Working!!! 3 – 08

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Yamada may have moved back home, but she remains at Wagnaria after Otoo and Kyouko allowed her to keep coming in like Takanashi’s little sister to help out, and spending the night there when her mother isn’t home. So in a way, there hasn’t been a major change in the status quo, aside from the fact Yamada is usually going home and is now on better terms with her mom—though not her brother Kirio.

After that Aoicentric episode, this one is more of a grab bag, with a little story involving just about everyone from Otoo reuniting with his wife to Souta having to get a birthday present for Yachiyo (he actually gives her four for the four years he’s liked her).

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Many of these stories involve a Yamato in one way or another. Takanashi is annoyed that Kirio is talking so pleasantly with Inami, because he likes Inami, but won’t acknowledge that. He ends up beating Kirio up too much, and must recite a long-winded compliment that Takanashi thinks sounds like a joke, and it’s also how Inami interprets it, embarrassing her. So no real movement there.

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In another non-Yamada-related tidbit, Takanashi notices Popura may have shrunk, and Souma confirms she’s lost around 2cm, causing her to become depressed, because as much as she likes being pet by Katanashi, she also wants to grow more, not less. Turns out she actually did grow a centimeter, only because Takanashi grew three, she didn’t gain any ground, causing her to become depressed again.

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Back to Aoi, who convinces her mom over a period of six weeks to buy her a cell phone, then sends her mom a text, waits 30 minutes, and gets a blank reply back. Kirio, full of hidden talents, interprets the blank text as a long-winded inner monologue going on in their mother’s head about what Aoi’s original text meant and how best to respond.

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Finally, Kirio is sick of Aoi not acknowledging him as her true big brother (thanks to that natto theft incident), so he tries to become her big brother by becoming Souma’s little brother, which he attempts in the most ridiculous, true-to-the-Yamadas manner possible.

It’s actually Souta, whom Kirio asks for advice, who tells Kirio to take this route, in order to best annoy Souma as payback. But it isn’t long before the plan backfires and Kirio is annoying Souta to the point he must retreat from his own kitchen. Don’t get involved with Kirio; it isn’t worth it!

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Working!!! 3 – 07

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A lot of the interpersonal conflicts that arise in Working!! come down to people interpreting each others actions, words, or lack of words incorrectly; making the wrong assumptions. So it’s no surprise that the core conflict of Yamada Aoi—that she’s run away from home—comes down to such misinterpretations. After all, she’s one of the strangest communicators out there, having a running third-person commentary of her life as she lives it.

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Aoi is also bright and friendly and warm and cute—when she’s not being impetuous, cocky, or a huge hassle to others. Her mom is not any of those things. She comes off to many like a robot, and Kirio and Aoi were even furnished with “mom manuals” in order to interpret her subtle facial expressions, since she speaks so little. Aoi is in conflict with her mom because she never RTFM.

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As such, Aoi interpreted her mother foisting huge books on her to mean she was coldly forcing her to cram, even though her mother inside was simply worried about Aoi’s future. And Kirio eating her special natto (which he didn’t think was so great) is the last straw (or natto strand). Aoi tries to form a new family in Wagnaria, then Takanashi’s house, but her proper place is with her family; it’s just a matter of being convinced.

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The issue is brought to the forefront, and resolved, by two side characters. Aoi’s mom happens to be Takanashi’s eldest sister’s masochistic ex-husband, and Otoo’s often-lost wife Haruna convinces Aoi to go back home based on the principle of “ships passing in the night”, or family members and friends who may have wildly different ways of looking at and interacting with the world can still bump into each other on occasion, which is something to be celebrated.

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Aoi thus learns the conciliatory, re-connecting value of a hug from her mother (who tracked her down, ninja-style), and returns home, even though she still considers Souma a better big brother than Kirio. But while this means Aoi will no longer be living either at the restaurant or Takanashi’s, I’m sure she’ll still be “working” there on occasion; as long as it doesn’t interfere with her studies.

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Working!!! 3 – 06

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Working!!’s frequent teases into serialized territory that don’t pay off or end in a slightly more amicable status quo can sometimes set me off, as they did last week, but I was happy to see it table the Takanashi/Inami saga for now.

The recent developments (or lack thereof) between both the two of them and Souta/Todoroki have not been lost on Souma, who laments that none of the four of them are particularly forthcoming about the salacious details (or lack thereof) he desires.

