The Duke of Death and His Maid – 08 – Beauty and the Grouch

This week’s first segment introduces us to Bocchan’s younger brother Walter, and…he’s a lot. First and foremost, he’s a bit of an arrogant prick, already measuring the drapes for his ascension to head of the family. He’s also got a complex about being called the secondborn son…even though that’s what he is. His goofy antics and physical comedy aside, Walter is not a good guy. At least Viola visits her big brother and treats him like a person!

While her official stance is neutral, I imagine Viola prefers Bocchan to Walter, and hopes he’ll break the curse. During her latest visit, she meets Caph, initially assumes she’s a burglar (not a bad instinct!) and attempts to tackle her, only to bounce off her bust. Then she sits on Caph and ties her up by the fire, which is the scene Rob walks in on, much to Viola’s dismay.

While Viola is charming, cute and fun to watch, the real meat of the episode comes in the final extended segment, during which both Bocchan and Alice play a game of chess during a snowy winter night and reminisce about a similar night years ago, when Alice was appointed Bocchan’s maid. Bocchan was in a much darker, more nihilistic emotional place then, and his first instincts were to dismiss Alice and suspect she’s laughing at him on the inside.

This is because, no doubt due in part to the trauma of suffering the witch’s curse, he doesn’t remember Alice. He certainly isn’t aware of just how momentous him taking her hand and helping her off the ground meant to her at that difficult time in her life. That’s right: the kid who now kills anything he touches once essentially saved Alice’s life…with his touch.

No matter how many insults Bocchan flings Alice’s way or derides her mere presence, or tells her he flat out hates her, Alice does not bend, at least not in front of him; we see a rare moment of her vulnerability after he leaves his room and sighs. When he gives her an ultimatum of cleaning his rock starred-up room in three days or she’s fired, she does it in one night, even though she cuts up her fingers picking up shards of glass.

When Bocchan sees Alice isn’t leaving, he decides to leave instead, trudging out into a winter storm until he’s lost and freezing. It’s then that he decides it would be better to just die than continue living the joke of a life he’s endured thus far, unable to touch or be touched.

But it’s while lying in the snow that he finally remembers who Alice was. That’s when Alice arrives to help him up the way he helped her up years ago. The only difference is there’s an umbrella between their hands this time. Alice fell for Bocchan that day, and never stopped falling for him since.

The Witch told Bocchan “No one shall love you, and you shall love no one. You will live a life of misery.” But that’s no longer true once the two come in from the cold and warm themselves by the fire. Alice does love and care for Bocchan, then and always, and Bocchan soon comes to love her right back as the misery in his life gives way to that love and the joy it brings.

Could it be that ever since that snowy night, the witch’s curse has been broken all this time, except that he can only touch Alice? If Bocchan can touch Alice, could it be long before he can safely touch Viola, or Rob, or Caph and Zain, or Walter…or even his mother? Maybe it will all come down to loving and being loved. We shall see in the final third of Duke of Death and His Maid

Rating: 4/5 Stars

The Duke of Death and His Maid – 07 – Suspension Bridge Effect

Not about to be discouraged by Daleth’s insistence they give up, Alice spends much of the episode trying to find alternative methods of lifting Bocchan’s curse. She begins by procuring a second-hand witch’s cauldron complete with a book containing recipes for curse-lifting brews. Unfortunately it’s unsuccessful, but it as worth a try.

In the next segment, Alice finds some odd sheet music from a composer named MacFarlane (not Seth) who wrote the music in white ink on black paper because it looked cool, which also makes it hard to read. That said, it’s believed if you play his piece perfectly it can lift a curse, so Bocchan does just that, powering through both the distracting ghost of MacFarlane and Alice’s usual flirting. Turns out the curse that is lifted is…the curse of MacFarlane’s ghost.

When Bocchan accidentally breaks a flowerpot, he runs and hides from the wrath of Rob, and Alice tags along. While he started out the segment wanting to create the “suspension bridge effect” in her by scaring her and causing her heart to race, the fact of the matter is there’s no need to scare her. Alice’s heart is always racing when Bocchan is around, racing all the faster the closer in proximity they are. She’s long since established she’s not scared of dying, she just loves the guy.

