Domestic na Kanojo – 01 (First Impressions) – So That’s How It Is

One minute Fujii Natsuo is at an innocuous mixer, the next he’s sneaking out with the least enthusiastic of the girls, Tachibana Rui who asks him for a favor. She wants to have sex, so she knows what it’s like and so it won’t feel like people are talking down to her.

She correctly assessed that Natsuo was also a virgin, and so she wouldn’t be taken advantage of or anything else by a more experienced guy. They get undressed, do the deed, get dressed, and part ways. There was never supposed to be any passion or emotion of any kind, so Rui tells him that if they ever meet again, they’re strangers.

As Natsuo confides to his dorkier best friend (who make it a point to de-dorkify Natsuo before high school so at least one of them would have a chance, socially speaking), the experience doesn’t quite sit that well with him, the more time that passes after The Act.

For one thing, there’s someone he likes—a pretty young teacher at school—and while it’s most likely to remain unrequited (at least as long as he’s a minor and her student), a part of him laments that his first time was so…impersonal.

But if you think the chain of events Natsuo has experienced to this point was sudden, you ain’t seen nothin’ yet! One afternoon his father announces he’s going to remarry, ten years after Natsuo’s mother passed away. And oh yeah, she’s coming over right now, with her two daughters…who just happen to be Natsuo’s teacher Hina and Rui, with whom he had sex. OH, SNAP!

Natsuo faints from the shock, but when he comes to, Hina and Rui’s mother warmly introduces herself, and when asked, tells him why she likes him. She and his father really are a good match and both seem happier than any of the kids have ever seen them. It’s for that reason that Rui, who waits for Natsuo outside the toilet, is not going to get in the way of her mom’s happiness just for “some stupid reason” (read: their having sex that one time).

Natsuo gives his dad his blessing as well, and things only accelerate from there: his dad buys a new house big enough for the newly-combined family, and adding to Natsuo’s apparent woes. Hina insists on a dropping of formalities in the house, while Rui insists that Natsuo forget they ever did it, as it’s clearly still bothering him. Naturally, that’s not so easily done; Natsuo can’t get the images of making love to Rui out of his head.

Still, This Is All Happening and everyone has to make the best of it. For Hina’s part, she forgets she’s no longer in an all-women’s household and comes out of the bath half-naked, only to put on a loose tank and short shorts before drinking herself to sleep with Asahi Super Dry (not out of depression; she just likes to drink).

As she dozes on the couch, with everyone else in bed, Natsuo decides he’ll close the book on his one-sided crush on his teacher-now-stepsister once and for all…with a first and last kiss. But before his lips meet hers, Rui enters the room, and her expression isn’t one of total contempt, but something more like…a “how could you?” face.

Your enjoyment of a show like this (or Koi to Uso, or Kuzu no Honkai) will depend entirely on your stomach for love triangles (and other polygons) as well as your ability to swallow a premise this specific and weird. To its credit, because of the central reason for the new arrangement—his dad and their mom are truly in love and deserve happiness—helps temper the ridiculousness.

Because the dynamic between Hina and Natsuo and Rui and Natsuo are so different, it will be very interesting to see how the three navigate their new normal.

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Attack on Titan – 48 – A Story Utterly Useless to Humanity

Since ascending to the throne, Queen Historia seems to have led a very modest lifestyle, preferring to run an orphanage in the countryside than sitting on some gilded chair in a stuffy hall. The people call her the “Cattle-Farming Goddess”, and it’s not at all meant as an insult.

Also, as both she and Eren continue to adjust to their new roles they are spending a lot of time together, side-by-side, and some of that time they are engaged in what some could call flirting, and I am THERE for it. I am also there for Mikasa shutting such instances down with a glare for the ages.

Speaking of glares, all of the scouts we’ve followed realize how much they’ve been through in the last few months, and how they’re no longer newbies or rookies or greenhorns. They are veterans, and their ‘resting grave faces’ practically scream “we’ve been through some shit” to their “juniors” in the 104th who relatively speaking haven’t seen much action. They certainly haven’t seen their former comrades and friends turn into Titans.

But whatever shit they’ve been through pales compared to Eren, who has been through some truly existential, philosophical shit. As Jean remarks, he’s always off in the corner muttering weird shit to himself, like whether those who are Titans are merely being tormented by some kind of nightmare (Ymir’s word for it) that takes a terrifying physical form.

However, thanks to the flashes he’s been getting, he now knows who to talk to next about his father: no less than the cadet corps commandant (i.e. hardass drill sergeant) Keith Sadies. He, Levi, and the other scouts in their circle return to where their training began. Keith can tell how much they’ve been through, and how they’re no longer the maggots who crawled into his camp not too long ago.

Still, he doesn’t know how helpful he can be to Eren & Co., other than telling them the story of how he first met Grisha Yeager twenty years ago, at the gates of Shiganshina, dazed confused, and lacking memories of how he got outside the wall.

Grisha eventually remembers he is a doctor, and starts serving the people of the district in that role curing them of plague and other maladies—including the bar waitress Carla, in whom Keith seemed interested, but who would later become Grisha’s wife and give birth to Eren.

