Summertime Render – 17 – Hands Not for Hurting

Since we’re now only 17 episodes into a 25-episode series, it was only a matter of time before the momentum slowed a bit and our intrepid band of shadow hunters took a bit of a rest. This week we get a calm-before-the-storm episode that allows for moments that deepen our understanding of these characters, as well as give them an opportunity to bond more, for better or worse.

Ushio worries she may go crazy like Haine did in the memory of Hizuru’s she saw, but Hizuru promises she’ll kill her if that happens. Shadow Mio, who knows all the little ways Mio Prime hates herself, urges her to tell Shin her feelings before it’s too late. Sou’s pops hid the truth from him because he knew his son’s heart was too good to bear the darkness. Tokiko suggests that Shin, who has developed pronounced bags under his eyes, to catch some shut-eye while he can.

That night Nezu tries to sneak out but Ushio catches him and insists on accompanying him. Turns out Nezu is putting the last of his affairs in order before shit starts going down. Ushio learns that he keeps the Shadow of his wife Kaoru pinned in his garage, having not had the heart to kill it until now.

Shadow Kaoru is beastly like so many of the Shadows, but Ushio urges Nezu to hold his fire, as her hacking might be able to restore her. Nezu’s not interested; Ushio may still be Ushio, but his wife is gone; this is his “wife’s enemy” who copied her body. So Ushio gives Nezu his privacy, and sheds tears for two more lives among the countless ruined by Haine’s appetites.

The next morning the group splits up to investigate various family homes in hopes of reducing the number of Shadows as much as possible before the festival. The two Mios are put in the same team, and Shadow tries to egg Mio on, but she clutches onto Sou as a sign she won’t let Shadow push her buttons.

Mio also has a thoughtful gift for Ushio: hairs from her original body that she found around the house. Ushio is able to use them to restore the length of her hair (adorably done with a Sailor Moon-like aesthetic) and, perhaps all too death-flaggy, tells Shin she has something to say to him when he and Ushio return.

Shinpei and Ushio end up having to kill the Shadow of their old teacher, nicknamed Bucchi, and Ushio remembers when she beat up a couple of bigger boys teasing her for her blonde hair. Bucchi, ever the gentle soul, told Ushio her hands weren’t for hurting people, but for holding hands, patting heads, and the like.

Unfortunately, Ushio doesnt’ really have a choice in her present scenario, though it’s arguable that the Shadow’s are “people” so much as unrelenting killing machines bent on wiping out the village. So she and Shin work together to save three kids from Shadow Bucchi and her two Shadow sons.

The little kids mock Ushio and Shinpei for looking like a classic couple, to which they respond in unison that it’s “not like that.” Isn’t it though?

In a creepy moment, Ushio seems to be taken over by…someone, neither Haine nor Shide, but maybe another deity observing what’s going on and briefly using her as a vessel. The two teams then regroup and report on their investigations. Turns out the Shadows don’t seem to be preparing a direct attack on them, but are primarily focused on the upcoming festival when the great slaughter and feast is to commence.

Naturally, if the festival can be cancelled, there won’t be a convenient huge group of people ripe for the picking. To that end, Shin heads to the shrine maintained by Karikiri—a place where he just happened to die the first time. Karikiri welcomes Shin warmly, but whether he’s a friend, foe, or neutral party in this struggle remains to be seen. I just hope that’s Ushio on Shin’s wrist, and he’s not really alone up there.

Rating: 4/5 Stars

Komi Can’t Communicate S2 – 09 – Just One of the Girls

On the second day of the school trip the groups can do what they please. The trio of Sasaki, Katou, and Komi is a little awkward at first, but once they get that Komi isn’t being rude or aloof but is simply a quiet, shy, and often adorable girl, the three girls get into a rhythm that carries them through Katou’s breathless sightseeing schedule.

Whether due to all the energy expended earlier or, more appealingly, the natural ups and downs of companionship, things get a little tense between Sasaki, who says the schedule was too brisk, and Katou, who resents being the only one who thought to make a plan and wanted to see more. Komi bridges the two clashing positions by showing them some photos she took on her phone demonstrating that they did, in fact, have a lot of fun.

Buoyed by Komi’s nice save, and relieved that she was able to repair the vibe just by being her cute guileless self, the three girls continue their tour, heading to a district where Komi gets to dress up like a Geisha, is mistaken for a princess by street performers, and gets rescued by Sasaki in a Hannya mask armed with her trusty…yo-yo?!

Sasaki and Katou came off as pleasantly dull background characters at first, but the more time we and Komi spend with them, they more they come into their own as distinct and appealing characters in their own right. In a cast chock full of sometimes absurd caricatures, their down-to-earthness almost feels exotic…it’s like having two female Tadanos around!

