Dagashi Kashi – 11

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Any DK segment with a healthy dose of Endou Saya is fine by me, and we get that in this week’s first segment, as Hotaru has her and Coco hide under a box so they can observe firsthand why Coco’s dad is so amazing.

Of course, due the the close quarters (and their adolescence), initially all Coco and Saya can think about is the face they’re so close together in a dark, confined space. Naturally Hotaru thinks nothing of this.

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Somehow, Hotaru’s plan kinda works: You doesn’t notice that big box with peeping holes, but Coco comes to think a little higher of his old man after he sees how expertly he deals with a customer. Specifically, a young boy comes in with a girl he likes, but doesn’t have enough money to buy two pieces of Cola Gum.

Why doesn’t the boy just buy gum for her, then? I don’t know, but the girl seems ready to wash her hands of him right there when You suggests he unwrap the gum to see if he won another piece. He doesn’t, but he grabs the little insert and sayshe won, letting him take a second piece. The boy thinks he won, the girl is impressed; everyone’s happy.

This exchange reminds Saya of a time when she and Coco were that age, and she kept winning gum from unwrapping winning wrappers. She surmises that You was letting her win so she’d have more fun, but Coco knows better: Saya has scary good luck when it comes to candy; as good as Hotaru’s is bad. If only Saya had as good luck with Coco!

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The next segment starts leisurely with Coco and Hotaru waiting for the next train after just missing the previous one. Hotaru, in her typical blithely oblivious way suggests passing the time by “sucking on something.” Whoa there, Coco: she’s just talking about suckable kombu (seaweed).

While not technically a candy, neither are a lot of the snacks at Coco’s store. But Miyako Kombu was developed to be sold in a place with lots of people coming in and out all the time; i.e. a train station. After the history lesson, Hotaru’s mouth is parched due to all the talking she’s done, so breaks out a refreshing Ramune.

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After offering Coco some (and inadvertently, an indirect kiss as well), he mentions that “Ramune” is a Japanese bastardization of “Lemonade” brought to Japan by Commodore Perry back in the 1850s.

Underwhelmed by the roteness of his story, Hotaru takes the history lesson to the next level, in a hilarious reenactment in which Perry talks in the manner of a contemporary hoodlum, and in which she credits his ramune with convincing the Japanese to open their borders to international trade, despite having plenty of their own problems.

This was a ludicrously funny little bit, punctuated by the disturbing sight of Hotaru’s face morphing into Perry’s as she imitates his voice.

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All that aside, the reason for the train journey comes up. Coco needs art supplies; Hotaru wants to go on a candy shopping spree. As it turns out, only Hotaru boards the train, as if leaving for good, suddenly giving the scene—and the episode—a welcome bit of serialization.

Hotaru tells Coco she knows he has his own aspirations in life, and doesn’t want to force him to succeed his dad’s shop. But forcing and persuading are two different approaches to achieving the same end.

Having stayed in town these past eleven weeks (or however long it’s been by the show’s calendar), Hotaru quite suddenly decides to leave it up to Coco to contact her when he’s made a decision. She’ll be waiting…only she just didn’t bother to tell him where.

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Dagashi Kashi – 10

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This week’s DK starts off with a little mystery, as Tou is confronted by an out-of-breath, distraught Hotaru who has been running in her stocking feet, takes Tou’s hands, and begs him for help. But with what? What is her big issue? And where are her shoes?

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After the credits, we’re in Coco’s store, only Hotaru isn’t there. She hasn’t come by for two days, which to Coco isn’t just bizarre; it’s a little scary. When he doesn’t find her at Saya’s cafe either, the two pay a visit to Hotaru’s massive house for the first time, and find Hotaru in her pajamas and a surgical mask, looking very much the worse for wear.

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They mystery deepens as Hotaru seems to freak out whenever she sees Coco’s face. And while she seems interested in the snacks he brought for her, she always ends up recoiling in fear, and can’t complete a sentence without wincing in pain multiple times.

Turns out the mouth ulcer she had last week—and continued to torture with pop rocks and the like—has only gotten worse, swelling her cheek to a ludicrous degree.

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When pressed for answers, Hotaru tells them the tale that led to her encounter with Tou the other night. She used Pop-a-Fortunes to try to wish for her mouth to heal before a new Baby Ramen flavor release, but the candy instead tells her to go on an “outing”, which she goes on immediately (without putting on her shoes).