Keith also distinguished himself, rising to Scout Regiment commander (Erwin’s predecessor). He was well-suited for scouting, as life inside the walls always felt too cramped for him. But he also could sense that he wasn’t “special” enough to do much with his position or his life outside the walls, something all but confirmed when he led an assault on the Titans that ended in defeat and an embarrassing retreat that harmed the Scouts’ reputation with the people.

By the time he returns from this defeat, he, Grisha, and Carla, once so close, had drifted far apart, and Carla had little Eren. Carla and her husband worry about Keith and when his next mission will kill him, but Keith angrily tells her that he’s not like the other multitudes of people within the walls, utterly lacking imagination and unashamed of living “useless” lives producing “nothing but shit.”

It’s perhaps too harsh a diatribe to subject to a mother holding her young child, but considering what he just returned from, his rage and exasperation were understandable.

By the time the Colossal and Armored Titans breach the wall at Shiganshina, Keith had already stepped down as Commander. Lacking that “special” quality he felt to be absolutely essential, Keith felt he had accomplished nothing, because that’s all normal people can do. All he could hope for was to be a “bystander,” not a leader or agent of change. He joined the flow of those he once despised, feeling he had no other choice.

Hange is disgusted by what she sees as nothing but puerile self-pity on Keith’s part…but being pretty damn special herself, she can’t really ever relate to how he felt in the past when he gave up his title, or how he feels now.

In the aftermath of Shiganshina, he and Grisha crossed paths once more, but not for long. Rather than avenge Carla as Keith suspected he would, Grisha took Eren away and fashioned him into his instrument of vengeance.

The utter hatred for and desire to kill all Titans that Eren possesses at the very beginning of the series was instilled not only by what he witnessed, but also at the urging of his father. And Keith was the one to find him unconscious in the woods, with Grisha, who’d likely injected him with the power of the Titan earlier, nowhere to be found.

Eren too has also come to believe he’s not special either, merely the son of someone special. He was chosen, sure, but by that father. Everything he is and does, he became because of that father’s choices.

It’s a somewhat narrow view that ignores the fact he had to make his own choices along the way, but never mind; his mother Carla never cared whether his son was “special” or “normal”; instead, she felt it was special enough simply to be alive, and to be able to survive.

Out of worry for his ultimate well-being, Keith worked hard to keep Eren from getting into the Scout Regiment. But Eren was able to overcome everything he threw at him, including sabotage to his ODM training gear. But it wasn’t that Keith Sadies couldn’t do anything because he was’t special; it was because he was Keith Sadies.

Grand Blue – 06 – Diving Cures All Ills

Iori remains on bad terms with Chisa, which ends up hurting all the other lads in his German class who were depending on him getting to see her notes. As a result the lads must cheat in other ways, all of which are either discovered by the teacher or ineffective.

While I’m not opposed to episodes made up of isolated segments (see Tsuugakuro, Chio-chan no) I’d prefer if Grand Blue didn’t stray so far from its core themes. This bit felt more like high school than college. Thankfully, we get back on track when Aina is officially initiated into Peek-a-Boo.

Between the binge drinking, the gratuitous nudity, Chisa’s perceived sadism towards Iori, and Nanaka’s perceived fixation on Chisa, Aina quickly learns that no one in the club is remotely normal (including herself; one doesn’t have the nickname “Cakey” bestowed upon her otherwise).

In this regard, the cast is a lot like that of Working!!; everyone has their quirks that make them unique and hopefully, compelling to watch as those quirks bounce off of each other.

Still, the women, particularly Chisa, are pleased and excited that Aina joined because she found diving interesting. It’s here where Iori and Kohei act as a kind of audience surrogate by stating it’s not like they never go diving, but it sure doesn’t seem like they’ve done it in a while…which is very true! It’s been less Grand Blue and more Gorge Booze…

Speaking of, when the party runs out of alcohol, Aina and Chisa volunteer to go out to buy more, and as the saying goes, when the cat’s away, the mice will play.

Despite Aina’s insistence everyone remains clothed and civil for her welcome party, old habits die hard and the lads can’t help themselves from devolving into debauchery in Chisa and Aina’s brief absence.

As for substituting a big log for Pocky in a game between Iori and Kohei, it’s a shade too credulity-stretchingly absurd, even for this show.

While it doesn’t really matter whether Iori and Kohei learn perfect German, it is imperative they memorize all the underwater hand signals, as it could end up saving their life or that of their comrades. So it’s disconcerting to see they don’t know the hand signals any more than they know “rheumatoid arthritis” in German (btw it’s the same, except for an “e” added to make “rheumatoide”).

They end up learning them when a different kind of threat emerges during the party: Nanaka learns her beloved Chisa is dating Iori. This makes Iori fear for his life, and he uses hand signals to alert Kohei and the others. However, Nanaka isn’t certain whether they’re actually dating or whether it simply looks like they are.

So the next day, when the club finally, finally has an actual diving session, she pairs up Iori and Chisa. At first Iori thinks Chisa is angry at him as usual, but she’s really only serious about diving, and not just the safety side, but the fun and wonder of it as well.

Before he knows it Iori is swept up in Chisa’s enthusiasm for the world under the sea, and when he tells her how much fun he had down there, she can’t help but smile. I will always prefer this joyful Chisa to the scornful one dishing out verbal or physical punishment on Iori for acting the goat (however in the right she may be).

