Lord El-Melloi II Case Files – 05 – The Wild Hunt

When attempts to contact the recently deceased Waletta fail, Adashino swiftly declares Wills as the culprit, since he stood to gain the most from her death. Lord El-Melloi II contents—quite reasonably—that in the world of mages, it doesn’t matter who does something or how, because both of those things can be controlled via magecraft. Rather, it’s the why that matters most.

Since the storm has not ended the original agreement is still in place; Adashino will allow Lord El-Melloi to continue his investigations. He hires Shishigou Kairi to assist him, but as Kairi and Gray collect reference materials, they are attacked by a Black Dog—the final form of the lightning outside—that punches right through Adashino’s Bounded Field.

This incident not only confirms the “murder weapons” used in the string of killings, but piques Shishigou’s interest in Gray, and why the Black Dog seemed to fear her Mystic Code. With her okay, El-Melloi explains that the code is Rhongomyniad, the spear of King Arthur (Arturia), disguised and sealed by both Add and its scythe form. He calls Gray “a portrait of King Arthur created by a certain family.”

The Arthur connection confirms it for Kairi and El-Melloi: the storm of lightning, wind, and spirits surrounding the workshop is the legendary Wild Hunt, once led by Arthur, but which led to defeat and his departure to Avalon. El-Melloi bids that the others indulge him in carrying out a ritual to test his new hypothosis.

Using Wills Mystic Eyes (with Reines’ as a catalyst), El-Melloi is able to summon a fairy in the flesh—the same one that has been appearing before Wills as if to warn of an impending death. The fairy can speak, and admits that she herself killed Trevor as punishment for essentially disrupting the balance between worlds for his own selfish desire to build an army of “false fairies” (i.e. Black Dogs) that he can command.

Now El-Melloi has the “why” as well as the ultimate means: the Marburry Workshop itself being the murder weapon with its ability to summon the murderous Black Dogs.

In his shortsightedness, El-Melloi’s demonstrative ritual ended up activating that weapon, sending an entire army of Black Dogs (led by one large boss-sized one) at the mansion. Adashino stays inside to protect Reines while the others head out to meet the dogs of war in glorious battle.

And I have to say, despite it being a bit dark, it’s quite a battle to behold. Wills shows his prowess with mystic daggers, Kairi has a mystical shotgun, and even El-Melloi pops off a few magical bullets, if you will. But obviously the battle’s MVP was always going to be Gray, taking care of business with her scythe and saving El-Melloi from a premature end.

Ultimately Gray must rescind the second seal and unleash the true power of Rhongomyniad in order to defeat the boss. It’s a hauntingly beautiful sequence, as her “Lance that Shines to the Ends of the World” not only obliterates the boss but blasts away the storm clouds as well. Gray may only be a “portrait” (her name perhaps a reference to Dorian as well as her main color) but she can still bring it when called upon.

What her attack does not do is close the gate to the fairy realm from which the Black Dogs first emerged. To do that, Wills decides to do something he always suspected he’d had to do: walk through the gate himself. El-Melloi begs him not to go as it would be a one-way journey, but Wills is prepared, and knows that not only will he not really “die”, but that his father and Waletta are waiting for him there.

With the gate—and case—closed (and El-Melloi’s favor to Sophia-Ri fulfilled), all that’s left is to head back to London. But before parting ways, Adashino hands the lord some material she found in the aftermath relating to the origin of Wills’ Mystic Eyes, with which he wasn’t born as El-Melloi assumed. They were acquired via Rail Zeppelin, a legendary phantom train that buys and sells the eyes.

With part of the lengthy show title now in play things look to only get more interesting as Lord El-Melloi’s case files continue to flow. Meanwhile, before parting with Gray Kairi tells her to keep a close eye on El-Melloi, since he senses the former Waver to still have a strong connection to his now-dead servant. Since connections to the dead only draw people backwards into the past, it’s on Gray to ensure El-Melloi resists that pull and keeps moving forward.

Lord El-Melloi II Case Files – 04 –Lightning Round

Gray eavesdrops on Lord El-Melloi talking to a scrap of Iskander’s cloak, longing to be in the Holy War again. To do so, he must bow his head before the late Sola-Ui Nuada-Re Sophia-Ri’s brother Bram, incoming head of the Spiritual Evocation department.

