Kaguya-sama: Love is War – 09 – Their First Sleepover

A typhoon that shuts down the trains brings good fortune for Kaguya, if only she’d simply use it and not make things more complicated. However, asking Miyuki if he wants a ride, thus initiating a “car date”, would be breaking her code, so she waits for him to ask for a ride instead.

Her hesitation ends up opening other opportunities for Miyuki. First, Chika offers to share her taxi, and Kaguya has to use her fear of lightning stealing her belly button to usher her out of the StuCo office. But then the trains start running when the typhoon dies down, further threatening the car date.

Kaguya resorts to sabotaging Miyuki’s phone battery, but he still doesn’t ask for a ride, and when her phone rings, she panics and runs outside where Hayasaka and the car are waiting.

Still, Kaguya waits outside, in the lashing wind rain, for Miyuki to come outside, get down on his knees, and beg for a ride. Instead, he races out of the school on his bike, resigned to get soaked but intent on getting to work as quickly as possible. He utterly drenches Kaguya in his wake.

The next day, Kaguya has a terrible fever and is consigned to bed. Someone from the StuCo has to visit her to drop off printouts, and Miyuki leaves himself open until Chika brings up the fact Kaguya talks and acts like a baby when she’s sick. Suddenly, Miyuki is motivated to be the one.

But Chika decides they’ll determine who goes with a game of Concentration, and she cheats numerous times, so intent she is on seeing Kaguya in her cutest state. All the time, I was wondering why Miyuki didn’t simply use his authority as president to decree that he was going.

Once he hears from Yuu that Kaguya was waiting outside for someone and starts to remember drenching someone, Miyuki does what he needs to win the card game, while shaming Chika into oblivion; Chika leaves the office the way Yuu usually does: pondering death.

Miyuki arrives to find Hayasaka disguised as a maid, and she escorts him to Kaguya’s room where she’s ransacking the place looking for fireworks. Chika was right: Kaguya isn’t just a baby, but completely off when she’s sick. Hayasaka explains that her ego is being suppressed by the fever, leaving only the id.

She then leaves Miyuki along with Kaguya, making sure to drive into his head the fact that they won’t be disturbed, the walls are soundproof, and Kaguya won’t remember anything he says or does while in her feverish state…BUT tells him not to do anything appropriate, wink-wink.

Miyuki is on his best behavior, but the fever-drunk Kaguya is the one who ends up doing something inappropriate. She opens her covers, pulls Miyuki into the bed, and won’t hear of him leaving her side. Miyuki is exhausted anyway, and so falls asleep.

Kaguya wakes up before him, the fever passed and of sound mind, and completely freaks out when she finds Miyuki beside her. She rouses him from sleep, shoves him out of the bed and her room, and asks a coy Hayasaka “how far she got” with Miyuki while she was feverish.

Thus ends the least romantic first sleepover either Kaguya or Miyuki could have asked for; one in which one of them wasn’t really all there, and the other was rightly very careful not to take advantage. I liked how this entire episode told one continuous story, though I doubt there will be lasting repercussions from the “sleepover” due to the unique circumstances involved.

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Shokugeki no Souma 3 – 21 – The Storm

As the Central Elite Ten trains hard for the upcoming Team Shokugeki and an exhausted Erina sleeps soundly after standing up to her father for the first time, Souma, Megumi and Takumi finally learn what exactly happened between Jouichirou, Gin, and Azami back in the day when they were all Polar Star members at Totsuki.

As Souma hears from his pops and the other two hear from Gin, the three were inseparable friends, but Jouichirou was so far ahead of Gin and Azami in sheer culinary talent and innovation it wasn’t even funny. Gin, one of Totsuki’s most accomplished graduates, has a 20-101 record against Jouichirou. I doubt the Azami of the time would have fared any better.

Meanwhile, Jouichirou was a lot like Souma in not taking anything too seriously, and occasionally making weird gross dishes for lil’ Shiomi Jun to taste. We later learn the stark difference between why Jouichirou and Souma engage in such a practice.