Sadly Grand Blue will apparently never let these two remain in a state of detente for long, preferring to built them up and then tear them down for a cheap laugh. As such, Iori ruins it by commenting on the fineness of Chisa’s ass, leading her to blow her top at him. Why can’t we have nice things?

Grand Blue – 05 – Beauty is Only Skin Deep

As punishment(?) for neglecting her at the festival, Chisa puts the word out that she’s dating Iori, immediately making all the other guys at college hate him and wish him ill will in a very over-the-top, repetitive opening act that went on a bit too long.

Chisa does nothing to stop the false rumor—on the contrary, she fans the flames—and Iori tells the guys that Kohei is dating Azusa (making him Public Enemy #2), but they both get a reprieve when they promise to arrange a mixer for them.

Oddly, their job is made easier by the fact the legions of haters are curiously whittled down to just two ornery classmates. To that end, they beg Azusa to introduce them to other women at her college. She agrees, but only if Iori continues to act like Chisa’s boyfriend until, as she puts it, Chisa “accepts it.”

With Iori’s promise secured, Azusa introduces her kohai, none other than Yoshiwara Aina, who the lads find extraordinarily adorable when she’s not wearing the thick layers of makeup that earned her the unwanted nickname “Cakey.”

Aina has wanted to join the diving club anyway since the festival, leaving the tennis club full of fakes who treated her like shit. Despite calling her cakey and drooling over her non-cakey appearance, Aina is still willing to scrounge up three of her friends for the mixer. But she also gives Chisa one hell of a sidelong glance; I believe Chii-chan just got some competition.

The quartet of lads, among them a virgin who will sleep with any girl as long as they’re a girl and he can sleep with her, are shocked to find Aina has somewhat tainted the mixer by giving her three friends as well as herself the same Cakey treatment, giving them the appearance of four clowns.

But if the girls are clowns, the guys are circus animals, constantly jockeying for attention and braying and snorting at one another whenever more than one of them focuses on one girl. Like the lecture hall scene, it gets a bit repetitive.

A look at a selfie shows them one of the girls is quite attractive behind the makeup, and they all go after her, but when Kohei asks her if she’ll come to his place later all four girls retreat to the restroom.

Iori uses the time to inspire his men, only to steal the show, thus invoking the other lads’ collective ire. Kohei breaks a mixer taboo by blurting out that Iori has a girlfriend (something he can’t deny lest he break his promise to Azusa), but the girls don’t even care; they already know that fact.

Later, the girls laugh off the mixer as an entertaining lark, likening it to going to the zoo. But Aina, ever the romantic, still ponders whether the person who saw through her cakey makeup and helped her out when she was down in the dumps could be a good match for her. No doubt she sees a decent guy beneath Iori’s own thick layers of alcohol-soaked machismo.

3D Kanojo: Real Girl – 09 – She Loves Me as I am; I Hurt Her as I am

Hikari manages to find Iroha, but their communication impasse continues unabated. Iroha knows she shouldn’t get so mad whenever he’s kind to others, but doesn’t quite know how. Hikari doesn’t know much of anything, just that something’s wrong and he wants someone—Iroha, Ishino, Takahashi—to give him all the answers.

Itou’s doomed pursuit of Ayado has him accompanying her into town for a post-fever hospital visit, but what with her talk of needing to confess to Hikari, he never gets what he deems a decent chance to tell her of his own feelings for her.

While on the train home (alone), Hikari dreams of Julia, the only other girl who ever interacted with him on a regular basis, in elementary school. She liked how he was good at drawing, but he didn’t know how else to get approval from others, so he kept drawing, even after everyone else, Julia included, moved on.

He repeats his assertion it’s a miracle someone like Iroha likes him, but decides a grand gesture like confessing his feelings for her might get things back on track. To his dismay, Iroha doesn’t want to talk, but Hikari only makes things worse by answering a text from Ayado when his attention should be on Iroha first and foremost.

I don’t care how indiscriminately kind you are; the person standing in front of you is almost always more important than a text or phone call. Hikari blows it, then gets completely blindsided by Ayado’s confession. So much so he runs away, engendering the scorn of Itou, who tells him he’s “the worst” for responding to Ayado’s courage with such cowardice.

Hikari surely looks like he’d like to go back to not having any friends at all, but it’s too late for that. He may not be on the best terms with some of them, but they’re still his friends. He may be on rough seas with Iroha, but they’re still boyfriend and girlfriend.

Ishino and Takanashi serve as sounding boards for Hikari and Iroha, and both find themselves giving out serious advice in spite of themselves. Like it or not, these two have become good friends with this dysfunctional couple, and so they’ll lend a hand whenever they can, because beneath Ishino’s rough and Takanashi’s douchey exteriors, they’re both good people.

Takanashi tells Iroha the only way to figure things out is to keep seeing Hikari and talking with him. Hikari, meanwhile, gets punched by Ishino…but at his request, leading him to properly respond to Ayado’s confession.

Steins;Gate 0 – 06 – New Year, Same Old Problems

“Kana” is definitely Shiina Kagari—even if the Oopa were a copy, there are certain things (the sound of her name, words from her future adoptvie mother) that give her an odd sense of nostalgia. And Suzu would recognize the girl who pulled a gun on her a mile away.

Okabe contacts Kiryuu to tell her Kagari has been found, but to request she continue investigating the group that was after her. After Kiryuu hangs up, we get our first sense that something is going to come to a head this week.

