Star Trek: Lower Decks – 02 – Sam of All Trades

I recently watched the TNG episode “Time Squared”, which featured a lot of sweet shuttlebay porn. The Enterprise-D’s shuttlebay is gleaming and spotless, but that’s just where the shuttles land. We never saw the dirtier storage and maintenance facility, but that’s the part of the Cerritos we get to see in just the second episode, where Ensign Boimler gloats about being assigned to co-pilot a shuttle escorting a decorated Klingon general to his diplomatic appointment.

Meanwhile, it’s become clear Ensign Rutherford has developed a bit of a crush on Ensign Tendi—can you blame him?—but his grueling engineering duty schedule conflicts with a date to watch an astronomical phenomenon. In order to make that date (he considers it beneath a Starfleet officer to go back on his word), he quits the Engineering division. Seems kinda rash!

Boimler could never have predicted a slacker like Ensign Mariner would not only be his shuttle co-pilot, but also old friends with the general they’re escorting, a closeness made clear when in the middle of introducing himself to the general, Mariner pounces on him and the two have a brief knife fight.

By-the-book diplomatic protocol and theory are fine, but Starfleet is just as much about who you know than what. The resulting shuttle ride is predictably chaotic as Mariner exploits the fact the general is a lightweight when it comes to bloodwine.

He’s passed out by the time they land in the Klingon district to grab him some local Gagh, but before they know it he’s “behind the wheel” and taking the shuttle for a joyride without them. With transport and ship-to-shore comms not an option due to the properties of the planet’s atmosphere, they’ll have to track him down on foot.

In a hilarious demonstration of how nice and understanding the vast majority of Starfleet officers are, Rutherford’s commanding officer is perfectly fine with him exploring other divisions. Things don’t go well with command, however, as Rutherford manages to muck up a basic holodeck command simulation that theoretically shouldn’t be muck-up-able.

Feeling that perhaps there’s some continuity to be found in the great engineering project that is the human body, Rutherford tries his hand at being a nurse, only to find his bedside manner is non-existent. We also observe how Tendi’s bubbly personality serves her well in calming and reassuring the patient Rutherford wound up.

Boimler once again exposes his greenness when it comes to missions on worlds other than Earth and Vulcan (which shouldn’t even count!) when they reach the Risian district. He’s suddenly seduced by an human-looking woman who turns out to be an alien interested in depositing eggs in his throat. Thankfully Mariner has his back…and a hose!

She has it again when Boimler recklessly jumps into the middle of a dispute in an Andorian bar he knows nothing about. Things escalate quickly into a big Alien Bar Fight (a Trek standard, to be sure) but cool (and thirsty) heads prevail when Mariner offers to pay for the next five rounds if everyone agrees to stop fighting.

Now that’s Starfleet—inadvertently starting fights, then amicably ending them. But Boimler starts to lose hope that he ever had a chance to be a Starfleet captain, and tosses his combadge in a puddle.

The last division Rutherford tries is security, and to the surprise of both himself and the buff Bajoran chief, his cybernetic implants give make him the perfect fit for security, as he dispatches a squad of holographic Borg without breaking a sweat, letting the implants do their thing.

Still, after a day(?) of trying out new career paths, all it takes is one glance at an open Jefferies Tube—spotless and gleaming—for him to politely turn down the offer to job the “bear pack”. Like the chief engineer, the security chief is supportive and happy for Rutherford.

Back on the planet, Mariner and Boimler encounter a shifty, Gollum-like Ferengi offering transport. Boimler is suspicious, but Mariner tells him she’s “pretty sure he’s a Bolian” and that he should listen to her since they haven’t let them astray yet. But when the Ferengi betrays them by pulling a knife, Boimler phasers it out of his hand, saving Mariner.

Once they learn the Klingon general safely reached the embassy, Boimler and Mariner return to the Cerritos. Despite asking to keep events between them, Boimler ends up telling everyone at the bar how Mariner confused a Ferengi for a Bolian. We later learn that the Ferengi was another friend of Mariner’s, who put on a performance in order to restore Boimler’s confidence.

As for Rutherford, he learns that Tendi wasn’t going to hold it against him for not watching the pulsar from a window—and certainly wasn’t something to quit the job he loves about! Instead, she joins him in the tubes and watches it on a PADD, in a very cute cozy scene of budding friendship.