(I’ll also note that the fact the three amigos are voiced by extremely talented veterans in the present works against them in the flashback; none of them sound remotely credible as middle/high schoolers.)

In the lead-up to Jouichirou’s entry into the predigious BLUE competition for up-and-coming chefs, he is challenged to a Team Shokugeki against one of Totsuki’s old money family heirs who wasn’t good enough to get into the Elite Ten. Jouichirou decides he’ll go up not only against this loser, but 49 of his friends in a 50-on-1 marathon.

You’d think Jouichirou would be at a huge disadvantage, but no number of inferior chefs can make up for a once-in-a-century talent like him, so it’s no contest. Gin is worried about the chef Jouichirou had to become in order to win such a contest, but Azami is delighted, as Jouichirou is nicknamed “The Demon” and is no longer seriously challenged by anyone at school.

Jouichirou continues to crush outside competitions, but as BLUE approaches, he slowly begins to shut down, no longer knowing what he’s doing or why. He ends up flaking out on BLUE, and Senzaemon, who had predicted that a talent as huge as Jouichirou would eventually turn in on itself.

Jouichirou, Gin, and Azami were at the top of the Golden Age of Polar Star, trudging through a great storm in the desert, seeking out new flavors and ways of doing things. But Gin and Azami let him get too far ahead, and he lost himself. Senzaemon suggests Jouichirou leave Japan—and leave cooking—for a time to try to restore what so much success had caused him to lose.

Years later Gin gets a call; Jouichirou has been back in Japan for a while, has a son and a diner. Gin is just happy he’s cooking again. But Azami isn’t as forgiving. He idolized Jouichirou, and seeing him brought so low was traumatizing. He isn’t just revolutionizing Totsuki and global cuisine to stick it to Jouichirou, but to make sure Jouichirou’s sad scenario is never repeated.

While admirable on some levels, it’s also a choice that will ultimately lead to stagnation. Jouichirou had the talent to go as far as he did, but lacked the tools to deal with the inevitable trials that befell him. His son is the opposite; perhaps far less talented, but a lot stronger when it comes to accepting his weaknesses, staring failure right in the nose and drawing strength from every setback.

It’s why Souma never stops battling his pops, even with an 0-490 record against him. And it’s why I believe Azami’s team will lose. After all, it won’t just be Souma out there alone.

Wotaku ni Koi wa Muzukashii – 08 – Wind, Lightning, and New Fire

If you’ve ever worked at an office, you have a pretty good idea of the atmosphere of the first half of this week’s episode. When it’s dark and stormy, suddenly its darker outside than in in the middle of the day, there’s a strange cozy feeling to the office, occasionally someone’s sunroof will be open, and you have to remember to SAVE YOUR WORK often, lest a power outage claim the building.

It’s much the same at the office where our four otaku work, but we learn that Hirotaka is afraid of lightning (or rather, traumatized by years of having the power go out while he’s in the middle of gaming). But when he remembers many years ago when he answered the door during the storm, Narumi was on the other side of the door. Then, as now, she puts him at ease, and he her.

Hirotaka is considerably less at ease when during a night of drinking his ability to make Narumi jealous by flirting with other girls is cited as a virtual impossibility. Hirotaka remembers being jealous of the guy Narumi dated, even to the point of getting an ear pierced that probably didn’t need it.

As Hirotaka comes to the always-dueling-in-public Kabakura and Koyonagi, curious what they do when they’re not arguing, Narumi is at Starbocks (Naoya’s eyes still swollen from sensitivity training earlier this week), wondering what a real date is; all she and Hirotaka do are the same things they’d do if they were good otaku friends as before.

Well, both seem to feel uncomfortable about that at the same time, as if the flames below their seats had finally made that seat uncomfortable enough to get up out of it. Just as Narumi is expecting another “at-home” date of reading and/or gaming, Hirotaka asks her out to do the things she used to do with her previous, normie boyfriends.

The Garden of Words (Film Review)

Tokyo is one of the largest, busiest, most lively cities in the world, but there’s an oasis of tranquility right near its heart, and I’m not talking about the mostly off-limits Imperial Palace Grounds. I speak of Shinjuku Gyoen National Garden, once a private estate in the Edo period, and also the primary setting of Shinkai Makoto’s 2013 film The Garden of Words.