Little did I know when watching her teasing Maho that Judy Reyes of all people could also be involved.

It’s New Years, so the whole gang goes to the shrine, both to pray and give offerings and see Mayushii, Rukako, and Feyris in shrine maiden garb.

Everyone has lots of fun, but Judy shows up with Leskinen to say a quick ‘Hi’, while turning to leave she spots Kagari and gives her one hell of a sidelong glance.

There are more foreboding doings as Tennouji acts particularly shifty and a man in black lurks behind a wall, all while Mayushii & Co. bring the party to the lab and continue enjoying themselves.

Maho is among those having a good time, but gets a sudden video call from Amadeus, and answers the phone without leaving the room. Before long she’s surrounded by everyone curious about who her caller is, and Maho has no choice but to reveal the AI with Kurisu’s memories to them.

She apologizes to Okabe as the others talk with Amakurisu, but Okabe isn’t mad; he knows he has to start thinking of Kurisu, Amadeus, and Kagari as three distinct individual entities. He also needs to keep protecting the world Kurisu sacrificed herself to protect, no matter how much it might hurt or how easy it is to look back.

Unfortunately, Okabe is caught quite off guard when an armed gang once again infiltrates the lab and points their guns at Mayushii, Kagari, and the other guests. Suzuha is also caught off-guard, so it’s not like Okabe was alone in being lulled into a false sense of security. They weren’t direct witnesses to all of the strange things going on on the periphery of this episode like we did, after all.

When Kiryuu’s SERN assault team raided the lab back in the first season’s twelfth episode, it marked the official end of “fun and games.” That moment arrives six episodes earlier in S;G 0, and it also has the burden of trying to top that devastating, show-defining moment. Suffice it to say the ending of this episode wasn’t nearly as shocking, for the simple reason that we’ve seen it before.

History would seem to be repeating itself, and his loved ones apparently aren’t safe even here, in this Kurisu-less World Line. Then again, Mayushii wasn’t shot…yet. Perhaps, like Kagari and Kurisu, events only resemble what happened before, but may in reality be something completely different. But whatever that ends up being, it probably won’t be pleasant.

Steins;Gate 0 – 05 – Time Goes On

Needless to say, the sudden appearance of Moeka Kiryuu puts Okabe on edge, and even if this is not the same world line in which she killed Mayushii, he suspects she’s still a “Rounder”, and cannot fully trust her. Suzu can tell almost immediately that Moeka is someone Okabe knows (or knew), even if he won’t come out and say it. Nevertheless, Okabe assents to Daru’s hiring of Moeka in order to find the lost girl.

Meanwhile, Hiyajou can tell that Okabe hasn’t been answering Amakurisu’s calls, and feels partially responsible for telling him that Kurisu he knows is dead, even if a part of her is jealous that he was so much closer to her. With Leskinen’s unsolicited blessing she strikes out into Akiba to meet with Okabe, but suddenly feels extremely paranoid about being followed.

The camera angles, editing, and music all conspire to make us really feel that paranoia, initially brought on by the sudden appearance of Moeka and only intensified here. By the time Hiyajou is calling Okabe in a near-panic, and he runs out to find her dropped bag, I truly feared for the worst, as he did.

Mercifully (though also a bit disappointingly) the person initiating contact with Hiyajou turns out to be Professor Judy Reyes, a colleague at her university. While communicating in English Okabe fails to correct Reyes’ assertion that he’s Hiyajou’s boyfriend (though the prospect makes Hiyajou blush).

Once they’re alone, Hiyajou brings up Okabe’s lack of responding to Amakurisu. She’s no dummy (obviously), and can tell Kurisu had an incredibly “large presence” in Okabe’s life; far larger than he lets on.

When she reminds him that Amadeus is merely a system, Okabe tells her he simply needs more time. He’s confused, but that’s because he’s not willing to dismiss Amakurisu out of hand, at least not yet (and with no other alternative).

Okabe (and the episode) finally remember the somewhat urgent call Rukako made to him about a guest of his family’s…he comes to the lab with that guest in tow, and Okabe is shocked to find that guest is a dead ringer for Kurisu. However, he later chalks it up as a coincidence (plenty of blue-eyed redheads with bangs out there, after all).

Rukako informs Okabe that the girl has amnesia, and they’ve simply been calling her “Kana” in lieu of her name. She’s hoping Okabe with all his brainy sciency know-how can find a way to help Kana find her real name, where she came from, and how she lost her memory.

While flattered, Okabe is honest about not being an expert in any of that stuff (even if he knows people who are), but Kana’s identity is quite surreptitiously revealed by Mayushii, who recognizes the oopa that is the only possession of Kana’s that might be a clue.

What’s odd is that the oopa is from a very recent movie, but looks like it’s much older than that. Upon the pointing out of that fact, Kana suddenly collapses, just as Suzuha shows up, and instantly recognizes the girl for Kagari, the girl she lost. Well, now she’s found. What’s next; and is it merely a coincidence that she so closely resembles Kurisu?

Darling in the FranXX – 15 – Two Jian Become One, and a Much Bigger World Reveals Itself

When the Battle of Gran Crevasse begins, Hiro has no pistil, partner, or FranXX…a bird with one wing and one eye, unable to fight without his one and only partner. A Jian.

