Kemono Jihen – 12 (Fin) – How to Melt a Frozen Heart

Nobimaru presses his attack on Yui, but learns he can’t even touch the nullstone without freezing and cracking his arm, as the thing literally feeds on life. Nobimaru, who is unquestionably loyal to Inari despite knowing full he’s nothing but a tool to her, allows himself a moment to stew in the knowledge that Inari knew about the damage the stone would do to him…and didn’t care.

But if Inari left him on his own to succeed or perish, Kabane won’t have it, and he steps in as Nobimaru’s flaming champion. The nullstone grabs still more power from Yui to give him an ice suit of armor, and just like that we’ve got a dazzling Ice Boy vs. Fire Lad duel. Kabane’s constantly burning and regenerating body provides some of the cooler images this vibrant series has yet offered.

Akira manages to use all the fog and steam the battle is creating to smash his ice cage and wastes no time coming between Kabane and Yui before either of them do any permanent damage. And it’s here where I must declare my undying love for any show whose MC crumbles into flaming pile of burning flesh and bones without anyone batting an eye.

Moments later, the nullstone has nearly sucked Yui’s life dry, and his own body begins to become brittle and crack. Fortunately, Kabane has regenerated enough to give Akira a hand pulling the nullstone out of Yui’s chest. Kabane then coughs up his lifestone, which merges with the other stone on contact, releasing it from Yui.

Right on cue, Inari arrives on the scene to snatch up the stone, but Inugami is right there to remind her that neither half of the stone is hers, so she an Nobimaru slink off. In yet another demonstration of empathy and fellow feeling, Kabane asks Nobimaru to go with them to the Ohana clinic where Aya can surely heal his ruined hand…only for Nobimaru to politely decline, intending to bear the wound as a warning not to get careless again.

As Yui recovers at the clinic (and Aya calculates the exorbitant bill), Kabane hangs around outside his door, waiting for him to wake up so he can ask him about his parents. Akira sees him out there and immediately apologizing for saying he hated him, which he obviously only did because he was afraid Yui would kill him. On the contrary, Akira reiterates his love for Kabane, and their little making-up dance in the hall is just precious as all get-out.

Yui eventually wakes up, and is ready to talk with Kabane, starting with the “Kemono Incidents”, a period of history forgotten by most humanity when kabane and humans were in devastating open warfare. An agreement was made to end the hostilities, and all the kabane higher-ups had stones like Kabane’s to maintain balance through the threat of force—the only way a group as fractured and ungainly as kemono could be controlled).

While this is a lot of exposition for a final episode, it provides welcome setup for a second season that, while not yet announced, seems likely due to strong manga sales and a studio that often produces sequels. It also includes Akira’s inner voice worrying about falling asleep during all this talking, which is a wonderful little moment.

As for the question of what’s to become of Yui, he’s content to shuffle off into the shadows and bear all of the horrible things he did. Akira won’t hear of it, and it takes a slap to Yui’s face to get him to listen when Akira says they’re brothers and twins and should share the burdens together. Yui is also heartened when Kabane forgives him, though the others know that’s just who Kabane is. He gives and forgives.

The gist of Yui’s stories (as well as Inugami’s contribution to the discussion) is that for Kabane’s parents to have had the lifestone meant they were either kemono chiefs themselves or found it themselves. The best way to learn more about his stone and all the others that are out there is to track down their owners, some of whom Inugami knows.

Meanwhile, Inari, in her appropriately noir-ish office at the police HQ, assures Nobimaru she’s not done trying to get her hands on either stone (now that they’re merged, which one she’d rather have is irrelevant). But she knows she can’t take from those the tanuki is protecting by force. So he tells Nobimaru to relay Kon’s next mission: to seduce Kabane and get him to give her the stone willingly.

While there’s nothing Inugami can do about that scenario, asking Kon to seduce anyone—particularly Kabane—seems doomed to failure. Neither Kon nor Kabane quite grasp the concept of love or romance quite yet, and Kabane clearly knows more since he now has more of it in his life.