Star Trek episodes don’t always have A and B-plots running side by side, but they’re definitely a common occurrence among the hundreds of episodes of television in the franchise. I felt both A and B worked well here, with the on-ship/off-ship plots complementing the characters and served as backdrops for their development. Tendi definitely got the short end of the stick this week, but she’ll no doubt be the focus of an episode (or an A or B plot of one) soon.

Stray Obervations:

  • The cold open features another TNG classic: the alien intruder depicted as a bright point of light. In this case, it’s one that is weak enough to be placed in a hold by Mariner, who threatens to stuff it in a canister unless it creates the cool new tricorder model that has a purple stripe…and a power crystal!
  • Mariner’s little singing but about the shuttle’s blast shield was as awful here as it was in the previews that made me initially weary of this show. Thankfully it and scenes like it are the exception and not the rule.
  • That said, why did she have so many bowls of broth, and why was it spilled all over the consoles? I know, I know…“it’s a cartoon!”
  • Boimler really was presenting himself to that Klingon general all wrong. Standing too far away and speaking too softly are both considering insulting.
  • The senior officers looking ready to get angry only to be totally understanding and supportive was a an example of why I love this show: even though it borrows so much from a franchise I know back to front, it can still surprise me!
  • Another practice that, while true to Trek, I found a bit problematic, was the alien stereotyping by Boimler and Mariner. Mariner’s barb about Klingons smelling bad was pretty cringey. As for Boimler ragging on Ferengi…Dude, the Alpha quadrant would have been lost to the Dominion without Quark and Rom!
  • At least the Ferengi dude was acting all “TNG first season” on purpose…IRL he wears a monacle!
  • As someone who does not mind tight enclosed spaces (as long as I can get out of them of course!) I always loved the Jefferies tubes growing up…even if they made no sense. You’re in space! Just make the ship big enough so the tubes are regular height!
  • I am so here for all the alien representation these past two episodes. Due to budgets, previous Trek crews were overwhelmingly human, which made the Federation feel small.

Star Trek: Lower Decks – 01 (First Impressions) – The Optimism’s Back

We’re big Star Trek fans here at RABUJOI, and while I was both excited and proud to watch its return to TV (albeit streaming TV) in the form of Discovery and Picard, since it meant Star Trek was back and that could never be a bad thing, I’ve been ultimately disappointed in the negative and violent general outlook and worldview of those new shows.

I came into Lower Decks with extremely guarded expectations. I was not a fan of the art style in the previews nor what sounded like a lot of try-hard rapid fire comedic dialogue. Heck, even the logo of the show is ugly, with the words “LOWER DECKS” rendered what looks like a crappy free font, clashing with the iconic yellow/gold Star Trek word type.

Lower Decks is first Trek show since Voyager ended in 2001 to restore that upbeat, optimistic, cozy, joyful Star Trek milieu in which actually want to live and hang out. It felt more like those shows, and thus the Trek that I grew up with and love, than any of new live-action stuff, and pulled off that feat in less than half an hour!

Obviously, a show like ST:LD has the advantage of not having to spend too much time setting up its world—it’s basically TNG-era Star Trek, only animated. If you aren’t a Trekkie, I’m not sure why you’d watch this show, nor could I begin to imagine how it would come off not knowing anything about warp cores or the uniform colors or what-have-you.

LD can immediately focus on its scrappy underdog characters who populate the unremarkable Federation Starship USS Cerritos, starting with Ensigns Beckett Mariner and Brad Boimler. While Mariner comes off as an overly hyper chatterbox (she’s also drunk in her first scene), I’m pleased to report not every character chats at the same pace, and even she calms down for some scenes.

It’s clear Mariner’s authority-bucking, boisterous joie-de-vivre is a veneer to conceal the fact her round-peg personality in a square-hole Starfleet has caused her career to stall. There’s a lot of Tom Paris in her, right down to her admiral dad. She’s the opposite of the eager-to-please, by-the-book Boimler (ahem…Ensign Kim, anyone?), and between his discipline and her experience the two are poised to learn much from each other about life in the command division.

Rounding out the main quartet is medical officer D’Vana Tendi of Orion (hence the green skin) and engineer Sam Rutherford, a cybernetically-augmented human and to me, spiritual successor to Geordi LaForge. Tendi, also like Ensign Kim, is the definition of “bright-eyed and bushy-tailed rookie” without Boimler’s hang-ups, while Rutherford’s still-buggy implants sometimes add cold Vulcan logic to his human baseline at inopportune times.