In the meantime, El-Melloi has a fresh case, involving a fellow lecturer in Wills Pelham Codrington and Marburry Workshop he inherited from his father Trevor, who was among many recently killed by increasing amounts of lightning at the site believed to be the result of an unbalanced leyline.

It is Reines who meets clandestinely with Bram, who agrees in principle to help El-Melloi get one of the coveted spots for the next Holy Grail War. Not only does Reines demonstrate a Machiavellian shrewdness far beyond her meager years, but also shows off a very cool trick involving blue stones that create a magic wall of privacy for her and Bram.

Sophia-Ri is offering the slot in exchange for El-Melloi investigating the Codrington affair, which is basically a matter of inheritance between a main and branch family, on behalf of a Spiritual Evocation department that doesn’t want to sully its reputation by getting involved. Immediately upon arriving, Reines’ “Mystic Eyes” turn red and start to hurt.

They reach the mansion to find they are not the first to arrive: a member of Policies, Adashino Hishiri, is already on the scene with Waletta, a member of the head Codrington family who is also a childhood friend he rejected for marriage…so there’s clearly bad blood.

Adashino is ready to arrest and charge Wills with his own father’s murder, since the lightning only appears when Wills is at the workshop. Despite El-Melloi also having some kind of unpleasant past with Adashino, he manages to convince her to give him a chance to determine the truth, and whether Wills really is responsible.

As Wills shows El-Melloi a fairy rooted to the Marburry lands who has appeared and warned him every time before someone dies, Reines is also feeling a little adventurous, and she and Gray explore an underground catacombs, and meet a man in sunglasses who wards off hostile spirits with a magical shotgun.

The man is Shishigou Kairi, necromancer, mercenary, and a friend of the late Trevor’s, apparently there to pay his respects, but also among the suspects in Trevor’s murder.

With the hour late and Reines taxed by her Mystic Eyes, El-Melloi is ready to retire for the night, but is vexed by the lack of a connecting factor between the thunder, Mystic Eyes, and graveyard. After the credits, the pattern of someone dying after the fairy appears before Wills repeats, as Gray reports to El-Melloi that Waletta is the latest to be struck by lightning.

Despite both the whodunit and howdunit remaining up in the air, what we have is the first part of an incomplete investigation that is nevertheless compelling enough to make me eager for part two. This is also the first case that is explicitly not just about paying debts, but getting Waver another shot at the Holy Grail, in which he presumably intends to repay the greatest debt of all.

Lord El-Melloi II Case Files – 03 – What Modern Times Entail

Lord El-Melloi II is pissed, and he doesn’t hesitate to take it out on one of his more talented but insolent students, Flat, with a head-grabbing move that another student, who looks like a magical girl, has patented it. Meanwhile, a new student, Luviagelita Edelfelt, is not amused, and asks Gray what, exactly, is the lord’s deal.

In continuing with the domestic comedy that surrounds him, the source of Waver’s foul mood is the unplanned closing of his favorite coffee shop due to an electrical fault. As a loyal and enthusiastic regular, he offers his services to track the cause. Turns out one of the exterminators the owners hired went missing into the labyrinths beneath the shop.

El-Melloi’s investigation leads to an encounter with some kind of lightning-aligned beast, and when he fails to return to the coffee shop, Gray is called, and Gray calls Flat, who along with his classmate Svin meet Gray in the tunnels to search for their professor.

They locate him, a bit beaten up but otherwise fine. Svin takes him above for medical attention, while Gray and Flat follow the illuminated tracks of the monster that attacked the lord. They eventually encounter that beast—a kind of giant demented electrical rabbit—and Flat shows he’s no slouch when it comes to magical barriers, making a good team with Gray.

They eventually reach the source of the monster: the workshop of a Clock Tower zoology mage, Gurdoa Davenant, who sees the death of the exterminator and others to be a small price to pay if he can reach the Root. He summons several more rabbit beasts that surround the students, suggesting an excellent battle is about to take place.

Unfortunately, Lord El-Melloi returns with Svin (in his own form of beast mode) and a bunch of documents tying Gurdoa to a number of crimes for which the Clock Tower has frozen his assets and declared a warrant for his arrest. It would seem the modern world cannot bear mages like Gurdoa, willing to break the rules of magecraft to pursue his own lofty designs.

