Osamake – 04 – Piling On

Osamake reiterates the fine mess that has been made as each vertex of the Shiro-Haru-Kuro love triangle wallows in misery in their dark bedrooms. Haru blames himself, Kuro blames Haru, and Shiro blames Kuro for the mess, but they’re all pretty much equally responsible.

Tetsu doesn’t make things easier for any of them the next day at school when he announces that his video of the whole horrific fiasco was watched by over a million people on “WeTube”, though his primary goal wasn’t to humiliate anyone but promote Haru’s potential comeback.

The video has the unexpected effect of attracting another woman from Haru’s acting past: the now famous and beloved star Momosaka Maria, who stakes out her territory immediately by coming into Haru’s class and glomming onto him. When Shiro and Kuro try to complain, she dismisses them as, respectively, the woman he used to like and the woman who rejected him about as publically as anyone could reject someone.

Bottom line, Momo-chan considers them to be in Haru’s rearview mirror, while she represents his future. Haru was this little sister figure’s first love, and she’s determined to hitch her star to his wagon, so to speak. After she departs for the time being, Tetsu treats Haru to an apology pizza, only to reveal it was procured by his “jack-of-all-trades” fixer, Asagi Rena, who smells “good money” on a Haru comeback.

But Rena’s intro is interrupted by Shiro, who with her friend Meiko’s help invites Haru to come to her house sometime, ostensibly to meet with her father again. When Kuro tries to intervene, the mere sight of her triggers Haru’s trauma over being rejected and he literally turns into a tiny monkey hiding behind Shiro, who lets Kuro have it on his behalf.

Haru doesn’t like how things ended with Kuro there, but he’s more distressed about the mess he helped make as a result of not fully understanding how Kuro felt despite being so close to her for so long. He talks with Tetsu on the phone about it, unaware that Tetsu has him on speaker and Kuro is listening. Tetsu asks what Kuro is going to do, but she doesn’t respond.

Meanwhile, Momo continues her campaign to conquer Haru and cut the other two out of his life by letting herself into his house and cooking him all his favorite dishes, which she learned of from his late mother way back when. Haru realizes that the press crush and online calming must’ve been Momo’s doing, while Momo admits that the video was the trigger to finally approach him about rejoining the agency where they first met, now run by Shun Hardy, son of its former boss, “Auntie Nina.”

She has two cards: one for Haru and one for Kuro, but then this development is interrupted by another: Kuro’s three sisters are at Haru’s door to report that…Kuro has developed amnesia. As sudden bouts of amnesia (especially those unexplained by an accident or other physical trauma) are my least favorite anime plot device, I sincerely hope this is another ruse. But even if it is a ruse, it’s simply one too many things going on. The gorgeous mess has become an ugly one.

Shiro’s continuing attempts to make Haru fall for him again, the viral video kickstarting Haru’s acting career, the sudden appearance of Momo and Rena, whatever Tetsu still may be planning, and now Kuro apparently has freakin’ amnesia? It’s needlessly, discouragingly too damn much. Combined with the increasingly apparent meh production values, the shine is starting to wear off Osamake. I’m morbidly curious to see what becomes of this amnesia issue, but the show needs to settle down and focus soon, or I’m out.

The Quintessential Quintuplets – 23 – Give and Take Five

Yotsuba walks in on Itsuki just as she’s hiding the photo of Fuu with “Rena”. Commenting on how things aren’t so hot among the sisters, Yotsuba invites Itsuki out shopping, where they run into Fuu and Raiha, who is imparting on Fuu the importance of buying belated birthday gifts for the quints. Raiha also mentions “the photo”, and Yotsuba demands to know details. Raiha goes on to say the girl in the photo was her bro’s first love.

On the Shinkansen to Kyoto, Ichika, Nino, and Miku continue their war through spirited card games, while Itsuki joins in just for the card competition, while Yotsuba is a little intimidated by how heated things have gotten. She’s hoping this trip can be an opportunity for the five of them to make up…but also an opportunity for Miku to give Fuu her clandestinely-made baked goods.

Nino unilaterally decides to follow Fuutarou’s group up the temple steps, and while the others don’t have any objections, Yotsuba brandishes her card game victory on the train to insist that she and Miku go up the right steps while Ichika, Nino and Itsuki will go up the left steps. Some mild sniping between Ichika and Nino ensues, while Itsuki is left bemused.

When Itsuki and Nino use the restroom, Ichika abandons them and continues her descent, determined to see Fuu first and calculating she can beat the faster Yotsuba as Miku is surely slowing her down. Unwilling to take back the lie she’s already told Fuu, all Ichika thinks she can do to stay in the fighting is continue to lie and block Miku by posing as her.

But while she’s the first to reach the top, Fuu isn’t there. The next to arrive is Yotsuba, with Miku on her back, and they both see that Ichika is impersonating Miku. When asked for an explanation, Yotsuba says Ichika is trying to get in the way of Miku’s confession to Fuu. She says this just as Fuu makes it to the top, and hears what she said.

Miku runs off in tears as Nino and Itsuki arrive, and Nino has had it with Ichika’s bullshit now that she’s made someone cry. But Ichika doesn’t want to hear about it, considering how cutthroat Nino has been. It’s here where Nino admits she was being overly harsh, and that in reality she’d want to celebrate with whoever ended up “winning” because the bond between the five of them was just as important to her as Fuu.

