The Duke of Death and His Maid – 03 – A Distant Kiss

Bocchan loses a game of pool to Alice, and so cannot refuse when she asks if he’ll accompany her into town for a festival. Because many will be in costume, he’s able to wear a steel-framed suit to avoid contact with both Alice and bystanders. It’s a way for him and Alice to feel like they’re on an actual date out in the world for the first time, even if they still can’t touch.

When they become separated by the crowd, Bocchan demonstrates how despite the rumors around town about a monstrous shinigami, the actual person of whom they speak is actually a kind and gentle young man. When a lost boy clings to his coat, he cheers him up by playing a song on the piano set up in the town square.

Bocchan sheds his heavy disguise to join Alice atop the clock tower, where they gaze at the moon and she tells him the story of another couple separated by a witch’s interference. In the case of the story, the man is on the moon while the woman is on earth.

But the man could be on Pluto and the basic tragedy would be the same as Bocchan and Alice’s; they are together in their hearts, but can never actually touch as long as the curse remains in force.

One night Bocchan gets a note from Alice to meet her in her bedroom (set off from the mansion) if he has trouble sleeping. When he enters to find her brushing her hair while nude, he assumes she has naughty plans for him. In the end, however, between a calming scented candle and cammomile tea, she really was simply trying to help him sleep…though it’s clear she was also hoping he’d get the wrong idea so she could gleefully watch his reactions.

Another night, when a once-in-a-decade meteor shower is to occur, Bocchan is the one to invite Alice to an intimate boat ride on the lake. His true intention is to properly confess his feelings—as opposed to the offhanded ways he’s told her he loves her. Things go pear-shaped when the wind snatches his hat, Alice leaps into the drink to grab it, and he can neither stop her nor help her out of the water due to the curse.

When she tells him straight-up that she’d be fine dying by his kiss, he leans as close as he dares before backing off, not willing to sacrifice Alice for just that one kiss. Alice, knowing he wouldn’t do it, tips the boat so he falls in the water with her. Thankfully, the water doesn’t conduct his curse like it does electricity!

In all the excitement, they missed the meteor shower, but as they both dry off by the fire, Alice says she’ll accompany him to the next one, in ten years. Bocchan is constantly worried that he’s not properly expressing how he feels, but Alice already knows, and feels the same way about him. It’s why she’s stayed with him this long; it’s why she has every intention of being with him in a decade, curse or no curse…but hopefully no curse!

The Duke of Death and His Maid – 02 – Moonlight Waltz

The third member of Bocchan’s family, Rob, makes his first appearance, and proves to be your typical jovial, dependable old butler who might just be a bit long in the tooth for the strenuous work of maintaining a mansion. Even so, he gives it the old college try, which incidentally leaves Alice with little to do but toy with her beloved duke.

She eventually agrees to behave herself and sit quietly as Bocchan plays some of the new piano piece he’s working on, which is indeed both somber and beautiful. Alice’s rush of emotion during the piece precedes the good duke telling her he composed the piece for her; as a reward she leans in to kiss him, her lips stopping only an inch from his.

Bocchan may be relatively content with Alice and Rob, but a member of his original family does come to visit him now and again, treating it like a special service and act of welfare on her part, but visiting him nonetheless.

Viola (Minase Inori in Adorable Squeaky Mode) may not be as overtly honest as Alice about how she feels about her brother—she wants him to break the curse so he can return home—but it’s clear that unlike her mother she does care.

When a black cat appears in the mansion, Bocchan is terrified, not because he’s scared of cats but because he’s scared of killing it if it touches him. So he runs from the cat, Rob mistakes him for the cat, and Alice makes much of the fact the cat tore her dress in just such a way.

They find a note with that cat—”Forgive Me”—that Bocchan takes to mean it was abandoned, as he was. As for me, I wondered if that black cat wasn’t sent by the witch as a messenger; maybe the curse wasn’t intentional? It would explain why it was cast upon a five-year-old boy who no one had reason to curse.