Yet, as we know, while relatively normal on the outside, Sasaki and Katou have super-specific passions: Sasaki for yo-yoing and Katou for shogi. Sasaki tries to hide her secret identity (she genuinely thought Komi was in danger) but Katou plays a shogi match of words. Ultimately Katou loves knowing extraordinary people, not matter what they’re extraordinary at.

That attitude convinces Katou that her talent is something to be flaunted, not embarrassed by…though she keeps the hannya mask on when she flashes her yo-yo for Sasaki and Komi in the hotel room. When the lights go out, the boy talk starts, and we learn Katou likes Katai, Sasaki is single, and the name of the boy Komi likes starts with an H (for Hitohito).

Sasaki and Katou are well aware of how close Komi and Tadano are, and would not be surprised if they’ve been dating for a while. When Komi claims not to know “what liking someone feels like”, they arrange things on the bullet train home so Tadano is sitting next to Komi while she’s sleeping, and her head eventually slides onto Tadano’s shoulder.

This was a lovely outing, with Komi making two new friends, and those friends seeing Komi in a new light not as someone to simply venerate, but someone you can have fun hanging out with. She even sleeps!

Love of Kill – 06 – Death On Denial

Chateau isn’t aboard the Artemisia long before she encounters Song, and immediately takes him aside to ask what he’s up to. He’s his usual coy self; his target may well be her client—who also happens to be her boss Euripides’ wife, the billionaire tycoon Hawk Ritzland…(these names). But he does offer Chateau this: he won’t do anything on this cruise as long as she keeps her eyes on him.

This results in the two being practically inseparable for the remainder of the voyage. After clearing it with Euripides and setting up surveillance cameras, she agrees to share a stateroom with Song. While she initially insists on sleeping on the couch, her inability to fall asleep results in him carrying her to the bed, where he promises he won’t try anything.

The next day Song takes Chateau to one of the many shops aboard the ship where she’s fitted for a proper evening gown, the better to blend in with the other passengers. She remarks how she feels weird having her shoulders exposed and would prefer something “more modest”, but Song assures her that it’s about as modest as evening gowns get.

I’m still not buying the “love” half of Love of Kill, owing to the complete and utter dearth of romantic chemistry between the two leads. While she’s learned to trust Song more, Chateau still merely tolerates his presence as a necessary condition of her mission.

Euripides reaches out to Song through Chateau’s phone, ostensibly to meet and talk about Chateau’s past as Chateau Noble. However, before they can meet Euri gets a butterfly knife to the throat. Song, who we last saw putting a gun in his tux, is clearly not the sneaker-wearing culprit, who is the boy assassin we met last week and didn’t see at all this week.

I can’t say I’ll really miss Euripides, who didn’t make much of an impression the last five weeks other than “long-suffering boss with a goofy name”. But even though his marriage to a billionaire* came out of nowhere, his death surely heightens the stakes aboard the Artemesia.

*It’s entirely possible Hawk Ritzland is worth ten billion yen, or $86 million US, though if the whole damn boat is hers, she might well be worth ten billion dollars. In any case, she’s down a husband.

Yuru Camp△ 2 – 11 – Mamashiko Ajiii!

As expected, the highest point of Hosono Plateau offers a view that’s well worth the climb…or the race to the top if you’re Nadeshiko, Akari, or Chiaki. Also as expected, Nadeshiko won, securing her revenge for Akari telling her the camping was over when she woke up. Part of the reward is seeing the Izu Islands, technically part of Tokyo Prefecture and potential island camping location.

But Izu is vast—thanks to all the volcanic activity inthe last 20 million or so years—and the hour grows late, so the van-and-moped convoy leaves Hosono in search of a hot spring near the campsite. Once they find a suitable one, Nadeshiko relays it to Rin, who lets out a BIG ol’ yawn in response. She’s been riding since three in the morning, after all!

After Akari imagines a hilarious TV commercial for a Rin-themed frozen treat, the group has a sunset-lit soak at the Dougashima hot springs, which almost claim the increasingly drowsy Rin. Then Toba-sensei makes the mistake of chugging a post-bath beer, and has to call in a replacement driver, which is apparently a thing in Japan!

Still, bathing at Dougashima was the lemonade they made from the lemons of being turned away from their original campsite, and getting to their new site in Nishiizu a little late doesn’t faze the group in the slightest. Rin is too sleepy to be fazed anyway!

When it’s time to start a fire, Rin wakes up and teaches Akari how it’s done. You can tell Rin hearing it’s Akari’s first real campfire takes her back to her first campfire…which didn’t go nearly as well but was salvaged thanks to an experienced helping hand. With the tents and camp galley set up, a very well-rested Chef Nadeshiko enters Yuru Cookin’ Mode.

