Jujutsu Kaisen – 18 – Exchange Crashers

This episode’s got a lot to cover, so we jump right into the middle of the duel between the stuffy Kamo Noritoshi, which is basically a battle of creative blood manipulation vs. shikigami. The battle is not only notable for how awesome it looks, but the fact it takes place indoors, and is the first time in a while we’ve seen Megumi and his menagerie of spirit friends in action.

We also check in on poor delightful Kasumi, who is still in a state of shock over being suddenly bereft of her cherished sword. She gets a call from Mechamaru, but it’s Toge on the other line, officially retiring her when he says the word “sleep”. Like Megumi, there’s a lot of pent-up anticipation to watch Toge operate. Like Momo, he plays a key support role.

The faculty notes Kasumi’s retirement, and Utahime heads off to retrieve her (there are cursed spirits still lurking around). We learn that chief among those is a semi-tamed semi-first grade, which Principal Gakuganji tells Kamo will be unleashed upon Itadori Yuuji as soon as his battle with Toudou is over.

That “ringer” demon turns out to be a complete red herring, as no sooner does Toge spot it lurking in the forest is it decapitated…not by any sorcerer, but by Hanami. That’s right, Big Bad Mahito and his fellow special-grade curses have arrived to start some shit, and they’re accompanied by a bald human.

Before their presences is known to Megumi and Kamo, the former ups his game by calling forth a new shikigami he just tamed, a goddamn glowed-up pink elephant that spews forth a torrent of water which blasts Kamou out of the building, where he’s exposed to the aerial Nue’s electricity.

Kamou restrains Nue in blood bindings, but what had the makings of an all time epic JJK battle is rudely cut short by the explosive emergence of a colossal mass of tree matter. Suddenly all of the cursed talismans burn away at once in the faculty viewing room, alerting the adults that something is off.

That something is off becomes far more obvious when the bald curse user with Mahito erects a veil over the group battle area. Gojou, Gakuganji and Utahime race to the veil’s edge before it is complete, but it doesn’t matter: it’s a veil that will allow anyone but Gojou to enter.

This can be seen as either (or both) a means of keeping Gojou from interfering in Hanami dealing with the sorcerers within the veil, and isolating Gojou on the outside so Mahito can take a stab at the guy Jougo couldn’t beat.

When they’re confronted by the bald guy, now weilding a big axe, Gakuganji sends Utahime off to protect the kids, while he stands his ground and removes the contents of the big black case he’s carrying around. Turns out it’s a Gibson Flying V guitar, which not only means we’re in for some epic shredding at some point, but it’s a battle of axe-vs.-axe. So absurdly awesome.

Yuuji, Toudou, The Zenin twins, Nobara, and Momo are all still on their own, wondering what the heck’s going on, while Megumi, Toge and Kamo find themselves being stared down by a particularly intimidating tree spirit in Hanami, who pledges to heal the earth by purging it of humanity. Their individual attacks have no effect, so they’ll either have to get creative with a collab or wait for help from stronger sorcerers.

After all that built up to the interschool competition, the event has been rendered totally irrelevant, while those who were planning to kill Yuuji must shift their targets to the far more pressing cursed threats. Heck, as the stable-for-now vessel of Sukuna, he looks to be instrumental in pushing back Mahito & Co. Good thing they weren’t able to kill him yet!

Jujutsu Kaisen – 17 – Twinception

I think I’m in love. The opening act of this episode is all Zenin Maki, and at no point does she ever lack the upper hand in her duel with Miwa Kasumi. I like Kasumi just fine, but she got some bad advice from Mai about Maki’s limitations. “Grade Four” may be her official classification, but she’s a damn sight better than that, as Kasumi learns the hard way.

Overwhelmed by Maki’s superior strength and reach, Kasumi tries to draw her into her mini-domain in which she auto-attacks anything that comes within a just over two-meter radius. That plan fails when Maki snaps her polearm in two, throws the individual segments at her along with a hidden kunai Kasumi never saw. Maki ends up stealing Kasumi’s sword from right under her nose. All Kasumi can do is weakly ask if Maki will give it back (she won’t).