While his friends head out into by far the biggest and most dangerous battle they’ve ever fought, one that will surely determine the future of mankind—a battle from which they may not return—Hiro is merely a spectator in Plantation 13’s CIC, with Hachi, Nana, and Dr. FranXX.

Thankfully, he won’t remain one.

Oh, look: the Nines swap the “gender roles” in the cockpit. It figures that they do things quite a bit differently. Zero Two is of their ilk, but also pretty much her own animal; when we check in on her she’s already devoured all of her disposable Stamens, and is operating Strelizia alone in Beast Mode.

While she and the Nines aren’t having any trouble destroying scores of Klaxosaurs, their foe’s numbers are being replenished as quickly as they can dispatch them, meaning no progress is being made, even when Squad 13 joins the fray with their own unique brand of combat.

Plantation 26 is obliterated, and when a mountain-sized “Super Lehmann-class” Klaxosaur emerges from beneath the ground, Plantation 13 is also pierced and thousands of smaller Klaxosaurs infiltrate the city within.

Hachi and Nana’s foreboding was more than justified: this episode of DFX raises the scale of the threat and stakes to dizzyingly huge, TTGL-esque levels. In doing so, the show reaches a high watermark; everything has been building up to this, and the execution is equal parts breathless and flawless.

At one point, Hiro has seen enough. He’s tired of standing by, and curses himself for having suddenly stopped asking questions and challenging the limited world he’s been spoon-fed his entire life.

Thanks to Zero Two, he managed to find the memories the adults tried to steal from him, and now that he remembers the inquisitive brat he once was, he intends to get back to discovering the true boundaries of the world with immediate effect.

To that end, he pilots a wimpy training mech into the warzone—and nearly gets himself killed. Ichigo, who has tried at all costs to keep him and Zero Two apart, both for his safety and due to her wanting him to come love him as he loves her…but that’s simply not going to happen.

So Ichigo concedes defeat. Goro gives up his spot so Hiro can pilot Delphinium to Strelizia’s location. You can’t help but feel for Ichigo: she can finally pilot a FranXX with the one she loves, only so he can get to the one he loves. But even Ichigo has to admit they can’t save the day without Strelizia at full chat. For that, it needs two pilots working as one.

Ichigo delivers Hiro to Zero Two, but not before she gives Strelizia a couple of frustration slaps to help dull the sting a small bit. Once inside, Hiro finds Zero Two unresponsive, but grabs hold of her over-sized horns and enters her thoughts.

There, he finds the little red girl and comforts her. There, Hiro learns how long Zero Two fought to keep her memories; how she fought the world without him. We learn she got the term “darling” from him, referring to the picture book she ate in order to never forget.

Her horns shatter, and the human Zero Two returns. She tells Hiro to stay away, but he won’t. She may have called him fodder, and he may have called her a monster, but it doesn’t matter anymore, because there’s a world out there to explore, far beyond what the adults might like or allow…and he’s ready to fight by her side for that world once again.

Hiro kisses Zero Two, Strelizia returns to its humanoid form, only red and souped-up, and the two confess to each other emphatically over open comms for all of Squad 13 to hear. Ichigo is “happy” for them.

Oh, and the New Strelizia borne from their mutual confessed love not only tears through the Super Lehmann, but opens a hole to the blue sky, literally piercing the old boundaries of the world that simply aren’t adequate anymore.

But just when the immediate threat is eliminated, a newer, stranger, and most importantly even bigger threat emerges in the form of a gargantuan Klaxosaur(?) arm and hand that rise up and smashes the majority of Plantation 13 to dust.

The two Jian have finally joined to become one, and their world has never looked bigger…but now the question arises: how much longer do they have to explore it?

P.S. Miku and Zorome discover a Klaxosaur core containing a golden mass with a vaguely human form that might be a pilot, covered in some kind of protective coating. Something to keep an eye on…

Darling in the FranXX – 09

Poor Goro. The girl he’s coming to understand that he has feelings for has only ever had eyes for Hiro, whom Goro also likes and values as a person. Yet Goro is better at reading Ichigo’s often wildly shifting moods, and since becoming partners his affection for her has only increased.

Meanwhile, he must stand back and watch Ichigo stand back and watch Hiro get along so well with Zero Two. Ichigo and Goro are the “losers” in this love triangle, as neither has the attention of the person they want. But only Goro has a constant reminder of that staring him in the face: the hair clip Ichigo wears is identical to one he was going to give her; Hiro simply gave her one first.

Since he’s very new to all these feelings, now that he knows them he knows how long they’ve lasted, but he can’t resent or hate Hiro, even though Hiro is oblivious to Ichigo’s feelings. But the time for being silent about his feelings is over. Whether it’s uncomfortable for Hiro or not, Goro tells Hiro that he loves Ichigo just as Ichigo loves Hiro.

While it’s been established since they were youngins at the parasite “orphanage” that Goro and Ichigo are stronger as a duo, Goro’s one flaw as a Stamen is that he’ll always put Ichigo first and himself second, rather than treat the two of them as having equal value. In this regard, he loves Ichigo more than he loves himself, so when a Klaxosaur swallows up Delphinium, Goro hits the ejection button…for Ichigo alone.

The parasites are ordered back to base to regroup, and Nana and Hachi make it clear that the priority moving forward is protecting the Plantation from the Klax, even if it means leaving Goro to die. He did, after all, dig his own grave by ejecting his Pistil; he cannot pilot Delph without her.