She first prepare a Spanish-style chunky Ajillo in an earthenware pot, while Ena and Chiaki grill some spiny lobster. Toba-sensei learned from her Christmas Camping error and brought the perfect booze for every possible meal. Her sister Ryouko texts her a quick reminder not to overdo it as she’s gotta drive tomorrow. I kinda wish Ryouko had joined them!

Having chosen meals as much for their ease of preparation and clean-up as their deliciousness, Nadeshiko innovatively uses the leftover juices from the Ajillo to make a totally different one-pot dish: alfonsino acqua pazza pasta. Yuru Camp does a good job giving you the gist of the recipes without turning this into a full-on cooking show…but as I’m a huge fan of both Great Chefs and Food Wars, that wouldn’t have been the worst thing either!

One thing’s for sure, Nadeshiko upped her game considerably, and her friends can be certain that going forward camping with her means rib-sticking gourmet-quality meals that take full advantage of the local ingredients to the max. But the  umami and sleepiness double-whammy finally does Rin in, which is when Nadeshiko becomes Mamashiko, ensuring Rin brushes her teeth and uses lotion before retiring to her tent.

The fact that Nadeshiko, Rin, and the others are all on totally different sleep cycles works in the episode’s favor. When Ena can’t sleep, she encounters Nadeshiko is also still up, enjoying a dramatic view from the picnic area. The two have proceed to have a wonderful little low-key heart-to-heart. Nadeshiko mentions how the relaxing waves remind her of her hometown, admits she knows about Ena’s konbini job.

Ena says it’s not just for camping expenses, but because she wants to get her drivers license at eighteen so she can take Chikuwa camping. Ena then remarks how much things have changed since Nadeshiko moved to Minobu, and Nadeshiko says a lot’s changed for her since meeting them. They head to bed, as it’s past three, and at four on the dot Rin wakes up totally rested…and all alone.

This is no problem for Rin, who takes the opportunity to get a little Me Time in before the others wake up. She hops on her moped to check out some local geospots, from Cape Kogane to Sawada Park, which she learns has an open-air hot spring right beside the sea.

Ena and Aoi are the next to wake up, but when they see Rin’s text they retreat back to their sleeping bags, joining the still-dozing Nadeshiko. Then a panicked Chiaki shows them Rin’s message “Please don’t come looking for me” and assumes Rin’s run away from “home”. The other two understood: Rin just wants some solo time. Here’s hoping getting up so early doesn’t render her too sleepy for the group’s adventures later that day!

Yuru Camp△ 2 – 10 – Dispatches from the Geofront

The OP to Yuru Camp’s second season is a vast improvement over the first, but there was one thing that always bugged me: a Nissan MPV was featured instead of Toba-sensei’s adorable Suzuki Hustler. Turns out the car in the OP is Toba-sensei’s sister’s van, a first-gen Nissan Lafesta.

With that mystery solved, there’s immediately a new one when Toba-sensei picks up Nadeshiko in the morning: What’s with the bags under her eyes? This is solved before the OP: she was simply too excited for their trip and couldn’t sleep a wink. So she sleeps in the van. The Whole. Damn. Time.

Rin, who set off hours earlier, is already checking out Cape Ose, Izu’s “geospots”, unique geological features along the way, visits to all of which she and the others hope to collect like Pokémon. She encounters some very hungry fish, a giant shrimp, and a thrillingly windy mountain road.

The van gang catches a glimpse of the fist-like mountain Jouyama, then stops at an ice cream spot—an established Outclub tradition—to sample Izu’s local specialty: raw wasabi ice cream. Then take a ride on the Kawazu Nanadaru Loop Bridge.

Rin’s wanderings take her to the Ryugukutsu Cave, which has a skylight due to erosion and for me called to mind the Hidden Beach in western Mexico. From there, she arrives in Shimoda, rests her road-weary dogs in a hot spring foot bath, and admires the torii by the water.

The van gang is delayed by choking traffic caused by the cherry blossom festival in Kawazu, home of some of the earliest-blooming sakura. Aoi’s sister Akari gets out to use the restroom but comes back with local treats. Eventually they meet up with Rin in a Shimoda parking lot, and a panicked Nadeshiko asks her where they are and what day it is, having been throughly messed with by Aoi and Akari, the “Lying Sisters.”

After a lunch of fried alfonsino burgers with Camembert cheese and sweet-and-spicy sauce (goddamn that sounds good), the van gang and Rin form a two-vehicle convoy to the grocery store where Nadeshiko stocks up on more alfonsino for the first night’s dinner.

It is here where we learn that Chiaki, Ena, and Rin are responsible for dinner on the second night. Not to be upstaged by Nadeshiko, Chiaki had convened with the other two back at school before the trip Gendo Ikari-style to organize Operation Shrimp.