But there’s no denying Kon is smitten on one level with Kabane, so it’s just as likely he’d seduce her to his side than she’d get him to give up the stone that—lest we forget—is crucial to keep him under control. As Akira goes on a trip with Yui and Shiki minds the shop, Kabane and Inugami prepare to head to Shikoku to meet the first of many stone-keepers.

Kon super-awkwardly inserts herself into their trip, and Kabane urges her to join them, which is fine with Inugami. He’s no fool, and so knows full well Inari sent Kon to try to steal the stone. But he also knows Kabane isn’t half as guileless and manipulative as he once was, and so he’ll probably do fine against Kon’s inept attempts.

The three board the shinkansen, bound for more adventures in search of answers to the mystery of Kabane’s folks. That should make for a heckuva second season, the announcement of which I eagerly await. Even if for some reason it never comes, I had a lot of fun watching this eclectic and lovable bunch of characters work through their dark pasts, and differences, grow closer as a family…and kick some monster ass together.

Rating: 4/5 Stars

Kemono Jihen – 11 – Let it Bro

Let it be said that the system the yuki-onna employ to keep the Snowy Village arrive is patently awful, not to mention extremely inefficient. And yet, with many a human tribe throughout history relied on the suffering and sacrifice of a “special few” in order to maintain their cultural and spiritual identity survival, it’s certainly nothing new, on either side of the human-kemono spectrum.

We take a look back at Yui and Akira’s past in the village throughout this episode, as Yui becomes the chief and is studded out to all of the 200 women of the village, a duty he keeps secret from Akira. Akira assumes he has to deal with difficult paperwork, and cheers him up with sasanqua camellia blooms when they’re able to talk to each other in the night.

Until a woman produces a male heir, his duties will continue; no mention is made of what happens to any new female children produced in the meantime. But Yui’s burden goes beyond simply being the physical tool with which to keep the village going. He has to deal with the constant competition for his favor, which adds to his emotional toll.

Back in the ice castle Yui built for his pure brother, Akira’s plushie informs him the others are frozen, but they are still alive. Kabane even manages to burst half of his body out of the ice. And while his bottom half grows back, the fact remains he, along with the still-frozen Shiki and Inugami, are still at Yui’s mercy.

Not sure what else he can do to protect them, Akira decides to scorn Kabane, saying he hates them and wants nothing more to do with them. When Yui returns, Akira shields Kabane from his frozen wrath and, knowing Yui will do whatever he asks, says he wants to move with him to a new place.

Kabane is left in a state of shock, thinking Akira really means what he said. Then Inari shows up in all her saxophone leitmotif-having glory. She assures him she’s not here for the Lifestone, but the Nullstone, which among other things could provide answers about his parents.

Seeing Inugami sealed up like a Thermos and reduced to communicating through the plushie (which can read his mind waves), Inari remarks that he’s gotten weaker…probably due to how he “makes too much” of “those useless children.”

Inari, meanwhile, uses her children like tools and discards them when they’re no longer of use. But like Kon, Nobimaru is all too happy to serve his mistress in all things, including going toe-to-toe with Yui, who encases Akira in a protective ice cage while he fights an ice-vs.-fire battle with the kitsune.

As the circumstances of Akira’s banishment are revealed—he had his first wet dream, so Yui sent him away before any of the women found out—Yui will do anything to preserve Akira’s perceived “purity”. And while both Nobimaru is hanging in there and the unkillable Kabane is on his way, it’s still looking like Akira will have to be the one to stop his twin brother from causing more harm.

Rating: 4/5 Stars

No Guns Life – 20 – A Beautiful Pipe Dream

When Juuzou runs off, Wachowski assumes Tetsuro is still controlling him. Juuzou has no problem taking care of the Spitzbergen operatives sent after him, but since he never speaks we’re not entirely sure either until a very awake Tetsuro speaks to Wachowski.

Since this is after Wachowski sent Kunugi to help fight Juuzou, that leaves the old man in the wheelchair to the mercy of the kid who hacked his own sub-brain in order to control his own body. Juuzou didn’t come here to solve all of his problems for him, but to help him solve them himself.

