ACCA: 13-ku Kansatsu-ka – 06

acca61

If it were one of many other slow-burn shows, I might be itching for something to happen already near the show’s midpoint (assuming this only gets 13 eps – I may be wrong), even to the point of starting to hand out 7’s for lack of forward momentum.

And yet, ACCA continues to avoid such scrutiny with its unassuming, calm, quiet competence, all but unique this Winter as a show all about stopping to smell the roses…or freshly-baked bread.

acca62

One of the most eventful things to happen happens right at the start, where Jean not only goes up to Grossular, but tells him he knows he’s being followed, denies any involvement in a coup, and expresses his certainty Gross isn’t involved either. Grossular, after all, was the ACCA officer in Rokkusu who made things right when a horrific train accident claimed, among many others, Jean and Lotta’s parents.

Jean meets Mauve at the bakery, but claims to have “nothing of note” to report to her. If he’s trying to stay in the director-general’s good graces, he could have at least told her about the attempted coup in Suitsu. I’d say that was pretty “of note.” Mauve immediately starts to doubt Jean’s usefulness…and loyalty.

acca62a

Things largely quiet down from there, as both the show, the nation of Dowa, and most of its inhabitants kick back and enjoy a New Year’s shindig in Jean and Lotta’s apartment building.

We learn about the businessmen Jean seems to help out during his auditing duties, and Lotta receives a cake from Rail, only for Owl to give her another cake minutes later.

acca63

People seem drawn to Lotta, but there’s still no indication she’s anyone super-special…yet (the flashbacks also seem to eliminate some possibilities in that arena).

Officers note that the start of ACCA’s hundredth year in operation isn’t all that different from the start of previous years. Mauve has a pretty standard speech at an all-hands, and that’s pretty much it.

acca64

Something notable does happen: Grossular joins the other four Top 5 officers in their common room, to ask Lilium why he leaked Crow to Jean. Lilium wanted Jean “to do something,” and while Gross may be right that such an action was reckless, Lilium does seem to win the argument by calling for a meeting of the five to discuss what Gross knows and how they’ll proceed together, no longer unilaterally. He gets that meeting; it should be a good one.

acca65

Jean then heads to Hare, the tropical district where the ACCA uniforms are short-sleeved and informal and the district inhabitants live the longest lives in the nation, and live life with gusto accordingly.

After striking out with Mauve last time, Jean redoubles his efforts to get something, anything out of Hare’s chiefs. Yet, when he goes to meet Mauve at the bakery, she’s not there. Is it too late?

After Hare (one of Jean’s shorter audits), Jean heads to Dowa again, this time for an audit. Prince Schwan continues to try to force his grandfather’s hand in subtle ways like hanging his portrait in a place he spends lots of sittin’ time. Perhaps Jean will get more juicy info in Dowa.

16rating_8

Advertisements

ACCA: 13-ku Kansatsu-ka – 05

acca51
Two of Lotta’s stalkers bond over sandwich bread

I continue to be both bemused and delighted by the sheer obsession with food, eating, and dining in ACCA and the culinary minutiae therein. The fact that these characters need their three squares a day, plus the occasional snacks, really anchors them in the land of reality. It also mirrors real life in its lack of traditional “action”, but that lack hasn’t dimmed my enthusiasm for the show in the slightest.

acca52

One of the most important moments of the episode—and of the show as a whole—surprisingly happens not during a meal, but during a car ride (which is also, in its utilitarian practicality, a tether to reality). In that car, Lilium basically lets slip to Jean that he has a tail, and the reason he can’t detect him is that he’s someone by whom he’s used to being watched.

acca53

Jean’s a sharp guy, so it doesn’t take long for him to narrow it down to his friend the photog. And when he arrives in the wintry, hearty Birra district and Crow is already there with his camera, we finally see a look of shock on his face as Jean stops and turns back to look for…him. It’s not clear whether he sees him or not (Crow seems pretty far away, though he’s wearing black in the snow), but that look back is all Crow needs to know he’s been found out.

acca54
“Could you two young brats flirt somewhere else? I’m trying to run a bakery here.”