The gist is, they’ll make Toba-sensei give up drinking and use her booze money to buy some of the spiny lobster Shimoda is known for. Ena dispenses with the subterfuge and simply requests Toba-sensei buy some spiny lobsters, and she does.

The convoy continues on to Cape Tsumeki, where Toba-sensei learns that despite the city saying they could camp along the coast in the winter, the landowner no longer allows it as of a few years ago. It’s a setback, but it doesn’t stop the gang from visiting a lighthouse and checking out the rad columnar jointing at Tawaraiso Beach.

Ena, proving to be the X-factor of the group, suggests they contact the Iidas, who saved them at Lake Yamanaka. Sure enough, they know someone who owns a campground and has arranged a place for them. It’s a 43km detour that throws some of the later parts of their itinerary out of whack, but Rin puts them back in whack with her Mad Map Skillz.

Their updated route sends them to explore the next geospot, Hosono Plateau, before continuing to the campground in Nishiizu. There’s a mini mountain peak to climb, and Akari challenges Nadeshiko to a race in which Chiaki unwisely decides to participate. Despite having built up strength in her legs from her liquor store job, Rin, Ena, and Aoi find her planking on the steps nowhere near the top.

This episode feels worlds away from where the previous one ended, with Rin and her grandfather on a magical early morning ride. But there’s a different kind of magic at work here, one of overflowing excitement and anticipation as we dart breathlessly from spot to spot with the seven travelers, who divide mingle in fascinating new ways. As always, the journey to the campsite, with all its sights, sounds, smells, and tastes, proves just as meaningful as the destination.

TONIKAWA: Over the Moon For You – 03 – Not Your Usual Bath Episode

Tsukasa is impressed to find Nasa has a fully-stocked fridge, but her opinion goes down a peg when she learns he cooks only for optimal nutrition and minimal waste, and after exhaustive research determined the only thing he should ever make is hot pot!

She remedies that monotony by using the same ingredients to whip up an eclectic feast that shows her hubby that cooking can and should be as much art as science. Nasa even references Food Wars while watching his wife work her culinary magic!


After breakfast, it’s time to hit the bathhouse, but Nasa’s taste in toiletries (i.e. the bare necessities) again fall short, necessitating a quick stop to the store for skin toner, serum, and lotion. Nasa is amazed at the complexity of a woman’s skin grooming routine, as it explains both why her skin is so beautiful and why she smells so nice.

The extra characters dam finally opens this week as we’re introduced first to Kaname, who despite being a year younger than Tsukasa practically runs the family bathhouse with her sister (who is Nasa’s age). Naturally, someone who’s known Nasa for years is shocked that he’s suddenly married, but even more upset that he hasn’t properly proposed, or bought Tsukasa a ring, or planned a ceremony!

When Nasa brings up the fact all of those things are wasteful and inefficient, Kaname, wise beyond her years, responds that’s irrelevant. No one will hold him to account if he doesn’t make those gestures, but he still has a primary responsibility to make his wife happy however he can.

Nasa assures Kaname he’ll do just that, because, and he proclaims this loud enough for all to hear, he loves Tsukasa. She comes back to grab the toiletries from him just as he’s saying this, and while she tells him it’s embarrassing, it also makes her happy. Her delivery and face are enough to make both Nasa and Kaname blush!

Once in the bath, Nasa is soon further teasted by Kaname, who for some reason has to clean the part of the bath where he is. She overheard his childhish monologue about this being a “bath episode”, but thankfully that’s not what he or we get. Sure, Kaname gets a good look at Nasa, but that’s nothing new; they go way back.

While there are subtle shots of legs and cleavage, the fan service is kept to a minimum, and instead Tsukasa is introduced to Kaname’s older sister Aya, who is gorgeous but easily mistaken and confused, and has a low opinion of herself, as she repeatedly promises to kill herself for walking in on Tsukasa’s bath.

She ultimately offers to make up for it by washing Tsukasa’s back, during which time she likens her skin to “silk” before questioning why the secretion of a worm is appropriate compliment, then goes too far in the other direction by saying her skin is like “an IPhone X,” which I’ll just say is a really good joke!

Nasa dreams of when he was laid out on the pavement bleeding to death in the cold when he suddenly wakes up in a massage chair to the cold feeling of a bottle of milk on his cheek, put there by his wife. Then Tsukasa watches Nasa and Aya interact, and witnesses the blatantly easy chemistry and bonhomie between the two.