He later admits to his students he was partially bluffing and probably would not have been much help if Gurdoa didn’t go peacefully (which he does), but I imagine if he’d let Gray, Flat, and Svin let their collective hair (and hoods) down, they could have put on quite a show. Instead, it’s a much more subdued (and thus boring) resolution.

This episode’s case file was okay, but nothing to knock one’s socks off, especially after the spectacle of Gray unleashing her power (and as-of-yet unspecified connection to Saber). However, the post-credits scene bodes well for some future excitement: according to Luvia, two positions for Association participants in the Holy Grail War have closed—not something El-Melloi wants to hear.

Senryuu Shoujo – 12 (Fin) – The Day They Met

During a rooftop lunch together on a beautiful day, Nanako asks Eiji if he remembers the day they met, and the final episode proceeds to re-tell that reliably adorable story. It was indeed their mutual love of senryuu poetry that brought them together, as they meet, and are the only two young people, at a poetry workshop around Christmas.

When Eiji comes in late with a head of steam, everyone is content to take him at face value—as a thug. Nanako, on the other hand, claps when he quickly comes up with a senryuu asking Santa to stop his dad from smoking so much. They exchange pleasantries outside, but Eiji warns Nanako not to get too close lest people speak ill of her.

But Nanako isn’t interested in what others think of Eiji, she feels she’s connected with him on a major level, and can’t stop thinking about him. They don’t see each other at a workshop again, but begin exchanging senryuu on a public bulletin board, essentially becoming senryuu pen pals. Nanako arranges for them to meet up when the cherry blossoms bloom in Nishi Park—truly a poetic setting for their next rendezvous.

When she sees no reply on the board on the day they’re to meet up, Nanako asks around, but no one knows what has become of Eiji. She starts running in a tearful panic, worried she let the one person she connected to most slip through her fingers. But she had no reason to fret: Eiji shows up under the same cherry blossom she envisioned for their meeting.

Back in the present, as Eiji lazes in the sun and Nanako sits beside him, she simply casts a big, beaming smile at him, and the two of them couldn’t look more content, regardless of whatever relationship boxes Amane thinks they still need to check off. It’s a pleasant, cozy end to a feel-good series about two very different people with the same very specific hobby.

3-gatsu no Lion – 20

3g201

After losing the first three matches, and on the eve of the fourth which will determine whether he’ll get to play in his hometown, Shimada has a dream about a seemingly ideal life.

His girlfriend never left him, he gave up on being a pro, and he lived happily in his hometown with a big extended family. Yet even in the dream, there is shogi. As lovely as it looks, it might be a nightmare to him, because he gave up.

3g202

At one point in the final match, Shimada actually seems to be glad to have a “black bog” churning in the pit of his stomach, because he feels alive. The pain keeps him focused from all the people talking no-so-behind his back about how he won’t win a single game.

Rei has to hear the same negativity while on stage with another A-ranker who leaves before the match is even over once he’s satisfied Souya has him where he wants him. The grizzled veteran makes Rei amazed stomach pains are all Shimada has suffered, and how frightening and impossible the prospect of surviving in rank A seems, at least at this point in his career.

3g203

Shimada’s ideal dream/nightmare, it would seem, was a consoltion for the fact he wouldn’t make it to his hometown, because there would be no fifth match. Souta simply silently covers him in layer after layer of snow until he’s well and truly buried.

By the time Rei rushes to the monitors, hoping to will him into the move that could save the match, Shimada has already conceded. Like Rei in his match with Shimada, there was a gap that was simply too wide to be crossed.

3g204

Watching his mentor’s defeat, and everything that surrounded it, is a vital learning experience for Rei. Already convinced he will not attain the heights of previous middle school pros, and always dubious of his own worth in general, Rei sought a reversal of all the pessimism around him, perhaps to also convince himself to have faith things could turn around.

But instead he learns that beyond the storm is just another, more severe storm, and Shimada has weathered those storms, and feels better for doing so. Rei will also have to learn not to wither before seemingly insurmountable odds, nor fear defeat, because win or lose, something is learned, and life is enriched.

16rating_8

3-gatsu no Lion – 19

3g191

We step away from the Kawamoto sisters this week, but we see their warm caring nature reflected in Rei as he takes care of Shimada. Flashbacks indicate he’s had often-crippling stomach pains since he was a teenager, likely due in part to the pressure his small but well-meaning village put on him to become a master. He doesn’t want to let them down any more than himself.