Two elements of the episode that are a little more obscure in their intentions were the plotlines of Eidar very unsubtly showing up to see Jean, only to be crushed when he’s not there, and Maggie pursuing Lotta, only to learn where she lives, that her parents are deceased, and that she loves sandwich bread. I’m hoping we’ll find out soon what Lotta’s significance is, if there turns out to be any, of course.

acca56

After a rather stern dinner with Birra’s ACCA supervisor, Jean walks into the tranquil, snow-covered forest to confront his tail, and the resulting confrontation is wonderfully offbeat. Jean doesn’t seem betrayed; on the contrary, he seems like he could care less…though he doesn’t wonder if all those times Niino got him drunk he was pumping him for information.

acca57

Back home, Jean and Niino share a meal with Lotta like nothing happened, and Jean even makes him promise to stay with Lotta and take her out to eat every day he’s off on his next audit, this time of the Western-style Rokkusu District. Niino obeys, likely hoping he doesn’t miss anything good.

acca58

The final scene during sunset in Rokkusu is full of intrigue, as is the little chat between Lilium and Pastice at the airport. Is Jean simply saying hello to a vaunted superior in his hometown, or is something else going on? Something…coup-y?

For the first time it looked like Jean was doing something counter to the person we’d seen up to that point; that he was finally showing us something he’d been hiding. I may be dead-wrong, but I’m having fun guessing as I enjoy the food-filled ride.

16rating_8

ACCA: 13-ku Kansatsu-ka – 04

acca41

ACCA steps back from the larger national coup plot to let Jean continue his inspection duties, this time to Suitsu, which may be the most isolated district in Dowa, seemingly frozen in time due to a noble class that insists on the preservation of “tradition and formality.” Not only are any outside forms of technology forbidden, those like Jean who come from outside are given a tight leash so as to limit cultural contamination.

acca42

Not surprisingly, there are many in Suitsu who aren’t too happy about that, and have been organizing for some time. Jean happens to get scooped up by a group of them who believe he overheard their talk of a coup. Turns out their coup isn’t the same coup Jean’s mixed up in. These guys simply want to open Suitsu up, allow it the same freedom as the other districts to grow and develop, not simply fester like some dusty diorama.

acca43

But apparently, the coup attempt that occurs when Jean is around isn’t the first of its kind by any means. All such former attempts were squashed and all records of them happening kept secret from the outside districts. Jean, for the record, seems sympathetic to the rebel cause here, even offering potential clients from his home to help Suitsu open up. But he stops short of getting involved, serving more as an observer.

acca44

Unfortunately, all the adventures he witnessed will be subject to a gag order as a condition of his being allowed to leave, and anyone arrested in the coup attempt freed. It’s basically a hard reset, with one important difference: we saw how Jean reacted to being in the middle of a mini-revolution.

Did the cigarette he received in his hotel room and Crow/Niino’s intense surveillance of him indicate he’s involved in the larger coup? Or like his Suitsu excursion, is he merely being moved by forces outside his control, like a leaf in the wind?

16rating_8

ACCA: 13-ku Kansatsu-ka – 03

acca31

ACCA’s obsession with things getting done over dinner, drinks, and parties continues apace, as Mauve quietly invites Jean to an intimate dinner that, considering Jean’s blushing, almost feels like a date. In reality, it’s a business engagement.

Mauve has been told to stop investigating, but she wants Jean, with his 13-district-wide gaze, to keep his eyes and ears open for intel on the coup rumors. She’s also concerned that if the heir apparent Prince Schwan (a known puffed-up doofus) ascends, it could threaten the peace of the kingdom.

acca32

As for the Prince’s grandfather the king, he seems like a pretty laid-back, kindly fellow, more concerned with the selection of sweets and fruits at the royal gala than anything else.

Schwan’s a pretty typical idiot prince, and it’s not that comforting to know how close he is to the throne, at which time he vows to disband ACCA, install a puppet privy council president, and do other not-so-cool things. Even his secretary Magi only seems to respect the dude so much.

acca33

As for Jean, he’s one of the many ACCA-affiliated guests who are invited to the event, including Mauve, all five chief officers, and Niino, who brings Lotta along as his assistant (but seemingly really just so she can get a taste of the high life, I’m guessing).

As he floats about the palace, Jean can’t help but feel again like he’s being watched, and it’s because, well, he is. There are rumors all over about an impending coup, and there are enough hotshots in one place to actually make something like that a possibility.

acca34

The thing is, Jean, as far as we know, isn’t an intermediary for the rebels planning the coup. At least, that’s not what Chief Officer Lilium thinks. He trusts his instincts, which tell him he can trust Jean. Groshular, on the other hand, is the one he believes is really behind the coup plot. He’s responsible for the rumors, after all – what better way to deflect attention?