Aya, for her part, isn’t aware they’re married; she just knows they’re “family”, but Tsukasa understandably gets a little self-conscious, as despite her quirks Aya is a true beauty. When she mentions Aya’s looks, Nasa proceeds to gush about Aya. He noticed the change in mood, which he chalks up to the fact he and Tsukasa just walked past a church where a wedding is taking place.

Because of this, when Tsukasa comes right out and says it would be nice if “he called her pretty”, he mistakes it as being in the context of being a bridge in a wedding gown at a ceremony. That means Tsukasa doesn’t understand his response—that he needs to think about it, and even runs off to do some research and “make the impossible possible!”

It’s the first misunderstanding between the two, and yet nothing that should cause bad vibes going into next week. Instead, there will be bigger fish to fry, as a straw-blonde girl in a huge limo has found Tsukasa, someone she’s apparently been seeking. Marriage is all about balance, so after Tsukasa met Nasa’s people it’s only fair for him to meet Tsukasa’s!

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 02 – Prima Nocta-kun

The cynic in me was waiting for the other shoe to drop regarding Tsukasa suddenly leaving Nasa alone to “take care of something”, but it turns out she was simply going to get her suitcase from a coin locker. It doesn’t answer the question of why she’s homeless at 16—nor rule out the possibility she is the Real Princess Kaguya of legend—but it does allay some suspicion that this is anything other than what it appears to be: the story of two young newlyweds.

While the first episode dealt with how the couple met and the practicalities of Tsukasa and Nasa getting legally married, this week deals with the immediate requirements of sharing a living space, and in the process learning more about each other. It starts with Nasa asking why Tsukasa married him, and her answer is refreshing in its simplicity: same reason as you; ’cause I love you, goofball!

While Tsukasa was out, Nasa started testing ways the two of them could fit on his narrow single bed. Tsukasa doesn’t think they’ll be comfortable enough, and doesn’t want Nasa to have to sleep on the floor. As she leaves for a capsule hotel, Nasa flags her down and tells her he wants her to stay. In his mind to which we have full access, he’s worried she’ll disappear on him again.

It’s not the most logical thinking, but it’s understandable for a newlywed to want to stay close to their new spouse, especially on the first night. So they make it work; heading to a furniture store to find a futon that will be Nasa’s first gift to his wife. When it dawns on him they’re pretty much on a date and takes her hand, Tsukasa totally gets it.

Tsukasa learns that her husband is very studious when he lists off all there is to know about the various futon types. While lying down beside her to try out her futon is a bit too much for Nasa, they then realize she also needs bedwear and toiletries. He offers to hit up a konbini, but she also needs underwear, so they head back out into the late night together.

It stands to reason they’re both disoriented enough from the excitement of their sudden change in lives that they forgot that stuff their first trip out. There immediate signs Tsukasa has less hang-ups about privacy, as Nasa leaves the room so she can change, but she doesn’t mind if he changes in her presence—though when he brings up his embarrassment, she empathizes. They’ll be comfortable nude together someday…but not today!

Nasa learns still more about Tsukasa even as she sleeps. Turns out she’s a bit of a free-wheeling restless sleeper, kicking her feet up, wresting loose from her cover, and exposing her stomach to the night chill. Even her hair buns become undone! Nasa puts her back under her blanket, then leans down to kiss her, but reconsiders; on second thought he wants them both awake for their first kiss.

It’s a good thing he withdraws, since a half-awake Tsukasa springs up so quickly she might’ve cracked their skulls! Upon returning from drinking a glass of water, she falls face first onto his midsection, then hilariously slides down, taking his blanket along with her. Rather than try to fix the covers again and risk something else happening, he’s content to sleep without cover.

The next morning Nasa meets Morning Tsukasa for the first time, and is quietly entertained watching her notice her hair is down and she has Nasa’s blanket. She then cavalierly starts to disrobe as if he’s not there, which causes him to speak up and warn her that he is. And yeah, Nasa: sometimes women don’t wear bras to bed! It’s pretty common!

While he’s changing and talking to himself, Tsukasa notices that he referred to her as “Tsukasa-san”, which leads her to pick an official nickname for him: “Nasa-kun”. When he tries to suggest “Tsukasa-chan” as a cuter choice, she blushes uncontrollably, but allows it, though it may be a while before she can say “Nasa-kun”, and for now sticks with “Dan’na-sama” (“husband”). At last: something she’s more embarrassed about than him! He’s not alone in his bemusement of their new status quo!

TONIKAWA is definitely hitting the rom-com spot. So many anime deal with unrequited or will-they-won’t-they scenarios, and while they have value they can get torturous, which makes shows like this that give their characters quick and early wins in the romance department so important. I’m looking forward to the newlyweds’ next adventure in domestic life, previewed in a ridiculously heartwarming ED.