The final sequence, which takes place after the credits, involves Bocchan and Alice sharing an Alice in Wonderland-themed dream in which they must secure the White Rabbit in order to exact a wish from Alice (the book version).

Their mission is derailed by the fact they can touch one another in the dream, with Bocchan waking up just before committing to kissing his Alice. The book Alice is mad for them totally slacking off, but Bocchan is content to fall back asleep, hoping to pick up his dream with Alice where he left off.

The Duke of Death and His Maid – 06 – Knight in a Top Hat

By introducing the overgrown conservatory this week the show finally acknowledges that it’s hella hard to maintain a vast mansion with just two servants, one of whom has a bad back! But should Bocchan never lift his curse and his younger brother becomes the head of the family, he always has a lucrative future in landscaping, as his curse becomes an effective brush-clearing blessing.

After losing himself a bit in the satisfaction of clearing away all the excess greenery, Bocchan checks in on Alice to find her admiring some purple flowers. Rather than wither them, he manages to dry them and make a charming garland headpiece for Alice, who promises to treasure it along with the rose he gave her. If you can’t touch the one you love, at least make yourself useful!

One night, Bocchan can’t sleep and hears Alice call out. He inadvertently catches her naked, and she puts on a towel reports that a black cat has run off with her dressing gown. Bocchan gallantly offers to track down the cat and retrieve the gown, but Alice accompanies him. I mean, I know Bocchan wasn’t going to accidentally murder the cat, but there’s still that edge to his interactions, especially with animals that move unpredictably.

With Alice donning Bocchan’s coat so she won’t catch a chill (and absolutely loving the opportunity to smell his scent), the two eventually find the cat, and discover the gown is not in recoverable shape. Since the cat took it to make a warm nest for her litter of kittens, neither Alice nor Bocchan feel that bad about letting the gown go. As Alice demonstrated earlier in the episode, she has a pretty extensive wardrobe.

After these two cute little “home” segments during which Alice and Bocchan putter around the mansion, we get to the meat of the episode: the long-awaited Witches’ Sabbath. Caph and Zain arrive, repurpose a mirror in a storeroom into a portal to the meeting spot, and give Bocchan and Alice robes that will mask their scent so the witches won’t, ya know, murder them or feed them to their carnivorous plant.

As soon as they arrive, Bocchan is on edge; while there are some witches with human form (and who are dressed like they’re ready for the club/beach/beach club) there are many more witches who appear to Bocchan to be nothing but monsters. While the sheltered Bocchan shouldn’t be judging books by their covers, since he’s been judged by his curse for most of his life I suppose it’s easy for the pot to call the kettle black.

The witches’ leader, Daleth, runs the Sabbath like high school homeroom, with the stand-and-bow, roll call, and mundane announcements. It’s actually pretty funny how laid back it all this, especially considering how wound-up Bocchan got; he intended to bring along a suitcase full of weapons, but Caph burned it to ash.

Alice actually already crossed paths with the skull-masked Daleth when she and Bocchan went on their little town date, and Daleth recognizes her too, seeing right past her and Bocchan’s frankly half-assed disguises. She also happens to know—and hate the fucking guts of—the witch who gave Bocchan his curse. The bad news? That witch is dead, and even Daleth has no idea how to lift the curse.

She recommends Bocchan give up now rather than later for his sake. When he protests, she deems the conversation over, then covers her withdrawal by burning away Bocchan’s robe. With his human stench exposed, the witches chase him en masse.

When the club/beach chicks sic their carnivorous plant on Alice, Bocchan need only touch one of the tendrils to kil the whole damn thing. Still, Alice does not understate the fact that Bocchan risked his life to save hers, doubtless causing her love for him to only grow.

Bocchan, Alice, Caph, and Zain make it back to their mirror portal, which closes before any of the witches can press their pursuit. After a short stint in a most magical and whimsical land, they’re back in the relative normalcy of Bocchan’s huge mansion. Bocchan isn’t about to let himself be discouraged by Daleth’s words, and continuing to believe there is a way to break the curse is crucial to breaking it.