When Ichigo wakes up from ejection blackout, she’s furious with everyone; from her squad mates for turning tail to Goro for being so stupid and selfish. She wants to know why he did this, but it’s blindingly obvious to Miku. She gives Ichigo a piece of her mind, saying how Goro has always looked out for her and tempered the volatility in her persona that has always threatened to compromise her leadership (Zorome sheepishly slinks away during their exchange).

The parasites have their orders, which do not prioritize saving Goro, but Ichigo is allowed to contact Goro, who is slowly running out of power and air, stuck in a relatively harmless part of the Klaxosaur but unable to move Delphinium. Ichigo’s exchange is more of a scolding, for Goro never leaning on her a little and taking everything on himself.

When Zero Two mentions a way for a parasite to enter the area of the Klax where Goro is trapped, Goro’s punishment for his “selfishlessness” is for the very person he aimed to save—Ichigo—to go right back in there to save him. It’s a quick and thrilling sequence as Argentea gives a boost to Strelitzia—carrying Ichigo in her palm—and then tosses her down the gullet of the Klaxosaur.

As she passes through the hazardous layers of fuel, Goro reminices on how he first met, befriended, and fell for Ichigo—when she decided to stand and fight bullies beside him. They’ve always worked better together…ejecting her went against that.

While he regrets never having the opportunity to tell Ichigo how he really feels, he takes solace in the fact that he’ll at least take the Klax out with him by self-destructing Delphinium.

He comes oh-so-close to turning the dial when Ichigo bursts in to the rescue, flashing the same peace sign she did when they first teamed up years ago.

She takes her position, Delphinium wakes up, and they blast out of the Klax, leaving the remaining fuel behind to detonate and destroy the Klaxosaur in an epic explosion.

Delphinium lies inoperative and powerless, but the Klaxosaur is gone, and Ichigo and Goro are alive. While swimming to his rescue Ichigo lost the hair clip Hiro gave her, but Goro has always carried the clip he meant to give her, and finally gets to here.

Goro takes the opportunity to confess his love, but asks for nothing else in return. Ichigo’s flustered reaction is priceless, as is her thanking Goro for being her partner and willingness to let their hug last a little longer.

She could learn a thing or two from this moment, as Goro was able to say something he needed to say to the person he needed to say it to, and will no longer worry about living with regret for not doing so, or saying “I should’ve done that back then.”

Ichigo also has something to say to Ichigo, who thanks to Goro at least has a cursory knowledge of what that might be, even if he remains frustratingly dense about it. I’ll be pulling for Ichigo, as always. And please, Trigger: don’t kill her off immediately after she confesses. That would be lame.

Citrus – 04

After what went down in the chairman’s office, Yuzu is now afraid to even face Mei, and so retreats to the safety of Harumin’s traditional house, where she lives with her grandmother. Harumin really shines as Yuzu’s dependable and caring friend, while professing she doesn’t mind because Yuzu is so fun to hang out with. But in the night, Yuzu is wide awake, and her mind is racing. So is Mei’s, as she lies alone back home.

Vice president Momokino Himeko is an apparent witness to Yuzu and Mei’s little tryst, and when Yuzu spots her heading her way, she bolts. When she finally stops, Himeko asks her about the chairman’s office, and Yuzu agrees to meet her outside of school to discuss it.

The meeting spot is a very hoity-toity tea room where Himeko is all dolled up like, well, a doll, and she doesn’t mince words: she wants to know what happened in that office. Himeko, you see, has known “Mei-mei” for ten years, and is her closest and most loyal and dedicated friend. She was by Mei’s side when her father left her.

Translation: she has, and has always had, the hots for Mei, big time, and Yuzu is in the effing way, and needs to eff off, though she frames it as not wanting Yuzu to continue hurting Mei. However, when Yuzu leaves the tea room and bumps into Mei by chance, Mei calls her “Yuzu” and asks when she’s returning home.

Himeko thus learns for the first time that the two are sisters and living together—everything she probably wanted and believes she deserves—and she’s devastated.

Yuzu has trouble reading Mei on their trip home (as usual) but presumes she’s not too mad, and asserts that her usual quietness is actually comforting. When Mei senses Yuzu wants some kind of closure, she kisses Yuzu back, but that one kiss is all Yuzu gets; Mei goes straight to sleep.

The next day, Himeko, feeling threatened further when Yuzu intrudes on her “commute time” with Mei, makes a drastic move, assaulting Mei in the student council office by biting her ear, groping her above and below, and kissing her.

It’s harsh, callous betrayal, reinforced by what we know of “Hime” thus far: she pretends to care about Mei, but really only cares about herself, and wants to ensure Mei remains “hers.” She reports her line-crossing to Yuzu, and when Yuzu feigns ignorance of her feelings for Mei, Himeko asks her for her blessing, calling her “onee-sama.”

Himeko may be a stickler for the rules at school, but when it comes to Mei, she’ll do ruthlessly whatever it takes to keep hold of her prize. Yuzu must either fight back or get left in the dust. There’s also the matter of protecting her emotionally vulnerable little sister from a friend who has turned predatory.