I didn’t hate Yamada as much this week either, because instead of braying on about natto and generally not making any sense in an unfunny way, she names Souma her big brother and becomes his sidekick in the acquisition of salacious details about their co-workers.

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Takanashi is all out of sorts because of all his recent thoughts about Inami, so he feels he can find some comfort and solace in the simple petting of Popura’s head. Alas, he doesn’t find what he’s looking for, as he finds Popura grumpy and unwilling to talk to him or accept any food or drink.

Yamada posits that Popura is angry and stressed out from having to pick up the slack from everyone else (because they’re all in their heads about their would-be love interests). Her theory is not without merit, but it’s quickly debunked when Popura reveals she has a nasty canker sore.

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The next day she stays home with a fever. As Nazuna fills in for her (as an unpaid intern), Popura starts having fever-induced hallucinations of a five-inch Satou, who charges her with saving the world from an evil version of Takanashi who is trying to shrink the entire world.

MiniSatou conjures up a shabby-looking stick, and Popura’s beam has no effect on Takanashi, but only makes her shrink to a smaller size than MiniSatou.  Finally, she wakes up, having slipped into a fever dream. This was a nice, imaginative departure from the usual restaurant setting.

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Finally, we turn back to Yamada, which is usually a bad thing, but in this case her brother Kirio arrives to find her and take her home. I think I remember something like this happening in Working’!! 2, but I’m always happy when (almost) everyone is trying to inject some reality into Yamada’s life. At the end of the day she is a runaway who really should return to her family.

Only Souma suggests they send Kirio home for now, giving Yamada a reprieve from that reality despite the fact she left the attic he told her to hide in. I don’t know if she’ll ever go home, but it would obviously be better if it’s of her own volition and not by force.

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Working!!! 3 – 05

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While I like the fact that while trying to focus on work instead of obsessing over the meaning of Inami’s words last week has Souta cleaning the house so intensely that everything sparkles for the duration of the episode, this episode still felt a bit stretched-out and listless, tackling an issue that we’re no strangers to, but very much want to see more progress on rather than additional deliberation.

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That issue is Inami x Souta. Thirty-one episodes have aired without resolving this romance, and I’ll admit, I’m just about as exhausted by the will-they-won’t-they as Izumi is with activities like standing, talking, and being outside. Worse, nothing really new is added to the equation this week. Izumi simply gets the wrong idea and sets Inami and Souta on a blind date.

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Mind you, the sparkly house, image of Inami in a paper bag and boxing gloves, and then burning up are all fun, but they don’t change the fact that 90% of what they should be verbally expressing to each other remains stubbornly in their respective heads, running around in circles. It dawns on Souta that these events prove that Inami likes him, and Inami herself believes she said enough to give him that impression, but nothing comes of it; he simply gets bashful and scurries off. But hey, at least she didn’t punch him!

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Worse still, an already stretched-out A-story was padded rather clunkily by a seriously lacking B-story in which Yamada runs around with Natto, spills it on her, declares she’s “Done With Natto”, and is then convinced to go back to it after she learns most everyone’s favorite foods are soy-based. We get it; Yamada’s a big ol’ weirdo. Yet the episode insisted on banging a pot behind our heads shouting “OMG ISN’T YAMADA SO WEIRD!” I would have honestly preferred a B-story centered on literally anyone else. This was a rare miss for Working!!.

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Working!!! 3 – 04

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This week, something that in hindsight seems obvious became evident: the title Working!! doesn’t just refer to a bunch of quirky people working in a restaurant. That’s just the setting. It can also be about those quirky people working things out with one another, like Yachiyo and Satou, or Inami and Takanashi.

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After their drinking date, Yachiyo is consumed with the meaning of Satou’s sudden, warm, but cryptic hug. She knows she didn’t dislike it and wouldn’t be opposed to more of it, but has no idea why Satou did it.

When she confronts him in the kitchen, he tells her to figure it out for herself, while the best she manages to relay to him is that the thought of being friends with him makes her gloomy, without clarifying that she doesn’t want to be JUST friends.

Yachiyo is so distracted she’s making mistakes in her work, but thankfully the episode doesn’t make that a practical excuse for her to give up on Satou. Working!! is also about the characters helping out one of their own when they’re in some kind of trouble or acting strangely, as Yachiyo is.