As for Caph and Zain, he thanks them profusely for all of their help. Caph again explains that seeing him go all out inspired her to take a chance with a human, and she didn’t regret it. She assures him that the next time she and Zain return to his mansion, it will be as friends, not merely magical facilitators. As for the curse, well…who’s to say it’ll take a witch to break it?

The Duke of Death and His Maid – 05 – The Viola Method

Viola is back, ostensibly to visit her dear old brother—who let it be said she does actually care about—but mostly to be in the presence of her beloved Rob. This may make Viola a “panther”, but she doesn’t care; men her age act like children and she has no use for them.

Viola also offers some unsolicited advice to Alice about having more charm and human appeal which…fine. Alice humors her by going along with her “Viola Method” of training, if for no other reason than it offers her yet another avenue to tease Bocchan, by talking and acting in a more cutesy manner than he’s accustomed to.

Rob later leads Viola to the kitchen to help bake, and the two find Alice and Bocchan already there making a stew. Rob is flattered by Viola’s feelings, but as she’s the age of her granddaugher (if he ever had any), nothing will ever come of it. Nevertheless, Viola likes being with Rob and Alice, and is glad her brother has them in his life.

For the next segment Viola heads home and Bocchan and Alice head to the frozen lake for some ice skating. Bocchan ends up encountering Caph’s old friend Zain (voiced by Kamiya Hiroshi), who is a magic user and bird-man, while Alice finds Caph on the ice and warms her up in her bosom. Bocchan doesn’t like how forward Zain is with Alice…and neither does Caph!

The four eventually link up (with Bocchan gingerly holding Alice’s sleeve) and skate/walk across the lake as a unit, looking very much like two couples on a double date. Just as Bocchan envies how physically close Zain and Caph can get, Zain envies how open Bocchan and Alice are with their feelings.

Caph and Zain have such a good time, they decide to invite Bocchan to the next Witches’ Sabbath. While they’re bound by oaths not to say anything that might help him, there’s nothing saying he can’t try to investigate on his own and possibly track down the witch who cursed him. And if he runs into trouble, Caph and Zain will help him out. Could some actual progress on the curse-breaking front be in the offing?

However it happens, I’m hoping breaking of the curse is definitely something I hope happens, period. Who knows, maybe due to their love for each other, Bocchan and Alice are already able to touch without her coming to harm…but it’s not exactly something they can test out, considering what would happen if they were wrong!

Instead, it’s Viola who ends up cozying up to Alice in the last segment. Kept away from Rob’s room by Bocchan, she decides to have a sleepover in Alice’s cottage, where they can engage in girl talk. Alice isn’t accustomed to bonding with other women, while Viola always wanted a big sister to pamper her, so it’s win-win for the pair.

Finally, while it’s a bit silly I haven’t mentioned it yet in five episodes, super kudos go to Mano Ayumi as the prim, silky, calm and alluring voice of Alice, particularly in her vocal performance of the ED, which is a bittersweet banger.

The Duke of Death and His Maid – 04 – The Witch and the Snow Fairy

After three weeks of chiding her for getting so close to him, one day Alice is keeping her distance, seemingly avoiding Bocchan. When he tries to approach her, she Shunpos away like a Shinigami out of Bleach. But he soon deduces that she’s caught a cold and doesn’t want to give it to him.

Defying her caution, he tucks her into bed in her cottage and vows to stay by her side until she’s better. It’s a lovely inversion of their usual dynamic, with Alice seeminly capable of anything while Bocchan is weak an ineffectual.

Winter has come to Bocchan’s villa, and with it a fresh blanket of morning snow. The episode really captures the childlike glee that comes with the first sight of such a snowfall (assuming you’re not trying to drive to work that morning).

Bocchan is similarly elated to get to see Alice set against the pure white backdrop, accentuating her loveliness. The two and Rob build a snowman and have a spirited snowball fight, with Alice demonstrating she also has Matrix-like powers of evasion.

In the midst of all the wintry fun, Alice loses one of her earrings, which belonged to her mother and is thus precious and irreplaceable. By the time she realizes it’s gone it’s nighttime and snowing harder, but Bocchan goes out unbidden to dig through the snow looking for it.