Rating: 4/5 Stars

As for the excellent OP, here’s the opening video, featuring the song “Koi no Uta(feat. Tsukuyomi Tsukasa)” by Kitou Akari (who voices Tsukasa). It’s RABUJOI’s Undisputed Top OP of the Fall:

Tsurezure Children – 09

This show, and this episode in particular, is brimming with wrong assumptions made in the heads of the young and in love. Those assumptions make progress slower than it would be if they could only properly communicate with the ones they like.

But again, these are kids, and it’s their first love, so rookie mistakes are to be expected. It’s those tiny steps in the right direction that make me not only stay invested in all these various couples, but gives me hope that some day they’ll figure it out.

Sugawara and Takano’s eyes meet so many times, both wrongly assume they’re bothering one another…but a tiny bit of progress is made when Sugawara tells her he was, in fact, looking at her. Takano said she was looking at him too…now she just has to say it to the correct person, not Gouda!

Few couples got off to a worse start than Kanda and Takase, but neither likes the distance that has grown between them, and so they make up. That they both wrongly assume the best they can get out of the other is friendzoned is a concern, but they are talking to each other again. Progress!

I’m on record in older reviews of her work as saying Ogura Yui’s trademark syrupy-sweet voice sometimes sounds like nails on a chalkboard, but I’m enjoying her work as Kamine, who is the most aggressive of the characters this week.

Unfortunately the body language she exhibits while struggling with the fact she “blew” her first kiss with Gouda is being wrongly interpreted by Gouda as having gone too far in kissing her. Kamine tries to force the issue by pretending to fall asleep on his lap, but for her trouble, Gouda nods off for real and they nearly touch faces.

Finally Furuya is sick of dragging things out, and wants to properly, seriously give Minagawa an answer. But he wrongly assumes that all of her different kinds of “likes” she throws at him (kudos to Hana-Kana here) is all part of an extended teasing regimen, when in reality, teasing is what gives Minagawa the courage to say the things she does.

When she says that none of the ways she says she likes him are adequate, she has Furuya close his eyes and…well, does she kiss him? Sure looked like it to me, but then she had those fingers up. Minagawa thinks Furuya should know whether her lips met his…and she’s right! Lips and fingers don’t feel the same!

Hundred – 08

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The bad news: this wasn’t a particularly mockable episode of Hundred. Why? That’s the good news: it wasn’t really that bad, as far as episodes of Hundred go. The ‘fight monsters, then fight over Hayate’ formula has been spiced up nicely by Claudia, voiced by the talented Akasaki Chinatsu, who exhibits her usual tremendous range and energy.

I’ve loved Akasaki’s work ever since Kill Me Baby! and seeing her give Emile a taste of her own medicine is never not fun. Claudia’s also a pretty capable Slayer, so it’s not like it doesn’t make sense to have her around.

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Naturally, Claudia works to separate Hayato and Emile at every turn, an urge she shares with Claire, not least because both know she’s really a girl. Claudia wants Emilia and Claire wants Hayato, but there’s no real alliance between them, which is why Claire puts both Hayato and Claudia on her team while her veep Erica is paired with Emile.

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Even though the Hunters are lurking around hoping to poach savage and slayer alike, Claudia kinda drops the ball by leaving Claire and Hayato alone so she can run back to Emile. Not only is her lie about the two “going on date” inaccurate, it’s also unsuccessful, as Emile isn’t one to simply tuck tail and return to her homeland just because Claire won Round One. By that same token, Claudia isn’t about to give up on Emilia.

As for Claire and Hayato, the former slipping on some mud is enough of a reason to go skinny dipping in a hot spring. She slips again while getting out, landing naked on Hayato, but in between the moments of silliness they have a fine little chat about how both of them are fighting primarily for family, not just out of duty and honor—and how there’s nothing wrong with that.

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Speaking of honor, it doesn’t seem like the Hunters have much, as they start ambushing and scavenging the various slayer teams dispersed throughout the area. Claire mobilizes in her full armor to put a stop to it, but an earlier mention of heavy rain affecting beam weaponry gains significance when the heavens open up just when she’s about to dole out some beamy justice. Looks like a job for Hayato.

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Flying Witch – 06

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This may not make much sense, but Flying Witch felt like it was almost trying too hard to be about nothing all last week, which pulled of took me out of its world. But this week it returns to its effortless coziness. Like the magic it contains, Flying Witch is not usually flashy, but it can be powerful.

Just seeing Mako in the air on her broom again was a sight for sore eyes, and Akane’s suggestion that she not try to ride a broom she is levitating, but levitate herself along with the broom, provides invaluable insight into the ways of witching.

