Those curious about what became of the American Marines get no answers this week, as the girls are on to their next adventure, this time on a beach. Sorao wakes up in a posh hotel room, having shared the bed with a naked Toriko. She can vaguely remember going shopping and bar hopping, and is proud of her drunk self for plugging in her phone.
While taking a taxi to the beach, both Sorao and Toriko nod off, and when they come to, the taxi is derelict and covered in plants and sand, as if it had been sitting there for years. It looks like they’re still in the Otherside, though with a very Spirited Away vibe with a lush blue and green palette.
The duo do a thorough search of a long-abandoned beach shop that, while creepy, contains no active threats, so on Toriko’s urging they change into the bikinis they bought yesterday(?) and proceed to have a fun time on the beach, drinking beer and practicing shooting. The Okinawan afterlife of Narai Kanai is also referenced as the two discuss the Alcatraz-like ruin on the horizon.
Sorao’s been letting her have her way so much, Toriko is worried Sorao could get sick of her, but that’s not the case. Indeed, Sorao again tries to bring up her feelings, only to miss her chance once again. Regardless, she’s happy to be having fun on the beach, a place she never felt was her scene. It’s also a welcome deviation from the standard Otherside aesthetic.
Their solitary fun is cut short when they hear odd noises and discover zombie-like punks beating up little kids. When Sorao and Toriko are rushed, Toriko freezes up, but Sorao shoots them all down before they can get to them. Toriko is impressed: Sorao can shoot and kill to protect herself and Toriko, but she credits Toriko with helping steel her resolve.
Sorao can also see with her eye that the punks weren’t human, but reanimated piles of washed-up beach detritus. Suddenly, the skies turn blue and brooding, which Sorao remembers the captive Toriko saying was the most dangerous time to be in the Otherside. A legion of creepy child-dolls bursts out of the beach shop while huge walrus-like beasts appear on the beach. The girls are well and truly freaked out.
They also don’t have enough ammo to deal with all of these creepy monsters great and small, so Sorao arranges for their exit, using her eye, Lady Hasshaku’s hat, and Toriko’s hand to open a portal. A great light flashes from the dissolving hat, turning all of the monsters back into garbage, and the girls fall through.
They emerge back in the normal world, apparently still on the beaches of a populated, non-ruined Okinawa, and perhaps where they had their day and night of shopping and drinking. Before the portal closes, Sorao spots a woman with flowing black hair. Could it be Uruma Satsuki, mentioned by one of the monster boys as part of the “Queen of the Beach” urban legend?
If it was, Toriko didn’t see her, and Sorao doesn’t bring it up. Instead, they have some beers and enjoy the fireworks, even though they’re broke and not sure how they’ll get home. As always, because they’re living in the moment together, nothing else seems to matter as much.
With its fun girls trip to the beach-turned-freaky seaside monster convention, Urasekai Picnic again scores high marks for its mastery of mood and atmosphere, and the cozily-infectious chemistry of Sorao and Toriko.