Akiba’s Trip The Animation – 03

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Well, I wasn’t expecting that – an episode of Akiba’s Trip outscoring a KonoSuba. Where this week’s Kono felt listless and scraping the barrel, Akiba’s Trip had a manic energy to it (along with an idol group called Manias) as it ditched the bugged ones story for a straight-up exploration of various kinds of obsessions, which can all to easily be taken up to 11 in a place like Akiba.

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It starts, innocently enough, with Tamotsu catching a moment of an idol concert Nikawa is watching, and like a diamond arrow, sends him into the soaring space of fandom. His obsession with the idol (who just comically phones it in) in all possible media frustrates Mayo, whose patrol plans with Tamotsu are completely overrun by his various idol-worshipping activities. That, in turn, leads Mayo to stress eat over at Carl’s Jr. (tacky product placement FTL).

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At some point, Tamotsu’s obsession shifts from merely consuming idoltry to really getting down into the nitty-gritty of audio, maxing out his GonzoCard many times over with impulsive purchases of increasingly dubious equipment, only to literally bowl his roommates over with his very expensive realization that it’s better just to hear the idol in person.

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Then things shift to the girls, who get swept up by a famous former-idol, now super/hyper/mega-whatever producer who calls the trio MANIAS and books them for numerous photo shoots in increasingly revealing outfits and increasingly lecherous photographers.

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Eventually, things get so bad Arisa is being casually asked to lie in bed and take off her top, but when Mayo and Nikawa hold her back, the producer and photographer reveal their true selves as Bugged Ones. Just like that, the episode snaps back into what the show is about, having itself gotten swept up in the stories of its characters getting obsessed with things.

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Arisa and Mayo fight the Bugged Ones, and Tamotsu joins in since he started taking every possible part-time or temp job he can to pay his debts, the constant cycle of odd jobs becoming its own obsession. Being the producer’s part-time janitor pays off, as he’s able to save his sister.

The recovered famous producer then quickly hooks up the trio for a little idol concert event that looks the business (and is sung by the three lead seiyuu, performing as “Headphones”, their group from Sore ga Seiyuu). 

They only perform in front of a handful of people, but that’s fine with Mayo, who seems to like the attention she gets from Tamotsu, who ends up with a new idol group to, well, idolize. Will all of this be forgotten next week? Probably. Was it still not just fun, but a shitload of fun? Absolutely.

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Akiba’s Trip The Animation – 02

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This week Tomatsu gets oriented in his new role as Mayo’s underling, and his new, more powerful form as an elite hazoku. He comes up with the name “Electric Mayonnaise & Friends”, the first friend being Arisa, who is game for some bugged one-hunting.

Their target this week is a disgruntled replica gun and military supply store manager-turned-hazoku, who reminded me of Orange from the old run-and-gun game Gunstar Heroes. He has ammo that can tear clothes away, which turns out to be just as bad for Tamotsu and Mayo as the bad guys, since they’re the same basic entities (albeit with opposing ideals).

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The fact that a defeated Hazoku doesn’t return to being a normal human, but simply evaporates, is revealed to Tamotsu after Orange is brought down, creating new, fresh stakes for him. Arisa isn’t a Hazoku, just really really strong; I wonder if there’s more to her than meets the eye (even though she reveals quite a bit throughout the episode).

Akiba’s Trip continues to be inoffensively competent and reasonably fun. But KonoSuba is a tough act to follow, exposing this show’s lack of narrative depth. That being said, the characters have distinct (if broad) personalities and good chemistry, so I find myself looking forward to the next leg in Akiba’s Trip.

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Akiba’s Trip The Animation – 01 (First Impressions)

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The Jist: Otaku Denkigai Tomatsu is enjoying the day in Ahikabara with his little sister Niwaka when they find themselves in the middle of a battle between mysterious, evil “Bugged Ones” (AKA “synthesizers”), ordinary people taken over by shadows and given superhuman strength. They are beaten back by the bat-weilding redhead Mayoka Matome, who Tomatsu saves and who saves his by cloning her powers on to him with a kiss.

With his new strength he’s able to disrobe all the affected humans, dissipating the Bugged Ones. He then looks forward to continuing the battle beside “Mayo.” He also meets Ahokainen Arisa, a cosplaying otaku kindred spirit who has superhuman strength but isn’t a Bugged One.

You Should Watch This if you are up for a simple, straightforward, shall we say…dumb action/adventure romp set in Akiba with a healthy portion of ecchi, what with the rather silly undressing aspect of defeating the (very vague) evil enemy. The violence is actually pretty precise, with each punch, kick, leap and stab carrying the right impact. It’s a colorful show with inoffensive music and decent voice work.