Tetsuro offers to cooperate until Seven is defeated (keeping Juuzou out of the equation) but only if Spitzbergen ceases their terrorist activities. Wachowski regales Tetsuro with the story how how Berühren became twisted into an eternal life-support system for its four founders, and how he founded Spitzbergen to expose that rot. Only Spitzbergen also became twisted by extremists and anarchists.

For this reason, Wachowski needs Device 13, which has a setting no other Gun Slave Unit has, and which is his fail-safe against Wurzel. 13’s sacrifice will thus eliminate Berühren and with it Spitzbergen’s need to keep fighting, ushering in a new era of peace. When Tetsuro doesn’t buy it and furthermore would accept Juuzou’s sacrifice, Wachowski reveals he’s an Extended and bursts out of the suit in a a super creepy, absolutely bad-ass sequence.

As Juuzou is content to fight Kunugi (who is apparently Kronen’s senpai) and his henchmen as long as they want, Tetsuro grabs hold of his pipe dream of getting everything he wants without losing anyone he cares about. Its “beauty” is something from which he can’t turn away, so he’ll fight for that dream until his last breath—or in this case, Harmony scream.

Kino no Tabi – 07

Eating a hot dog reminds Kino of a time she once unsuccessfully tried to get one over on her Master, who was cooking hot dogs at the time. Kino then shares a story with Hermes that her Master shared with her, about a country with a big clock tower and, suspiciously, an even bigger police force.

When Master’s young male apprentice is framed for drug possession and locked up, and she is unable to bribe the dirty cop to let him go, Master uses some of her Apprentice’s infiltration equipment and uses an elaborate set of diversions in the form of city-wide trash can bombs to clear the jail of police and slip in wearing one of their uniforms.

The Apprentice knew she would come—like Kino, he knows very well how good she is—and the question is not can they leave, but how. Both Master and Apprentice agree to make a bang rather than sneak out; demonstrate their full power to an arrogant bully that could use a good nosebleed.

For three days and nights they hole up in the central clock tower, shooting any and all policemen who draw within range, but not killing anyone; only wounding them. They cause such a disturbance, the police start to lose their grip on the country, as the public and their leaders demand something be done.

Master and Apprentice do not relent as smaller and smaller formations of police form up at the base of the tower. All are scattered by gunfire, until the very petty-tyrant commanding officer who sat on his petty throne and told Master no price was high enough to free her companion, is now the one who must offer a price to the Master—and it better be high enough, or more bullets will rain down.

It’s a good story, and one I’d think was apocryphal were it not for the somewhat magical realist nature of Kino’s world. Not to mention it just makes sense that the woman who made Kino the kind of “traveler” she is would be that badass!

Kino just so happens to be in the neck of the woods of that Clock Tower Country, and when she arrives in the courtyard where many shots were once fired without taking a life, she finds a monument made from a door blown off one of the police trucks back then.

An old man with a cane and and a granddaughter explains to Kino and Hermes that the memorial is a tribute to the two “Travelers of Justice” whose brazen acts freed the people from a corrupt and oppressive law enforcement system by essentially wearing them down until they grew ashamed of their conduct and shaped up.

Kino and Hermes alike are a bit amused that the country took Master and her Apprentice’s actions in such high esteem, but was the Master simply keeping her skills sharp in service of escaping the country, or did she have grander plans for that three-day-and-night stand?

We’ll never know, nor will Kino, but after this black-and-white and sepia-tinged look back to the past, she turns Hermes around and continues forward, into that Beautiful World, to  make some history of her own.

Mahoutsukai no Yome – 05

The sorcerer Renfred and his apprentice Alice turn out not to be of much concern, as their attempts to turn Chise against Elias fall on deaf ears. Not knowing from whence she came, they totally misunderstand how she feels: far from wanting to be freed, she wants to belong to Elias, the first person to ever call her family. Out of her shadow, Elias appears, and a whole mess of thorns push the sorshies back.

With that over with, Chise, Ariel, and the King of Cats proceed with the plan to cleanse the corruption, which is truly growing out of control. Chise makes contact with the miasma and enters the memory of the corruption, able to watch what unfolded, yet unseen by everyone there, as what she’s watching has already come to pass.