Speaking of Fuu, he tries to lower the temperature, but it’s too late; Nino is already also crying, and orders him to chase after Miku. He’s unsuccessful, but Itsuki ran after her earlier and saw her get on a bus back to the hotel, so Fuu gets on the next bus, and Yotsuba joins him. She blames herself for making Miku cry, and may have created a monster by encouraging Ichika.

Fuu assures Yotsuba that he was already pretty sure of Miku’s feelings, such that the Fake Miku seemed fake even to him, “Uesugi the Dense.” He tells her she worries about the others too much, but Yotsuba still feels she owes them for making them follow her to another school when she was the only one to flunk out.

She wants to know how everyone can be happy, but Fuu tells her there’s only so far you can go; ultimately someone’s happiness must be gained by taking it from someone else. Like, say, when many girls like the same boy.

Back at the hotel during dinner, Nino informs Yotsuba and Itsuki that there’s a creep sneaking photos of them (as evidenced by the shutter sounds she’s heard behind her several times). When the three decide to go check on Miku and Ichika, Miku doesn’t answer the door, but they all hear another shutter and freak out.

Ichika, meanwhile, manages to bump into Fuu in the hall, and asks if he’s free tomorrow, because she needs to talk to him about something. Hopefully to come clean about impersonating Miku…but probably not! Meanwhile, Nino calls Miku to ask if she’s free to talk tomorrow.

The next day, Fuu ends up running into Itsuki and Yotsuba again, this time from the top of Kiyomizu Temple. Itsuki all of a sudden adopts a super-affectionate and clingy attitude, having Yotsuba snap a picture of them with the view as a backdrop. She’s hoping to jog his memory about another certain photo from six years ago.

Nino gets to stay at the hotel by impersonating Miku (which is apparently all the rage these days) and when Miku asks her what she wants, Nino jumps on top of her in order to rattle her cage. She says her rival “backed down by herself” on this class trip that should have been a golden opportunity for her to make progress. Now all she needs to do is defeat Ichika, that “sly fox”. Long story short: Nino is taking Fuu.

Miku may have fallen for him first, but as far as Nino’s concerned she loves him the most, even if it’s her first time in love and she’s not sure what’s right or wrong. To this, Miku voices her protest, insisting she’s not done fighting for him yet. It’s just…she’s scared. Scared that she’s not good enough; scared of fighting fair and square; more scared than she thought she’d be. But even if it’s scary, she’s not going to quit…not yet.

That’s good, because Itsuki knows for a fact that the sister who posed with Fuu in that six-year-old photo is none other than Yotsuba!

Episode Eleven Quintuplet Ranking:

  1. Nino: Nino was busy this week! She was the sister who decided they were following Fuutarou’s group, setting some potentially cathartic scenes in motion. Calls out Ichika’s scheming, but also admits that she’s just as ruthless in trying to get what she wants. Most importantly, when Miku runs away crying, Nino puts the war on hold and sends Fuu after her. Finally, is the one to rattle Miku’s cage. Total Points: 43 (1st)
  2. Yotsuba: Turns in another strong showing by hanging with Fuu at the mall, serving as Miku’s emotional support, winning the card game so the sisters were forced to split up the way she dictated, literally carries Miku on her back, and has a solemn and frank convo with Fuu on the bus about the limits of happiness for all. Oh, and she’s the damn girl in the photo! Total Points: 34 (2nd)
  3. Ichika: Love or hate her, there’s no denying Ichika is a woman on a mission, and it’s take-no-prisoners. Her second use of the Miku disguise compounds the throne of lies upon which she sits, but when it backfires she doesn’t want to hear Nino scold her when Nino said she’d step over anyone who got between her and her man.  Total Points: 29 (Tied for 4th)
  4. Itsuki: There’s actual signs life in Camp Itsuki this week, as she plays big sister to Raiha at the mall. However, her cute photo moment with Fuu at the temple wasn’t self-serving so much as designed to get him to remember the Kyoto trip years ago. Total Points: 30 (3rd)
  5. Miku: While Ichika’s Fake Miku act didn’t work on Fuu, the fact Yotsuba blurted out her desire to confess sent her into a spiral of inadequacy, and she remained confined to her hotel room far too much to do anything. That said, she has nowhere to go but up! Total Points: 29 (4th)

TenSura – 28 – A War Full of Holes

From Dwargon Rimuru returns to Ingrassia where he announces his five students have passed the exams and will move on to the next grade…but Tiss-sensei will be their teacher from now on. I know Rimuru is doing this because he trusts Tiss with their further education and is a busy slime leader, but as the other events of this episode prove, it’s probably a good thing that he’s returning to Tempest soon.

Youm returns to Tempest before Rimuru, and Clayman’s spy Myulan (AKA Mjurran) soaks up the place like a sponge. You can see she’s somewhat unnerved at how nice everyone is to her. When it’s Youm, she can call him stupid, but even powerful Kijin are offering her friendship. To her eyes, the Federation is a direct threat to many other nations, but only because she cannot yet see any other way forward.