3g192

The Lion King Tournament with Souya is really doing a number on his already shaky health, so Rei comes by to make him a delicious udon bowl, stating his father (not Kouda-san) had the same stomach problems. Rei doesn’t cook for himself at home, but he’s happy to do it here, and is actually good at it. I can just imagine Hina’s joy (as well as Akari and Momo’s, but particularly Hina’s) if he whipped up a bowl for her!

3g193

Rei goes against his better judgement and acquiesces to Shimada’s demand to play shogi with him, despite the fact what the dude needs most is sleep. But Rei is flattered to hear the reason why: like Souya, Rei is an all-rounder with similar “viewpoints” on the game Shimada can’t get elsewhere. Rei may be a stopgap (i.e. nowhere near as good) but he’s better than nothing. Souya even used the same word to describe the 3-g silver (or whatever) move: “disturbing.”

3g194

From his house, Rei gets Shimada on the shinkansen, into his hotel room, and thanks to an altruistic assist from Souya, Shimada’s role in the pre-match reception is mercifully brief. The day of the match, Rei still second-guesses staying and playing with Shimada instead of insisting he rest back home, but there’s nothing he can do about it now. All he can do is hope Shimada has enough left in the tank to grab a win.

16rating_8

3-gatsu no Lion – 18

3g181

Nikaidou and Shigeta are always fighting over the proper move to make, on diametrically opposite sides like Vader and Obi-wan. Neither ever seems to back down, resulting in escalation that has to be refereed by Shimada.

3g182

The boys’ pulpy, comic-booky visualizations contrast sharply with the match Rei gets into with Shimada. Their visuals are more refined and rooted in classical art. It’s not just a matter of how the two pairs approach the shogi workshop.

Shimada’s elegant blue waves crashing against Rei’s hazy red base until he and it are consumed by the torrent. The exhaustion Rei feels afterwards in his overlfowing tub, are a means of expressing what it’s like for an A-rank player to come at your with everything he’s got.

Shimada isn’t just trying to beat Rei, but to learn something new from him, something that might not have occurred to him. Anything will do; after all, he’s one loss away from a do-or-die match with the reigning champion.

3g183

Back at school, Rei examines his report card, which indicates he just squeaked by and will be advancing to the next grade. When he looks at the last school year, Rei laments how little he accomplished.

Hayashida-sensei lets him know what an ordinary 17-year-old typically accomplishes (not much) and how little he accomplished at that age, and puts things in perspective. Rei is not a kid who seeks praise directly, so as usual he finds all this praise uncomfortable.

3g184

In another nice crossover of worlds, Hina comes by with Momo in tow to collect their empty food boxes. Both girls are very on-edge, but after downing a stiff drink composed of cold milk, Hina asks what she came to ask—who that beautiful, bad-tempered girl was—and gets an answer that satisfies both her and Mom.

Kyouko isn’t, in fact, a witch, she’s just his big sister. Siblings fight all the time, but they’re still close. The girls comprehend this from their own experiences with each other and Akari. It’s a nice air-clearing scene that brings warmth to Rei’s apartment, and lil’ kid expert Kuno Misaki and superstar Kana-chan kick ass as usual.

 

3g185
I’ll just leave this here because it gave me a chuckle. It’s been a minute since I’ve seen Castle in the Sky…

Of course, when that’s what Hina tells Akari back home, the older sister wonders if it’s not actually worse than if Kyouko were Rei’s girlfriend. After all, from what she saw, Rei and Kyouko weren’t very close, despite ten years of living together.

Akari suspects that distance was the reason Rei yearned to leave that home, though to be fair to Rei and Kyouko, Akari doesn’t know the intricacies of their relationship, or the fact that every time they see one another they struggle to resolve what exactly they are, while simultaneously never doubting for a second that they’re…something.

16rating_8

3-gatsu no Lion – 17

3g171

Note: I have taken over reviews of 3-gatsu no Lion from Zane in exchange for ceding Little Witch Academia to Franklin. Call it a three-way trade. What does Zane get? RESPECT.

This was the first 3G of the show’s second half that never really felt like it was dragging. Even in its “weakest” first section, there’s still the formal exchange between Rei and his father, as well as the sun shower and encounter with the ethereal Touji Souda, who could either be a god or a devil.