To that end, Popura, the second-most senior server after Yachiyo, makes it work, picking up the slack and delegating all of the work Yachiyo is forgetting to do to everyone else, with each task optimized for the worker’s unique talents and quirks.

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Meanwhile, Kyouko’s underling Mitsuki shows up to drill Satou on his knowledge of Yachiyo, only to learn he knows a lot more about Kyouko since Yachiyo has classically always talked about her in front of him, and because he likes her, he doesn’t just take a fake interest; he retains the information, no matter how inane. Mitsuki thinks this means he loves Kyouko, but it really means he loves Yachiyo.

When Kyouko finds out about Yachiyo’s predicament, she solves it in the most direct, Shirafuji Kyouko Way possible: locking the two would-be lovebirds in the supply closet.

And it actually works! Yachiyo finds she can talk with Satou normally while they’re busy working, and they get on the same page about wanting to continue to act and talk normally. Yachiyo then tries to slip in her desire for Satou to take her out again sometime, but in her rush to make a dramatic exit, she forgets the door is locked.

Still, in that stockroom, these two took a little more stock in what they mean to one another, and while their future doesn’t look easy, it still looks bright.

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The rest of the episode is devoted to a relationship that hasn’t gotten much play this season, and indeed seems to have regressed: that of Takanashi and Inami. The former starts to notice how cute Inami is (now that she’s punching men, and him, a lot less), even though this goes against his obsession with tiny, cute things.

He strains to explain these feelings—maybe it’s Inami’s tiny bust affecting him?—but he can’t quite accept what Kirio says (loudly and obnoxiously): that the reason he’s had eyes for Inami lately is that he’s in love with her. Her, a mature woman far older than he likes.

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As Popura and Kyouko helped Yachiyo out with her problem, Yamada is trying to help Inami out, putting her “on the market” by constantly approaching Takanashi with methods that only intensify his feelings. His bizarre reactions discourage Inami, but she eventually gets it out of him that she’s been giving him a “good vibe”, but he isn’t able to confess he finds her “slightly, barely, blink-and-you-miss-it cute.”

He then takes up his paternal platitudes about her getting over her hatred of men and living happily ever after with the man she loves. Inami is understandably hurt that Takanashi clearly intends to eliminate himself from any equation involving her, if only due to his stupid self-imposed standards. For that Inami punches him and tears up, but her “punch” is only a delicate tap on his chest that lingers there.

She apologizes and runs off, indicating she (and Yamada) still have work to do. But I’m confident that like Yachiyo and Satou, Takanashi and Inami will somehow make it work.

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Nagato Yuki-chan no Shoushitsu – 06

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This week’s Yuki-chan was a bit of a “sampler” with a lot of different loosely-connected stories taking place within the episode. Because Yuki is trying to be bolder, so she speaks up when the opportunity arises to hear the story of Kyon and Mikuru’s “horrendous encounter” from Tsuruya—after Tsuruya launches Mikuru at Kyon, causing a boob-face collision.

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In a classic example of the listener being at the mercy of the narrator’s own biases and motives, Tsuruya recounts a story of Kyon shamelessly setting up a situation in which he bumps into Mikuru and takes her by the hand. In reality, both events were pure accidents, which, is actually why Kyon and Mikuru are able to converse normally: what happened wasn’t that horrendous to them at all.

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The theme of misunderstanding and withheld facts continues in the second segment, in which Kyon, who won’t admit he’s not doing so great with his studies, asks Asakura if she’ll help tutor him. She gives him a high-and-mighty lecture, whereupon he decides to ask someone else, like Nagato.

At the mention of Yuki, Asakura grabs his hand and the two exchange what I’ll call “smiles of understanding.” But because of those smiles and the fact they’re holding hands, Yuki’s skewed, hyperrealistic manga/video game vision presents a much more intimate scene unfolding before her.

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This misunderstanding is cleared up, but when Asakura and Kyon hit the books, Haruhi and Koizumi burst in, with their prep school education that’s a full year ahead of the two. I love the shot of Kyon’s POV when Haruhi sticks her head into the frame. Kyon and Asakura mistake Haruhi’s factual statements as an attempt to mock their “lesser” school and by extension themselves, so Asakura challenges a “math-off”, only to get in over her head and start crying.

Asakura had warned Kyon not to involve Yuki in anything related to schoolwork, but has little choice, and wins the challenge with Yuki’s superior academic prowess. Hey, she lacks confidence…no one said she was a dummy! In another nice nod to the show in which she’s an alien, Yuki is so bad at explaining how she arrives at answers so quickly it sounds like she’s speaking an indecipherable alien language at seemingly superhuman speed.