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While Makoto figures out how to ride properly, Chinatsu is satisfied she’s seen enough: she wants to be a witch too, and formally requests Akane take her on as an apprentice. Akane entertains the request, waiting until the young child is out of the room when she tells Kei that it’s a difficult, possibly life-changing path for one who was not born a witch.

But young and impulsive as Chinatsu is, there’s no arguing with her assertion Akane and Makoto are cute and amazing. And Chinatsu’s fantasies of how she’d use her powers are just as cute.

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Akane drives home the point that magic isn’t always about telekinetically manipulating toys, transforming cars into pumpkin carriages, or creating candy houses that eat people. The basic stuff is subtle, and yet still requires precise preparation to work at all.

Akane proves to be a good teacher, precise in her directives while maintaining her pupils’ faith throughout, in spite of evidence of the spell working. I like how Kei, meanwhile, is simply sitting on a bean bag watching dumb movies. Hey, after that weeding, he earned a break!

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When the spell is finally complete, and Makoto eats the newly-enchanted Pocky, I perked up to see what, if anything, would happen. Turns out the lesson also served as a prank, which is it’s own lesson about the power of even minor spells. Makoto ends up crying at everything for about an hour, while Chinatsu ends up laughing at everything

Cats be all like “humans be crazy”, Kei’s movie is interrupted by their noise, while Chinatsu and Kei’s mom has a little fun making her daughter laugh (though I dunno about letting Makoto handle a knife while crying uncontrollably). As for their dad, he eats both snacks and is domed to spend the next hour laugh-crying over everything. Magic, man: You gotta respect it.

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P.S. One issue I wish would be addressed, but probably won’t be: the music. There seems to be one main musical theme to FW, and it’s used every week, usually more than once. It was cute and matched the mood, but it’s totally played out. More musical variety, please!

Flying Witch – 05

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This week, the dreaded Walpurgisnacht arrives, and no one is spared the ensuing carnage. Kidding, kidding…this Spring’s most naturalistic show has its most laid-back, uneventful outing yet, which makes sense: it’s Sunday, and no one in the Kuramoto residence has much to do.

Makoto leisurely goes through the last of her unopened boxes, Akane dozes in the living room, Kei reads books in his room, and Chinatsu decides to follow Chito on his cat rounds.

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The journey nets her a lucky cherry petal on her head and dirty pants and hands from falling in a small hole. After she returns and the family has lunch, Makoto goes on the same basic walk as Chinatsu did, only this time using Chito as a GPS rather than trying not to be discovered following him.

Chito, like the cat in Whisper of the Heart, has very specific places to show his walking compansion, along with a dog to tease. The most exciting thing to happen in the whole episode is when the dog breaks loose, but Makoto and Chito manage to get away.

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Makoto and Chito then join Nao for a sake delivery to the house of a well-off elderly woman (the same one who told Chinatsu about a lucky petal that could get her the man she loves). Nao seems interested in such a love spell, despite not having anyone in particular she likes.

Makoto and Chito return home, where now both Akane and Chinatsu are dozing away. Chito curls up with Chinatsu, and the credits roll. Not terribly much to say here, except that this was another lovely, cozy portrait of a particularly slow day in quiet Aomori. The only thing you could call magic on display was Makoto’s ability to understand Chito. No witch flying today!

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Tanaka-kun wa Itsumo Kedaruge – 03

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Tanaka may be always listless, but I’ll tellya what else he’s becoming: popular. After a very filling meal makes him more listless than usual, the person who left a letter of challenge in his shoe cubby confronts him.

This week marks the introduction of Echizen, a blonde Yankee sporting a super-long skirt, slipped-on school shoes, and multiple piercings. She wants to fight Tanaka, to find out what kind of person he is.

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Fortunately, Echizan is far more than a delinquent, and the show quickly molds her into a three-dimensional character I truly wish to root for, even if she’s hassling Tanaka…nay, because she is. She’s also Ohta’s childhood friend, so he knows her from before she became…this way. She also doesn’t overdo it, and her manner of speaking is actually quite refreshing.

When Tanaka discourages her from starting a physical fight she’d easily win, she challenges him to Othello (AKA Reversi) instead.  She wins handily, but hold on: Tanaka was playing by different rules, and because he spelled out the character for “white” on the board with his white pieces, it stands to reason he won a game in which the winner had to do just that.

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An attempt to beat him at cards also fails, as he’s so intent on showing off his mad shuffling skillz, the wind on the rooftop blows all the cards away and they’re left one card short of a deck. It’s as if nature itself is allied with Tanaka against engaging in a serious challenge with Echizen.

But then the person on whose behalf Echizen is fighting appears: Miyano, or “Myaano” as “Ecchan” calls her. We learn both from her reluctantance to eat Osha’s bunny-shaped bread to her friendship with the tiny, cute Miyano that Echizen loves cute things.