Jean is seen as someone who is a big fan of order and preserving peace, concepts both Lilium and Mauve share, which is why they both come to him seeking an alliance with him. No doubt they’ll work and work quickly to stop a coup from happening, if they can. The question that remains is, is Jean really the person they (and we) think he is?

16rating_8

ACCA: 13-ku Kansatsu-ka – 02

acca21

Despite the threat of bad things on the horizon, the still-for-now peaceful world of ACCA is a very comfortable place to jump into and spend time, and the show continues a relaxed pace that draws you in rather than makes you nervous or impatient.

While we start with more frankly unnecessary explanation of Dowa and ACCA (though it’s good to now know what an ‘acca’ is), we suddenly find that the “mushroomhead” rookie officer Rail was never going to be able to frame Jean Otus for anything, because the well-informed Jean was on to him all along. It’s a nice demonstration of Jean’s towering competence that it’s important to establish for later on.

acca22

The show keeps things grounded in reality and humanity by continuing to show Jean and others hanging around food and drink. This week we see Jean have breakfast, lunch and dinner, having lively discussions in each one.

Jean’s also often grabbing food for the house and his sister, which is how he bumps into Mauve, who has been ordered to cease her solo investigations, which had to deal with rumors of a coup d’etat plot.

acca23

We also meet an actual not-work friend of Jean’s in Nino, who is a freelance reporter (and certainly looks the part). He’s on good terms with Jean’s sister Lotta too, so Nino is clearly a guy Jean trusts when he tells him not to worry about the feeling he’s being followed.

acca23a

I’m loving watching Jean’s far-flung travels between districts, and the way it isolates him from both home and office. He’s out there on his own, autonomous, soaking everything in, doing his job with what seems to be pride.

And yet…is the Jean Otus we’re seeing just an elaborate, near-perfect cover? Chief Officer Groshular believes Otus has something to do with the coup plot, so he has an elite undercover agent following him…who it’s hinted at earlier with a silhouette, then confirmed to be Nino, whom Groshular calls “Crow.” What a tangled web ACCA weaves.

acca24

Right now, it seems just as plausible (if not more so) Jean is totally innocent, and his unorthodox behavior, combined with an inaccurate tip, has led Groshular to cast his suspicions upon him. But it’s intriguing to wonder if we’re only trusting Jean based on what we’ve seen and not the person Jean Otus truly is, hiding just beneath the surface.

Once he arrives in Jumoku, Jean almost looks like Alice, dealing with people and things far bigger (or smaller, in the case of “Tintin”) than they should be. It adds to the disorienting feeling of who is following whom.

acca25

Nino/Crow is clearly perfectly comfortable observing Jean in plain sight; they go back 15 years to high school (though Nino cryptically says he’s been watching him for 30), after all. So is Jean oblivious to the fact his buddy is his tail, or is he well aware, and on his toes to avoid giving Nino anything to work with? Does Jean only pretend to get really drunk to lull Nino in a false sense of security?

It looks like the makings of a great noirish cat-and-mouse game thus far, presented with stylish art and a gorgeous soundtrack. ACCA exudes confidence without arrogance, telling a good yarn without getting too serious about it. But always present is that subtle background noise of looming dread in a peaceful world.

16rating_8

Shimoneta – 03

shi31

After top art student and school’s pride, Saotome Otome, caught a glimpse of Okuma and Ayame’s rooftop antics, she literally snags him on a chain and drags him away to her studio, where she presumes he can assist her with (or rather she can blackmail him into) helping her with a romantic problem that is making her art suffer. The subject of her affections? Anna. So when Okuma must tell her who he loves, he says the first girl’s name that comes to mind: Ayame, so as to avoid conflict.

But Otome’s artists’ block is merely a side effect of a much larger problem that afflicts not only her, but much of the population: a decade of PMs and oppression is leaving large swaths of the population unable to express their love, or even identify what they’re feeling as such. This isn’t surprising; dirty jokes and the sexual knowledge that makes them dirty are crucial to natural human interaction. Without them, there’s a large gap that is filled with whatever else people can come up with.

shi32

For a certain unsavory admirer of Anna, that something is stalking and candid photos with threatening messages. Anna is shaken by this, but Ayame assure Okuma she’ll protect her while he tries to get Otome to join SOX, revealing that her friendship to Anna is genuine, even if the two are on opposite ends of the moral spectrum. Anna, after all, is person who made it possible for Ayame to exist in normal society; she’d surely be in jail without her. But with the very survival of the human race is at stake, and so Ayame must act against her best friend.