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The last segment involves both misunderstandings and Yuki being bold. Kyon decides to eat lunch in the clubroom and finds Yuki there tapping away at her video game (which looks like a dating sim). He decides to tease her by snatching the game and making her jump up high to grab it, resulting in the two accidentally embracing. Asakura enters just in time to witness this embrace, and quickly withdraws with her apologies.

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She bursts in again to find Kyon feeding Yuki, and again apologizes and withdraws. Kyon worries she misunderstood everything…but did she? The hug may have been accidental, but both of them held that hug an awful long time…almost as if they enjoyed it. Also, it makes no sense why splitting Kyon’s lunch would be easier if he fed her. That’s just Yuki seeing if Kyon would actually feed her…and he does! Nice moments for this couple; I just wish they wouldn’t always dismiss them as misunderstandings.

The final scene has Haruhi, Koizumi, Tsuruya and Mikuru at the club’s door in preparation for Haruhi’s “Training Camp”, which she’s sure she told Yuki about, just as she told Yuki she got a faculty pass to come to their school for club. In both cases, Yuki forgot being told these things because she was so engrossed in her video games. But approving Haruhi’s requests has increased Kyon’s exposure to Haruhi, making Yuki’s job to woo him that much harder. So Yuki: When Haruhi’s around, put the game down and concentrate!

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Nagato Yuki-chan no Shoushitsu – 05

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Last week was a compelling turning point in the show, when the streak of everything going Nagato Yuki’s way ends with a bang, with that bang being her homemade chocolates hitting the ground. This week, Nagato Yuki disappears, and it’s up to Ryouko to pick up the pieces.

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To her surprise, Haruhi joins the search. Haruhi claims it was just a misunderstanding; that she was giving Kyon courtesy chocolate just like she gave to Koizumi. It isn’t her fault Yuki overreacted, or takes the ritual so seriously.

Ryouko is angry, first at Haruhi, then at herself for blaming others for what she deems her own failure. This is the angriest and most emotional we’ve seen Ryouko yet, and it’s the culmination of putting “Miss Nagato’s” hopes and dreams on her shoulders, while also possibly forcing ideals on the lilac-haired waif.

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When the two finally locate that waif, sulking on a stair, they learn they misunderstood her running away, as did we. Yuki wasn’t devastated by the sight of Haruhi and Kyon, nor is she giving up; she merely felt like she shouldn’t be there while someone else is giving chocolate to someone, because she wouldn’t want anyone watching while she was doing it. Yuki puts herself in the shoes of others, and treats them the way she’d want to be treated. She really is a good girl.

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But will she have the fortitude to hang in a fight with Haruhi for Kyon’s heart? Haruhi makes it clear she “doesn’t dislike” Kyon (i.e. she likes him) when Yuki asks her point blank (and good for her for doing so!) so it’s no longer a one-horse race. But Yuki is game for now, and Haruhi wishes her rival luck.

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Yuki finally, finally delivers the chocolates to Kyon, with trembling hands and a face so red he really should know how much this means to her. He opens them eats them, praises their taste and Yuki and thanks her. He does everything he should do considering what he was presented with, but it isn’t enough. Someone like Kyon needs a clear-as-crystal confession or it’s going to sail over him.

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With nothing else to do but watch from a secluded spot, Ryouko decries the fact it doesn’t seem to be going so smoothly, while Haruhi, nervously playing with her shoe thinks she understands at least part of how Yuki feels, and how giving something to someone, as a courtesy or not, is still an achievement to be proud of.

Haruhi looks particularly weary when Yuki seems to be going in for the confession, but a terribly-timed tackle by Tsuruya causes Yuki to fall to the ground and Kyon to land on her chest, ruining her chance once more. Haruhi seems more than a little relieved by the Tsuruya ex machina.

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While this week did resort to some standard rom-com stall tactics, I appreciated how it kept things tough for Yuki, and more importantly, brought Ryouko’s formerly flawless facilitating powers down to earth. In one of her better lines, told in her temporary rage, Ryouko tells Haruhi “you’re the kind of person who can act to make what you want happen”—referencing Haruhi’s supernatural powers in the original series—compared to Yuki, who has trouble making anything at all happen.