With that battle pretty much decided (seems someone kind and “normal” as Kasumi would take a sound defeat over having to kill anyone), we shift to Nobara vs. Momo AKA Ghibli Witch. While Kasumi kept things all business, Momo isn’t above trash talking Nobara for her lack of “cuteness”, a quality the Ghibli Witch believes is crucial for a female sorcerer.

Momo rants about the higher-ups demanding not strength from women, but perfection. Meanwhile, Momo can’t fight 100% against Nobara because a part of her is constantly distracted with using her cursed energy around her ears (to prevent a cursed speech ambush from Inumaki).

When Momo goes into Mai’s difficult upbringing, Nobara doesn’t want to hear it, because Maki—whom she comes right out and says she loves—suffered the same treatment. I love how there’s no love triangle between the two lead dudes and Nobara. Maki is light years better than either of them.

Nobara basically recites her mission statement as a person here: “I don’t give a damn about ‘men’ this and ‘women’ that! I love myself when I’m pretty and all dressed up, and I love myself when I’m being strong!” Realizing once she has her Straw Man Technique all lined up, she switches out her metal hammer for a plastic squeaky one and beats the stuffing out of her opponent, which is the kind of LOL/WTF absurdity I live for.

Were it just Nobara vs. Momo, the former might’ve claimed the win, but the subject of Momo’s sympathy Mai ends up retiring Nobara with a rubber bullet from maximum range. Since Maki is done with Kasumi, she hops into the treetops to face off against her twin, minutes-younger sister.

Through flashbacks we learn that Mai was a scaredy-cat around demons and would’ve been content to accept the Zenin family higher-ups’ estimate of the twins as ultimately good for nothing but servitude at the household. Among the two, only Maki fought against the menial destiny laid out for her and sought out her own, leaving Mai behind. Ultimately, Mai resented her sister not just for lying about remaining by her side, but forcing her to put i the effort to be a Jujutsu sorcerer—something she never wanted to be.

While I sympathize for the way both sisters were treated simply for being women, twins, and lacking the usual qualities of Jujutsu sorcerers, I maintain that Mai is being a whiny little brat. Once she’s fired all six bullets from her revolver, Maki thinks she’s won, but Mei uses her secret ability “construction” that turns her cursed energy into matter—in this case, a seventh bullet.

Just when it looks like Maki is about to get shot in the face, she reaches out and catches the bullet with her bare hands, revealing that she has a unique talent too. In what is essentially the opposite of Mechamaru’s situation, she was was bestowed with superhuman strength in exchange for having no cursed energy whatsoever.

Since Mai can only create one bullet per day, she loses…but doesn’t go quietly, ranting about what was so bad about being ordered around back home, and why Maki didn’t “stay at the bottom” with her. Maki doesn’t mince words: if she did that, they’d still be together, but she’d hate herself. Instead, they’re apart, and Mai hates her instead.

P.S. In this week’s Juju Stroll omake segment, Kasumi gets out of bed for a midnight snack, only to find Momo and Mai eating her edamame. Momo proposes an alternative snack in the form of a seafood ramen cup that’s given richness and an extra kick with milk and red chilies snipped in with scissors. It is indeed tasty…but perhaps a bit too heavy for a midnight snack!

Akiba’s Trip The Animation – 03

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Well, I wasn’t expecting that – an episode of Akiba’s Trip outscoring a KonoSuba. Where this week’s Kono felt listless and scraping the barrel, Akiba’s Trip had a manic energy to it (along with an idol group called Manias) as it ditched the bugged ones story for a straight-up exploration of various kinds of obsessions, which can all to easily be taken up to 11 in a place like Akiba.

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It starts, innocently enough, with Tamotsu catching a moment of an idol concert Nikawa is watching, and like a diamond arrow, sends him into the soaring space of fandom. His obsession with the idol (who just comically phones it in) in all possible media frustrates Mayo, whose patrol plans with Tamotsu are completely overrun by his various idol-worshipping activities. That, in turn, leads Mayo to stress eat over at Carl’s Jr. (tacky product placement FTL).

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At some point, Tamotsu’s obsession shifts from merely consuming idoltry to really getting down into the nitty-gritty of audio, maxing out his GonzoCard many times over with impulsive purchases of increasingly dubious equipment, only to literally bowl his roommates over with his very expensive realization that it’s better just to hear the idol in person.