Rimuru is diving into the deep end of the commerce and trade pool by making deals left and right while his nation becomes an all-too-enticing potential new hub of trade. He fails to realize that this is an aggressive act in and of itself, even if not intended to be, especially considering his is a nation of “monsters” the human nations simply do not trust.

And because, say, the Kingdom of Falmuth sees Tempest as a direct threat to their very survival, let alone their continued future as an economic powerhouse, the King and his royal council devise a plan to subjugate Tempest. This is done during your typical “dour guys sitting at a table planning shit” scene.

Archbishop Reyheim announces that the Western Holy Church has already recognized the monster nation as an affront to their God, giving them religious cover. They can call it a Holy War to stoke the support of the masses, most of whom already fear the monsters.

In an interesting wrinkle, Falmuth’s advance attack will inlclude their stable of three Offworlders from in Shougo, Kyouya, and Kirara. Unlike Rimuru, they’ve retained their regular Japanese forms and look down on this new world with contempt as vastly inferior to theirs. Kirara in particular misses cosmetics and the internet.

I believe we’ve heard murmurs about others like Rimuru from Japan, but that we meet them in the flesh for the first time really drive home the fact that Rimiru is about to face the biggest challenge to great experiment, as like him they all possess insanely powerful abilities.

At the same time, there’s a pettiness, complacency, even laziness about the attitudes of these three. This world didn’t have manga, so Rimuru created it, along with the onsen and all the other things inspired by his world. It seems these three would rather bitch and complain than put in the effort to create homes away from home.

At least Kyouya seems the least content with their situation, and intends to use the coming war with Tempest as a vehicle to gain his freedom from Falmuth. They call Shougo “Berserk”, while Kirara’s deemed the scariest of all of them, so it seems easier for them to spread chaos, hatred, and destruction—the polar opposite of Rimuru’s designs for peace, love, and cooperation.

Rimuru wants to create a happy, prosperous world for all races; the other three just want to watch the world burn. After all, it’s not their world, so who cares? Speaking of chaos, Milim Nava makes her first appearance of the season, standing in Clayman’s office. Yeah, Rimuru really doesn’t have time to continue teaching the kids!

Rating: 4/5 Stars

Fruits Basket – 32 (S2 07) – So Hard Because It’s So Simple

This week’s cold open features Akito, who has followed Shigure’s advice and arrived at the seaside, confronting Yuki and whispering something in his ear. While we can’t hear what hesays, Akito is likely using the exact same ammunition he’s used in the past—trying to cover Yuki in a hopeless pitch black, warning him any glimmers of happiness or warmth are mere delusions.

But there’s something different about Yuki here from previous confrontations with Akito, and the fact Yuki’s voiceover is all we here is key to that. First of all, he’s not having a goddamn panic attack, so that’s good! While Akito approaches and launches his attack, Yuki is testing a new “armor” he has developed as a result of “opening the lid”—the armor of his memory of saving Tooru.

When Momiji proposes a watermelon splitting contest, Tooru starts to bring up her mother, but stops herself, awkwardly saying “gumshoe” instead of “mom”. She doesn’t want to trouble people with stories of her mom when she knows nothing about their own.

Hiro, who learned that morning that his mom is pregnant, can now see the effect of his harsh words to her, while Kyou can again sense something off in Tooru, and suspects it’s Hiro’s fault.

While Momiji, Hiro and Kisa are napping, Kyou asks Tooru about it, and she in turn asks Kyou about his parents. As expected, there’s not much to say: his mom was killed in an “accident” (holding back that it was suicide) when he was very small and he and his biological dad are estranged.

Tooru then shares the details of her watermelon splitting contest with her mom. Neither of them had any aim to speak of, as her mom smashed both a flowerpot and Tooru’s dad’s shrine, but they still had a lot of fun, and the warmth and love of that memory brings a smile to Kyou’s face.

But amidst all these happy feels, you can’t help but wonder: what is missing from Tooru’s almost impossibly ideal childhood with her mom prior to her death? Why doesn’t she remember (or claims not to remember) anything about her dad, from whom she inherited not only her kindness but her very manner of speaking?

Akito, Kureno, and Hattori arrive, and arrangements are made for the Zodiac members to formally greet her at the annex. Before that, Akito spends some time by the ocean, with Kureno not far away. Yuki encounters them while on a walk, and we’ve now reached the events of the cold open.

Predictably, Akito fires shoots some lies Yuki’s way—telling him he’s “all alone as usual” and “such a lonely boy.” Akito’s idea of Yuki as an individual might as well be frozen in amber. That’s who Yuki was, and those barbs don’t cut nearly as deep as they once did, when Akito’s influence on him was stronger.

Shigure rounds up Momiji, Hatsu, Kisa and Hiro, and all of them are gloomy because none of them are in a particular hurry to meet with Akito, especially if it means leaving Tooru behind (not to mention Kyou, who never sees Akito). Momiji in particular seems at peace with the fact he’s “disliked” by Akito, but he can deal with that if he can continue having fun with Tooru.

Back at the beach house, Tooru is determined not to be glum, and stirs into action making pancakes with Kyou, who’s never had them before. Kyou can sense Akito’s reason for coming as putting a damper on their good times.