The conditions quickly sap his energy, and he’s soon lying in the snow, exhausted. This is how the witch Caph finds him, and when she hears what hes doing, for whom, and why, and that he won’t give up, her initially hostile stance softens, and she decides to help him with her fire magic.

The earring thus found, Bocchan and Caph go in and the witch is introduced to Alice. A lazier or more obvious choice would be to make Alice jealous of Caph for vice versa, but the two women get along famously, and in any case, Caph apparently has her own guy friend whom she admires and adores the similar to how Bocchan and Alice adore each other.

What she doesn’t have is any concrete answers for Bocchan about his curse or how to break it, no matter how much Alice plies her with food, tea, and dessert. Caph is sympathetic to Bocchan’s plight and has even taken a shine to the guy, but she doesn’t consider herself anywhere near the league of the witch who did this to him.

Caph flies off in her bat form, but I’m sure she’ll be back. The next day while outside touching up the Bocchan snowman, Alice recalls a memory from when she was bullied by the rich kids for not being rich, even though she was adorable. Only Bocchan was kind to her, dusting the snow off of her (he could touch people at the time) and saying she looks like a beautiful snow fairy when set against the white powder.

It really brings into focus Alice’s love and devotion to Bocchan, and when he says the same thing he said back then—that she’s like a snow fairy—Alice can’t help but chortle gleefully, for her beloved Bocchan has scarcely changed in all these years. Indeed, the main change is the curse, about which hopefully something will be done before this series concludes.

Rating: 4/5 Stars

The Duke of Death and His Maid – 03 – A Distant Kiss

Bocchan loses a game of pool to Alice, and so cannot refuse when she asks if he’ll accompany her into town for a festival. Because many will be in costume, he’s able to wear a steel-framed suit to avoid contact with both Alice and bystanders. It’s a way for him and Alice to feel like they’re on an actual date out in the world for the first time, even if they still can’t touch.

When they become separated by the crowd, Bocchan demonstrates how despite the rumors around town about a monstrous shinigami, the actual person of whom they speak is actually a kind and gentle young man. When a lost boy clings to his coat, he cheers him up by playing a song on the piano set up in the town square.

Bocchan sheds his heavy disguise to join Alice atop the clock tower, where they gaze at the moon and she tells him the story of another couple separated by a witch’s interference. In the case of the story, the man is on the moon while the woman is on earth.

But the man could be on Pluto and the basic tragedy would be the same as Bocchan and Alice’s; they are together in their hearts, but can never actually touch as long as the curse remains in force.

One night Bocchan gets a note from Alice to meet her in her bedroom (set off from the mansion) if he has trouble sleeping. When he enters to find her brushing her hair while nude, he assumes she has naughty plans for him. In the end, however, between a calming scented candle and cammomile tea, she really was simply trying to help him sleep…though it’s clear she was also hoping he’d get the wrong idea so she could gleefully watch his reactions.

Another night, when a once-in-a-decade meteor shower is to occur, Bocchan is the one to invite Alice to an intimate boat ride on the lake. His true intention is to properly confess his feelings—as opposed to the offhanded ways he’s told her he loves her. Things go pear-shaped when the wind snatches his hat, Alice leaps into the drink to grab it, and he can neither stop her nor help her out of the water due to the curse.

When she tells him straight-up that she’d be fine dying by his kiss, he leans as close as he dares before backing off, not willing to sacrifice Alice for just that one kiss. Alice, knowing he wouldn’t do it, tips the boat so he falls in the water with her. Thankfully, the water doesn’t conduct his curse like it does electricity!

In all the excitement, they missed the meteor shower, but as they both dry off by the fire, Alice says she’ll accompany him to the next one, in ten years. Bocchan is constantly worried that he’s not properly expressing how he feels, but Alice already knows, and feels the same way about him. It’s why she’s stayed with him this long; it’s why she has every intention of being with him in a decade, curse or no curse…but hopefully no curse!