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Then things shift to the girls, who get swept up by a famous former-idol, now super/hyper/mega-whatever producer who calls the trio MANIAS and books them for numerous photo shoots in increasingly revealing outfits and increasingly lecherous photographers.

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Eventually, things get so bad Arisa is being casually asked to lie in bed and take off her top, but when Mayo and Nikawa hold her back, the producer and photographer reveal their true selves as Bugged Ones. Just like that, the episode snaps back into what the show is about, having itself gotten swept up in the stories of its characters getting obsessed with things.

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Arisa and Mayo fight the Bugged Ones, and Tamotsu joins in since he started taking every possible part-time or temp job he can to pay his debts, the constant cycle of odd jobs becoming its own obsession. Being the producer’s part-time janitor pays off, as he’s able to save his sister.

The recovered famous producer then quickly hooks up the trio for a little idol concert event that looks the business (and is sung by the three lead seiyuu, performing as “Headphones”, their group from Sore ga Seiyuu). 

They only perform in front of a handful of people, but that’s fine with Mayo, who seems to like the attention she gets from Tamotsu, who ends up with a new idol group to, well, idolize. Will all of this be forgotten next week? Probably. Was it still not just fun, but a shitload of fun? Absolutely.

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Akiba’s Trip The Animation – 02

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This week Tomatsu gets oriented in his new role as Mayo’s underling, and his new, more powerful form as an elite hazoku. He comes up with the name “Electric Mayonnaise & Friends”, the first friend being Arisa, who is game for some bugged one-hunting.

Their target this week is a disgruntled replica gun and military supply store manager-turned-hazoku, who reminded me of Orange from the old run-and-gun game Gunstar Heroes. He has ammo that can tear clothes away, which turns out to be just as bad for Tamotsu and Mayo as the bad guys, since they’re the same basic entities (albeit with opposing ideals).

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The fact that a defeated Hazoku doesn’t return to being a normal human, but simply evaporates, is revealed to Tamotsu after Orange is brought down, creating new, fresh stakes for him. Arisa isn’t a Hazoku, just really really strong; I wonder if there’s more to her than meets the eye (even though she reveals quite a bit throughout the episode).

Akiba’s Trip continues to be inoffensively competent and reasonably fun. But KonoSuba is a tough act to follow, exposing this show’s lack of narrative depth. That being said, the characters have distinct (if broad) personalities and good chemistry, so I find myself looking forward to the next leg in Akiba’s Trip.

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Akiba’s Trip The Animation – 01 (First Impressions)

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The Jist: Otaku Denkigai Tomatsu is enjoying the day in Ahikabara with his little sister Niwaka when they find themselves in the middle of a battle between mysterious, evil “Bugged Ones” (AKA “synthesizers”), ordinary people taken over by shadows and given superhuman strength. They are beaten back by the bat-weilding redhead Mayoka Matome, who Tomatsu saves and who saves his by cloning her powers on to him with a kiss.

With his new strength he’s able to disrobe all the affected humans, dissipating the Bugged Ones. He then looks forward to continuing the battle beside “Mayo.” He also meets Ahokainen Arisa, a cosplaying otaku kindred spirit who has superhuman strength but isn’t a Bugged One.

You Should Watch This if you are up for a simple, straightforward, shall we say…dumb action/adventure romp set in Akiba with a healthy portion of ecchi, what with the rather silly undressing aspect of defeating the (very vague) evil enemy. The violence is actually pretty precise, with each punch, kick, leap and stab carrying the right impact. It’s a colorful show with inoffensive music and decent voice work.

You Shouldn’t Watch This if you’re looking for anything deep or innovative, or if watching a guy (and a girl, for that matter) undress lots of women (though the Gonzo logo on one girl’s panties was an interesting easter egg). And while clean, the animation is also very simple and embellished, and while he seems brave and selfless and there’s nothing particularly hateworthy about him, Tomatsu is an extremely derivative, meh otaku whose running commentary wears thin.

