Chuubyou Gekihatsu Boy – 08 – God is in…The Horse?

When no new requests for help were coming into the Hero Club, I assumed that the StuCo had finally commenced implementation of their plan to bring the club down. But then the Drama Club bursts in and begs the club for help so that their club won’t get shuttered by the StuCo.

They present their request as you’d expect a drama club to do so: dramatically, demonstrating a lot of shared qualities with the Hero Club members. The Drama nerds clearly see that potential too, and so have big plans for them.

While the Drama Club runs into a few snags—Kazuhiro won’t run, Yamato can’t remember his lines, and Futaba refuses to take the stage—they mitigate these problems as they come, and before long the operation is a well-oiled machine.

The Drama Club prez even manages to get Rei to believe the “prince’s horse” is an absolutely vital role! Mizuki also discovers that Futaba may have a side-hobby of posting videos in which he performs songs…rather uniquely, but doesn’t immediately put two and two together (another sign of anime-vision).

Throughout all of this, I was wondering where the StuCo was…they’ve been stalking the Hero Club all this time. Were they the ones who created this situation for the Drama Club; in order to keep the Hero Club busy on campus so they’d do less damage off it? We will see.

Then there’s the odd emergency of the wrecked scenery with one day left. A group of cats is blamed for the damage, and Futaba pulls everyone together and makes new scenery, so I’m not sure what the point of the emergency was! With three episodes left, I imagine the final showdown with StuCo will take place in the final episode or two. Until then, there’s a show to put on!

Chuubyou Gekihatsu Boy – 07 – Girl on the Inside

All Hijiri Mizuki has wanted to do is live her school life in peace, which is why, she still hasn’t considered herself a true member of the Hero Club (and rejects the nickname Pink). But when pressed by Nanako, she admits she’s enjoying it.

Because she enjoys it; because, for all of the boys’ outbursts, it has become a part of her peaceful school life, she doesn’t quite feel right when the StuCo brings her in and starts disparaging the club and threatening to disband it.

The StuCo recognizes Mizuki as someone they can potentially use to keep the Hero Club in line as the cultural festival looms, and she is all too happy to be that person, since they are at least in agreement the club could stand to be less rowdy.

To this end, Mizuki takes charge of managing the club’s job requests, and splits the members up to take on jobs that are not only best suited to their skills, but will also create the least disturbance. In this way, Mizuki is trying to find the happy medium between unchecked chaos and the club being shut down. Where the most outbursty member Yamato is concerned, she uses her hero tickets to keep him in line—which doesn’t seem tenable.

Even so, keeping the peace proves difficult, as even tutoring upperclassmen, Kazuhiro is going to do his thing, while Futaba causes a disturbance by dint of being so popular with the ladies. The StuCo is watching, and appreciates Mizuki’s efforts, urging her to keep it up.

Keeping Yamato out of trouble inevitably means putting herself in same, as she ends up in an off-limits pond filled with aggressive carp. She saves Benjamin the Cat, but ends up in the drink herself. Thankfully, the other club members learned of her whereabouts and arrived en masse to rescue him, led by Yamato, proving his worth as a legit hero when needed.

Mizuki is so happy she’s in tears, and likely feels a bit bad considering she was working against Yamato all this time. But even that isn’t enough to satisfy the StuCo, who considers it unacceptable for the club to be trespassing regardless of context, and begins preparing to bring the club down. After trying to work with the StuCo, I imagine Mizuki will fight to stop their plans…and she won’t have to fight alone!

Chuubyou Gekihatsu Boy – 06 – Stick to Sports

Like a theme park, a school Sports Day provides multiple opportunities to showcase many a funny situation involving members of the Hero Club. In this case, the sports-oriented Yamato takes the lead, as he’s on the committee and thus gets to assign chuuni-like names to all of the events, as well as make the very spirited signage. He also makes sure the other members are in top shape…even for an event they’re not participating in, like tug-of-war. His enthusiasm for sitting on nothing is to be commended.

Yamato proves the fastest runner in all events, and even when he gets hung up on the “found item” part of a race, he ends up taking Mizuki by the hand, likely causing her to wonder if she’s strayed into a shoujo anime. Turns out she’s his favorite…name, as Hijiri is rare. Whether it’s Tomoki winning the bread-snatching thanks to Sora-branded bread, Futaba not having his guitar when he needs it most, or Kazuhiro getting really into the cavalry battle, everyone has something to do, and it’s all entertaining.