The pièce de résistance of the outing is the ending, as Alice finds Bocchan in the deserted ballroom and the two dance inches from one another under the gorgeous, massive full moon, a scene lifted from a storybook. Like the music Bocchan composes, it’s sad, beautiful, and with just enough of a touch of hopefulness.

Shoujo Shuumatsu Ryokou – 08

Girls’ Last Tour starts with a somber tone, as Chito and Yuuri roll into what looks like a network of enormous filing cabinets that I immediately identified as graves. If they don’t contain remains, they do contain remnants of the lives of those whose names adorn them: a radio; a bit of cloth; a shell casing; a button.

Yuu brings these along thinking they might be able to use them for something, but Chi reprobates her: if these objects are removed, they lose the meaning they already carry: to remind people—in this case, Chi and Yuu—that they existed.

The only other witness to the memories contained within those endless graves is one of the tall, sidelong glancing stone idols Yuu likes so much (and believes somewhat resemble Chi). She takes photos of both the idol and Chi, in order to preserve both for posterity. Indeed, Yuu wouldn’t have remembered Kanazawa if he hadn’t given him the camera.

In the next segment, it’s finally time to ascend to a higher level. Thankfully, no rickety elevator is needed; there’s a spiral ramp they can ride the Kettenkrad up. The only problem is, the spiraling gets so repetitive, Chi gets dizzy, and Yuu has to snap her out of her trance before she drives the ‘krad right off the ledge.

They can bypass the sudden gap in the ramp by driving out to a metal ramp, but it’s a lot more rickety than the concrete surface inside, and the weight of the vehicle causes it to fail. Yuu has Chi hit the accelerator, and after a particularly harrowing few yards, they’re back inside, and the ramp they were just on plummets to the ground.

There’s no doubt it was a risky move, but the reward is that they are now on a higher level, just as night falls and a full moon rises. Yuuri, perhaps somewhat bewitched by said moon, picks up the nearest metal stick and starts trashing what looks like an abandoned office. That is, until in her excitement she whacks Chi on the head with that stick, and Chi tackles and disarms her.

Then the girls find several sealed bottles containing some kind of liquid. Chu reads the label as “Beeu”…or beer.

Yuu pops open a bottle, pours the “golden water” into a clear glass, and holds it up to the moon, thinking the moonlight is melting into it. She and Chi both take generous gulps of the stuff, and find that it agrees with them.

Before long, the stoic, dour, practical Chito dissolves into a fun-loving lush much more similar to her companion Yuu. She affectionately embraces Yuu, stretches her face, dances with her in the moonlight, and eats her hair.

The next morning, after celebrating in style (and violating laws that no longer exist since there’s no one around to enforce them), they begin exploring the new level. Chito has a nasty hangover, but Yuu unsurprisingly seems to be no worse for wear.

Attack on Titan – 29

Titan, you can only zoom in on the pained-looking eyes at some one so many times before I start thinking to my self well, she’s definitely hiding something, and in this show, ‘hiding something’ usually means ‘they’re a Titan’.

And so it’s the case with Ymir, who laughs about Conny’s report on his village a bit too much; specifically the part where the fallen Titan on his house reminded him of his mom.

But before her Ymir’s big telegraphed reveal, she, Krista, and the other gear-less rookies play a tense waiting game once the Titans show up.

The elite scouts show off their stuff, but considering the Beast Titan is arranging this siege, watching them exert so much steel, gas, and energy to what will likely be the first of many waves was a bit disheartening.

Not that the scouts have any choice but to fight, mind you—A., it’s their duty; B., they’re totally surrounded.

Inevitably, the Titans get in the castle, and the few moments before Reiner opens a cellar door to reveal a particularly creepy one are absolutely dripping with tension and dread. It’s so quiet down there, but as most Titans don’t speak, silence doesn’t mean safety.

The rookies make use of what they have—a pitchfork, an old cannon, scrap wood—to kill this Titan, but a second one shows up, one that gives Reiner a vicious arm wound before he picks him up and places him in a window so Ymir can kick him out.