Anna, for her part, knows Okuma isn’t the stalker, despite Goriki’s suspicions (which are his own way of expressing his own love for Anna), and agrees to a sting in which Ayame will dress as a boy as they go on a date. At the same time, Otome plans her own rescue of Anna by the stalker, shaving Okuma’s legs and putting him in drag (for the second straight episode).

shi33

As they wait in the bushes, Otome cannot help but compulsively draw Anna, her first real model, in her own unique way of expressing her love. The resulting sting is a pretty thrilling and complex bit of physicality, as not only does the stalker turn out to be huge, but there are three of them, and not everyone in a position to protect Anna is close enough to stop their attacks.

Fortunately, Ayame knows right where to kick the first stalker, and Okuma is in time to stop the next one with a devastating right. Interestingly, he moved out of instinct, but isn’t sure who he moved for: Ayame, whom he told Otome he loved on a whim? Or Anna? Heck, why not both!

shi34

Whoever he was trying to protect, he loses his wig and takes a rock to the back of the head, and ends up not only landing on top of a stunned Anna, but his lips and legs end up locked with hers for a not inconsequential amount of time before he gets up, starts to apologize, and passes out from the rock blow.

As for Anna, that sudden closeness to a boy and the touch of his lips seems to awaken her libido with a vengeance. Again, she has no idea what’s going on, but she knows it feels amazing. Will this be an isolated incident eventually forgotten, or will Anna never look at Okuma the same again?

8_ses

Shimoneta – 02

shi21

To borrow a couple of sophomoric double entendres from Blue Snow, Okuma is in a tight spot; between a rock and a hard place. He admires and idolizes the pure, perfect Anna (who shows no signs of being anything other than that, with no hidden dark side), but is being forced through blackmail and coersion by Ayame to undermine her.

I will say, both Ayame and Okuma are well-positioned in terms of hiding in plain sight, and Okuma’s story of how he was ostracized when his “terrorist” father was put away and met the “guardian angel” Anna in grade school (something she doesn’t remember) that inspired him to live a purer life, is a great cover story.

But Ayame is stripping the primacy of his goal away as she exposes him to more and more misbehavior, as Okuma can’t deny the thrill he gets from finding ultra-rare smutty mags in an abandoned cabin, like buried treasure. When the imagery therein is copied and distributed around school, Anna is so ignorant to its insidiousness she herself frames a picture of a girl performing fellatio in the StuCo office!

shi22

That gets to another bigger social issue about the whole anti-dirty-joke law and PM devices: real-world Japan’s brith rate can’t keep up with its aging population; if laws were put into place to block the people’s natural sexual development and keep them in the dark about reproduction (if such a thing were even possible), it would be a de facto form of population control. Maybe the Japan of Shimoneta wants the population to decrease.

In any case, Anna’s powerful, driven politician mother is introducing a new bill that would step up the oppression even further, legalizing the monitoring of every action and conversation in the country. With no stones unturned, Ayame’s terrorism could not continue, her crusade to educate the ignorant masses would end in defeat, and most importantly, the people would have no privacy whatsoever in the new surveillance state. Ayame makes sure to impress upon Okuma that while she has her own selfish reasons for doing what she does, she’s also working in best interests of a free society.

shi23

Thus, the fight must not only continue, but be stepped up. Ayame dresses Okuma up like a Blue Snow decoy to give students dirty word eye exams during school physicals while she steals the boys’ urine samples, hoping to start a scandal in the school when tests reveal high levels of masturbation. The operation also results in Anna yelling out the howler above.

shi24

Anna isn’t portrayed as an idol fool here, but actually comes quite close to exposing and capturing Okuma-in-drag more than once, and presses her pursuit of him with heretofore unseen (and somewhat frightening) superhuman strength and speed. Game Over for Okuma and Ayame is rarely less than a few seconds or inches (heh-heh) away, but with one last misdirection, Ayame manages to save Okuma and make off with the urine.