When Shigure arrives with the Zodiac members, he’s received by Akito, Kureno, and Hattori. Akito sends Kureno away without meeting with anyone (deeming it “unnecessary”) and proceeds to launch into a villainous rant, boasting about how she discouraged Yuki and laughing about his attempts to separate from her.

Shigure takes all this in stride, and is his usual polite self as Akito goes to receive the others. While Hattori isn’t pleased with Shigure’s methods (i.e. “scheming” and “shaking things up”) he lauds him for at least trying to do something to exact change.

I may not know exactly what Shigure is up to, but I do know that Akito is more a means and not an end to his plans. That Akito doesn’t seem aware he’s being manipulated seems to be working in Shigure’s favor.

While Yuki weathered his latest confrontation with Akito well, it still left him feeling as gloomy as everyone else who has dealings with the pale little shit this week. So it’s fortuitous that he and Tooru meet on the beach at dusk, just when he’s feeling his most alone.

Just then, there’s a beautiful meteor shower in the sky above them. They’re only visible to Yuki because he was able to survive dark clouds and pelting rain of Akito’s bitter mind games, which in turn was possible due to both his memory of and friendship with Tooru, twin totems in his efforts to cast away the darkness.

Akito tried so hard to make Yuki think he was useless, but when Yuki encountered Tooru and helped her out, it was the first time he felt needed. In that regard, she saved him just as much as he saved her, because it turned his world upside-down and let him dream of a better one, of which he’s now privileged to be a part.

Akito’s dark clouds never stood a chance against the dazzling showers of kindness, warmth and joy that Tooru so generously shares with him every day. They’re why he won’t lose to Akito. When Tooru asks why he looks sad, Yuki tenderly takes her shoulders, kisses her forehead, and tells her she’s “so dear” to him. So it’s official: Tooru is the Dear of the Zodiac!

Puns aside, Yuki compares Tooru to the sky: i.e. something he’ll never reach. It’s clear Kyou is making more progress with Tooru, and Yuki knows if he becomes bitter or possessive about it, he’s no better than Akito. Just as he’s liberated himself from Akito’s now-hollow lies an manipulations, he must move past the memory that helped him do so, and shrug off the comfy blanket that is Tooru in order to keep moving forward.

Fruits Basket – 20 – Sickeningly Immature

Yes, it was wonderful that Tooru was able to become good friends with Kisa, and through that friendship, encourage her to talk and go back to school. And yes, it’s also nice that Tooru gets to meet the Sheep (Goat) of the Zodiac and assure him that with his smarts and courage to admit to his own failings and weaknesses, he will one day be a splendid “prince” to Kisa’s princess.

BUT. But but but but but. But. God DAMN is Souma Hiro an immensely annoying brat! One who comes into Tooru’s life out of nowhere and immediately starts treating her like dirt. And he never, ever, ever shuts the fuck up. While I realize his importance to the story, his presence almost always detracted from my enjoyment of the episode.

In this regard, I identified with Kyou, in that I really wanted to slug the little punk at times (though I would have probably not made that known to Hiro as Kyou did, as owning up to the deside to knock Hiro’s teeth out doesn’t make things any more pleasant for Kyou).

Yes, there’s a reason Hiro is such a little shit: he’s just in sixth grade, and while he’s an otherwise sharp kid, the fact of the matter is he’s intensely jealous of Tooru spending so much time with Kisa, even as he spend much of recent weeks ignoring Kisa and pretending he doesn’t want to hang out or watch anime with her.

We eventually learn the reason for that, as well, and suddenly Hiro’s frustration and lousy attitude come more into focus. Hiro blames himself for what happened to Kisa, because before she was bullied at school, she was badly beaten by Akito, all because Hiro told Akito he loved Kisa.

Once more Akito emerges as the bogeyman, the uber-villain of Fruits Basket: vicious, cruel, wildly unpredictable, and utterly determined going to make sure every Souma is as miserable as he is, if not moreso. As Shigure and Hatori discuss Hiro’s case and the toll of Akito’s wrath, Shigure not-so-subtly declares that one day Akito will be sorry for doing as he pleases all this time.

So yeah, it makes sense for a kid like Hiro to act out as a result of hating how helpless he was to spare Kisa, as well as how easily Tooru managed to comfort and heal her when she’s such a damn space cadet. At times, I was almost glad someone was finally calling Tooru out on her constant apologies and modesty, but at the same time, Tooru’s apologies are always genuine, as is her modesty.

She’ll never admit she’s good at sorting out Soumas. She helps them simply by existing as herself, even if that self is deeply flawed and troubled. This episode did as good a job as it could rehabilitating Hiro into someone sympathetic and understandable, but likable? He’ll never be that for me. Not until he grows up a bit more, and stops kicking Tooru! Damnit!

Citrus – 09

It’s a given that Matsuri would lose the Battle of Yuzu, and that she’d lose for one simple reason: it’s not a battle, or at least it’s not supposed to be. Life isn’t a video game and it isn’t zero-sum.

While that can be unsatisfying and frustrating for someone so seemingly adept at “playing the game”, it reveals that Matsuri’s “game” is actually very limited, specialized, even stunted, and that there’s a lot more for her to learn, much like Mei and Yuzu.