There is a mission-of-the-week, and it involves the less sexy but very important second contact with a new purple porcine alien species. An aspect of Trek I believe really translates well to animation is the aliens and their worlds. Since it’s animated, the makeup and production design budgets are only limited by the animator’s imagination, and there’s never a chance of putting off viewers with either unconvincing makeup or falling into the uncanny valley.

Boimler was instructed to “keep an eye” on Mariner by the no-nonsense Captain Freeman, and that eye immediately watches Mariner break protocol by selling farm equipment to aliens on the side. Boimler ends up being sucked on by an alien spider-cow creature for far too long, but the whole incident demonstrated that his green instincts caused him to overreact on more than one occasion while Mariner got the feel for things and was able to improvise them out of peril.

Back on the Cerritos, Rutherford is on a date with Ensign Barnes that, unlike LaForge’s many dates, starts out pretty well! The issue is, the Cerritos’ XO Commander Ransom came back up to the ship infected by a bug bite that turns him into a vicious black bile-spewing zombie, and soon more than half the crew succumbs to the same transformation.

While it could have come off as too-cute-by-half to have the Rutherford and Barnes remain completely calm and even continue their small talk as their comrades start eating each other in the Ten Forward-style bar, the comedy worked for me since it tracks that Starfleet officers would keep their heads even under extreme conditions. Similarly, D’vana enters a gory hellscape of a sickbay, but feeds off the professionalism of her Chief Medical Officer (who is a Caitian) is, and comports herself well in triage duty.

What ties Boimler’s close encounter on the planet to the zombie virus aboard ship is the purple-pink goo secreted from the spider-cow, which cures and de-zombifies the crew. Thus it’s established that despite her refusal to submit to Starfleet orthodoxy, Mariner inadvertently saved the ship by letting the spider-cow suck on Boimler as long as it wanted. I got a really cozy feeling from the scene of the four officers taking a much-earned breather, their deeds going unsung as the senior staff takes all the credit.

While I hope she doesn’t back into saving the ship every week (something that would make her akin to early Wesley Crusher aboard the Enterprise) in a pilot it works pretty well at establishing the value of her approach to a Starfleet officer’s duty. If she breaks a few regulations, she’ll be able to rely on Boimler (who doesn’t rat her out to the Captain) and her other fellow junior officers to rein her in or bail her out.

“But wait, Zane,” you may ask: Why would you want to live in this Trek world—in which the crew turned into vomit zombies and a drunk officer cut another’s leg to the bone with a contraband bat’leth—but NOT want to live in Discovery or Picard? Because the violence, xenophobia, and general lack of human progress is too virulent and unrelenting in those live-action series, while the violence in Lower Decks is more stylized, comic, and by dint of being animated doesn’t feel as real (and thus depressing).

Also, it’s clear Lower Decks isn’t centered around violence, whether it’s threatening to blow up Qo’noS, enslaved androids being hacked into causing a massacre, or beheading people you don’t agree with. It’s far more aligned with the values of TNG. Its goal of being a Trek comedy inevitably bring up The Orville. I actually thoroughly enjoyed The Orville because it too took place in a lighter-hearted TNG-style world that’s futuristic but also bright and fun.

But as hard as it tries, Orville will always be homage with a hint of satire. Whatever else it is, Lower Decks is Star Trek, through and through. Production of live action Trek is delayed In These Times, and no telling if what we ultimately get won’t be filled with more violence and despair, and the further erosion of my preferred Trekkian outlook. I didn’t know this going in, but Lower Decks is just the Trek I need, just when I needed it.

Stray Thoughts:

  • The show’s logo may be hideous, but the opening sequence is beautiful, showing the Cerritos getting damaged in various ways against gorgeous space backdrops. The credits are also in the same font and color as TNG, which is just fine by me!
  • The USS Cerritos is the perfect balance of familiar details (like the Enterprise-D style deflector dish) in a new orientation. While a little awkward-looking, it’s a clean enough design, and I actually prefer it to the Orville.
  • The Senior Staff is mostly in the background, which is how it should be, but I do like the Riker-esque Cmdr. Ransom and the big burly Bajoran security chief. As for the doctor, she’s from a catlike species first depicted in the original Animated Series but a live-action Caitian admiral appears in Star Trek IV: The Voyage Home. He was my favorite Trek alien for a long time, even though he was just in the background.
  • On that note, another great thing about an animated Trek is that you can have as many alien officers as you want without worrying about the makeup budget. Orions, Bolians, Andorians, etc.
  • It’s astonishing how many Trek lore Easter eggs this episode manages to cram into the half-hour, but most of them feel organically integrated, rather than shout out “Remember THIS?” or “Remember THAT?” The old didn’t get in the way of the new, but added texture and color.
  • This is a show that rewards die-hard Trekkies, not just with familiar sights and sounds but in how qualities of past Trek characters and episodes inform the crew of the Cerritos.
  • Mariner’s dad is an admiral, but her mom is also her Captain!
  • Rutherford’s date with Ensign Barnes ends up kissing him in a moment of passion after an emergency EVA, but he’s so preoccupied with a code fault in the airlock, and the fact she isn’t preoccupied with it, he later decides not to pursue a second date.
  • The second part of this joke is that Ens. Tendi agrees with his reasoning. Both of them are total Starfleet nerds and I love it.
  • That was a hell of a battle through the decks of the ship…reminded me of the DS9 Genesis game where Sisko has to run through the corridors of the Saratoga after the Borg attack.
  • I have never seen Rick & Morty, but I think part of why I think I’m okay with the very un-anime character design is that I’ve also been recently watching Avatar and Korra, which features an almost-but-not-quite anime style.
  • Other quick production notes: the voice actors all do great work bringing their characters to life, while the orchestral score does what a Trek score should.
  • I’ll be reviewing this series going forward, but future reviews will be shorter and feature fewer images, I promise!

ACCA: 13-ku Kansatsu-ka – 05

acca51
Two of Lotta’s stalkers bond over sandwich bread

I continue to be both bemused and delighted by the sheer obsession with food, eating, and dining in ACCA and the culinary minutiae therein. The fact that these characters need their three squares a day, plus the occasional snacks, really anchors them in the land of reality. It also mirrors real life in its lack of traditional “action”, but that lack hasn’t dimmed my enthusiasm for the show in the slightest.

acca52

One of the most important moments of the episode—and of the show as a whole—surprisingly happens not during a meal, but during a car ride (which is also, in its utilitarian practicality, a tether to reality). In that car, Lilium basically lets slip to Jean that he has a tail, and the reason he can’t detect him is that he’s someone by whom he’s used to being watched.

acca53

Jean’s a sharp guy, so it doesn’t take long for him to narrow it down to his friend the photog. And when he arrives in the wintry, hearty Birra district and Crow is already there with his camera, we finally see a look of shock on his face as Jean stops and turns back to look for…him. It’s not clear whether he sees him or not (Crow seems pretty far away, though he’s wearing black in the snow), but that look back is all Crow needs to know he’s been found out.

acca54
“Could you two young brats flirt somewhere else? I’m trying to run a bakery here.”

Two elements of the episode that are a little more obscure in their intentions were the plotlines of Eidar very unsubtly showing up to see Jean, only to be crushed when he’s not there, and Maggie pursuing Lotta, only to learn where she lives, that her parents are deceased, and that she loves sandwich bread. I’m hoping we’ll find out soon what Lotta’s significance is, if there turns out to be any, of course.

acca56

After a rather stern dinner with Birra’s ACCA supervisor, Jean walks into the tranquil, snow-covered forest to confront his tail, and the resulting confrontation is wonderfully offbeat. Jean doesn’t seem betrayed; on the contrary, he seems like he could care less…though he doesn’t wonder if all those times Niino got him drunk he was pumping him for information.

acca57

Back home, Jean and Niino share a meal with Lotta like nothing happened, and Jean even makes him promise to stay with Lotta and take her out to eat every day he’s off on his next audit, this time of the Western-style Rokkusu District. Niino obeys, likely hoping he doesn’t miss anything good.

acca58

The final scene during sunset in Rokkusu is full of intrigue, as is the little chat between Lilium and Pastice at the airport. Is Jean simply saying hello to a vaunted superior in his hometown, or is something else going on? Something…coup-y?

For the first time it looked like Jean was doing something counter to the person we’d seen up to that point; that he was finally showing us something he’d been hiding. I may be dead-wrong, but I’m having fun guessing as I enjoy the food-filled ride.