And as horrible and heartrending a story as it is, it hardly came as a surprise. Even before we see a desperate Matthew meet with a super-sketchy sorcerer, things unfolded super predictably: the sorcerer tells Matt the only way to save his beloved Mina is to slaughter cats and make a medicine from their blood and guts.

When Mina catches Matt slaughtering cats, it breaks her heart, but he and the sorcerer force the potion down her throat…and naturally, it doesn’t work. What I didn’t predict was that she’d explode, suddenly and awfully, right in his arms. Jeez.

The sorcerer shrugs it off, thanks Matt for helping him with some practical research, and is on his merry way. But Matt has a breakdown. Before he can slaughter more cats, believing he can still bring Mina back, the cats come for him, led by Mina’s pet, Tim.

Due to the combined horrendous circumstances of the deaths of Mina, Matthew, and the cats, all of them forgot how to return to the cycle of life and death; they are lost in between, and Mina tells Chise the only thing to be done is erase all their existences, lest they become consigned to an even deeper, darker void (harming the living world in the process).

Chise’s like nah-ah, Minal; I’m not erasing you. Instead, with the help of both Ariel and the King of Cats (on her ninth and final life), she guides Mina to where she belongs, with Matthew, allowing the two to happily pass on together and rejoin the natural cycle.

In the gorgeous meadow of blue flowers after they have passed on, Chise stands there, musing about how she was born without a place or purpose in life, but now she has a “perch”, thanks to Elias. As such, she’s less inclined to die soon…but being a Sleigh Beggy, how long does she truly have?

Mahoutsukai no Yome – 04

Before waking up with her head in Elias’ lap on a train “not meant for humans”, Chise has a dream about a sickly woman in bed, telling her cat how she wishes she could have one of its nine lives. From there, a messenger appears in the form of a cat. No wait; it’s just a regular cat…who can talk.

To be precise, Chise learns cats can converse with mages and other magically-inclined people, including her. Like people, they have countries, and their king, a female named Molly, has a task for Elias and Chise in Ulthar – a land where cats are loved and cared for by the humans living there.

There is a growing mass of “corruption” on an islet in the heart of the lake, which will soon wreak havoc on cat and human alike.

As soon as Molly tells the tale of a man who once tortured and killed scores of cats—who was ultimately killed by a whole mess of cats organized by the first Cat King—I began to suspect the source of the corruption had something to do with that cat-hater.

A suspicious hooded woman snatches Chise, carries her into the air, and drops her in the lake.

At the bottom of the lake Chise meets Mina, the sickly woman from her dream earlier. Mina’s husband Matthew turned into the corruption, with her at its core; she begs Chise to kill them both so they can be free.

Oh, and Matthew? He hates cats, and they hate him. HMMMMMM. He’s clearly hiding his dark inclination from Mina, who rarely leaves her bed and probably hardly ever leaves the house.

Chise wakes up in Elias’ arms (again), and he has another task for her: to don robes and perform a cleansing ritual with the help of Ariel; something he with his incompatible shadow concentration cannot do himself.

Chise starts to walk out to the corruption, with Mina’s plea ringing clearin her head, and worried about Elias losing faith in her if she fails. Then she’s suddenly captured again by the red-hooded woman. She’s joined by her master, the sorcerer Renfred, who doesn’t want the corruption cleansed.

Renfred also ridicules Elias (whom he refers to as Pilum Murialis) for “putting a collar” on Chise and using her as his “latest experiment”, without telling her the fate that awaits all Sleigh Beggys—early death.

Not that I blame Elias for taking it slow with Chise, but it now looks like a rift could form based not upon lies, but omission. Unless…as he grooms Chise he’s also looking for a way to prevent her from sharing the fate of her kind.

ACCA: 13-ku Kansatsu-ka – 03

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ACCA’s obsession with things getting done over dinner, drinks, and parties continues apace, as Mauve quietly invites Jean to an intimate dinner that, considering Jean’s blushing, almost feels like a date. In reality, it’s a business engagement.

Mauve has been told to stop investigating, but she wants Jean, with his 13-district-wide gaze, to keep his eyes and ears open for intel on the coup rumors. She’s also concerned that if the heir apparent Prince Schwan (a known puffed-up doofus) ascends, it could threaten the peace of the kingdom.