That brings us to the three four-eyes who have been shadowing the club all along. Turns out they’re not rivals, but the Student Council (I should have realized that), who are concerned that the Hero Club is an out-of-control public disturbance both on and off campus. Sports Day does nothing to alleviate their concerns, so you can bet the Hero Club’s existence to be threatened in due time…just when, despite herself, Mizuki is coming to enjoy being a part of it…

Chuubyou Gekihatsu Boy – 05 – Chuunibyou Brilliant Park

It’s summer vacation, and Mizuki is glad to be away from the hero club and free to work on her true love: jigsaw puzzles. I’m glad we finally get to see her be as passionate about something—she even puts her hand on her face in a chuuni-ish manner similar to the others!

She longs for a 10,000-piece puzzle she can really dive into, but they’re expensive. Enter a call from Kei, who summons the Hero Club for a job. A summer cold has created numerous absences at the theme park where Kei’s big sister works. Since she has a hold on Kei, he makes him reach out to his friends to fill in for a day.

As the Hero Club members take their positions around the park, amusing situations ensue, as expected. I don’t ask much of a comedy beyond making me laugh, and CGB did that often this week.

Whether it was watching Yamato go off-script at the “Blasto Rangers” live hero show, Touga and Futaba providing entertainment as well as food service, or Kei slowly going mad at the constant stream of “Meow Meow Trains,” everyone has something to do, and none of them compromise their quirks whilst doing the jobs they’ve been given.

Nowhere is that more evident than Tomoki’s job at the lost child center. With his encyclopedic knowledge of Sora-chan (who is, after all, an idol for kids), he’s able to put sad and crying little ones at ease while their parents are tracked down. He unexpectedly gets a shot at the Big Time when the cool grizzled vet under the Sora-chan mascot mask tweaks his back, and trusts Tomoki to take the stage in his stead.

While he makes a rookie mistake of treading on the wire providing the piped-in voice and music, one of the lost girls he interacted with (and who called him “Sora-chan-san”, which is delightful) starts to sing, and the others join in to help Sora-chan out. Everyone has fun and gets paid, which means Mizuki gets her puzzle money…but little do they know they’re being observed by a rival group of weirdos. To be continued…

Chuubyou Gekihatsu Boy – 04 – A Tough Egg to Crack

As of this week, Mizuki is no longer the “new kid” nor the latest member of the Hero Club, thanks to the arrival of another transfer student, Mikuriya Futaba. She witnesses Yamato immediately assign a Power Ranger color to Futaba—green—and attempt to recruit him, but the aloof English word-spouting Futaba dismisses Noda’s blathering as “ridiculous.”

Futaba proves extremely popular to the girls, what with his guitar, his “avant-garde” drawing “skills”, and as demonstrated in cooking class, his culinary flair. When the class has thirty minutes to prepare an egg dish, the hero club members decide to make it a competition, which is ruined when Yamato’s weird ostrich egg cake goes flying into Futaba’s hot oil. Futaba and Rei put the resulting flame out the same way, and reveal that they are cousins.

Mizuki and Tomoki insist Yamato apologize, and Rei suggests he buy him his favorite pudding at a very specific sweets shop. This requires getting in line at the crack of dawn, but Yamato does that every morning to train, while Rei has to get up to make lunches for his many siblings. We later learn Tomoki timed his arrival at the bus stop for the specific bus wearing a vinyl wrap of his beloved Sora-chan.

The gambit works, as Futaba accepts the rare dessert and membership into the Hero Club, much to Mizuki’s bemusement. But it’s not so strange that Futaba would join, as he possesses his own personal variation on chuuni monologueing that sprang up every so often in the episode, as well as his insistance on being seen as a renaissance man.

As for Mizuki, it seems whether she originally wanted to be in the club or not, there’s no denying that she’s in it now. She’s no longer being nudged into situations, she’s right in the middle of things, even getting up at dawn for the jello run. The stigma of hanging around a bunch of weirdos is gradually wearing off.

Chuubyou Gekihatsu Boy – 03 – Having It Rough

Of the Hero Club members, the aloof and apathetic Tsukumo Rei remains the most mysterious and enigmatic. This week’s episode draws the curtain back on Rei and shows that while he may talk and act like serious or ominous things are going on or about to happen, the reality of the situation is a lot more…ordinary. In that regard, he’s not that different from the others—especially when he runs into a flock of pigeons and laughs!