3g172

Because his dad can tell by reading his face, Rei lets slip that Kyouko isn’t really staying over at his place all the time, and she derides Rei as a snitch under the bridge.

In a 3G first, the Kawamoto sisters finally see Rei with Kyouko, and their reactions are both priceless and true-to-character: Kyouko assumes Rei has found another home to ruin, Akari is polite and stays out of Rei’s business, and Momo is petrified of the Rei-bullying “witch.”

Hina is, well, pissed. So pissed, in fact, that she runs back to Rei and gives him a towering box of food to cheer him up—and all indications are she succeeds in the moment. She also makes sure to give Kyouko a withering middle-schooler stare before steaming off. Akari agrees “just a little bit” with her younger sister that it’s not fair that Rei should just take the “strong-willed woman’s” abuse.

3g173

Kyouko is certainly cast as the Wolf to Red Riding Rei, but in the next segment, 3G turns that on its head, showing the far less outwardly confident and strong Kyouko. She basically stress-eats all of the food meant for Rei. She calls home to tell their dad where she is, but has to give the phone to Rei, because their dad doesn’t trust her.

Curling into (Rei’s) bed (again), Kyouko doesn’t know what to do with herself. She also doesn’t know why she chose Gotou, a man she can’t possibly bring home for Dad to see. In the night, Rei notices her checking her phone over and over, and the blue LCD light it creates, giving the impression the two of them are sinking into the bottom of the sea.

3g174

Kyouko has crossed adulthood, but seems threatened by the only slightly-older Akari has achieved (in the brief, limited moment they crossed paths, that is). Rei is nearing adulthood, and at 18 will still be a second-year at school. Nikaidou has reached his rank, catching up to him, and is looking forward to proving his worthiness as a rival in an official match soon.

Rei puts it perfectly when he says he and Kyouko don’t know how to be proper siblings, nor can they be strangers, so they’re caught in between. Perhaps as they grow older and more mature they can learn and change. For now, Rei awaits the arrival of Spring, the first month of which I hear…comes in like a lion.

16rating_9

3-gatsu no Lion – 16

3g161

While it could be argued Hayashida-sensei got Rei in this hole by miscounting his absences, he gets resourceful in a bid to dig him out of it, including introducing Rei to the After School (Bunsen) Burners Club, a group of passionate nerds happy to help Rei out with science-y stuff. This was a lot of fun and engendered the most laughs; the mustachioed guy in particular was hilarious, somewhat Excalibur-like.

It’s a relief to the teacher to see Rei interacting and laughing with fellow students. The lesson he imparts upon Rei is that when he cannot overcome something alone, seek out someone to help; otherwise no one will ever seek him out.

3g162

After a brief fake-out with a too-confident looking Gotou, we learn that Shimada was the victor in the third and final match, making him the challenger against the ethereal reigning champion Touji Souya. Gotou was prepared to give remarks on his loss, while Shimada is so spent from the exertion he can barely stand or talk. His spirits are buoyed when Rin asks if he can join his shogi workshop.

3g163

Back at the Kawamoto’s, the girls and gramps are making special boxes for the girls festival and planning what kind of meal to prepare for the special occasion. Hina is frustrated that Rei hasn’t been by, and doesn’t understand why he’d deprive himself of food (and their company) for so long. Gramps understands, though; it’s a matter of pride. He’ll come back when he’s ready.

3g164

The workshop is at Shimada’s house, a modest but gorgeous little home dramatically perched atop a hill in the oldest part of town. There’s a sense Rei has climbed a mountain to reach some kind of temple in order to aid him on his quest to enlightenment. In reality, he doesn’t spend enough time playing in non-competitive matches with peers, which is why Shimada was able to run roughshod over him.

3g165

Shimada is glad to host three gung-ho shogi players in his home for the workshop, but once the three start getting defensive, digging in their heels and barking like petty feudal lords, the toll Shimada’s matches exacted upon his body are amplified, and he cuts the ‘shop short, blaming a stomachache.

Nevertheless, Rei is being exposed to different forms of play, with nothing on the line except his still-narrow personal view of shogi play. Nikaidou even follows him home, as their argument over use of certain pieces at a certain time inspires him to want to demonstrate to Rei what he’s on about on a shogi board.