I’ll admit my review comes very late—so late, in fact, in the time between the release of the film and the day I’m writing a review of it, its co-lead Akizuki Takao would be 19 (not 15), making a potential romantic relationship with Yukino Yukari, who would be 31 (not 27) more socially acceptable. But here it is!

Akizuki loves rainy mornings. He loves them so much, he’ll skip school to visit Shinjuku Gyoen and enjoy it. One day, while preparing to sit at a sheltered bench overlooking the gardens, he encounters Yukino: a beautiful, mysterious woman in work clothes drinking beer and eating chocolate alone.

While 15, Akizuki is wiser and more mature than his years. He finds high school a major drag, and mostly stresses about a practical way to support himself doing what he loves: designing and making shoes. But when he visits the park and shares the bench with Yukino, he feels like he’s in a more mature environment, where he can sketch shoes or just shoot the breeze with her.

Their encounters also become important to Yukino, who we learn is preparing to quit her job, and is clearly in the park to escape said job and the stress/pain it causes, which was apparently bad enough that she lost her sense of taste for a time, only being able to enjoy beer and chocolate.

Not only is the hard-working Akizuki a shoemaker-in-the-making, he’s also a part-timer at a restaurant and cooks a lot at home, making him a better cook than Yukino. Thanks to the meals he shares, Yukino starts to enjoy eating again.

Wanting to help him with a woman’s shoe design, Yukino removes her shoe and lets Akizuki hold and measure her bare foot, in an intimate, even sensual scene that also happens to be practical.

That intimacy is heightened by the made-for-a-couple sheltered-bench and the gorgeous environs. But while she’ll give him her foot, Yukino never talks about herself, her life, or her struggles, no matter how much Akizuki talks about his.

Unfortunately Akizuki has to find that out when he spots Yukino, or rather Yukino-sensei, at his school—she’s a teacher there. He had no idea of that, or that she’d been taking days off because the boyfriend of a student fell for her which led to unsavory rumors about her being promiscuous and verbal and emotional abuse from her upperclassmen students.

Yukino is pained to hear all this treatment, and that she’s quitting because of it, but likely also hurt that Yukino never told him anything, or that she could even possibly have known he was a student at the school but kept him in the dark.

Whatever the case, he decides the injustice done to Yukino should have a response from someone who has come to care about her, so he confronts the upperclassmen, starts a fight, and loses. After school, they meet at the gardens, but he doesn’t tell her he fought to protect her honor.

After giving her the correct answer to her tanka poem from their first encounter, Akizuki and Yukino find themselves caught in a torrential downpour, and even when they get back under cover, they’re both soaked.

They apparently take it as a good omen, and go to Yukino’s apartment, where they change into dry clothes, and while he’s waiting for his uniform to dry, Akizuki makes Yukino a delicious meal, both noting they’re having some of the happiest moments of their lives, right there and then.

Like the sunlight, it doesn’t last, and as the sky darkens with more rainclouds, a sudden confession of love from Akizuki is countered by Yukino correcting him: “Yukino-sensei”. Akizuki hears her loud and clear: he’s a kid; she’s not, and that’s the end of it. So he changes into his still-wet clothes and storms off, just as the storm outside picks up.

Yukino doesn’t want to leave things there, so after stewing, suddenly alone in her apartment, with even Akizuki’s coffee still steaming, she does the romantic movie thing where one comes to their senses, rushes out of the house, and chases after the one they love.

When she finds him paused on a balcony, he takes back his confession and starts spewing vitriol about her intentions, but later in the rant it becomes more about why she couldn’t simply tell him, a stupid little kid, to piss off and stop bothering her. Why she never said anything to him while sharing that bench.

Yukino’s response, also classic romantic movie, is to run into his arms and sob just as the sun peeks back out from between the clouds, finally telling him why she went to that bench again and again, and how being with him helped her “learn how to walk on her own” again; how he essentially saved her.