After a cryptic phone call, Rei rushes off somewhere, and Mizuki and the others follow him, curious what might be up. Noda, Nakamura and Takashima all buy in to the fact that Rei can control walk signals and make merchants sell him things on sale, but Mizuki can tell the signals were a coincidence and Rei just…knows when to shop.

Then they encounter Rei with his three little siblings, who have lost their beloved pet cat in the forest, and accompany him onto the grounds of a shrine to track him down. Takashima jumps at the sight of anything from a fluttering banner to a rusty sign, but he’s so emphatic in his fear that Mizuki starts getting the creeps; it is dark after all.

After “Touga” ends up “sacrificing” himself to save the others from the “monster”, Takashima slips and falls down a hill into a ditch, leaving just Noda, Rei and Mizuki when the “monster” approaches. Turns out it’s just a very burly monk, carrying Takashima and Nakamura…and the cat. The mission is accomplished, but with a lot of completely unnecessary rigmarole along the way.

When Rei returns the cat to his little siblings, the club learns he has three older siblings—the proverbial Cerberus—who demand he make dinner immediately or else. It’s clear Rei’s too-cool demeanor at school and in club is merely a means of compensating for how trod-upon he is at home, having to shop for and feed six siblings despite three of them being older than him.

The others can’t hide their pity for Rei’s situation which is precisely the last thing Rei wants from there. Embarrassed, he’d much prefer to remain slightly threatening and inscrutable as before, but now that they know more about him and how he operates, it require “memory erasure” for that to be possible.

And there you have it: the chuuni kid who believes he’s above all the other chuuni kids, leading them on as a small escape from his put-upon position in his family.

Chuubyou Gekihatsu Boy – 02 – Taking Out the Trash and Making Friends Along the Way

The culprit in the “throwing things at Mizuki” mystery turns out not to be Rei/Purple, but Sekiya, a third-year who asked class rep Watase Nanako out. She never outright rejected him but said she needed time to think about it, and in the meantime, Sekiya has been stalking her, while taking his frustrations out on Mizuki.

In a meeting Nakamura/Black’s house, the club determines that the best way to get Sekiya off Watase’s back is to make it appear she has a boyfriend, even if it’s a fake one for that purpose. While “pretty boy” Tomoki/Yellow is the most obvious choice, Watase picks a wild card in Nakamura, judging him the best guy to get the job done.

She doesn’t get Nakamura Kazuhiro, but Hououin Kyouma Ryushouin Touga, his chuuni alter-ego. This proves highly effective at the mall where Watase tells Sekiya she’s already dating someone. As Sekiya follows them while they go clothes shopping (Kaz gets soaked in the rain during his introduction), the stalker is constantly kept off balance by all of the chuuni jargon and Watase’s apparent fondness for it (and knack for translating).

By the time Touga whips out his “Lost Child Apocalypse” tome (at which which the others got a sneak peak while doing a room search) Sekiya is in full chuunibabble overload.

With the stalker dispatched, Watase expresses her gratitude to Nakamura for helping her out, along with Mizuki for giving her courage to deal with Sekiya face-on. For this, Watase asks if she and Mizuki can be friends, and if she’ll call her by her given name, Nanako. Thus the Hero Club completed two missions: ridding Watase of a pest, and getting Mizuki a new friend.

As for Rei/Purple, there’s still something shifty about him, like he’s hovering over all, controlling things. Mizuki’s suspicions were only intensified when he saw Rei with Sekiya outside the mall bathroom, discussing something. We’ll see if there’s anything to this, or if like last week, attention on Rei is directed to someone else. The preview indicates the latter.

Chuubyou Gekihatsu Boy – 01 (First Impressions) – Those Who are Wise Do Not Court Danger

Transfer student Hijiri Mizuki just wanted to blend into her new class quietly and make new friends. Too bad the day she transferred she has an eye infection necessitating an eyepatch. That eyepatch is a veritable target for precisely the opposite sort she wanted to be associated with: those afflicted with chuunibyou.

They include Noda Yamato, who is obsessed with superhero shows and considers himself a low-key hero. To be fair, he and his fellow members of the Hero Club are known for performing acts of kindness and assistance for people. When she can’t come out and tell the friendly class rep Wakase that she wants help making friends (and who can blame her?), Wakase sends Mizuki to their club, who make her their latest client, and she meets more weirdos.