But after this week, Ryouko and Haruhi seem like something resembling friends, their bond forged in large part because of Yuki: Ryouko’s devotion to her, and Haruhi’s competition with her. And I think Haruhi understands Yuki all too well in one notable regard: for both of them, getting Kyon to properly notice their feelings looks to be a Herculean challenge.

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Nagato Yuki-chan no Shoushitsu – 04

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Oh dear…I realize I may have been hasty about choosing Nagato Yuki-san as the Spring’s “feel good” anime. Her inflexible reliance on conventional courtship rituals like Christmas and Valentines left her vulnerable the battle for Kyon’s heart Four weeks in, he has no idea how deeply she feels for him.

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Haruhi arrived on the field of battle late, and even provided moral support for Yuki to advance at a quicker pace, which lessoned the threat she posed. At the same time, her strict non-adherence to societal norms, striking looks, and impish aggressiveness made for a formidable arsenal, with which she’s able to steal a march on Yuki.

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The most heartbreaking part (if you’re a Yuki shipper)? By going home to make chocolate rather than stay at the club to hang with Kyon, Yuki gave Haruhi the only opening she’d need. Mind you, Haruhi doesn’t have anything against Yuki, and she’s not some villainess hell bent on making her life miserable. On the contrary, I doubt she was planning to make the connection she made with Kyon, or vice versa. It was almost as if destiny itself was against Yuki.

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All Haruhi sees is a lonely Kyon waiting for her by the school gate, a potential free coffee, and later, an open ear to her philosophy of “good things will come to those who seek them,” not those who wait. Even when she tests him by asking if he thinks water imps exist, he doesn’t bore her with a scientific explanation for why they don’t. Instead, he ponders whether they do…and who can blame him, with Haruhi fording the February river in her bare feet at sundown; the very picture of impish beauty?

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Yuki means well, but her omission absence, and hesitation are no match for Haruhi. Yet she doesn’t even consider Haruhi to be a threat when she tries and fails to sleep that night, then goes to school with a lump in her throat. Her challenge, as she sees it, is to get that chocolate into Kyon’s hands. As long as she does that, everything will be fine. But putting so much importance into the ritual also means she’ll be that much more devastated if things don’t go as planned.

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Mikiru, Tsuruya and Asahina’s collective “attagirl” encouragement and Asahina’s plan in which she comes to Kyon rather than wait for him, are all designed to make the exchange as painless and idiotproof as possible. But at this point, I’m pretty certain she’s walking into an ambush. There will be no feel-good ending in that room.

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The scene she walks in on couldn’t have been worse if they were in flagrante delicto on the tabletop, because frankly, Yuki’s threshold for romantic defeat is about as low as humanly possible. There’s Kyon, to whom she was about to present the chocolates she put her goddamn heart into, his hand connected via the conduit of a store-bought chocolate bar—”Showa”, a play on Meiji—to Haruhi, the usurper Yuki herself allowed into the club. It’s a regular imperial coup.

The one slight glimmer of hope? The box Yuki drops on the floor doesn’t bust open and scatter the pieces all over the floor, so maybe that’s not quite the state of her heart. But this is going to sting, and her skight step back indicates she intends to retreat.

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Nagato Yuki-chan no Shoushitsu – 03

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By formally introducing the main character of the Haruhi franchise in just the third episode of a spin-off starring a meek bookworm, Nagato Yuki-kun seems to be issuing a challenge—to itself—can Yuki hold her ground when a charm factory like Hirano Aya’s Haruhi crashes her show, or will she disappear, as the title suggests?

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I would imagine most of the audience turned off by all the show’s changes have already checked out (unless they’re hate-watching). Now it’s up to the show to deliver for the cautiously optimistic viewers who stuck around to see where they’re going with this.

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In terms of Yuki being replaced as the protagonist, that isn’t going to happen, nor would I want it to: Haruhi is a supporting character who just happens to steal every scene she’s in with her charisma, and instant chemistry with Kyon. Their half-hostile, half-flirtatious sparring on display here is nothing new for veterans of the franchise. And listening to two true pros at work in Hirano and Sugita is always a pleasure in and of itself.

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As it has every episode thus far, the show doesn’t forget to give Yuki and Kyon a romantic moment or two to keep their romantic potential active. Here, Yuki gives Kyon an extra-formal thank you for helping her this year, and then prays at the shrine for the courage to tell him her feelings—her real feelings, not the word salad she dropped on Haruhi and Kyon in that cafe.