16rating_8

ACCA: 13-ku Kansatsu-ka – 04

acca41

ACCA steps back from the larger national coup plot to let Jean continue his inspection duties, this time to Suitsu, which may be the most isolated district in Dowa, seemingly frozen in time due to a noble class that insists on the preservation of “tradition and formality.” Not only are any outside forms of technology forbidden, those like Jean who come from outside are given a tight leash so as to limit cultural contamination.

acca42

Not surprisingly, there are many in Suitsu who aren’t too happy about that, and have been organizing for some time. Jean happens to get scooped up by a group of them who believe he overheard their talk of a coup. Turns out their coup isn’t the same coup Jean’s mixed up in. These guys simply want to open Suitsu up, allow it the same freedom as the other districts to grow and develop, not simply fester like some dusty diorama.

acca43

But apparently, the coup attempt that occurs when Jean is around isn’t the first of its kind by any means. All such former attempts were squashed and all records of them happening kept secret from the outside districts. Jean, for the record, seems sympathetic to the rebel cause here, even offering potential clients from his home to help Suitsu open up. But he stops short of getting involved, serving more as an observer.

acca44

Unfortunately, all the adventures he witnessed will be subject to a gag order as a condition of his being allowed to leave, and anyone arrested in the coup attempt freed. It’s basically a hard reset, with one important difference: we saw how Jean reacted to being in the middle of a mini-revolution.

Did the cigarette he received in his hotel room and Crow/Niino’s intense surveillance of him indicate he’s involved in the larger coup? Or like his Suitsu excursion, is he merely being moved by forces outside his control, like a leaf in the wind?

16rating_8

ACCA: 13-ku Kansatsu-ka – 03

acca31

ACCA’s obsession with things getting done over dinner, drinks, and parties continues apace, as Mauve quietly invites Jean to an intimate dinner that, considering Jean’s blushing, almost feels like a date. In reality, it’s a business engagement.

Mauve has been told to stop investigating, but she wants Jean, with his 13-district-wide gaze, to keep his eyes and ears open for intel on the coup rumors. She’s also concerned that if the heir apparent Prince Schwan (a known puffed-up doofus) ascends, it could threaten the peace of the kingdom.

acca32

As for the Prince’s grandfather the king, he seems like a pretty laid-back, kindly fellow, more concerned with the selection of sweets and fruits at the royal gala than anything else.

Schwan’s a pretty typical idiot prince, and it’s not that comforting to know how close he is to the throne, at which time he vows to disband ACCA, install a puppet privy council president, and do other not-so-cool things. Even his secretary Magi only seems to respect the dude so much.

acca33

As for Jean, he’s one of the many ACCA-affiliated guests who are invited to the event, including Mauve, all five chief officers, and Niino, who brings Lotta along as his assistant (but seemingly really just so she can get a taste of the high life, I’m guessing).

As he floats about the palace, Jean can’t help but feel again like he’s being watched, and it’s because, well, he is. There are rumors all over about an impending coup, and there are enough hotshots in one place to actually make something like that a possibility.

acca34

The thing is, Jean, as far as we know, isn’t an intermediary for the rebels planning the coup. At least, that’s not what Chief Officer Lilium thinks. He trusts his instincts, which tell him he can trust Jean. Groshular, on the other hand, is the one he believes is really behind the coup plot. He’s responsible for the rumors, after all – what better way to deflect attention?

Jean is seen as someone who is a big fan of order and preserving peace, concepts both Lilium and Mauve share, which is why they both come to him seeking an alliance with him. No doubt they’ll work and work quickly to stop a coup from happening, if they can. The question that remains is, is Jean really the person they (and we) think he is?

16rating_8

ACCA: 13-ku Kansatsu-ka – 02

acca21

Despite the threat of bad things on the horizon, the still-for-now peaceful world of ACCA is a very comfortable place to jump into and spend time, and the show continues a relaxed pace that draws you in rather than makes you nervous or impatient.

While we start with more frankly unnecessary explanation of Dowa and ACCA (though it’s good to now know what an ‘acca’ is), we suddenly find that the “mushroomhead” rookie officer Rail was never going to be able to frame Jean Otus for anything, because the well-informed Jean was on to him all along. It’s a nice demonstration of Jean’s towering competence that it’s important to establish for later on.

acca22

The show keeps things grounded in reality and humanity by continuing to show Jean and others hanging around food and drink. This week we see Jean have breakfast, lunch and dinner, having lively discussions in each one.