Takashima Tomoki is handsome but only likes 2D girls. The theatrical Nakamura Kazuhiro dresses like Ikari Gendo and believes he’s the spawn of an angel and devil. Tsukumo Rei, well…aside from wearing bright clothes and cat-themed accessories, we don’t learn much about him, except that he’s by far the most standoffish.

Noda plants the seed that the others (excepting Rei) quickly adopt and embellish: Mizuki’s eyepatch is a result of her having yet to awaken the latent powers contained within, and instances of numerous projectiles thrown in Mizuki’s direction (a soccer ball, a rubber flamingo, and a shuttlecock) indicate that “the Agency” is hellbent on eliminating her before her powers awaken.

This is all delusional chuuni nonsense, but concurrent with that investigation, Noba is hard at work making hundreds of paper airplanes to launch from the roof during a school sports event, each with a call to make friends on Mizuki’s behalf. So Noba is trying to help—just in way she finds incredibly embarrassing. Mizuki also learns that Noba is popular due to his considerable sports acumen (and ability to jump from great heights without injury) and Tomoki also has lots of real guy friends.

Once she’s on the field for the sports event, the biggest object yet to threaten her, a basketball hoop, starts to come down after a gust of wind that blows up mere moments after she sneezes, unwittingly dodging another soccer ball, and her eyepatch falls off. From that point on, Noba & Co. believe she’s awakened, but the threat of the Agency lingers, and Nakamura fingering Tsukumo Rei as the mastermind behind the series of attacks. Rei, for his part, smirks as a found-out villain would.

But this is only the beginning! Mizuki didn’t get the group of friends she wanted, but they’re so damn sincere in their delusions, she actually starts to kinda-sorta believe some of their chuuni nonsense. I first heard Mizuki’s seiyu, Akasaki Chinatsu, in Kill Me Baby! a zany, rapid-fire adaptation of a 4-koma comic. In that she was usually the manic comic instigator, but here she expertly plays the exhausted straight-man.

The rest of the cast is equally game, and while their particular chuunibyou antics are nothing I haven’t seen before, I appreciated the various different styles of chuuni bouncing off each other, and the execution and attention to detail are above reproach.

If you’re kinda over depictions of chuunibyou, I wouldn’t blame you; this wasn’t on my initial Fall 2019 list for that very reason! Nvertheless, the heartening and charm-filled Outburst Dreamer Boys is a fun, breezy, better-than-average-looking show I’ll be watching more of, both to see what further antics Mizuki is subjected to, and to find out if she ever gets used to it or—lord forbid—participates in!

Fruits Basket – 21 – Prince Yuki, The Witch, and The Demon Queen

The cold open was so different from what I’m used to with Fruits BasketI momentarily thought my fansub might be a mislabeled episode of some dark mystery or maho shoujo anime. That is, until the appearance of Hanajima Saki, just before Minagawa Motoko wakes up from her nightmare in her hair bonnet.

Motoko is the third-year rep for the Souma Yuki fan club, Prince Yuki, of which we haven’t seen much since much earlier episodes. But along with her first- and second-year counterparts Yamagishi Mio and Kinoshita Minami, Motoko is committed to “getting rid” of the vile “witch” Honda Tooru.

They believe she has stolen their beloved Yuki’s heart with an evil spell, but she’s under the protection of the “demon queen” Hanajima Saki, whom they must defeat in order to get to Tooru.

If it sounds like these three girls have a case of chuunibyou, well…it kinda is, what with the specialized jargon, military-like procedures, and serial pose-strikin’! But mostly, they’re simply jealous of Tooru and Yuki’s relationship, despite knowing next to nothing about it, and believe their numbers give them the right to determine what’s best for Yuki.

While Motoko, Minami and Mio all have the same idea of Saki’s home (a haunted western mansion surrounded by graves), they’re surprised to find it’s…just a normal house. Her room is normal too, aside from the persistent black-and-purple theme (she even has some of the same shoujo series as they do!).

They’re looking for a weakness…anything they can use. Instead, they find Saki’s little brother, Megumi, who was hiding in the closet and only comes out when Saki tells him to.

Megumi: New friends of yours?
Saki: No. They’re strangers that happen to go to the same school and be the same gender as me.

I love how Saki and Megumi never for a moment stop being the people they always are, but by doing so keep the three Prince Yuki reps in a perpetual state of unease and dread. Saki warned them not to say their names in the house, and later Megumi explains why that is: all he needs is someone’s name to put a curse on them…or to counter-curse their counter-curse.