Steins;Gate 0 – 16 – It’s Not Just a Cheap Coat

Daru and Maho are hard at work on “Phone Microwave (Temporary) Unit-02”; progress is slow and full of smoky setbacks, but neither party has any intention of giving up anytime soon. Meanwhile, in Mayuri’s words, the “normie life” of Rintarou (who has given up on trying to have both Kurisu and Mayuri in his life, without starting WWIII) is taking off, and he can’t tell how left behind she feels.

Rintarou can’t so much have a conversation with her without checking his buzzing phone. He says things like his going to America is “good for everyone”, even though it’s not good at all for her. She decides not to go eat with him, but ends up encountering Ruka, who calls her Rintarou’s “Orihime-sama”, pertaining to Vega and the heroine of the story upon which the Tanabata festival is based.

While the lovers representing Vega and Altair were banished to opposite ends of the galaxy, once a year a flock of magpies forms a bridge for them to meet. Mayuri, who can tell that Rintarou loved/loves Kurisu and not her, can’t subscribe to Ruka’s assertion, and all Ruka can do is offer a handkerchief to dry Mayuri’s tears.

Rintarou suddenly arrives at the lab while Maho is showering and Daru is unprepared. He’s ready to drag Daru along with him to America, but the trash is full of bananas and there’s a curtain covering the back of the lab. A light dawns in Rintarou’s head, and his initial suspicions are proven right when he pulls a bunch of slimy green ‘nanners from the trash.

When he discovers the new Phone Microwave, he whips himself into a damn frenzy trying to remind Daru just how much torture he endured and who died last time the device was constructed. Eventually his rantings are interrupted by Maho (in a towel, at first), but he soon turns on her, going so far as to call her a murderer if she proceeds. That earns him a much-deserved punch to the face.

Once heads have cooled a bit, Rintarou and Maho debate the “laws of the world” and whether messing with them is “challenging God.” While Maho can appreciate and even respect certain aspects of Rintarou’s theory about how the world works, she doesn’t believe humans would have the ability to make a time machine if they were never meant to.

Rintarou rebuts, telling her how she couldn’t possibly understand what it’s like to fail and fail hundreds and thousands of times, which is laughable to us because we know that the entire time Kurisu was alive, Maho was struggling and failing to reach any of the breakthroughs or earn any of the accolades or gain any of the fame her kohai had. But she never gave up then, and she’s not giving up now, no matter how much Rintarou yells at her.

Rintarou skulks off, and by chance, ends up encountering Mayuri in the park where they used to spend a lot of time before they met Daru. She used to wait for Rintarou just as we saw her wait outside his college in the present. What Rintarou doesn’t know, but eventually finds out as she talks, is that Mayuri heard every word in his rant back at the lab about how saving Kurisu meant killing her off.

She also tearfully notes how much he’s looked like he’s suffered ever since he made the decision, which makes her think he might’ve made the wrong choice. There’s no way he can be okay with how things have turned out if he has that look. His eyes have always betrayed how he actually feels. Rintarou is devastated, and tries to tell Mayuri to do the impossible: “not think about it.” Things aren’t that simple, Okarin. The clouds part, revealing Vega and Altair.

This was an emotional powerhouse of an episode, with clashes between characters of an intensity that’s been mostly missing from this season. With those scenes came brilliant performances from Miyano Mamoru, Hanazawa Kana, Seki Tomokazu and Yahagi Sayuri. Also brilliant is the fact that there are no right or wrong answers.

As Daru and Maho search for that one perfect solution to the formula among an infinite possibilities—for the Steins Gate—they must be cognizant of the fact that they are imperfect, lest the despair Rintarou has already experienced not only return, but worsen.

Steins;Gate 0 – 15 – MOE MOE KYUN

Up to this point, it looked like things were going well for Daru and Yuki. Not fast, but good. Both were comfortable with the pace. Suzuha isn’t satisfied with his dad’s pace, so gets Feyris to doctor a photo to make it look like she’s slowly fading from time—Back to the Future style—because Daru isn’t spending enough time with her future mother. Meanwhile, Maho returns to Japan…but doesn’t have much to do at first.

She joins Suzuha, who gathers all of the other women (plus Ruka, minus Nae) to put Daru through a kind of “Dating Boot Camp”, even going so far as to have Maho hook him up to some kind of ridiculous “sleep learning” device.