You Shouldn’t Watch This if you’re looking for anything deep or innovative, or if watching a guy (and a girl, for that matter) undress lots of women (though the Gonzo logo on one girl’s panties was an interesting easter egg). And while clean, the animation is also very simple and embellished, and while he seems brave and selfless and there’s nothing particularly hateworthy about him, Tomatsu is an extremely derivative, meh otaku whose running commentary wears thin.

The Verdict: I’m on the fence, personally. That may change once I’ve watched the remaining Winter shows on my list. I always give Gonzo joints a try, as there are so few of them and I root for their success. I hew more towards “clean” than “lazy” on the animation side. On the other hand, this has the look of a paint-by-numbers show with (so far) yawn-worthy ecchi thrills. The combat action isn’t bad, and I found Arisa surprisingly funny, so I’ll go another week. But I can’t recommend it yet.

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Dimension W – 03

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After their first big job together (which nets Mira a cool ¥6 million cash) DW slows down a little, giving us a largely slice-of-life episode that still nudges some plot points forward. It also happens to be a slice of the lie of an android who thinks she’s a human and really might as well be one, since she has the same need for a place to live, relax, and heal her body.

After being paid and praised, Mira’s excited about interacting with society and carving out her little corner of it. I like how we first see Kyouma having bad dreams, then refuse to accept Mira in his house – too much gloom in there for her, plus he doesn’t want to lose privacy. Mira is plenty elated by the purchase of her very own trailer.

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However, that trailer doesn’t have a bathroom, so she has to use Kyouma’s. When he inevitably walks in on her, she doesn’t slap him, but just explains that for various reasons related to her unique specifications, she needs the damn toilet too sometimes, so they’ll just going to have to work out a system, whether it’s a door lock or simply knocking.

Kyouma, who hates all things Coil, seems to be (inadvertently or not) denying or at least limiting Mira’s humanity at every turn. He certainly has his reasons, but it’s not exactly nice that he doesn’t even bother saying goodbye before leaving, or help her transport her furnishings to her trailer (which she then has to carry herself, quite conspicuously!).

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He also leaves Mira to her own devices (tehe) in dealing with the snoopy neighborhood kids. Mira figures it out, being firm but not too strict with the youngins’, the most inquisitive of which, a girl named Shiora, asks if Mira is Kyouma’s new wife, and whether they’re “doin’ it” (complete with the vulgar Japanese gesture for sex I first saw in Shimoneta). Kids!

When the kids get a little rough in playing with Kyouma’s stacked car wrecks, and disaster is imminent, Mira springs into action like a superhero, putting the kids’ lives above worries about being exposed. She also scares the shit out of the kids, who assumed she was human.

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Man, I love the composition of first-person POV of Kyouma arriving at his place to see what chaos has been wrought in his absence. That clever camerawork is also used to reveal, in a way that’s both hilarious and heartbreaking, that Mira’s head popped off in the ruckus, and she’s been sheepishly sitting in her trailer all along, holding her head in her lap.

She’s worried that those kids will think she’s a monster, and also knowing she may have taken things a little far, since New Tesla could have easily discovered her, meaning the death of Kyouma, Mary, Koorogi, and probably others. Kyouma may see the beheaded Mira as proof she’s just a robotbut to do so would miss the fact that head aside, she’s acting like a human. The reality is, she’s much more than some robot.

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As for where Kyouma was while Mira was getting into trouble: he gets some info on the “Numbers”, which are mini-coils that draw from deep within Dimension W for their power, and which have caused bizarre accidents like the art museum, which NTE is always quick to cover up.

The incident with the cars has Kyouma brought to the Police department for questioning, but he’s soon released and summoned to the roof of NTE 47, where the COO, Clair Skyheart, is waiting for him.

Kyouma assumes she bailed him out for some reason, but it’s just a matter of her granddaughter Shiora telling her what happened and putting a good word in for him. Claire also wanted to meet another “beast of Grendel”, having been told about him by another apparent former beast, Albert.

Shiora whispers to Kyouma that she and the other kids didn’t tell anyone about Mira’s secret, and hope she feels better. The kids later pay a visit to Mira, who is glad they don’t hate or fear her. Of course they don’t; unlike Kyouma, technology has only ever been a force of good. On the other side of the spectrum, I could have done without Kyouma kicking her butt and calling her junk…

This was a fun episode that explores how far Mira’s come, how far she has yet to go, and how much more Kyouma has to learn about the right way to treat her, in addition to learning a little more about the Numbers. The teaser at the end is more of a preview for the next episode, which suggests Kyouma and Mira’s next mission will take them to a remote island castle where Robo-Murder Most Foul is afoot. Talk about a change of scenery!

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