When the youngest of the reps starts wanting to leave immediately, the three finally come out with it: they want Saki to tell Tooru to stop being so close to Yuki. Megumi immediately takes their position for what it is—jealousy—and in trying to explain that it’s not jealousy, just being mad about someone having something they don’t have, she just ends up…describing jealousy.

Both Megumi and the musical score turn serious when he gravely warns them not to assume they can do what they want just because they like someone, and that pushing such intense love as theirs on someone can burden or hurt them, not loving them back. He asks them to consider how Yuki feels and respect those feelings, before they end up making him hate them.

Then he gravely says their names, one after the other, which sends them bolting out of the house, passing by the youngest (and most normal) Hanajima sibling in the process. They clearly forgot that Megumi could hear them using their names while he was hiding.

Hopefully, Motoko, Minami and Mio learned something from their visit to Saki’s house about taking such strong and unyielding positions about things they know so little about…but I’m not going to hold my breath, because the next day they’ll still have their huge fan club with its book of rules, and their two simultaneous, contradictory believes Yuki shouldn’t belong to anyone, but also should secretly belong to each of them.

Saki, on the other hand, took Megumi’s words to heart about jealousy, because she admits that’s what she’s felt ever since Tooru started living with Yuki, Kyou, and Shigure and had many adventures with them and the other Soumas. She tells herself she mustn’t let those feelings of loneliness make her selfishly think her needs and desires vis-a-vis Tooru are any more important than those of others.

With that, her loneliness is extinguished when Arisa and Tooru arrive at her front door; turns out Tooru doesn’t have to work until later, so she can hang out with Arisa and Saki. That brings a big, bright, very ungothic smile to Saki’s face.

The next morning, Motoko again awakes from a nightmare involving the “demon queen” Saki and hell, let’s call him Saki’s “death squire” Megumi. Minami and Mio also had nightmares, even though Saki teases them that the “curse” won’t take effect for three days.

But like their vilification of Saki and Tooru, perhaps those dreams are nothing more than a manifestation of their ugly jealousy, which starts as less ugly loneliness. After all, not a single member of Prince Yuki can possibly be happy, since they all love him, yet cannot be with him.

*  *  *

After twenty-one episodes, who is my favorite Fruits Basket character? Uotani Arisa. NEXT QUESTION. Who is my second-favorite? Hanajima Saki. NO MORE QUESTIONS. 

Both women are as strong as they are because they are able to be upfront and honest about their “weaknesses,” and while they have no time for childish challenges thrown their way by their would-be, so-called “adversaries,” they’re not above putting a good ol’ scare into them—and not below delivering wise advice when it’s called for. Tooru is as blessed to have them as they are blessed to have her in their lives.

Finally, I’d be remiss if I didn’t mention how goshdarn funny this episode was…I was laughing from start to finish at the Prince Yuki reps’ petty machinations and while watching their absolute drubbing at the hands of a young woman (and little brother) they never had any business trifling with.

Steins;Gate 0 – 22 – Another Logical Sacrifice

Thankfully, the latest setback does not shatter Hououin Kyouma just as soon as he makes his triumphant return; more importantly it does not rob Rintarou of his will to keep trying. It only forces him to jump back two days into the past and come up with a new plan. But first, they must determine what exactly is causing the convergence; it may not be the time machine itself.

Rintarou works it out with Daru and Maho. They know how to foil both Leskinen/Stratfor and DURPA, which leaves the Russians. When Nakabachi defected to Russia, they made the connection between his research and Kurisu’s. Thus, in order to prevent WWIII from occuring, they have to prevent that connection from being made.

The only way to do that is to eliminate Amadeus and all of the associated data. Without Kurisu’s memories, brain patterns, and research in digital form, Russia will never be able to complete the time machine, the war will be averted, and both Kurisu and Mayuri should be saved.

So the path to Steins;Gate requires yet another Kurisu-related sacrifice. As Amakurisu states more than once, she’s “just a program”, but it’s still unsurprisingly difficult for Rintarou and Maho to even consider deleting “her,” so similar she is to Kurisu, and yet also an individual personality in her own right.

Amakurisu has Maho send her to Rintarou’s phone, and the two enjoy a stroll together, that lasts through the night into the morning, with Rintarou showing her the city she doesn’t know and judges to be beautiful and worth saving.