Why do I regard Himeko’s jumping of Mei so differently from Yuzu’s? Two reasons: First, Mei started this…thing with Yuzu; Mei admitted as much to Yuzu. She did no such thing with Himeko.

Second, Yuzu regrets jumping Mei, and knows it was a moment of weakness; Himeko has so far shown no remorse; only contempt for Yuzu, intense possessiveness of “Mei-mei”, and utter disregard for her feelings I’m hoping her transgressions don’t go unpunished.

Darling in the FranXX – 02

Last week was pretty much Hiro, his rough break-up with Naomi, meeting Zero Two, and taking care of the crisis. This week things slow down a bit as we’re introduced to the rest of the squad where Hiro once again has a home. That includes the squad leader Ichigo, very well-voiced by Ichinose Kana in her first role (and sounding a bit like another, more famous Kana).

Ichigo clearly harbors feelings for Hiro of which he’s clearly unaware, and so she sees Zero Two as an interloper. Setting aside the fact that she swooped in and snatched Hiro practically the moment Naomi peaced out, Ichigo doesn’t want to see him get hurt, and Zero Two seems like the type who will hurt. She barges into the squad’s chow and pours honey over everything like a weirdo.

Hiro is the eleventh of a squad of ten, but Zero Two isn’t the twelfth; her fate is unknown, leaving Hiro with no official partner or FranXX. Ichigo is the unquestioned elite squad leader, but one can tell the redhead Miku maintains a quiet envy for her stature (as demonstrated in the classic locker room scene with fanservice and plug-suit fitting).

Ichigo and Miku are “pistils”, and their “stamens” are the studious Gorou and wild Zorome. Gorou is very friendly with Hiro (and not threatened by Ichigo’s affection for him) and seems like a nice guy, but Zorome is your classic heel/rival character who will likely keep berating and running Hiro down until Hiro does something (not counting last week).

Rounding out the group are the pistil-stamen pairs of Kokoro/Futoshi (the lovey-doveyest) and Ikuno/Mitsuru. When the pairs enter their colorful, distinctive FranXXs, we see that the actual pistil-stamen interface is a little…suggestive, with the girl on all fours while the guy stands behind and “drives.”

Basically, the girl is an interface between the guy and the FranXX; without total synchonicity between partners, the FranXX won’t work properly. Adding to the suggestiveness is the fact that interfacing is very physically taxing and sometimes painful, so that while operating a FranXX, everyone’s breathing heavily and occasionally making weird noises.

After their first official sortie as parasites, the pairs stand down. Zero Two continues to loiter around, invoking the ire of Ichigo, who isn’t afraid to warn Zero to stay away from Hiro. Though Ichigo might wish she hadn’t, as Zero Two gives her a taste. Out in the yard, Zorome wallops Hiro with a football, and the two get into each others faces, forcing Ichigo and Gorou to be the adults in this messed-up family and restore peace.

The thing is, Hiro can understand why Zorome is so dubious of his ability: Hiro himself doesn’t actually remember what happened after entering that cockpit being kissed by Zero Two. He only remembers the feeling, and he wants to get back to it so he can prove to Zorome, Ichigo, the others, and most importantly himself that he can pilot a FranXX.

Well, Hiro promptly gets his Shot, though perhaps not quite under the circumstances he’d hoped for. The brass (led by the mysterious “Papa”) okays a FranXX mock battle to test Hiro, but Zero Two isn’t allowed to partner with him this time.

Even before that was made clear, Ichigo volunteers to partner with him, hoping she can bring out the pilot in Hiro as much as her pink-haired nemesis. Zorome volunteers to be the opponent, and eager for an opportunity to prove her worth against Ichigo, Miku agrees as well.

The second Ichigo got her wish, I knew things were not going to go well, but things start out just fine, with Hiro and Ichigo reaching 100% sync rate and activating her FranXX Delphinium, without any trouble. And then, not ten seconds into the battle, it shuts down again.

Inside the cockpit, Ichigo is on all fours, sweating and heavily breathing as she and Hiro unleash a flurry of double entendres that, taken out of context, sound like dialogue from Girls, a show renowned for its awkward sex scenes:

Ichigo: What’s wrong?
Hiro: I don’t know. It just stopped.
Ichigo: Was it my fault?
Hiro: I don’t think so.
Ichigo: What did she do differently?
Hiro: I don’t know. I don’t remember.
Ichigo: Calm down. No need to rush.

Whew. Suffice it to say, as much as she may like Hiro and want to stick it to Zero Two, Ichigo and Hiro simply aren’t a good match in a FranXX.

When Hiro remembers that Zero Two kissed him and everything went “BOOM”, and Ichigo climbs onto Hiro and kisses him as well, it felt as much like a last-ditch effort to get things moving again as Ichigo not wanting Zero Two to have something she doesn’t with Hiro, i.e. a kiss.

That her kiss does absolutely nothing for Hiro only makes things worse. I can’t help but sympathize with both of them; things are not going well at all.

When Zorome starts kicking Delphinium while its down (with Miki and their FranXX Argentea), Ichigo remembers they’re in a fight, and decides to bypass a defeated, powerless, inert Hiro and pilot the FranXX by herself, a very risky maneuver that takes a lot out of her.

The mock battle ends with Hiro having hit a new low, with all hope of ever piloting anything again in grave jeopardy, with Ichigo feeling embarrassed, ashamed, and very much taken down a notch, and Zorome emboldened. Last week was Hiro’s bad breakup and fleeting fling with Z2; this week Ichigo attempted to reassert her bond with Hiro and it went horribly, horribly wrong.