The resulting Daru is confident—suave, even. But no matter how good his fancy date with Yuki looks from afar, in the end, Yuki has simply seen and heared and endured enough, and gives Daru the “oh look at the time.”

Daru needs time alone, and Suzu thinks she’s torpedoed her own birth. She thinks of the time her mom sacrificed herself to save her from a killer drone. She admits to Daru that the photo and stuff was a lie because she wanted to watch him and Yuki fall in love firsthand.

Daru was on to Suzuha all along (he is her dad, after all), but is grateful for the little push in the back he needed. He calls Yuki, apologizes for the first date, and she grants him a second in as many days, suggesting Suzu never had anything to worry about.

The nature of the date also suggests that any kind of unnatural meddling in Daru and Yuki’s romance would be fruitless, because Yuki likes Daru just the way he normally is, right down to the way he confesses, which is up in the title of this review. Justhewayouarism; clearly Yuki was a student of Fred Rogers.

After Yuki and Suzu talk post-Daru’s confession, they share a knowing hug that almost makes be think Yuki is aware of exactly who Suzu is. I mean, why not? Daru knows Suzu is his daughter, why wouldn’t Yuki instinctively know she’s her mother? As for Suzu’s sour face after departing from Yuki’s embrace, what was that all about? Does she sense K6205 watching her from on high?

This was an inoffensive enough little palate-cleanser for the coming trials involving Maho, Daru, the time leap machine, etc. But it lacked stakes, as I never believed Suzuha’s never being born was particularly likely, and certainly not something that would be determined in one episode.

As I said, Maho was mostly wasted this week, though I’m keeping an eye on the widening distance between Rintarou and Mayuri. It’s not that he doesn’t want to hang out with her ever; he’s just a very busy dude right now.

Sword Art Online Alternative: Gun Gale Online – 08 – When in Doubt, Add Grenades

In terms of LLENN accomplishing her goal of quickly killing Pitohui, SJ2 is off to a rough start, as Team LF is about as far away from Team PM4 as is geographically possible on the game map. Fukaziroh also commits a rookie (or J.R. Smith-esque) mistake by walking right into a booby trap that takes out her legs.

In the two minutes that it takes for limbs to regenerate, it’s all up to LLENN to eliminate the six-man team attacking them…and she does so with girm efficiency and a variety of moves, from run-and-gunning to a crotch-stab. Fuka kills the sixth man with a short-range grenade, and soon has her feet back.

As for the other favorites to win, MM are holed up in the snowy mountain forests, waiting to see how things unfold, while SHINC is going after the closest enemy teams with no mercy. Also camping is team PM4, and though Pitohui is extremely impatient and bored, even to the point of questioning M’s courage, M has a plan, and since he’s the leader, what he says goes.

As they slowly make their way closer to PM4, LLENN and Fuka find another team at a train station, and Fuka decides to make up for her previous blunder by taking out their opponents without LLENN having to fire a single shot. All she has to do is serve as a spotter as Fuka rains grenades down from a place of safety, and it works like a charm…at least against an anonymously subpar team.

The next scan reveals that seven teams have formed a massive 42-person alliance and is nearing PM4’s position. LLENN is worried, and runs as fast as she can, but even at top speed she won’t make it, and soon trips over herself.

Fuka tells her all they can do is trust in Pito and M’s ability to survive, and the pair head towards the friggin’ gigantic domed stadium. For Pito’s part, she’s not running from this allied group. On the contrary, she intends to massacre each and every one of the 42. After all, she’s got a lot of pent up energy from all that waiting around.

Itsudatte Bokura no Koi wa 10 cm Datta. – 04

This ain’t ten centimeters!

Miou’s in a funk and a half, and really just wants to curl up and die, or at least switch places with Serizawa’s dearly departed brother, since she doesn’t deserve to live while he’s dead, and it’s all her fault for drowning. This is of course patently ridiculous…yet here we are.

Of course, Miou doesn’t tell any of this to Akari or Natsuki right away, but they don’t like her in this troubled state and do all they can to support and cheer her up. Such nice friends!