Unlike her dead human self, Amakurisu live in a world where only things with a purpose exist (much like The Matrix). Her purpose is to cease existing so a better world can be unlocked. Like Kurisu, she’s ready and willing to assume that cost…but also like Kurisu, there’s a hint of sadness behind her reassuring smile.

Thanks to Daru’s improvement of D-Mail, the D-RINE (like the real-world LINE), Daru can send a save message only to himself telling him to break into VCU’s server and destroy the Amadeus AI data. Maho sends the necessary key and patch as an attachment, the Phone Microwave is fired up, and Amakurisu says her goodbyes.

When the sparks stop we end up with the divergence number of 1.123581—the Beta World Line, tantalizingly close to the 1.048596 of Steins Gate, yet not quite there. We’ll see how well Rintarou & Co. fare in the finale, which I suspect might run double-length (since there’s no episode 24).

Steins;Gate 0 – 21 – Once More Unto the Breach, Dear Lab Members

Thanks to Maho’s improvements, the time leap machine can send Rintarou back 336 hours instead of 48. It’s truly a case of Salieri surpassing Mozart. But he’ll still need to make three thousand such jumps to return to 2011 in order to foil Leskinen, Stratfor, and Durpa and get Mayuri and Suzuha safely off in the time machine on the roof.

That’s a lot of jumps, but Rintarou is committed. Nobody in 2036 particularly likes how things turned out (Rukako has bought it, and soon all of them will), so they’re all for him changing the world if he can. The first jump goes well, but it and many many more after it will require that Rintarou wake up after a long coma.

He gets better and better at convincing Amadeus that he’s indeed from the future, and each time, his friends send him on his way. He even gets to see Lil’ Suzuha! Eventually, he reaches the time where two weeks earlier he’ll no longer have Valkyrie HQ to rely on to time leap.

It’s the day he’s captured, tortured, and allegedly killed. However, things go differently this time, as Amakurisu suggests he uninstall her program and ditch all other tech the enemy is using to track him, while all of his friends act as decoys.

The Leskinen of that time knows he’s lost this round, while the Daru of that time and everyone else sees Rintarou off as he…well, he kinda runs all the way back to 2011. Not sure how that happened, actually, but I’m assuming he didn’t actually run back in time, but managed to escape the enemy and find another means of time leaping.

In any case, when he returns, he’s indistinguishable from the Rintarou of that time, so Maho and Daru think nothing of him showing up in the lab. However, he demands that one of them punch him for being such a whiny little bitch for so long, and Daru does just that.

Daru had no way of knowing what his right hook (or whatever; not a boxing expert) would lead to…the Awakening of Hououin Kyouma from a deep slumber. It took twenty and a half episodes, but we finally get to hear that ridiculous mad scientist laugh. It’s a sight for sore ears.

Not ten seconds after awakening, he’s giving Maho a nickname (“loli girl”) and a weird alternate name (“Safina”). He also dubs her Lab Member 009 and calls an all-hands meeting of the other members, who are just as happy as Daru that their Fearless Leader Kyouma is back.

Maho eventually gets it too: this “Kyouma” fellow has charisma, and rather than dragging everyone and the mood down, he’s galvanizing it. And yet, the same old Rintarou dwells within him, it’s just that he’s done running and cowering, and whining. It’s time for ACTION.

After meeting with the lab members, Kyouma talks with Ferdinand Braun downstairs and makes a number of arrangements roughly a half-hour before Akiba became a war zone in the other timelines. This time, the woman in black with the helmet isn’t Kagari, it’s Moeka, who is on Kyouma’s side in this World Line. Talk about an awesome reveal.

Yep, it sure looks like Hououin Kyouma was the missing variable in the formula to foil Leskinen’s plans and ensure Operation Arclight went off without a hitch. It’s a triumphant, righteous moment. It doesn’t last long.

Even though Mayuri and Suzuha get in the time machine and set off far earlier than previous times, that damned attack helicopter still peeks out from behind a building, launches its missile, and destroys the machine in front of Kyouma and Moeka.

Apparently, not enough conditions were met to avoid the convergence. Clearly it’s not enough to neutralize Kagari and Leskinen; something has to be done about the helicopter. I feel bad for Rintarou having to start all over again right after his grand awakening, but no one ever said changing the world was easy or pleasant.