Yukino still moves out of that apartment, back to her hometown, where she’s still a teacher. But she later writes to Akizuki, and as he reads the letter in the park where they met and spent so much time and where they taught each other how to walk, he seriously considers going to her hometown someday to see her.

The Garden of Words is gorgeous, as is expected of a Shinkai film, with its near-photorealistic exteriors, lived-in interiors, and fantastic lighting and details all around. At just 46 minutes, it runs brisk but never feels rushed, but rather feels just as long as it should be.

It also felt like a particularly intimate/personal film, though not for the reason you’d expect: I once sat at the exact same bench in Shinjuku Gyoen they sat at, unhurriedly sketching the gardens and writing about my day (though as you can see, the real one has an ashtray.) If you’re ever there I highly recommend it, just as I recommend this lush and moving little film.

Tales of Zestiria the X – 09

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This week’s Zestiria still shined in the technical and aesthetic sense, but it felt a bit mechanical, perfunctory, and inevitable, like very practically moving pieces on the board closer together. In this case, it was uniting Sorey/Lailah/Edna with Alisha, and then with Mikleo and his new mascot-like friend Atakk, a Normin Seraphim specializing in powering up other Seraphim like Mikleo.

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We learn of the cause of the storm that blew out the bridges (an Ouroboros) but that boss is soon usurped by a drake (or baby dragon) who is the cause of the malevolence that is sickening and killing the people of Marlind.

Alisha isn’t particularly useful this week, as her attempts to heal the townsfolk with medicine have no effect, to her frustration. However, sometimes it’s about who you know, not what you can personally do…and Alisha knows Sorey, who is happy to help.

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Edna and Lailah aren’t enough to help Sorey rid the city of the drake’s reign of terror; it takes the sudden arrival of Mikleo, whom Sorey can sense and knows everything will work out. Forming a quick sub bond with Sorey and Lailah, Mikleo’s power turns Super-Sorey blue, and they take out the drake with a purifying water-based arrow.

The drake is toast, and the clouds around the city part. It’s good to see everyone back together, and the episode looked and sounded great as usual…but it also felt very neat and tidy, and after last week’s scrap with Eizen, the enemies seemed like pushovers.

There’s also the looming certainty that if this series wraps in three weeks, a satisfying solution worthy of all the buildup won’t be forthcoming. I’m hoping, as with F/s n, the story will continue after a season or two off.

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Tales of Zestiria the X – 08

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As Sorey explores the Galahad Ruins for the means to fight beside Sorey, Sorey and Lailah encounter another seraphim, the Earth-aligned Edna, battling a large hellion among Rayfalke’s malevolent fog-covered crags. Edna’s almost bored manner of speaking is in sharp contrast to the expressive Sorey and the rest of his “party members.”

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Sorey tries to lend a hand, but the hellion is finished off—indeed, killed—by another Seraphim, the wind-aligned, pistol-toting, boisterous Zaveid, whose personality is more similar to the characters we saw in Berseria than “teacher’s pets” like Sorey, Mikleo and Alisha.

Zavied is trying to kill a dragon, who shows up shortly thereafter. Turns out the dragon is Edna’s big brother Eizen. Sorey wants to purify him and bring her brother back, but everyone insists once you’ve turned into a dragon there’s no turning you back.

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Sorey brings up a good point: there’s a lot of legends in this world they sitll don’t know about, and indeed many legends that have yet to be written; it’s only reasonable that one such legend in either column would be the first time someone was brought back from being a dragon.

Eizen is a huge and terrifying dragon, moving about and attacking at will with force and fire, while effortlessly dodging Zaveid’s bullets. The conversion effort is going nowhere, so Sorey fuses with Lailah to try to force the issue.

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Eventually, Edna, only prone to emotional outbursts where her brother is concerned, puts herself in the line of fire to plead with him to stop, if a part of him is even still in there. Turns out, it is; Eizen sees his sister and swallows the fireball he was going to launch.

Sorey plucks her out of the air, saving her, and Eizen flies off, the battle ended in stalemate. Frankly, it would have been to quick and easy to both encounter and free Eizen in a single episode. Instead, the battle to save him continues.