For now, however, Mei simply concedes the first round, with a longer game plan that’s a lot clearer than I thought, but with no guarantee of success. Matsuri tells her to buzz off or she’ll leak the photo of them kissing, and just to twist the knife, orders Mei to go on a date with one of Matsuri’s old creepy “texting buddies.”

Mei knows how much Yuzu is looking forward to the Christmas party—she can hear Yuzu gushing to Mama from the hallway, but Mei tells her she must decline…”extra council work that can’t wait.” When Yuzu tries to persuade her to reconsider, Mei tells Yuzu to be with Matsuri, stating “that girl needs you.”

The next day after school, Mama Harumin almost inadvertently gets Yuzu to discovr Mei isn’t working with the school council when she suggests Yuzu help out with the council if she wants to party with Mei later. Unfortunately, Matsuri intercepts Yuzu on the way to the office, and insists they go on their date together. Heeding Mei’s words last night and goes along.

So, round two goes to Matsuri as well, and that’s a win, right? I mean, she’s on a date with Yuzu and Yuzu alone, while Mei is sleeping with some creep! Well, it’s not that simple. When Matsuri expresses her distaste for the frequency with with Yuzu talks about Mei, she loses her cool and reveals the her plan, trying in vain to convince Yuzu that Mei is a slutty little liar.

In hindsight, Matsuri should probably be ashamed of herself for thinking Yuzu would react by shunning Mei and running into her open arms. Then again, at this point in her emotional development, winning, and beating Mei, and anyone else between her and Yuzu, is more important than how Yuzu feels.

Round Three is ALL MEI. Yuzu may not have seen what Matsuri was doing before, but she’s sure woke to it now, and excoriates Matsuri for trying to hurt Mei, the person who “looked at her the most”, even urging her to pay more attention to Matsuri.

“Relationships aren’t games,” Yuzu yells in the full restaurant, not giving AF who hears. “Don’t sum them up with cheap words like winning and losing!” Dayum Yuzu, coming through in the clutch.

Turns out Mei didn’t have to sleep with anyone; and Yuzu manages to find her at the meeting point. She runs to Mei and hugs her, in tears over what Mei went through, or more precisely, what she let Matsuri put her through.

The three share the train ride back. Matsuri is still thinking in terms of winning and losing, (and let’s be honest, Mei DID win here) but at least tries to correct herself from that kind of talk.

The reason Mei won is that she and Matsuri are so similar, seeking love everywhere while hating those around them, closing their hearts, and refusing to accept anything. It left Mei empty, as empty as Matsuri must have been feeling.

But she didn’t count on a “meddlesome person” like Yuzu entering her life and giving her unconditional love even when she didn’t ask for it, filling a bit of that emptiness.

Matsuri is rightly impressed by Mei’s recklessness, but Mei trusted Yuzu enough to believe that as soon as she got wise to Matsuri’s games, she’d come running to her side, and that’s just what happened. Matsuri leaves the two, but before she does, whispers in Yuzu’s ear that Mei really likes her, before loudly, jokingly suggesting a threesome in the future. Frankly, Matsuri got off pretty easy here.

That night, Mei insists on having a slice of the cake Yuzu worked so hard to make for Christmas. Yuzu calls her stubborn, but Mei replies that’s who I am. Just as Matsuri had to learn that relationships aren’t only about winning and losing, Mei has to learn to be more open and honest to Yuzu.

And the truth is this: Yuzu makes her heart race, just like Mei makes hers. But there’s things inside Mei that will please her, and things that will terrify her. Bottom line, if she’s still adamant about some kind of romance, Mei is game, but Yuzu will have to take and accept all of her, including the warts, and be content that she isn’t going to change, any more than Yuzu should.

Citrus – 08

Matsuri continues to Be The Worst when Mei tags along on her “date” with Yuzu, which Yuzu never meant to be a romantic date. Matsuri loudly embarrasses her about wanting to be a couple and have sex, while Mei mostly keeps her distance and lets Matsuri do as she pleases…for now.

But Mei’s presence alone is enough to enrage Matsuri to the point she decides to use it for a fresh bit of blackmail, which Mei is unusually vulnerable to due to her dad’s side of the family and position at school.

When she confronts Mei and tries to goad her into slapping her, Mei kisses her instead, “taking back” the kiss Matsuri stole from Yuzu. This surprises Matsuri, but only entertains her more. In any case, she has her incriminating photo.

Matsuri then takes off on her own. Mei feels responsible, but Yuzu doesn’t blame her. It gets colder, and they hold hands as they walk home. I love how Mei’s come to appreciate Yuzu’s warmth in the winter.

I don’t love how Matsuri didn’t go home, but wanted to creepily watch them from afar. Why? And aren’t all of them going to catch their death with such few layers out there?

Mei has apparently never celebrated Christmas, so Yuzu is excited to get her involved in their traditional family-only party. Hime shows more maturity by telling Mei to enjoy herself, while Harumin, who was barely in the episode, is playfully jealous she can’t join either.

As Yuzu makes the preparations, both culinary and stuffed bear-related, Mei works overtime after school so she doesn’t leave too much for her subordinates, and that’s when Matsuri shows up, no doubt to threaten her with the photo of them kissing.