That being said, I loved how her melon soda refilled when she realized she could call Kyon a friend without anyone thinking it’s weird.

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The new year brings with it more Haruhi, and when she infiltrates North High with her transfer student pet Koizumi Itsuki (who doesn’t appear to be an esper) and moves right in, getting Yuki to agree to make them members and make her Executive President. In an odd moment, it seems like Haruhi heard Kyon’s inner monologue. Was that just an easter egg, or a sign things could get more supernatural?

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That’s going to be another big question: assuming Nagato will still have the greater share of screen time as the official protagonist, how much will the people Haruhi has amassed change? Does she have the same godlike power to make her delusions reality she possessed in the original series? Did the show start out like a conventional, non-supernatural rom-com as a feint?

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I’m skeptical of that. I see this Haruhi as no more a god here than Yuki is an alien or Asahina a future-girl. I’m not saying there’s no way they’ll become those things under extended exposure to Haruhi, but I doubt it. The challenge remains, the lit club is now much louder and livelier (the whole cast does a great job creating the aural chaos of such a club), and Yuki must become louder and more aggressive in order not to be left in the dust.

The good news is, Nagato doesn’t need to grow her hair long enough to put it in a ponytail…though if she really wants to, Kyon won’t stop her.

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Nagato Yuki-chan no Shoushitsu – 02

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Despite the rather disquieting presence of the word “disappearance” (or “vanishing”) in the title, and barring any crazy plot twists, this second episode all but cemented Nagato Yuki-chan’s place as my Official Feel-Good Anime of the season, a position that Koufuku Graffiti occupied this past Winter. Both shows are warm, sweet, and pleasant, if a little lightweight compared to the original series it’s based upon.

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Kyon’s a lucky guy…but we knew this

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Like Ryou in Graffiti, Yuki starts out lonely and depressed, as we see in the flashbacks that break up the Christmas party preparations, which are proceeding apace. Not too long ago, the school threatened to shut the lit club down if Yuki didn’t find more members.

Asakura promises to support her as a friend should, but first Yuki needs to crawl out from under that kotatsu and take action to save the club. In other words, she has to take the lead in taking a stand…and Asakura will follow. She won’t fight her battles for her, but beside her.

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While Yuki is out one night rustling up some grub, a strange girl with yellow ribbons in her long brown hair beckons to Yuki, asking for assistance writing a large rehearsal message for Santa in the park, hoping to “nab” him and “string him up”. This girl’s goal may be unusual and somewhat absurd, but there’s no denying her commitment and dedication to making it happen, going so far as asking a stranger for help…a stranger who forgot her glasses, no less!

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The bizarre encounter inspires Yuki, who is pounding the school pavement the next day, trying to convince strangers to join her club after formally asking Asakura, who gladly joins. She gets turned down by everyone except Kyon. Why does Kyon agree to join? I dunno…maybe he didn’t have anything else going on. Maybe he just thinks Yuki is cute…which she is, especially when working hard for a cause she believes in.

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…And the rest is history…or should I say histurkey? 

I’ll show myself out.

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The party goes off without a hitch. As was the case with Saekano’s Megumi Kato, Yuki is in danger of being edged out by louder (Tsuruya) bolder (Asakura) and bustier (Asahina) personalities, but ends up in the right place at the right time in the end. While she didn’t out-and-out plan to meet Kyon outside (she only wanted to see how the clubroom looked), she realizes it’s the perfect opportunity to confess to Kyon, especially when it starts to yuki. Alas, a Asakura accidentally sabotages the moment, something for which she’s legitimately sorry.

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BAAAAAAAW

 

Fortunately, that isn’t that, as Kyon mistakes a flustered Yuki for a cold one and places his coat on her. This makes him cold, so Yuki switches from words to actions, offering to share the coat with Kyon. The snuggle session that ensues is the totes adorbs highlight of the episode, and another sign that one day at a time, Yuki is drawing closer to world domination living a happy, confident life, achieving what she wants to rather than just worrying about it.

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Which brings us to post-credits. While on their way to the after-party clean-up the next day, Yuki realizes she never got to take that wierdo up on her offer to visit the park to see Santa. That’s when the girl leaps out of the bushes and collapses in the snow. The appearance of Migi Suzumiya Haruhi presents a fresh challenge to Yuki, as she’ll have to work that much harder to defend her position as the protagonist of this show.

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