“My finger camera…broken?!”

Miou’s sudden disappearance from his life, compounded with the notice that he’s won the chance to study abroad in America, is also weighing on Haruki. Frankly, both protagonists are real mopey pains in the ass this week, and it was most unpleasant to watch.

I’d like to think I’d have the patience of Miou and Haruki’s friends, but some one can only snap at you, or tell you they’re no good, so many times before one has no choice but to throw their hands up and say “You know what, fine! You’re right! Now go suck someplace else!”

“There you go, quit being a whiny little brat and paint something!”

While Haruki sinks deeper into the muck, even questioning whether he really wants to be a filmmaker or if he’s just carrying on his brother’s dream, Miou thankfully comes to a sort of epiphany when Natsuki begs her and Akari to help her out at a community art class.

Echoing the cold open where a Lil’ Miou wowed her preschool-mates with her drawing, Miou interacts with an ornery little boy and gets him to cooperate and even have fun, then moves from person to person giving tips and encouragement. She clearly has a knack for talking about and teaching art.

“Let’s do this, canvas.”

She also later realizes she can’t keep the secret about Haruki’s brother inside forever or it will eat away at her like a sickness. So she comes clean, only it’s nothing to “come clean” or even blame oneself for; Natsuki can’t stress it to Miou enough: It’s not her fault, and staying away from Haruki out of fear he’ll hate her will only make him hate her.

Natsuki and Akari agree both Miou and Haruki are at their best when they’re on good terms, talking and hanging out together. So even though Haruki can’t see any future with Haruki in it (especially now that he’s headed for America), that isn’t going to stop her from imagining that future anyway—starting on the canvas, which she returns to with newfound desire to fill it with her vision of “love.”

Besides, Haruki may not end up going to America anyway. He just needs a reason to stay.

Itsudatte Bokura no Koi wa 10 cm Datta. – 03

Miou and Haruki had started to grow just a little bit closer to one another, but the sudden revelation that Haruki’s brother died saving Miou throws their intercept course, as it were, way off, until Miou is suddenly sprinting in the opposite direction.

Even when Saku tells Miou Chiaki was always frail but nevertheless risked himself to save others. Miou living a good life for his sake is “how it should be”, and Miou shouldn’t feel any shame for being the one who was saved.

But she does. She blames herself for Chiaki’s death, and doesn’t see how she can even face Haruki, let alone talk to him, let alone close that 10cm distance.

So Miou suddenly disappears from the center Haruki’s life. She doesn’t get near him or talk to him, and flakes out on the painting competition.

Haruki wonders if there’s anything he did or said to cause Miou to change like this; and he can’t come up with anything, which only increases his frustration. That frustration makes it difficult to focus on editing the film.

When he finally catches her on the rooftop at lunchtime, Miou attempts to retreat wordlessly. Haruki bars her way, and tells her she has to tell him what’s wrong or he won’t understand.

Since there’s no way Miou can tell Haruki what’s really wrong, all she says is that “she’s no good”, and he shouldn’t talk to her anymore.

Haruki’s friends are worried about Haruki, and can immediately tell he’s distracted from the quality of his work. Haruki is mad, because he’s helpless to discern what’s wrong with Miou. Without revealing him the secret he and Miou share about Chiaki, Saku only tells Haruki that Chiaki would have “done what he believed was right.”

All well and good…Haruki doesn’t know what to do! That night Haruki reminisces about how kind and loving his big bro was, and how strong and brave he was, never letting Haruki see him so much as frown, despite his body continuing to deteriorate.

Honestly, I feel for Miou. I don’t know how you’d comfortably broach the topic to Haruki of who saved her from drowning and what happened to that person. I guess you simply don’t do it comfortably. It’s not a pleasant thing to do, but it’s the truth, and I’m of the mind that truth has to come to light if there’s going to be any future for Miou and Haruki.

Both Miou’s secret, how she handled it, and the sudden notice that Haruki has won the chance to study in America, conspired to make this episode feeling very somber, even fatalistic. Here’s hoping next week will bring a ray of light to cut through the gloom, if only a bit.