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Zaveid goes his separate way in this regard (Eizen was his friend, after all), but Edna forms a sub-contract with Sorey and Lailah, thus joining his party, both to thank and to help him pursue and one day purify Eizen.

They’ll be one Seraphim stronger when Mikleo joins back up with them, as he successfully secures a sacred bow from the ruins (in a pretty but rote scene). We also see that Alisha is running into issues geting to her destination, as a river swell has knocked out the bridge to Marlind.

I imagine the narrative will shift to her story next week, whether or not Sorey & Co. meet back up with her or continue their own quest. But this was another solid and very attractive episode with gorgeous environments, sleek combat, and a score that evokes awe and adventure.

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Tales of Zestiria the X – 07

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And so we return to Sorey, Alisha, and Zestiria, right where we left them: staring down a massive storm with a dragon at its core. But just as soon as it appears, it disappears, and while everyone gives him credit as Shepherd for vanquishing it, Sorey didn’t actually do anything.

It was so anticlimactic, it made me wonder if it was the same dragon Velvet was fighting last week, and it vanished because she vanquished it? Maybe dragons transcend time and place, being the manifestation of malevolence and all?

Anyway, all Sorey can do is accept the gratitude of Alisha, the town, and even Lord Bartlow, who invites him to sup with him. Nobody trusts the guy, but he only seems to want to get the measure of the lad, and lets him go when dinner’s over.

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From there, Sorey, Alisha, and Mikleo’s paths diverge, although Alisha and Sorey travel together for a spell, affording Alisha the opportunity to learn more about the Shepherd. As for Milkeo, he’s starting to feel like Sorey has surpassed him so far, he doesn’t know what to do next.

Lailah steers him in the direction of the Galahad Ruins, where a scred relic similar to the holy sword lies; if he can retrieve and wield whatever it is, she believes he will have amassed the strength to continue standing beside his friend.

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Alisha is headed to the learned city of Mirland to deal with a worsening epidemic, while Sorey is headed to the intimidatingly-named Rayfalke Spiritcrest, where he hopes to find a dragon to slay.

By the episode’s end, everyone has gone their separate ways – an interesting development this far along in the show, considering the OP and ED are so gung-ho about a united party that includes Rose, whom we still barely see, and a few characters we have yet to meet.

Instead, everyone has their own business and are on their own in radically different (and beautiful) lands. Only Lailah is with Sorey, but he and Mikleo are looking at the same sky. We’ll see everyone fares in their solo missions—and when and how they’ll reunite.

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Tales of Zestiria the X – 06

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The two-part Berseria mini-arc comes to a very exciting and promising close, though its greatnss is blunted by the fact this is likely the last we’ll see, as we’ll be returning to Zestiria next week, meaning this is goodbye to Velvet Crowe for now.

Don’t get me wrong, I’ve loved the Zestiria story so far, but Berseria might just be the better scenario, as evidenced by her showdown with Praetor Exorcist Oscar Dragonia…then with an actual dragon. Velvet is a particularly rootable badass avenging her little brother, and she doesn’t back down from the white cloaks for a second.

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Ufotable puts on its expected clinic when it comes to smoothness and inventiveness of combat, putting the exorcist’s by-the-book style up against Velvet’s more improv style.

We’re also somewhat clunkily introduced to Magilou (real name much longer), the comic relief mage who becomes the third member of Velvet’s party as the two of them plus Rokuro all want the same thing: to get off this island.

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To do so, Velvet must devour a mortally wounded Seres in order to absorb her power and her “Arte” overpowered attack. Seres gives up her life willingly, so that Velvet can continue the good work of opposing Artorius’ ideals.

Seres is putting her faith in Velvet and her new friends to finish the job she started by freeing her from the prison. Velvet also receives the comb that once belongs to the brother she cherished, no doubt an important talisman.

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When Rokuro and Magilou run into some trouble with the dragon, Velvet re-emerges from the dungeon she was thrown into, and proceeds to devour the dragon, gaining even more power. Oscar is pretty powerless to stop her, and she, Rokuro and Magilou take the one surviving ship off the island.