The Skirt swap bumper was hilarious.

Exhizen’s love of cute things, and inability to eat them, gets her in trouble in the next segment, which results in a row with Miyano. She can’t eat the cute bunny cookie Miyano baked for her, so it gets old and grows white fluffy mold.

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Miyano is PISSED (in an adorably similar way to Popura in Working!!)—as is Ohta, who shares Miyano’s love of sweets and belief that wasting them is sacrilege.

Interestingly, Echizen enlists Tanaka of all people to help her, first acting as a shield (which fails when Miyano goes cold when peaking out from behind him) then writing a letter to express her feelings (which Miyano misinterprets as a challenge).

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Throughout Echizen’s crisis (which is really just an honest misunderstanding), she forms a nice rapport Tanaka, depending on his open ear and honest responses as she bounces ideas off him. He comes up with things she’s too wound up to consider, and comforts her when she suspects Miyano never wanted to be friends.

Tanaka, rightly, believes it’s a waste of time to let things fester with a friend (he considers himself and Ohta to be as steady as an old married couple…which they are!), while Miyano is listening in while they talk (it’s a school, there’s only so much privacy).

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Miyano is still angry about her cookie going to waste, but she doesn’t want to make it any bigger than it is; it’s certainly not as important a matter as the fact that she is deeply in love with Echizen (She has good taste!). Yes, Echizen is the one Miyano wanted to train with Tanaka to become more listless and mature.

The thing is, Echizen likes her the way she is, as Tanaka said, and upon hearing such wonderful news, the two make up nicely. The next time Miyano makes sweets for Echizen (as well as for Tanaka and Ohta), the makes them “not cute at all”, resulting in chocolate bodybuilders. Ecchan has no problem wolfing them down, but now the boys are the ones with a thing about eating things that look like certain things.

As they converse, now a genial quartet, Shiraishi, the cutest girl in class, walks by. I presume she’ll be the next likable, rootable, well-rounded character to make it a cool quintet. I look forward to whatever distinct quirkiness she’ll bring to the show.

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Tanaka-kun wa Itsumo Kedaruge – 02

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I thought messing with the golden goose that is the Tanaka/Ohta dynamic so soon by adding a tiny, annoying-looking girl would upset the serene magic of the opening episode, but I worried needlessly: Miyano isn’t annoying, she’s adorable, whether it’s while trying hard in vain to become just like Tanaka, or becoming even more Tanaka than Tanaka by accident.

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Miyano may be tiny, but she has more energy (and can put away more donuts) than Tanaka and Ohta combined…and that’s the problem. When he reluctantly takes her on for a day as his apprentice (believing it the best way to be rid of her quickly), Tanaka corrects her not to “do her best” but to just do whatever.

Whether its observing and mimicking Tanaka’s listless face, or attempting to hide her emotions, or getting upset over how little Tanaka enjoys strawberry milk, or preparing an exhaustive research paper on listlessness, Miyano just can’t fight her natural instinct to do her best and work as hard as possible.

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When Tanaka tells her this probably isn’t going to work out, Miyano is disheartened and morose, but it’s not his intent to hurt her, just to express his opinion that he, Ohta, and whoever this boy she likes prefer it when Miyano is just being herself, not trying to be him.

As long as she keeps being her, she’ll be fine. As for Tanaka, he wants to take the train to the main temple to complain about praying and paying for a peaceful day…and ending up with Miyano.

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If Tanaka was truly annoyed or put out by the addition of Miyano to his life, further complicating what was to his mind already too complicated a life (he’d prefer being able to tend to all primitive human needs in one room…like a prison cell!), he has a funny way of showing it the next day.

Rather than Miyano the student following Tanaka the master, the opposite transpires, as Tanaka and Ohta notice Miyano seems to have mastered listlessness, and even surpasses Tanaka, blowing a hole in his book and writing a whole new one on woozy, detached fugue state of listlessness.

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That seems plausible on some level—both guys suspect she culd be feeling this way because the boy she liked rejected her—but the real reason she’s this way is ever more inventive and crazy: Miyano simply got to thinking about mascots on TV, how they’ve gotten smaller, who or what’s inside them, whether they intend to take over the world, and whether she’s the only one who can stop them.

All that stressing made it hard for her to get good sleep, hence her listless state. When she suddenly snaps out of her ‘stress cycle’ (realizing it’s probably just small people like her inside), she’s back to her old energetic self.

But when Ohta and Tanaka tell her how they thought she’d reached listless Nirvana, she doesn’t know what they’re talking about. She was so busy worrying about imminent mascot hegemony, she never noticed how listless she was acting! So what does she do? Well, try to think of something else to stress out about so she can return to that state. This girl’s a riot, and I hope to see more of her.

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