So far Matsuri has been totally incapable of driving any kind of meaningful wedge between Yuzu and Mei, and that’s a good thing. Here’s hoping her string of failures continues and she’s left alone and miserable on Christmas and every other day.

Or maybe, if she eventually gives up these cruel and childish games and decides to change her awful ways, she can be rewarded with contentment in her friendship with Yuzu and maybe even Mei as well…But I don’t think it’s gonna happen.

Citrus – 07

Yuzu needs to score in the top 100 if she wants Mei and Gramps off her back, but she can’t concentrate after her last kiss with Mei, which felt different and more meaningful. Alas, Mei withdraws to the outmoded “we’re both girls” and more reasonable “we’re sisters, so we should stop this.”

Yuzu is devastated, because she takes Mei at her word; in reality there’s a lot of doubt behind Mei’s supposed certainty, as we’ll see later in the ep. Good Ol’ Harumin is there to console Yuzu with an after-school arcade session where commentary on her getting a game over matches commentary about her Mei dilemma.

Then THE DEVIL takes the stage. Satan has many forms, but chooses a pleasing and seemingly harmless one in Mizusawa Matsuri, Yuzu’s childhood friend. Now where have I heard of an anime in which one relationship is suddenly put at risk by a meddling childhood friend? Oh yeah, pretty much all of them.

Subtlety is not Matsuri’s strong suit, with her devil-may-care headphones, bubble gum (and bubble gum pink hair), and seiyu Izawa Shiori’s trademark apathetic drone. Because Yuzu is a sweet, innocent, kind person, she’s a sitting duck for Matsuri, who is not the girl Yuzu remembers, if she ever was.

Harumin immediately senses Pinky is BAD NEWS, even before Matsuri brings up her part-time job of sexting dirty old men, despite being in seventh grade. And yet Matsuri shows how skillful she is at manipulating people like Yuzu even with Harumin ostensibly in the way.

Matsuri snatches Yuzu’s phone and steals a picture of her with Mei, then drags Yuzu and Harumi to a karaoke when Yuzu is supposed to be buying things to make dinner. But she’s too nice to say “gotta go” to her former little-sister figure.

Worse still, Harumi suddenly has to duck out to take care of a family matter (part of me thought Matsuri sent her a false message), leaving Matsuri all alone with Yuzu. Matsuri promptly confesses her love and tries to kiss Yuzu, and is interrupted by a call from Mei asking about dinner.

Later, when Mei and Yuzu nearly cross paths at an intersection, Matsuri pulls Yuzu aside and kisses her in full view of Mei, whom Yuzu never saw. Frankly the coincidence and perfect execution of Matsuri’s fuck-you to Mei are a bit much; We get it, she’s pink scum.

Back home, Mei is less angry at Yuzu than I expected, which actually makes sense since Mei realizes she is the one who told Yuzu everything was over when it clearly wasn’t. When Yuzu is just to cute for her to resist any longer, Mei comes at her from behind and licks her neck, literally marking the Yuzu she won’t share with pink-haired interlopers.

Of course, Mei is almost as ill-equipped to deal with Matsuri as Yuzu, since she’s being driven primarily by emotions. Mizusawa Matsuri may say she loves Yuzu but I don’t think she loves anyone, except maybe Mizusawa Matsuri. The show introduced her as someone who manipulates people for the hell of it. Whether she derives fun, I can’t say; maybe this is all she thinks she can do.

The show is not yet ready to portray her as anything other than a villain so far, brazenly invading Yuzu and Mei’s school and making a big fuss about going on an after-school date. Mei shoos her off, but Matsuri won’t give up easily. We’ll see if Matsuri’s story gets a little more nuance and dimension like Hime’s, because right now, if she had a pink mustache, she’d be twirling it.

Gakusen Toshi Asterisk – 22

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Not long after a casual discussion with Julis over their Winter vacation plans, Ayato, Saya, Claudia and Kirin are whisked away to her home country of Lieseltania, first aboard a private jet, then a Rolls-Royce limo through a jubilant victory parade, and finally given rooms at a humongous palace.

There they meet Julis’ brother, King Jolbert, and his wife Maria, who plan to hold a banquet in their honor to thank them for helping his sister. The cold open actually handles the breathlessness of such a sequence of events quite well. It also shows how relatively down-to-earth Julis is, despite her regal home situation

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Of course, this is only another venue in which to rub in Saya and Claudia’s faces the fact that Ayato belongs to Julis first and foremost. Saya swallows her pride and commits herself to staying by Ayato’s side if ever he needs aid, without getting into any kind of romantic talk that might end up with her rejected.

Similarly, Claudia seeks to unite both Ayato and the others on her team in the upcoming Gryps Festa, which will be no picnic, judging from all the names they throw around.

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Asterisk War has never been all that interesting in terms of cloudy politics, but we get a lot more of that at the banquet, when after explaining that her country is a puppet state and her brother a cooperative puppet, she points out all the ladies around him who are his lovers…and also spies.

Jolbert is almost a grown-up version of Ayato, perfectly comfortable juggling women without a care in the world. Ayato does care, and he’s a little overwhelmed by the evening dress of his girls, who also all want to hang on his arm but aren’t quite sure how, so they simply glom onto him.