Mobile Suit Gundam: Iron-Blooded Orphans – 19

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Due to the Dort excursion, it’s been a while since the last big space battle. I was hungry for a new one, and this show delivered a feast with its usual excelent timing. Before the battle commences, however, Kudelia gets her long overdue handshake with Mika.

In her first such attempt (in the very first episode), Mika demurred because his hand was dirty, but she never cared about dirt, and now her hands are dirty too, and whatever their personal inadequacies tell them, they’re on more equal terms than ever, with a united cause.

Kudelia also warmly thanks Orga and Tekkadan for getting her this far (and she’s sure they’ll take her further still), promising to make them all happy. As she glances at Fumitan’s empty chair, it’s also clear she doesn’t want her maid’s sacrifice be in vain, any more than all the other people whose blood is on – and dreams are in – her hands.

We also get a nice symmetry between Commander Carta Issue, who choreographs her men as part of their preparations for battle, and Eugene getting all fired up on Isaribi. Both strive to meet their personal ideal of cool to all around them. Eugene wants to be like Orga. Carta, as it happens, wants to show how far she’s come to McGillis and Gaelio.

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I always knew McGillis and Gaelio went way back, but now we see there was a third member of their childhood clique, the lovely (but also tomboyish in the day) Carta, who is spellbound the moment she first lays eyes on the newly adopted/arrived McGillis.

In the present, she’s pissed McGillis chose Gaelio’s little sister instead of her, and in order to further his career, no less. But Carta herself was only given Ariadne fleet command because of her silver (as opposed to iron) blood. Gaelio sees her as a figurehead, but she takes her role seriously.

As he watches the confrontation unfold between Tekkadan and Carta, McGillis (AKA “Montag”) monologues the importance of “unveiling the past” of those one wishes to predict and control. At the same time, living in the murky past “wastes” the bright future. He’s hoping Tekkadan is taking steps forward, and wants to see that he’s right.

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Speaking of a waste, just imagine if Tekkadan had the manpower and firepower at Carta’s disposal. Carta is rusty, if her blade was ever sharp to begin with. Earth’s orbit may be “her sky” to her and her loyal men, but that title had probably never been challenged in any way until now.

Some may decry how poorly she performs here as making it too easy for Tekkadan to succeed, but I take a different tack: there are good and bad, experienced and inexperienced commanders in Gjallarhorn. Her ability simply doesn’t match (or frankly justify) her arrogance or theatricality.

Faced with an unpredictable and fully committed opponent, Carta is outmaneuvered by “old school” tactics such as the Isaribi using the Brewers’ ship as a physical shield from long-range bombardment, which when destroyed releases a huge cloud of nano-mirror chaff that blinds the fleet, giving Tekkadan time to get the landing party into position.

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To pull off these tactics, Eugene had to control both ships with his A-V system, which takes him to the extent he looks like he’s just seen up someone’s skirt by the time he’s finished. Hopefully, he’ll be okay. The landing party, guarded by Shino, Akihiro, and Mika, is then ambushed by Gaelio and Ein, who in hindsight doesn’t seem so much obsessed with revenge here and now as he is eager to prove to Gaelio that he’s worthy of the trust and opportunities bestowed on him.

In the cold open Eugene and Shiro threw what you might call death flags, but since this is IBO not all death flags are genuine. Nevertheless, with so many people in play, I figured someone else we care about was going to die in this battle, especially when the transport carrying Orga, Kudelia, Atra, Biscuit, and Merribit is targeted. Enter the cavalry: Laffter and Azee, piloting suits modified so as not to tip off Teiwaz involvement.

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Ein has always been an intriguing if one-note character, but he faces another serious setback here as his suit and his body are pierced by Mika when he jumps in front of Gaelio to protect him. Like Carta, Ein simply can’t back up his rage and enthusiasm with actual ability. I doubt he’s dead dead, but he’s in bad shape, and now Gaelio has a another reason to want Tekkadan blood.

When Carta sends out her mobile suit forces, elite though they may be (or believe themselves to be) they can’t hang with Mika, especially when Montag joins the fray (in what I’m guessing is a suit that disguises his identity from Gaelio and Carta, whose reactions to his involvement aren’t seen). One of Carta’s pilots actually does give Mika a pretty hard time, making him miss his opportunity to use the transport ship as a atmospheric entry shield (Barbatos won’t make it on its own).

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Things look bleak for Mika (whose handshake with Kudelia could also be considered a death flag), especially when he thinks back to the convo he had with Orga back when the were kids, which set them on this course. But Mika’s not ready to say goodbye to the world yet; not when he hasn’t yet seen with his own eyes the place they belong Orga talked about.

