After the high-rolling glitz and glamour of LaLaLand and Singapore, Great Pretender’s newest destination of Nice feels downright quaint … and that’s not a bad thing! Makoto may have followed Laurent and Cynthia to France, but he’s determined to walk away from con artistry and make an honest living at one of Nice’s not-so-famed sushi restaurants.
Unfortunately both his philosophy towards sushi and the language barrier prove to be dual challenges. On the bright side, his boarding house is cheap, has great food, and the owner’s daughter is quite lovely. But when a hoity-toity Englishman samples Makoto’s boss’ sushi and absolutely eviscerates him with withering criticism, the boss is ready to throw in the towel and return to China.
Another blow comes when Makoto gradually learns that his lovely hosts will soon sell their boarding house due to debts owed by the owner’s wife. Soon to be out of a job and a home, what’s Makoto to do? Run a con, obviously! Specifically, he intends to sell an intriguing little painting hanging on the wall for a sum sufficient to help the father-daughter duo pay off the debt and keep the house.
While it’s technically a con, Makoto’s justifications for re-re-breaking bad are twofold: one, it’s to help people out—he’s a Nice guy in Nice, after all—and two, the target is the hoity-toity Englishman who insulted his sushi boss. So he calls in Cynthia, Abby, and Sudou—though pointedly keeps Laurent out of it. Maybe my favorite part of the episode is his quiet, understated reunion and quasi-date with Abby. The two have clearly become closer since their little skydive!
Since this is Makoto’s show, Cynthia lets him run it, but the moment she sees the Englishman she calls for everyone to pull out. After all, the guy is none other than Coleman … James Coleman, Art Appraiser par excellence. Trying to fool him is a fool’s errand. Makoto doesn’t abort, however, and to Abby’s surprise Coleman is happy to buy the seemingly worthless painting for twenty-five thousand Euros.
Turns out the joke was on Makoto: the painting was a genuing Montoya, and a rare lost one at that which Coleman had apparently been looking for for years. He bought it for 25 thousand, but it’s really worth over 20 million—something Makoto’s landlord and daughter learn on the news.
But while they still got twenty thousand (Makoto didn’t keep any for himself, the other five split between Abby and Sudou), it still doesn’t sit right with Makoto that they were the ones taken for a ride. Despite not taking any of the cut, Cynthia is also outraged, and when she gets drunk enough, she decides that their next move is to get the painting back!