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As for the Prince’s grandfather the king, he seems like a pretty laid-back, kindly fellow, more concerned with the selection of sweets and fruits at the royal gala than anything else.

Schwan’s a pretty typical idiot prince, and it’s not that comforting to know how close he is to the throne, at which time he vows to disband ACCA, install a puppet privy council president, and do other not-so-cool things. Even his secretary Magi only seems to respect the dude so much.

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As for Jean, he’s one of the many ACCA-affiliated guests who are invited to the event, including Mauve, all five chief officers, and Niino, who brings Lotta along as his assistant (but seemingly really just so she can get a taste of the high life, I’m guessing).

As he floats about the palace, Jean can’t help but feel again like he’s being watched, and it’s because, well, he is. There are rumors all over about an impending coup, and there are enough hotshots in one place to actually make something like that a possibility.

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The thing is, Jean, as far as we know, isn’t an intermediary for the rebels planning the coup. At least, that’s not what Chief Officer Lilium thinks. He trusts his instincts, which tell him he can trust Jean. Groshular, on the other hand, is the one he believes is really behind the coup plot. He’s responsible for the rumors, after all – what better way to deflect attention?

Jean is seen as someone who is a big fan of order and preserving peace, concepts both Lilium and Mauve share, which is why they both come to him seeking an alliance with him. No doubt they’ll work and work quickly to stop a coup from happening, if they can. The question that remains is, is Jean really the person they (and we) think he is?

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ACCA: 13-ku Kansatsu-ka – 02

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Despite the threat of bad things on the horizon, the still-for-now peaceful world of ACCA is a very comfortable place to jump into and spend time, and the show continues a relaxed pace that draws you in rather than makes you nervous or impatient.

While we start with more frankly unnecessary explanation of Dowa and ACCA (though it’s good to now know what an ‘acca’ is), we suddenly find that the “mushroomhead” rookie officer Rail was never going to be able to frame Jean Otus for anything, because the well-informed Jean was on to him all along. It’s a nice demonstration of Jean’s towering competence that it’s important to establish for later on.

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The show keeps things grounded in reality and humanity by continuing to show Jean and others hanging around food and drink. This week we see Jean have breakfast, lunch and dinner, having lively discussions in each one.

Jean’s also often grabbing food for the house and his sister, which is how he bumps into Mauve, who has been ordered to cease her solo investigations, which had to deal with rumors of a coup d’etat plot.

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We also meet an actual not-work friend of Jean’s in Nino, who is a freelance reporter (and certainly looks the part). He’s on good terms with Jean’s sister Lotta too, so Nino is clearly a guy Jean trusts when he tells him not to worry about the feeling he’s being followed.

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I’m loving watching Jean’s far-flung travels between districts, and the way it isolates him from both home and office. He’s out there on his own, autonomous, soaking everything in, doing his job with what seems to be pride.

And yet…is the Jean Otus we’re seeing just an elaborate, near-perfect cover? Chief Officer Groshular believes Otus has something to do with the coup plot, so he has an elite undercover agent following him…who it’s hinted at earlier with a silhouette, then confirmed to be Nino, whom Groshular calls “Crow.” What a tangled web ACCA weaves.

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Right now, it seems just as plausible (if not more so) Jean is totally innocent, and his unorthodox behavior, combined with an inaccurate tip, has led Groshular to cast his suspicions upon him. But it’s intriguing to wonder if we’re only trusting Jean based on what we’ve seen and not the person Jean Otus truly is, hiding just beneath the surface.

Once he arrives in Jumoku, Jean almost looks like Alice, dealing with people and things far bigger (or smaller, in the case of “Tintin”) than they should be. It adds to the disorienting feeling of who is following whom.

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Nino/Crow is clearly perfectly comfortable observing Jean in plain sight; they go back 15 years to high school (though Nino cryptically says he’s been watching him for 30), after all. So is Jean oblivious to the fact his buddy is his tail, or is he well aware, and on his toes to avoid giving Nino anything to work with? Does Jean only pretend to get really drunk to lull Nino in a false sense of security?