The failure she endured in front of her squad is the kind of thing that might have far-reaching impact on her confidence at precisely the wrong time in her development as one of the defenders of humanity.  Here’s hoping things start to look up for both of them, both personally and professionally.

Just Because! – 12 (Fin)

Setting the final episode on the seniors’ final day of high school is an obvious touch, but a very effective one here on Just Because!. We can share that sense of accomplishment, relief, and anxiety the new grads are going through. There’s also the sense that everyone feels a bit out of place, from little details like flowers and parents to a completely different schedule of events from the usual routine.

Unfortunately, we have to wait quite a long time for the inevitable payoff of Izumi and Natsume meeting in college. That’s because they don’t see each other the entire episode. This seems at once a wry nod to viewers that such an inevitable payoff, while desired, isn’t something that can sustain an entire episode.

Rather than pad it out, JB! does a curtain roll of everything and everyone else, starting with the news that Izumi didn’t get into the fancy college he thinks Natsume is going to. She only texts him that she got in “her first choice”, without indicating that she changed it to his.

That profound misunderstanding threatened to mar all of the events in the episode that weren’t dedicated to resolving it, but it turned out to be an episode that rewarded patience. We also get an arguably superior scene to the episode’s final moments in Izumi and Komiya’s last scene together.

She won and lost the competition: lost because her photo of him didn’t win, but won because her fellow club member’s photo of her taking a picture of Izumi did win, which means the club, and her place of belonging survives. It’s little consolation for Izumi’s formal rejection, however, and both animators and seiyu LYNN really knock it out of the park with Komiya’s understandable reaction.

Speaking of dingers, we get a nice symmetry to the series when Izumi and Souma play ball in the yard again, only this time with their positions reversed. When Souma hands him the bat and says “hit a home run”, Izumi knows what he’s talking about, because of what hitting one meant for Souma.

That being said, Souma’s fiert first pitch immediately lets Izumi know he’s not lobbing a batting practice toss…Izumi has to earn his homer—and he does, making crisp contact that sends the ball flying, just as a jetliner screams overhead, the vapor trail imitating the ball’s path, making the homer seem that much more epic. Izumi runs off to Natsume.

Unfortunately, Natsume doesn’t wait on the hill long, as she assumes that Izumi won’t come, and a phone call from Yuriko and her celebrating friends lures her away before Izumi can get to the rendezvous point.

So that’s kinda that…and an entire month passes, without them speaking or even texting each other. To this, all I can say is, WTF, show? A month? Seriously? A longer period of time apart than the two have ever suffered, at so crucial a time in their lives? I’m not a fan of the choice, or the persistent lack of communication that caused it.

That being said, their encounter at college, in which both un-bottle that month of longing with quick confessions to one another, was very well done. Not as nice as Komiya’s scene, but still nice.

Some shows are about what happens after two people who really had to labor to end up with each other enter a romantic relationship, but this was just about how it happened. I’m always for at least a taste of seeing the new couple fall into a new rhythm together, but we didn’t get that here.

Oh well, what we did get was most enjoyable regardless. Just Because! is no Tsuki ga Kirei, but there were certainly moments when it came close.

Just Because! – 11

Everyone in Just Because, it seems, requires certain seemingly unrelated conditions be met before taking action.

Souma wouldn’t ask Morikawa out unless he hit a home run. Natsume won’t “lay her feelings bare” unless she gets into Joei. Izumi won’t tell Natsume how he feels unless he gets into Suizan. Morikawa won’t go out with Souma until they settle into their respective futures at college and work.

Only Komiya confessed to Izumi before meeting her stated condition (winning the photo competition), but she’ll still wait for Izumi’s answer until after the exam, which she expects him to pass.

Mio’s sis is too good at imitating her sister’s face

This was a very practical, functional episode in which all of the members of the Natsume-Izumi-Komiya triangle meet their conditions, which in a way was the easy part. The toughest trials for the three come now that they no longer have those artificial boundaries in place. In the final episode, they’ll have no choice but to follow through on what they promised they’d do.

Between Natsume and Izumi’s simultaneous balcony sessions to their morning routines to their lengthy commutes to the colleges to their time at their desks taking the exams, there’s a great deal of thematic heft given to those exams, as befits the fact that passing them means far more than simply getting into those colleges. Both of them have assigned a lot more importance to them than that, but neither shrinks from the task at hand.

As they furiously put pens to paper, Morikawa and Souma enjoy each other’s company at school, too restless to be home, each worried about their friends. It’s here where Morikawa and Souma first pool their knowledge of both Izumi and Natsume both switching schools…but it’s “too late” to stop them.

Is this meant to suggest the would-be lovers are doomed to attend different schools? I hope that’s not the case and that with some paperwork wrangling they can align where they wish to go…if that’s what they both want.

While the buildup and the presentation of those exams was very deliberately paced, the results come in in the relative blink of an eye. Natsume’s letter definitely says she’s been accepted to Joei. Komiya’s smile most likely means her photo won. Izumi’s grin means he got into Suizan, meaning the conditions have been met. With all that paperwork out of the way, I’m looking forward to seeing these three proceed to sort things out.