Overall, this was a pleasant (if a bit thin-feeling) episode that shows some of the incremental steps Rei is taking towards…well, growing up, becoming both a better shogi player and a better man. Notably, there were no scary flashbacks (or scary Kyouko) to be had, but like Hina I too hope he’ll end his self-imposed exile from the Kawamotos soon.

16rating_7

3-gatsu no Lion – 15

3g151

Rei gets back to analyzing Kyouko, likening her to a glass with cracks that can never be fully filled. Rei blames himself and Kyouko’s and his dad for creating those cracks. Dad might’ve been the instigator, but Rei puts just as much weight in his role as object of favoritism, whether it was justified or not.

3g152

The new wrinkle here is that Kyouko didn’t want Rei to go away, leaving her even more lonely. But he did. He felt he had to. Considering what Kyouko and her brother had to pay for Rei to be in the position he’s in, he felt it necessary to become an adult as soon as possible so he could “protect them”.

But leaving didn’t end Kyouko’s suffering, it only created a new void in her heart; a new crack. We also learn she first connected with Gotou because his wife is in the hospital, and the loneliness she perceives in him mirrors her own. I wonder if Kyouko ever expected Rei would up and leave the way he did – that he would challenge the status quo so forcefully, at such a young age.

3g153

But leave and challenge it he did…and he failed, and got humiliated, and had his whole world turned upside down. And you know what? Even Grandpa Kawamoto knows (from experience) that failure is good; failure is necessary. No one ever knows that when it’s happening, because it feels terrible, as losing to Gotou in the first of three final matches feels to Shimada.

3g153a

Rei already shows some growth by ceasing his skulking and going back to the shogi hall to watch Shimada and Gotou in action with his colleagues. Unfortunately, due to a clerical error by Hayashida-sensei, Rei finds himself two attendance days in the red and heaps of schoolwork to do in order to prevent repeating the grade. Again, he faces potential humiliation and failure, but it will ultimately make him a better person.

3g154

Shimada regathers himself and expends a great deal of his charisma in the second match, in which he manages to defeat Gotou and bring the series even. Afterwards Shimada walks with Nikaidou, who tells him why he wanted him to kick Rei’s ass so soundly.

Nikaidou’s many victories against uninspiring opponents who clearly didn’t work as hard as he did left him “reduced to a lump of ego”, with a head to match. That big head was split in two when he faced off against Rei, but Rei also pulled him out of the dirt and offered him water in the searing heat. Rei saved him, and he repaid the favor with Shimada’s help.

In an interesting merging of the two plot lines, Shimada spots Kyouko yelling over being rejected once more by Gotou on his way home. Seing the young, beautiful woman so strongly affected by the far older Gotou serves as another means of indirect psychological warfare (to go along with Gotou’s impressive arsenal of the direct kind).

But Shimada quickly snaps out of it: it’s just another momentary humiliation; another fleeting failure; either of which will only serve to make him stronger. So too will Rei grow stronger from such things. Now, Shimada, for the love of God: beat that pompous gangster!

16rating_8

3-gatsu no Lion – 14

3g141

3GL gets back on track by bringing Rei and Shimada’s match to an end, and I realize the match was supposed to start out boring at the beginning last week, to reflect how little of it Rei thought. Shimada was only a hurdle to leap over on the way to teaching Gotou a lesson.

How wrong Rei was: Shimada wasn’t an opponent to toss aside with half-assed preparation. Rei totally misjudged his level and got totally destroyed. Finding out how early in the match he was toast (far earlier than he realized when playing) only pours gas on the fire.

3g142

He runs off like someone rejected by their crush, thinking he’s lost everything. He loads up on sleep, gets depressed and dehydrated, and even starts to think of other ways to make his way in the world besides shogi (which is tough when one is only seventeen). Rei had taken on the trappings of adulthood without having the experiences necessary to become one.

But as Shimada and Smith say, this happens to everyone, in one way or another. You’re young, you feel invincible, then you’re struck down and never saw it coming, and think It’s All Over. Heck, it sounds a lot like one’s first rejection or breakup.

But such defeats are necessary and vital to growth, which is probably why Nikaidou asked Shimada to “crack [Rei’s] head in two.” Rei needed a jolt like this, because more defeats will come in life and he needs to learn how to deal with them.