It looks like the makings of a great noirish cat-and-mouse game thus far, presented with stylish art and a gorgeous soundtrack. ACCA exudes confidence without arrogance, telling a good yarn without getting too serious about it. But always present is that subtle background noise of looming dread in a peaceful world.

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ACCA: 13-ku Kansatsu-ka – 01 (First Impressions)

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The Jist: From the creator of House of Five Leaves, the director of Space Dandy and One Punch Man, and Madhouse, ACCA follows the vice-chairman and second-in-command of ACCA’s Inspection Department Jean Otus, fulfilling one last audit before the department is shuttered.

However, Otus’ exposing of corruption in a district results in the shuttering being cancelled. Otus starts to feel like he’s being followed and watched, as he wonders if his department was really spared because trouble is on the horizon in otherwise-peaceful Dowa.

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Rejecting the notion that all police dramas must start with a bang and with thrilling action or the capturing of some devious members of the criminal classes, ACCA takes a far more leisurely, introspective, and detailed approach.

While some early scenes where ACCA officers talk to each other about the structure and purpose of their own organization (which is a little clunky), the episode rights itself by diving into the monotonous but not awful day-to-day existence of a glorified functionary who seems to be coasting.

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If this all feels somewhat boring, I think that’s kind of the point. There’s a distinct foreboding feeling lurking on the margins of otherwise mundane world of Dowa. Comments about the increasing number of fires and the fact the King of Dowa has just turned 99 adds to the looming dread.

Nice little details like Otus’ penchant for smoking cigarettes (a rare luxury in Dowa), the birdlike form of the country, and all the various organizations and ranks and their relationships with one another also kept me interested.

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But while trouble may loom (Otus’ discovery of black market corruption indicates there could be larger rot lurking in the depths of ACCA, and one of the org’s “Chief Five” mentions a possible coup d’etat), life nevertheless continues as normal, and that’s where ACCA really shines.

Otus and his colleagues spend a lot of time either in diners, bars and cafes, or opening up tasty treats at work (specifically, at or around 10). The building he lives in is managed by his sister, who wants him to get out of ACCA and join her in the family business.

All those little slice of life moments add up to a rich, lived-in experience, which makes up for the lack of exciting action. The visuals are nothing fancy, but get the job done, while the eclectic soundtrack is superb. If ACCA continues along this offbeat tack, it should secure a firm place on my Winter watchlist.

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Sousei no Onmyouji – 20

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If it’s wrong to be immersed in this particular slice of formulaic shounen entertainment, I don’t want to be right. This episode put wasn’t perfect, but it got use through the epic battle between Yuto and the twins with a decent variety of twists, then capitalized on all of the good work it’s done with Roku and Benio to bring the arc to a close.

I’ve been clear about my dislike of the one-dimensional Yuto, but he’s made much more interesting by Benio’s assertion he’s hiding how much damage they actually did to him—without lessoning the threat he still poses as long as he remains on his two feet.

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I was hoping Benio could have ended things with Yuto with her new awesome Kegare legs, but she blasts through all her power too quickly, and Roku has to step in and save her. When Roku just can’t watch Yuto beat Benio anymore, the episode turns his power knob up to 11.

He can fight on the same level as Yuto, and he’s healed when Yuto blasts a hole in him. Furthermore, since they’re in Magano, all of the spirits of Roku’s friends whom Yuto turned into Kegare literally have his back, and he gains the final boost he needs to blow Yuto away.

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Blow him away he does, with a big ‘ol authoritative energy beam…but Yuto isn’t dead. C’mon now, there are 30 episodes left! Also, he merely “fell into darkness.” He’ll be back, but he’s gone for now, and Roku and Benio really can go home and have that ohagi. So I’m happy.

Could I have been happier? Sure. Why didn’t Yuto ever think to break Roku’s legs, or broken his instead of Benio’s? If he had, Benio would have had to save Roku, not the other way around. But I’ll let it go; both of them saved each other; who got the last lick in is not of much consequence.

What mattered was that SnO get the aftermath right after the battle ended. And what had been a nominal 8 up to the end of the battle rose to a 9, thanks to doing just that.