Krista rips up her skirt to make Reiner bandages and a sling, and he contradicts Ymir’s claim he’s not interested in girls when he thinks “gotta marry her” (Krista, not Ymir).

But more distressingly, they’re just about out of effective makeshift weapons, and the barricade for the door into the castle seems laughably flimsy against the onslaught of Titans outside.

Those Titans just keep coming, and when the Beast tosses some horses and rocks at the castle towers, two of the four scouts are killed instantly. It turns out they were the very, very lucky ones. Titan goes Full Sadist in depicting the visceral demise of the final two elite scouts, both of them, by the end, reduced to crying and screaming like young children before being disembowled and devoured.

All the one poor guy hopes for before the end is to have a drink from the bottle of booze he found, but to add insult to fatal injury, Krista used it all up disinfecting Reiner’s wound. Titan doesn’t just drive the knife in and twist it, it pulls the knife back out, then drives it back in, twists again, then drops an anvil on you for good measure. Brutal.

In the face of all that casual brutality, the arrival of dozens more Titans, and the fact the tower they’re standing on will certainly crumble and fall within minutes it’s kind of amazing that none of the rookies want to give up yet, although Krista specifically wants weapons so she can die in battle like the four scouts. Ymir doesn’t like that attitude, so she decides: she’ll be the weapon.

She takes Conny’s dagger and leaps off the tower, confusing everyone (except Reiner, who found it odd Ymir could read the language on the canned herring label), then transforming into a wild-looking Titan. The cavalry didn’t come from without for this group of rookies, but from within. But will she be enough?

It’s another strong outing from Attack on Titan to close out its first quarter, and it’s a close call between this and the Sasha episode for best episode so far. This week the claustrophobic pressure was kept up by remaining at the castle and only at the castle for the entire duration; no cuts to see what was going on elsewhere.

That extra focus, and the increased horror elements made this a must-watch, even if there were times when it was hard to watch.

Attack on Titan – 28

Conny’s village is full of questions. If the Titans attacked, why is there no blood? If the villagers evacuated, why did they leave all their horses? And what’s with the emaciated Titan on top of Conny’s house? Why did he hear it say “Welcome home?” There are all intriguing mysteries on top of the ones we already have, but the squad has to keep moving, and Conny has to forget about what may or may not have happened to his family and continue his duty.

Krista and Ymir, like Conny, must feel pretty vulnerable without their battle gear, but they’ll simply have to trust that the soldiers around them will keep them safe. Instead of fighting, Krista & Co. will be called upon to bear witness and send reports. Krista is fine with staying, and feels bad that she’s made Ymir join the scouts, but Ymir insists she’s here “for herself and nothing else.” Another Titan in hiding, perhaps?

This is often a creepy show, what with all the bizarre-looking naked humanoids running around eating people, but Titan manages to up that creep-factor not with Titans, but with a lack of them, or anything at all. Two units travel in the pitch black darkness, not knowing what could be just out of range of their light. Turns out, it’s another unit also looking for the gap in Wall Rose…but neither unit actually found one. What exactly is going on here?

Eren & Co. finally reach Ehrmich District, and Levi makes sure Pastor Nick gets a good long look at the faces of the masses of people and families being displaced due to the wall falling. It seems to work, at least a little, as after being harangued again by Hange, he finally gives up one name: Krista Lenz—who he and his order were instructed to monitor, and who may “know the truths which even we cannot perceive.”

Hange believes that Eren may be able to repair the wall breaches…with hardened Titan skin, of the same type that didn’t evaporate after Annie returned to human form. Sasha also re-joins her comrades.

Krista, Ymir, & Co. end up spending the night in an abandoned castle none of them knew about until the moon came out. To their misfortune, a hoard of Titans besieges them, the first instance of Titan night-fighting. It may well have something to do with the fact this is the same group that hangs around the Beast Titan…maybe he trained them?

In any case, Ymir looks shiftier than ever, but she and Krista can only sit back with the other rookies and hope the pros get the job done. Meanwhile, Hange mentions an abandoned castle which I assume is the same one here, and heads there with Eren & Co.