Jean’s also often grabbing food for the house and his sister, which is how he bumps into Mauve, who has been ordered to cease her solo investigations, which had to deal with rumors of a coup d’etat plot.

acca23

We also meet an actual not-work friend of Jean’s in Nino, who is a freelance reporter (and certainly looks the part). He’s on good terms with Jean’s sister Lotta too, so Nino is clearly a guy Jean trusts when he tells him not to worry about the feeling he’s being followed.

acca23a

I’m loving watching Jean’s far-flung travels between districts, and the way it isolates him from both home and office. He’s out there on his own, autonomous, soaking everything in, doing his job with what seems to be pride.

And yet…is the Jean Otus we’re seeing just an elaborate, near-perfect cover? Chief Officer Groshular believes Otus has something to do with the coup plot, so he has an elite undercover agent following him…who it’s hinted at earlier with a silhouette, then confirmed to be Nino, whom Groshular calls “Crow.” What a tangled web ACCA weaves.

acca24

Right now, it seems just as plausible (if not more so) Jean is totally innocent, and his unorthodox behavior, combined with an inaccurate tip, has led Groshular to cast his suspicions upon him. But it’s intriguing to wonder if we’re only trusting Jean based on what we’ve seen and not the person Jean Otus truly is, hiding just beneath the surface.

Once he arrives in Jumoku, Jean almost looks like Alice, dealing with people and things far bigger (or smaller, in the case of “Tintin”) than they should be. It adds to the disorienting feeling of who is following whom.

acca25

Nino/Crow is clearly perfectly comfortable observing Jean in plain sight; they go back 15 years to high school (though Nino cryptically says he’s been watching him for 30), after all. So is Jean oblivious to the fact his buddy is his tail, or is he well aware, and on his toes to avoid giving Nino anything to work with? Does Jean only pretend to get really drunk to lull Nino in a false sense of security?

It looks like the makings of a great noirish cat-and-mouse game thus far, presented with stylish art and a gorgeous soundtrack. ACCA exudes confidence without arrogance, telling a good yarn without getting too serious about it. But always present is that subtle background noise of looming dread in a peaceful world.

16rating_8

ACCA: 13-ku Kansatsu-ka – 01 (First Impressions)

acca11

The Jist: From the creator of House of Five Leaves, the director of Space Dandy and One Punch Man, and Madhouse, ACCA follows the vice-chairman and second-in-command of ACCA’s Inspection Department Jean Otus, fulfilling one last audit before the department is shuttered.

However, Otus’ exposing of corruption in a district results in the shuttering being cancelled. Otus starts to feel like he’s being followed and watched, as he wonders if his department was really spared because trouble is on the horizon in otherwise-peaceful Dowa.

acca12

Rejecting the notion that all police dramas must start with a bang and with thrilling action or the capturing of some devious members of the criminal classes, ACCA takes a far more leisurely, introspective, and detailed approach.

While some early scenes where ACCA officers talk to each other about the structure and purpose of their own organization (which is a little clunky), the episode rights itself by diving into the monotonous but not awful day-to-day existence of a glorified functionary who seems to be coasting.

acca13

If this all feels somewhat boring, I think that’s kind of the point. There’s a distinct foreboding feeling lurking on the margins of otherwise mundane world of Dowa. Comments about the increasing number of fires and the fact the King of Dowa has just turned 99 adds to the looming dread.

Nice little details like Otus’ penchant for smoking cigarettes (a rare luxury in Dowa), the birdlike form of the country, and all the various organizations and ranks and their relationships with one another also kept me interested.

acca14

But while trouble may loom (Otus’ discovery of black market corruption indicates there could be larger rot lurking in the depths of ACCA, and one of the org’s “Chief Five” mentions a possible coup d’etat), life nevertheless continues as normal, and that’s where ACCA really shines.

Otus and his colleagues spend a lot of time either in diners, bars and cafes, or opening up tasty treats at work (specifically, at or around 10). The building he lives in is managed by his sister, who wants him to get out of ACCA and join her in the family business.

All those little slice of life moments add up to a rich, lived-in experience, which makes up for the lack of exciting action. The visuals are nothing fancy, but get the job done, while the eclectic soundtrack is superb. If ACCA continues along this offbeat tack, it should secure a firm place on my Winter watchlist.

16rating_8