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Roku wakes to a smiling Benio. They meet with Arima and the 12 Guardians, the latter of which threaten discipline. But Benio helps reinforce the facts: the guardians wouldn’t have gotten there in time, their friends and family were threatened, and Seigen failed. So no punishment.

However, Arima’s nice-guy mask cracks more than once in this meeting, as he reiterates Roku’s true mission, which isn’t to train or become stronger or even fight or exorcise anyone or anything; it’s to marry Benio and conceive the Miko.

Roku turns the issue around by first going up to Benio and proposing to her, but then asking what exactly a newborn baby is going to be able to do about calamities that will arrive before he’s a glimmer in Roku’s eye? He isn’t going to wait and put such a burden on an infant. He’s going to keep getting stronger and make sure the Miko has as little left to do in the world-saving department as possible.

Benio are of the same mind on this, so Arima indulges them: they have two years to become stronger than the 12 Guardians. The consequences if they can’t? Marriage and babymakin’.

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Make no mistake: neither Roku nor Benio are ready for those things yet. But right here and now, they are a couple, and both have gotten more and more comfortable with that after everything they’ve been through and how they’ve come through for one another.

After all of that, and then enjoying a festival together, and after Roku buys Benio a new pair of sakura-themed hairpins, Plan B looks less like something they’ve always want to avoid, and more like something they’ll want anyway, when they’re ready.

Oh, and Mayura is going to be an exorcist, so she can stand and fight beside her friends. Good to hear; someone with such inventive expressions shouldn’t be kept on the sidelines.

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Sousei no Onmyouji – 19

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Uhh…that ohagi will have to wait.

Roku and Benio give it their all, but they haven’t seen the true breadth and depth of Yuto’s power until now. He gives Rokuro the choice to join him or die (typical villain offer) and when they don’t cower before him, he actually loses the goofy grin and gets angry.

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Don’t get me wrong, Yuto’s still a major drag, but at least he’s showing other emotions in the face of his foes’ defiance. But as I suspected, this isn’t a one episode-and-done battle (no way it could be), and as powerful and determined as the Twin Stars have become, they still only had one day to prepare. It just wasn’t enough. Not by a long shot.

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Yuto is somewhat surprised by what the duo’s resonance can do, but even their finishing move only causes him to momentarily shed his human skin, revealing his entire body is riddled with Kegare corruption, just like Rokuro’s arm. That’s gotta mess with a guy, which at least explains what a manic, sadistic creep he is.

Once his normal body is back, he separates his two opponents, making sure to get some good devastating putdowns of his sister in before destroying her legs and leaving her to wallow in her weakness and be devoured by some passing Kegare. Rokuro can do nothing, as Yuto puts him in a chokehold.

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Except Benio isn’t devoured. Instead, Kamui appears, having been drawn to a “cool battle” he’s sore he wasn’t invited to. He offers Benio one of his trademark 10-second decisions: he’ll give her new Kegare legs to replace her ruined human ones. But it will mean taking on a curse just like Rokuro and her brother, and she might get lost in the chaos.

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What breaks her out of becoming totally consumed by her new legs are the cries of her name from Rokuro. When he pulls her out of the darkness and into the light, she realizes why it is she feels so warm and at peace whenever she’s around him: she’s fallen in love with the guy.

That love forges Kegare legs that Kamui admits look the furthest thing from impure, as if the love took the raw Kegare material and made it something beautiful and good. Rokuro laments Benio’s decision right up until she darts around like a lightning bolt and shows everyone what those new legs can do.

Thanks to the wild card Kamui—and Benio coming to grips with her feelings—Rokuro and Benio are still in this thing. But Yuto seems pretty dang pissed his sister was “chosen,” and isn’t just going to lay down and be easily defeated.

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P.S. I’ve finally learned how long SnO will be: 50 episodes. That means barring any season-long hiatuses, the show will continue through Fall ’16 and Winter ’17. I’ll be sticking with it to the hopefully-not-bitter end. The extra length bodes well for Rokuro and Benio’s slowly-brewing romance, for which this episode was definitely a landmark.

