what she said and be with her no matter what and be just as amazing as she wanted them to be. But they were no more real than that youthful ideal of her real brother. Kyousuke is and always has been Kyousuke, and regardless of how much he disappointed her, he was always going to protect her, as he does when he passionately defends her hobby to their fatheer. Now Kirino is mature enough to realize that Kyousuke may not be perfect or even particularly cool, but he’s her brother; her only brother. He’s all she’s got, and he’s really not all bad, as big brothers go!

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Rating:7 (Very Good)