That led her to Tou, who gave her advice to abstain from candy until her mouth fully heals. That way, the candy will taste even better, since absence makes the heart (and stomach) grow fonder and all that. The only problem is, that abstinence has led to candy withdrawal.

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When Hotaru just can’t hold back anymore, she has to be physically restrained by both Coco and Saya. Her cuckoo clock snaps her out of her trance, letting her know to take her disgusting-looking but lovely-smelling homemade medicine.

That “medicine” turns out to be the culprit behind her increasingly huge mouth ulcer: it’s made from a combination of powdered pine, melon, and “American Cola” drink mixes. In other words, it’s pure sugar.

Upon learning Hotaru’s cure (and her candy abstinence) is a sham, they take off, leaving her to continuing drinking her nasty—and very harmful—witch’s brew. But what’s the daughter of a candy company to do?

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Dagashi Kashi – 09

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This week brings back evenly-spaced variety and some interesting candy, all consumed while Hotaru is nursing a pretty bad canker sore (mouth ulcer). Of course, Hotaru has no idea how she got it, and when Saya suggests the obvious—too much candy—Hotaru swiftly laughs it off and pops the equivalent of cotton candy with Pop Rocks in her mouth.

This marks the return of “Candy POV” in DK, in which two of the straggler bits of explosive rock linger on her tongue, saying their heartfelt goodbyes before popping, causing a cascade of sharp pain. However, once it’s all over, Hotaru says it feels great. There’s a fine line between pleasure and pain.

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The discomfort becomes more mental than physical for Saya as she innocently points out a cute cartoon animal package that turns out to be the new hit product for primary schoolers: UnChoco (or PoopChoco), little grape-chocolate balls that are “pooped” out of a hole in the back.

Saya thinks she and Hotaru are a little too old for such things, so Hotaru classes it up by creating a mature lady’s al fresco tea party atmosphere, belying the fundamental immaturity of eating what are essentially candy turds. Hotaru never makes the connection (despite saying poop repeatedly); instead, she likens the candy to eggs being laid.

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Since no one character can withstand an entire episode alone with Hotaru’s hijinx (hojinx?) Saya is swapped out for Koko at the midpoint, and he’s perplexed to find her eating a bowl of rice (the canker sore goes unmentioned here, but we still see it; it’s not going away in a candy store!)

The reason Hotaru is eating rice is because the sweet and sour taste of Sakura Daikon makes her want to. She also decides to confess to Koko that she’s from Osaka, and has always been hiding a Kansai dialect. However, her Kansai-ed-out exclamations feel a bit forced to Koko (not to mention really irritating), so he’s not surprised when she confesses she isn’t actually from Osaka.

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This entire episode takes place in the Shikada storeroom, which technically makes it a “bottle episode”, but the final segment involves not the bottle, but the breast.

Hotaru asks Koko straight-up what he thinks of boobs, and he initially responds as if Hotaru were a normal girl – that they’re no big deal to him. Incidentally, this line would have worked well on Saya, who, while not necessarily normal herself, doesn’t need Koko to be boob-crazed considering her bust size.

But because it’s Hotaru, she nearly storms out at his measured response. He quickly reverses his opinion, and she presents him with tamago ice cream, which she calls “boob ice cream”, but which he’s always called “bomb” ice cream.

In one of the more raunchily suggestive sequences of the show to date, both nicknames are validated, first when Hotaru squishes the ball like a boob, then when the balls explode like bombs, releasing melted vanilla ice cream all over the place, making Hotaru’s clothes see-through. Call it mutual understanding through confectionary…er…release.

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Pupa – 03

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We take another three-minute journey into the dark and twisted world of the Hasegawa siblings. We’ll assume the begining, in which Utsutsu’s head is chomped off by Yume, is followed either by a flashback or a dream of Yume’s, in which Utsutsu vows to protect her, letting her feast off his flesh in a dirty public bathroom so she won’t have to attack others. Now that’s brotherly love!

Whatever time it takes place in, it’s a suitably bleak and disturbing little scene that’s more than a little suggestive in its lead-in, what with all the proximity and panting. Kirino may have had her unpleasant moods, but Kyousuke certainly never had to worry about her taking bites out of him.


Rating: 6 (Good)