Itsudatte Bokura no Koi wa 10 cm Datta. – 02

“Summer, Fireworks, Color of Love” is this week’s title, and it pretty succinctly sums up what we get. If you’ve heard of these themes in romance anime before well…you’re not alone! But what this show lacks in original themes, it makes up for in solid execution and attention to detail, and variety.

We get looks not just into the budding romance of Miou and Haruki, but see how close Yuu and Natsuki are without officially dating, as well as Souta’s attentions towards Akari. The plot of making one last film together, starring a character who is an art student in love, is pretty hoaky, but super-charming if you can switch off the cynicism.

In her desire for her art (and not Akari’s) to be chosen by Haruki, Miou puts undue pressure on painting the perfect canvas, and ends up unable to paint anything at all. Haruki seems to get a bit jealous when he overhears that Miou will soon meet the man who saved her from drowning.

But they largely set aside those issue when the six friends gather for a fireworks festival. Natsuki sets things up so Miou and Haruki are alone, while Souta’s in the right position to catch a stumbling Akari, breaking the ice. All three couples have great chemistry and it’s fun to watch them interact.

Everything seems to be ruined when Miou faints and she and Haruki end up with an obstructed view of the fireworks, but they find a platform to get a better view. Haruki tells Miou he’s looking forward to seeing what art she comes up with (adding to the already high pressure of that project).

When he awkwardly offers to grab something for them to eat, Miou bravely, finally closes the 10cm distance by grasping his shirt. The two come this close to kissing, but are lamely interrupted by a couple of yappy dogs. LAME, I say. At least they can laugh about it.

Then the next day the thing I knew was coming came: Miou learns the man who saved her life is dead. Not only that, he’s Haruki’s big brother, Chiaki. She goes home, and rather than paint what love looks like for Haruki, she defaces the painting of her memory of being saved, ashamed that he lost his life, and Haruki lost his brother, all for her sake.

Itsudatte Bokura no Koi wa 10 cm Datta. – 01 (First Impressions)

What’s this, eight weeks into the season? A new high school romance comedy-drama from Studio Lay-duce (formed from ex-Bones members) that, at least for the moment, does not involve love polygons or an obsession with communication through the LINE app.

Instead, we have a built-in compatible couple in Aida Miou (Toyosaki Aki) and Serizawa Haruki, both creative people born in the spring. There’s mutual attraction, but due to the contrast between Haruki’s flashiness and popularity and Miou’s modesty bordering on self-loathing, the two find it difficult to get any closer than ten centimeters together.

Gimmicky title aside, this first episode efficiently establishes both Miou and Haruki as good decent people who are novices when it comes to romance, and the dynamic between their different outward personalities and a kind of inner connection that draws them closer together.

The fact that coming closer happens so organically, before they realize it, a friend of Haruki plasters the chalkboard with playful slogans. Miou does not like the spotlight, or even appearing in Haruki’s camera lens, but Haruki wastes no time telling his buddy that this kinda thing is not okay, while telling Miou not to let it get to her.

The network of friends, which consists of three girls and three boys, doesn’t seem ripe for any kind of conflicts. Miou’s friends assume she and Haruki are already girlfriend and boyfriend, even though they just go home together most afternoons because they’re “headed in the same direction.”

Of course, as we watch their chemistry unfold together, it’s clear it’s not just practicality that drives their after-school walks. Haruki likes Miou and Miou likes Haruki, but Haruki wishes Miou wouldn’t criticize herself so often, using the phrase “somewhat like me” like it’s going out of style and having no confidence. Yet for all his bombast, Haruki isn’t any closer to drawing nearer than 10cm from Miou. It’s something they’ll have to figure out together.

While hardly a groundbreaking or risky show, 10cm is thoroughly competent and enjoyable, with a minimum of the teen angst that tends to sour these kinds of shows. It also has the benefit of a totally stacked all-star cast including Toyosaki and Suzumura Kenichi, Kamiya Hiroshi, Tomatsu Haruka, Kaji Yuki, and Asumi Kana.

I don’t care what you’re making, if you get this amount of talent behind it it’s bound to be good. Looks like this will be only six episodes total, so I don’t see the harm in checking it out, late in the season though it may be.