3g143

Rei tries to find some solace at school, but it’s just as unapproachable and incompatible to him as ever. Again, the only one he talks with is Hayashida-sensei, making him one of the least social high school anime characters (who isn’t just a shut-in) in recent memory.

Hayashida also wants to impress upon Rei the fact that if he’s “over-capacity”, and it certainly looks like he is, there’s no shame in stepping back from those adult trappings, moving back home, and having at least some of the things currently overloading his life be taken care of.

Additionally, Hayashida suggests Rei join Shimada’s workshop (of which Nikaido is also a member), as learning from someone who beat you (especially so badly) is a great opportunity.

Rei has to get past his anger with Shimada for getting beaten, his uneasiness with being back home, and of course, his own obsessive insistence on not running. Doing these things isn’t running, it’s learning and growing.

16rating_8

Witch Craft Works – 12 (Fin)

wcw121

Witch Craft Works follows Noragami with a similarly tepid ending; wrapping up the Weekend arc with a load of miscellaneous magical mumbo-jumbo, while frantically jumping from one place to another tying up loose ends. We got way more tell and not enough show, but in the end, the show had kinda backed itself into a corner where technicalities had to be employed to explain why both Honoka and Kagari survive and save the day.

wcw122

We will say we liked the effect of the city and its people being restored all in one fell swoop after Honoka agrees to sacrifice his life in exchange for Evermillion’s power. Turns out she merely transferred the power Ayaka had been using back to Honoka by annulling their contract. But it’s hastily restored and Ayaka is revived. It’s a reiteration of a problem this show had for its entire run: a lack of palpable danger and risk.

wcw123

Meanwhile, Weekend is out of mana and defeated, and gets captured by Chronoire on her way out. Then Chronoire and Kazane (who healed up much faster than Weekend predicted) fight it out, because they have a past, or something, and everything returns to normal, including Tanpopo’s gang challenging Ayaka to fights that they then lose badly. Presumably it also means more of Kasumi fighting Ayaka for bro-time.

wcw124

This was a case where the buildup of the last couple weeks was better than the payoff, but we were kinda expecting that, so we don’t feel particularly ripped off. The lush, whimsical visual style and guy-as-the-damsel dynamic sustained us till the end, but Witch Craft Works never really got better than its first couple episodes, due to ultimately lame villains and way too many extraneous side characters.

Rating: 6 (Good)
Average Rating: 7.167
MyAnimeList Score: 7.43

Witch Craft Works – 11

wcw111

Ah, the Penultimate Final Battle Buildup Episode…we know them well. If there’s still a fair amount of information to convey to the audience, a PFBBE is the time to do it, so that there’s time for both the resolution of said final battle and a proper cool-down period that checks in on everyone one last time. Cram too much into the end, and the end can feel rushed and unsatisfying. We still consider the second episode to be the best of this series, and we’ve been legging it out in hope of a strong ending.

wcw112

After this week, we’d have to say there’s still a good chance of WCW pulling it off, since this PFBBE packs a lot of setup and exposition, identifying the final threat—Weekend will blow up all the people in the city if she doesn’t get Honoka—and fielding the force that aims to thwart her: Ayaka, drawing from Honoka’s power. Honoka’s little dreamworld excursion is suitably trippy, and Mikage-sensei provides enough info for us to get the jist.

wcw13

While there’s a lot of talking, there’s also a lot of fighting, first between Kasumi and one of Weekend’s underlings in another giant teddy battle, and we will state for the record we have officially seen enough giant teddy-fighting. We’re also a bit astounded at how ineffective Tanpopo’s crew is this week; they literally just stand around. Fortunately for them their master Medusa managed to escape from her captors and takes the enemy out with some badass petrification.

wcw114

As Honoka convalesces, Ayaka leaves him in Atori’s care (she talks through a puppet…HOW KOOKY.) and tries to take her “prey” Weekend on alone, but Weekend has been planning this op for more than a year, and has more than enough magic stowed away to repel her. It takes a feverish Honoka voluntarily going to Ayaka’s side (showing he’s been practicing his broomflying) to charge her back up. So the stage is set for the final battle. We wonder if the powerful Chronoire and/or Kazane will have anything to contribute to it, or if it’ll be strictly an Ayaka/Honoka-vs.-Weekend affair.

7_very_goodRating:7 (Very Good)