The Verdict: I’m on the fence, personally. That may change once I’ve watched the remaining Winter shows on my list. I always give Gonzo joints a try, as there are so few of them and I root for their success. I hew more towards “clean” than “lazy” on the animation side. On the other hand, this has the look of a paint-by-numbers show with (so far) yawn-worthy ecchi thrills. The combat action isn’t bad, and I found Arisa surprisingly funny, so I’ll go another week. But I can’t recommend it yet.

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Dimension W – 03

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After their first big job together (which nets Mira a cool ¥6 million cash) DW slows down a little, giving us a largely slice-of-life episode that still nudges some plot points forward. It also happens to be a slice of the lie of an android who thinks she’s a human and really might as well be one, since she has the same need for a place to live, relax, and heal her body.

After being paid and praised, Mira’s excited about interacting with society and carving out her little corner of it. I like how we first see Kyouma having bad dreams, then refuse to accept Mira in his house – too much gloom in there for her, plus he doesn’t want to lose privacy. Mira is plenty elated by the purchase of her very own trailer.

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However, that trailer doesn’t have a bathroom, so she has to use Kyouma’s. When he inevitably walks in on her, she doesn’t slap him, but just explains that for various reasons related to her unique specifications, she needs the damn toilet too sometimes, so they’ll just going to have to work out a system, whether it’s a door lock or simply knocking.

Kyouma, who hates all things Coil, seems to be (inadvertently or not) denying or at least limiting Mira’s humanity at every turn. He certainly has his reasons, but it’s not exactly nice that he doesn’t even bother saying goodbye before leaving, or help her transport her furnishings to her trailer (which she then has to carry herself, quite conspicuously!).

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He also leaves Mira to her own devices (tehe) in dealing with the snoopy neighborhood kids. Mira figures it out, being firm but not too strict with the youngins’, the most inquisitive of which, a girl named Shiora, asks if Mira is Kyouma’s new wife, and whether they’re “doin’ it” (complete with the vulgar Japanese gesture for sex I first saw in Shimoneta). Kids!

When the kids get a little rough in playing with Kyouma’s stacked car wrecks, and disaster is imminent, Mira springs into action like a superhero, putting the kids’ lives above worries about being exposed. She also scares the shit out of the kids, who assumed she was human.

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Man, I love the composition of first-person POV of Kyouma arriving at his place to see what chaos has been wrought in his absence. That clever camerawork is also used to reveal, in a way that’s both hilarious and heartbreaking, that Mira’s head popped off in the ruckus, and she’s been sheepishly sitting in her trailer all along, holding her head in her lap.

She’s worried that those kids will think she’s a monster, and also knowing she may have taken things a little far, since New Tesla could have easily discovered her, meaning the death of Kyouma, Mary, Koorogi, and probably others. Kyouma may see the beheaded Mira as proof she’s just a robotbut to do so would miss the fact that head aside, she’s acting like a human. The reality is, she’s much more than some robot.

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As for where Kyouma was while Mira was getting into trouble: he gets some info on the “Numbers”, which are mini-coils that draw from deep within Dimension W for their power, and which have caused bizarre accidents like the art museum, which NTE is always quick to cover up.

The incident with the cars has Kyouma brought to the Police department for questioning, but he’s soon released and summoned to the roof of NTE 47, where the COO, Clair Skyheart, is waiting for him.

Kyouma assumes she bailed him out for some reason, but it’s just a matter of her granddaughter Shiora telling her what happened and putting a good word in for him. Claire also wanted to meet another “beast of Grendel”, having been told about him by another apparent former beast, Albert.

Shiora whispers to Kyouma that she and the other kids didn’t tell anyone about Mira’s secret, and hope she feels better. The kids later pay a visit to Mira, who is glad they don’t hate or fear her. Of course they don’t; unlike Kyouma, technology has only ever been a force of good. On the other side of the spectrum, I could have done without Kyouma kicking her butt and calling her junk…

This was a fun episode that explores how far Mira’s come, how far she has yet to go, and how much more Kyouma has to learn about the right way to treat her, in addition to learning a little more about the Numbers. The teaser at the end is more of a preview for the next episode, which suggests Kyouma and Mira’s next mission will take them to a remote island castle where Robo-Murder Most Foul is afoot. Talk about a change of scenery!

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