So as the transport occupants worry and fear the worst during the long, violent atmospheric entry, Mika hitches himself to the mobile suit of the guy he defeated and uses it as an ablative heat shield, safely emerging not long after the transport. Kudelia, Atra, Orga…they’re all elated. Another close call, that’s all. Now, after that exciting space battle, our people are finally on Earth, where several new battles will commence.

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KonoSuba – 03

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And then there were four. Two of whom, Megumin and Darkness, are extremely eccentric individuals with no concept of personal space whom Kazuma wants nowhere near his party, even though he’s well aware he and Aqua aren’t enough to make it in this world. (It was also a little mean of him to call Megumin a “little girl”…she may just be small for her age!)

Ultimately, Darkness doesn’t endear herself to Kazuma so much as she simply doesn’t go away and refuses to take no for an answer, because for her, “no” is a pleasurable experience. The sterner and harsher the rejection, the happier she seems to get. Kazuma’s usual arsenal of repelling barbs only embolden the bombshell.

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KonoSuba enters ecchi territory when Darkness’ thief friend Chris teaches Kazuma the “Steal” ability, then challenges him to steal back his coin purse from her. Instead, he scores her panties, which distresses Chris to no end and makes Darkness jealous that she isn’t the one being humiliated in the streets.

That being said, Chris is otherwise a pretty normal and capable kinda person, one of the first to enter Kazuma’s circle. So of course he ends up doing something terrible to her, due in part because he’s an adolescent virgin shut-in. He ends up with her panties because it’s where a part of his dirty mind happens to be during the Steal process.

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Just as Megumin shamed Kazuma into surrender last week, Chris shames him in front of the entire adventurer’s guild (though it’s at least partially an act). I gotta say, while Kazuma sports the lion’s share of annoyed, exhausted, and flabbergasted expressions, he gets plenty directed at him here, even from Aqua and Megumin.

When he demonstrates his new Steal ability on Megumin, he claims her panties as well, which astounds him because he thought the loot he’d receive would be more random (not that he’s complaining). Darkness continues to make her case for joining the party, feeding off of Megumin’s energy.

Kazuma, a little thrown off what game he usually has by the craziness, ends up motivating both Darkness and Megumin by pointing out how tough his and Aqua’s quest to defeat the Devil King will be. In fact, all the talk about how tough it will be make Aqua nervous and reluctant to proceed.

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Circumstance brings this Dream Team of Ineptitude together in the form of a town-wide emergency quest alert. A swarm of…something is quickly approaching the city, and all adventurers gather at the gates to meet it.

When that something turned out to be flying cabbages, well…I nearly fell out of my chair. Yes, in this alternate world, harvesting cabbages is more of a hunting frenzy, as they don’t go gentle into that good…salad.

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After mutiple swings from her sword fail to claim any heads (of cabbage) Darkness decides to prove her worth by serving as a shield for some overwhelmed fighters, getting more and more excited as the cabbages pummel her and her armor is shed and her clothes torn, she feels the uncultured men gawking at her and feels tremendous, wonderful shame.

Megumin inadvertently causes a near-“crisis” in Darkness by launching another one of her patented one-off explosion attacks, being as unable to hold back as Darkness. But while there’s quite a bit of collateral damage, she’s able to harvest enough cabbages to give the party a very nice payday (Correction: her explosion doesn’t really help much; it’s Kazuma who collects most of their cabbages with his Lurk skill.) Aqua is able to do little things like hydrate the other adventurers and keep the cabbages cool.

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After tasting this world’s cabbage for the first time and being pleasantly surprised by its superior flavor, Kazuma looks around to see what fortune hath wrought: he is now “cursed” by not just a variably competent arch priest and unreasonably specialized arch knight, but a gorgeous but clumsy, masochistic crusader.

I placed cursed in quotes, because that’s only one limited way of looking at his situation. Sure, he may foresee hardships in the future with a party that looks a lot better on paper than in the field, but time should yield better teamwork, and even when everyone screws up it tends to turn out okay.

Aqua, Megumin, and Darkness may be as much blessings as curses in this wonderful world. And together they’re a swirling vortex of comedy gold. Which is a blessing for us.

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P.S. Tilt-shift is often over-used in live-action TV, but I love its usage in KonoSuba’s beautiful ED.