Sousei no Onmyouji – 18

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This episode followed up on Rokuro’s vow to take care of Yuto by having Benio right by his side every step of the way. After all this time together making each other stronger, it would be silly and futile for him to fight Yuto alone.

We also got a respite episode this week after two straight battles, and the physical and emotional training the Twin Stars do in the 24 hours before the showdown thankfully isn’t limited to a montage, but occupies the entire episode.

Lots of Rokuro and Benio on their own bouncing off one another is always good, and they manage to get over how nervous they are to be holding hands by learning the broad strokes of their resonance ability.

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But Yuto (busy placing lilies on school desks in Magano, the twerp) isn’t just the fuel that allows the Twin Stars to resonate better; he’s also a demon in Benio’s dreams that leads her to run to the dorm for granny’s comfort and advice.

Granny tells Benio it’s fine to run, but warns her not to do anything she’ll regret, as regrets bind you tighter and tighter throughout life. Benio is scared shitless of the battle to come, but she also knows she’ll deeply regret leaving Rokuro alone.

So she re-resolves to fight with him, and Granny sends her on her way. She finds Rokuro still in the basement, asleep after testing his new Red Talisman (which packs such a punch, I worry for their lovenest’s structural integrity).

Rokuro may be impulsive, rude, and a pervert, but Benio still appreciates all the times he and only he showed her “the way out of the darkness.” She’s never expressed herself as brightly before they met. She realizes he makes her better as a person, not just an exorcist, and she does the same with him.

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It’s a relief, then, that when she nods off beside him and they wake up together in each other’s arms, their mutual shock soon turns to laughter. There’s a quick bit more backstory when Rokuro reveals to Benio that his real right arm was eaten by his friends, and while he underwent corruption, he didn’t fully turn, only his arm.

Having learned he had to exorcise a friend of his (a girl who seemed to like him, to boot) on top of everything else, Benio tries to offer apologies both for her initial dismissal of his determination and for her brother’s sins, but there’s no need. Rokuro and Benio are through apologizing to one another. It’s time to get out there, beat that prick Yuto, come home, and eat some ohagi!

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Sousei no Onmyouji – 17

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Like Roku and Benio, I was tired after last week’s battle, hoping there’d be a respite…and then Ijika Yuto had to show up…again. I know he’s pretty much the big bad of this show so far, but I’ve been on record since he showed up that I simply do not care for the singsongy little twerp, because unlike other well-worn elements of SnO, he hasn’t been able to expand or subvert his generic smirking villain nature. I don’t like how he talks, and I don’t like how he holds back for dramatic effect.

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Seigen looks more than capable of overpowering Yuto, and Yuto’s expressions suggest the same. However, Yuto’s just messing around; in reality, he’s far more powerful than Seigen. But he’s just too in love with foreplay and dragging a battle out. In addition to Yuto, I also don’t like it when the show spends extended periods in Magano—it’s cool-looking, but too abstract and fantastical to carry much weight as a setting.

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Seigen is down, but not out, so after taking another hit for Roku and boxing up Roku, Benio, and Mayura in a protective barrier, he launches an apparent suicide attack in order to stop Yuto from harming the future parents of the Miko. I do like how Seigen, for all his bad attitude, has become a believer in the Twin Stars, which I guess is why he felt confident that the end of his life wouldn’t mean the end of the cause.

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Naturally, his near-suicide attack has little to no effect on Yuto, meaning Yuto is clearly strong enough to have already done everything he could want to do—including kill everyone here in the first minute of the episode. But he doesn’t, because he still wants to see Roku unleash the full potential he sees in him…if only to turn him into a corruption as he did the Hinatsuki dorm kids and Mayura.

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One more gripe against this episode: it pretty much sidelined our Twin Stars, who for most of the running time can only react to Yuto and Seigen, and in Rokuro’s case yell and scream far too much for one episode. However, when they finally get some time at the end, they don’t waste it.

Jiisan gives Roku what Seigen prepared for him—a special elite exorcist armor that’s hella cool-looking—which Roku quickly puts on and tells Benio (still grieving over what’s become of her brother) he’s not going to wait for a four guardian task force to arrive and deal with Yuto. It’s something “he has to do himself.” Hopefully, he actually means himself and Benio.

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