Show of (virtual) hands (that I can’t see because they’re virtual):
Who kinda knew going in that
Naruto Palpatine Croix would ultimately succeed in activating her “Noir Rod”, only to find the world reconstruction magic she sought so vehemently would still not available to her, and that the technology she had developed would overload from all the bad soccer vibes and turn on her, requiring Chariot—who spent the first part of the episode fighting her—as the only person who can rescue Croix, and does so, because, well, she’s a good guy?
I mean, it all pretty much unfolded how I expected. Did it look great? Well, it’s Trigger on Red Bull: it’s usually gonna look gangbusters. But was it a great episode? I gotta say…no. It was merely good.
And lets start with the good. Obviously, the visuals stood out, as everything got crazy in a hurry. Watching Chariot fighting while keeping her emotions (which Croix can use against her) in check was also fun. Heck, it was also kinda fun to see Croix succeed (if only temporarily).
You really get the sense her unending quest to gain the Triskelion (and her long-standing resentment she wasn’t chosen by the ‘Rod) slowly twisted her until she became the supervillain she is today. And Chariot knows she shares some blame for the creation of the monster Croix has become, for the reasons laid out last week.
But in its quest to put on a big, bad, exciting Trigger Brand Dramatic Climax™, the beats just feel too familiar. “Borrowing” the Star Wars lightsaber, then escalating the battle to near-Kill la Kill or Gurren Lagann levels of lunacy, only invites comparison to those better Trigger works—a comparison that doesn’t favor LWA.
I know it sounds ungrateful or even hypocritical to accuse LWA of going too far with the weird, wild special effects, but it’s somewhat disheartening to see characters who felt so big when we heard their stories earlier, scaled down to the size of ants before all the great big crazy stuff going on.
That’s why I appreciated Akko & Co. arriving at the scene where Chariot was desperately trying to save Croix from her self-made mess. After taking out the Noir Rod with a Shiny Arrow, it’s just Chariot and a forgiving Akko excited and elated to finally be meeting her lifelong idol.
Not only that, her dream has come true, she thanks everyone who helped her get here, and she’s hopeful Chariot will continue to teach her how to be a great witch.
With that, the Shiny Rod indicates the Final Word is ready to be unsealed, granting Akko the power to transform the dark and dreary surroundings into gorgeous, colorful scenery – the “world transformation magic” Croix could not access, seems to be available to Akko.
We’ll see the extent to which that magic will be able to stop the ICBM of negative emotional energy that has launched as a result of civil unrest hitting an untenable fever pitch. Andrew finds himself in the halls of power, among people who want to use war to their advantage.
From the look of that alert on Croix’s phone, the menacing missile soaring high in the sky, and a red-hot steaming populace, we’re probably in for a Trigger-brand Finale of Exponential Escalation™. Here’s hoping it doesn’t totally eclipse all the little witches.