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Finally, things take a little turn for the ridiculous, as a battle springs up in the middle of what had been a very peaceful episode. Some butler dude with a bionic eye summons a giant chimera of all things. Fortunately, Saya has a weapon stashed under her dress, Julis can use her strega powers without a lux, and Ayato is perfectly capable of bringing the beast down with his martial arts.

It seems this was a warning more than anything else, though butler guy seemed to have hoped the chimera would have polished Ayato off. He doesn’t want him joining Claudia’s team, but something tells me Ayato is going to anyway, and he’ll deal with the challenges that result with the rest of his team.

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Gakusen Toshi Asterisk – 21

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Well now, the final battle between Amagiri/Julis and AR-D didn’t last as long as I thought: in fact, it gets wrapped up in the first ten minutes! Of course, I never believed for a second Amagiri and Julis were going to lose to an autonomous Gundam knockoff, and the resulting foregone-conclusion feeling diluted the joy of victory, but no matter: it was a suitably intense final, with Julis helping Amagiri transform Ser=Versta into the form best suited for him.

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Once he has his new, smaller, lighter, faster sword, it’s Game Over for AR-D, who is gracious in defeat. Amagiri and Julis get their trophy, heaps of applause, and the adoration of all…except for those lurking in the shadows.

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While Amagiri and Julis soak in the victory, thank their friends, celebrate, flirt a little, and wonder what’s next, Dirk the Tyrant is busy trying to recruit Ernesta (and possibly succeeds by withholding vital raw materials for her research). Yabuki tries to take out the former Grimalkin agent Werner in a sewer, but fails.

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Finally, a police investigation finds no evidence Dirk or Le Wolfe were involved in Flora’s kidnapping, frustrating Julis, who wants justice. But it’s clear while our hero and his ladies fight the good fight the right way, they are surrounded by cockroaches scheming and corrupting behind their backs.

Chief among those scumbags is Asterisk Steering Committee Chairman Mesa, who tells Julis lies about the investigation (in truth, he’s allied with Dirk, if not working for him) and more despicably, tells Amagiri lies about starting a search for his sister Haruka.

All this poor kid has wanted since the start is to see his sister alive and well, and he’s exceeded everyone’s expectations (except perhaps his own and Julis’) in getting to a place where he can actually make the request, and yet he still has to deal with all this backroom political bullshit and a perv keeping Haruka stashed away naked in a stasis tube.

If you ask me, they all need a taste of Amagiri’s newly-optimized blade. I wonder how he and Julis will play this in the next three episodes, and if a reunion with Haruka will be deferred for a third season (which would be kinda lame).

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Gakusen Toshi Asterisk – 05

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Asterisk War more or less regressed to the mean this week, starting off with an interminable bickering match between the leaders of five of the six schools in Rikka. We get some nice Ayato and Julis time, but it’s all too brief, and replaced by an influx of Allkant interlopers, apparently arranged by Claudia as payment for Allekant’s role in furnishing Silas’ robots.

The designer of those robots is Ernesta Kuhne, who is way over the top and over-rambunctious in all the wrong ways. I usually like Akasaki Chinatsu’s energy, but here she’s just extraneous.

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Call me spoiled by the last two episodes, in which Julis did indeed “monopolize” Ayato, to the benefit of the show, I might add. This Julis who butts heads with Saya (absent the last two weeks) just isn’t as interesting. It’s like another girl shows up and a switch is flipped. Fortunately, Lester is with me on this, and slinks away rather than witness any more fighting over Ayato.

That brings us to the introduction of a new main member of Ayato’s harem, judging from the promo art: the petite silver-haired Toudou Kirin. Their first encounter was a bump-and-peek in the hall, but when Ayato sees an adult in a suit strike her, he chivalrously steps in to intervene.

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This doesn’t go well for him, as when he asks the awful man (her uncle) to never hit her again, he agrees, IF he wins a duel. And in that duel, he’ll be fighting…Kirin, his niece. This puts Kirin in the odd position of not having her uncle beat on her if she loses, but losing isn’t an option for her, where every duel in her resume is scrutinized with a fine-tooth comb.

Ayato still has to deal with a limit to how long he can fight with Ser Veresta before he runs out of gas, and the fact that he doesn’t want to hurt Kirin—that’s the whole reason he got involved with her and her uncle in the first place! So it’s a defensive duel in which the clock runs out, Kirin wins, and Ayato is a bit dazed and confused.

What he just did was duel with the top student at his academy, one of the more then twenty students in Rikka Julis said were her equal or better. And while he can’t really be blamed for trying to stop abuse happening right in front of him, he did do exactly what Julis told him not to: get into another pointless public duel that reveals his strengths and weaknesses to all. So yeah, not exactly helping himself out.

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Gakusen Toshi Asterisk – 04

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Aha…so the man behind the attacks on Festa participants was…SILAS NORMAN. Wait, who? Julis’ opponent turns out to be Lester’s bowl-cut toady, with Lester himself unaware of the cowardly tactics Silas was implementing (Les is the sort to challenge his opponents face-to-face).

But I’m still grasping for reasons to care about Silas, or why he continually thinks he has the upper hand against Julis and Lester and that they’re DOOMED before his army of slow, lame golems. It’s like Crabbe or Goyle fighting Harry Potter instead of Malfoy, with substandard magic: nothing much other than shrug-worthy.