The fact that the entire final exchange is witnessed by a painter in a crow’s nest—likely the same painter who painted the pure “Sound of Music”-style painting Okuma lingered on—means the ranks of Ayame’s SOX are likely to swell in the near future, which bodes well for defeating Anna and stopping her mom’s overreaching legislation.

8_ses

Denpa Kyoushi – 03

dk31

Kagami’s voluntary dismissal from school seemingly ended the “weekly student project” format I had become comfortable with and fond for, and all for reasons that didn’t do Kagami any favors in the likability department.

dk32

Still, like me, Hiiragi Koyomi (later nicknamed “Options” by Kagami because she herself says she’s loaded with them) has enjoyed watching Kagami improve the lives of his students with amusing methods, and wants to see more of that at her school.

dk33

Only Kagami doesn’t want to teach, so Hiiragi formulates an elaborate military operation, using all of the resources and connections at her disposal to track him down. I think the overarching joke is that Kagami isn’t really on the run, but just has a very busy schedule of YD activities in Akiba.

dk34

I’ll be honest, I didn’t dig the whole chase sequence. I’ve seen super-rich people put on much better shows than Hiiragi did here, and the show’s animation bordered on the putrid this week, and really didn’t do Akiba justice. Hiiragi’s minions also seemed particularly incompetent, and I wasn’t buying Kagami’s hacking prowess.

dk35

Am I being overly pedantic with a show not intending to be that serious? Perhaps; especially when the chase ends with Suzune literally throwing a big net over Kagami and then tossing him in a burlap sack. Still, it’s good to see Kagami brought back down to earth by his little sister (who knew he liked a certain voice actress) after he was able to defeat the might of Hiiragi family, Jack Bauer-style.

dk36

Hiiragi brings Kagami to his sister’s school, Icho, where he’ll teach first before moving up to Hiiragi. But even if its the poorer of the two schools, it’s still pretty fancy. There, Kagami meets Hiiragi’s No. 2, the mirthless twin-tail he quickly nicknames “Irregular Twintails.” Momozono resents Hiiragi recruiting this NEET “thing” just to make things more “amusing.”

Kagami can absorb Twintails’ barbs, but when she turns her ire on Shikishima Kiriko, a student being expelled for having a part time job at a maid cafe, the situation suddenly becomes YD for Kagami. He agree to take the job if Shikishima is reinstated, and vows to teach Momozono about the dignity of maid cafes. And jut like that, we seem to be back in the “weekly student project” format I didn’t mind. Denpa Kyoushi can keep its chase scenes.

7_ses

No. 6 7

Ah, now this is more like it! Instead of characters, relationships and motivations all essentially milling around in a holding pattern as they seem to have done the past couple episodes, Shion finally has a reason to do something, Nezumi finally takes up a position, and, with four episodes left, we may be starting to see sunshine at the end of the pseudo-utopian corridor.

As I’ve said, I really like Safu. She’s pretty, she’s very bright, and she’s very forward and to-the-point where sex is concerned. Unfortunately, last week she was captured by DHS right when she was about to go after Shion. While bright, she underestimated the level of surveillance in No.6, as Shion’s mom’s house was bugged. Safu only has one brief scene this week, but that’s all we need to see that she’s in peril and in dire need of rescue. Whenever you wake up naked and suspended in liquid-filled glass tube in a lab, things are not going well (Just ask Bill Clinton).

Nezumi keeps the knowledge that Safu is imprisoned from Shion, at least initially. But despite his outward mocking and loathing of the white-haired mother hen, he starts scheming behind his back to save Safu himself, using the dogkeeper’s prison connections. I love his interaction with the dogkeeper here: we’ve never known why the two hate each other so much they’d wish each other dead, but they seem to have reached a truce here. Meanwhile, Shion finds out anyway, when he find’s Safu’s coat in a thrift store of all places. So he’s off to save her…alone.

After exchanging a “goodnight kiss” (on the lips?) that’s really a goodbye kiss, Shion is off. But Nezumi follows, and the two exchange punches, thankfully no more kisses, and Nezumi finally voices exactly what Shion means to him, going all the way back to when he saw him screaming from his balcony in a rainstorm. Shion is his savior, the reason he draws breath today. These two clearly have feelings for each other, and they have for a long time. But Safu still needs saving. They’ll save her together.


Rating: 3.5