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He does have on thing on his side: numbers (and the fact Julis tends to block her own field of vision with her huge fiery spells, which…is actually a good point). So when her leg is grazed by a bullet the golems are able to bum rush her. Then Silas reveals he’s a sadist who wanted to “take his time” with Julis, because of course he is and does.

But before he can strike the decisive blow, Julis’ night in school uniform swoops in, halves the golems holding her down, and takes her aside. They then proceed to have a nice casual little chat together while Silas and his golems patiently wait. Again, Silas never struck me as anything resembling a credible threat (the episode refuses to respect him; why should I?), so this isn’t that strange.

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While Julis is initially upset Ayato came and put himself in danger for her sake, he tells her why: being by her side is the purpose he’s chosen, even if he has to do boring stuff like mop up Silas’ sad golem army, which is so easy with the Ser Veresta that he can do it while carrying Julis around.

The reveal that the army is structure like a chess game (Oooh, chess!) adds absolutely nothing to the tension; only the opportunity for Ayato to say “Checkmate!” at some point.

But he doesn’t! Instead, he says “Ripping apart the five viscera and severing the four limbs…Amagiri Shinmei-style, Second Sword: Nine-Fanged Sword!”…Not as cool. Plus, ya said “sword” twice there, brah.

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When Silas limps away on his last functioning golem, Ayato prepares to put Julis down and go after him, but Julis has a better idea: cast a flying spell and pilot Ayato to Silas up in the sky. Finally, after beaing nearly defeated way too easily by Silas, Julis gets to do something besides hang around in Ayato’s arm while he does all the fighting.

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He delivers one more blow, halving Silas’ lifeboat and sending him plummeting to the streets to be arrested by Claudia. (Lester is never seen again, for the record). But Ayato and Julis can’t enjoy the lovely sunset or their victory for long, because an imprisonment spell restraining Ayato’s powers takes effect, making him pass out. It was a spell cast by his sister, perhaps in order to protect him from himself.

He then wakes up in the lap of Julis, who is totally okay with having his head in her lap. What ultimately saves this episode from sixdom is the fact that the whole battle with Silas was a kind of audition for Ayato, to prove to Julis once more that even if she thinks she can go it alone, he’s going to be there for her. It wasn’t the toughest battle, but then again, Julis did end up restrained and almost taken out.

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So when Ayato requests to be her partner in the Festa, she eventually agrees, trying and failing to hide her blushing happiness the whole time. It’s all very nice. But more importantly, these two lovebirds are still chess pieces for someone, and that someone is Claudia.

While I don’t think she’s evil or anything, she is ruthless in getting her way, which means ensuring Ayato and Julis become a powerful pair who will go far in the Festa, as well as handing a viciously bloodied Silas off  to her “Shadow Stars” for further interrogation (i.e. torture). I almost feel bad for poor old Silas OH WAIT NO I DON’T.

Finally, Silas was only ever a pawn himself, for the rival school Allekant, a confident, scheming representative of which we meet for the first time, watching Claudia on surveillance video. Clearly, Silas wasn’t her only piece on the board.

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Working!!! 3 – 06

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Working!!’s frequent teases into serialized territory that don’t pay off or end in a slightly more amicable status quo can sometimes set me off, as they did last week, but I was happy to see it table the Takanashi/Inami saga for now.

The recent developments (or lack thereof) between both the two of them and Souta/Todoroki have not been lost on Souma, who laments that none of the four of them are particularly forthcoming about the salacious details (or lack thereof) he desires.

I didn’t hate Yamada as much this week either, because instead of braying on about natto and generally not making any sense in an unfunny way, she names Souma her big brother and becomes his sidekick in the acquisition of salacious details about their co-workers.

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Takanashi is all out of sorts because of all his recent thoughts about Inami, so he feels he can find some comfort and solace in the simple petting of Popura’s head. Alas, he doesn’t find what he’s looking for, as he finds Popura grumpy and unwilling to talk to him or accept any food or drink.

Yamada posits that Popura is angry and stressed out from having to pick up the slack from everyone else (because they’re all in their heads about their would-be love interests). Her theory is not without merit, but it’s quickly debunked when Popura reveals she has a nasty canker sore.

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The next day she stays home with a fever. As Nazuna fills in for her (as an unpaid intern), Popura starts having fever-induced hallucinations of a five-inch Satou, who charges her with saving the world from an evil version of Takanashi who is trying to shrink the entire world.

MiniSatou conjures up a shabby-looking stick, and Popura’s beam has no effect on Takanashi, but only makes her shrink to a smaller size than MiniSatou.  Finally, she wakes up, having slipped into a fever dream. This was a nice, imaginative departure from the usual restaurant setting.

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Finally, we turn back to Yamada, which is usually a bad thing, but in this case her brother Kirio arrives to find her and take her home. I think I remember something like this happening in Working’!! 2, but I’m always happy when (almost) everyone is trying to inject some reality into Yamada’s life. At the end of the day she is a runaway who really should return to her family.

Only Souma suggests they send Kirio home for now, giving Yamada a reprieve from that reality despite the fact she left the attic he told her to hide in. I don’t know if she’ll ever go home, but it would obviously be better if it’s of her own volition and not by force.

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