Velvet sets their destination: Loegres, the capital of Midgand, where her quest to defeat Artorius will continue. And that, it seems is where we will leave Velvet and her little band of badasses. I’ll be sad to see them go, but I have no doubt the continuation of Zestiria won’t disappoint either.

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Tales of Zestiria the X – 05

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Last week’s TZX left us hanging, with apocalypse apparently upon Ladylake, but this episode made no attempt to arrest that suspense in any way. Indeed, this week’s story may well have been in another world than the adventures of Sorey, Alisha & Co., but I didn’t mind, because it was so goddamn awesome.

TZX has proven adept at embellishing simple scenarios with its imposingly gorgeous production values, and does not stray from that M.O. here. This is a simple prison break for the episode’s protagonist, Velvet Crowe. But it’s a prison break given great weight by how it’s presented and more importantly, why she’s breaking out.

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Trapped in the lowest dungeon for three years fighting and absorbing daemons into her left arm, Velvet receives a sudden visit from an unlikely ally: Seres, a former(?) Malak of her nemesis, Artorius. I loved how Seres would land softly on her feet no matter how hard Velvet tossed her.

Once they’ve climbed out of her vast cell, Velvet and Seres immediately face a group of exorcists, and Velvet demonstrates the results of all that daemon-eating by taking them all out herself.

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The duo reaches a storeroom where Velvet dons her sexy, elaborate armored pirate outfit and finds a gigantic Tempest Blade. Shortly thereafter, the blade’s owner shows up, also breaking out of jail. Velvet claims finders-keepers, but will give the guy his blade back if he joins the party; he agrees, and the duo becomes a trio. There’s a great satisfaction in watching Velvet clear each hurdle and build a party that will facilitate her escape.

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Rather than fight wave after wave of exorcists with no distractions, Velvet has Seres open up all the cells, and the prison becomes a chaotic battleground between the escaped daemons and exorcists, allowing Velvet to reach the top of the tower.

There’s a definite tinge of “badness” to Velvet and her party that’s not present with the innocent goody-two-shoes nature of Alisha, Sorey, and Mikleo. These guys, particularly Velvet, have been through some shit, and they’re going to do whatever it takes to survive, even if it means a big collateral body count.

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TZX also breaks out its “dramatic vista unfolding” to show us how isolated the prison tower is, upon a rocky island surrounded by ocean. Velvet isn’t going to let a steep drop stop her, and she uses her daemon claw to slow her descent. Rather than a pancake, she survives the drop with a dislocated shoulder she nonchalanetly pops back into place, and which Seres (who teleports down) quickly heals.

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So…they’re out of the prison. But how to get off the island? As fortune would have it, a ship is approaching, and it would seem that Velvet’s nemesis is aboard, meaning a huge confrontation is imminent. And thanks to the game-like previews, we learn that we won’t be switching immediately back to Sorey’s story next week. I haven’t mentioned those previews yet, but I like them, because they allow the characters to take a breather and let their hair down a bit.

And despite Velvet looking for all the world like a tortured villain, the fact she’s seeking revenge for a guy who killed a kid to become stronger (and is now considered a savior) is all we need to know her heart is in the right place: seeking to avenge the innocent and week from those whose heads have grown too big to do the same. And as a quick look at her Wiki indicates, she’s the heroine of Berseria.

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Tales of Zestiria the X – 04

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Sorey wakes up, ReZero-style, in an ornate room, with Lailah and Mikleo by his bedside and a relieved Alisha not far behind. Wanting to provide more than a simple thank you for taking on the mantle of Shepherd, she provides him with some dope Shepherd threads. Now the hero looks the part.

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What continues to be an refreshing twist on the RPG party-gathering is that Alisha can’t see or hear two of the party members. But she does believe, and her faith is affirmed when Lailah sets it up so Sorey, blocking his senses and holding his breath, can serve as a conduit through which she and Mikleo can speak to Alisha, and she an hear them. I loved how her eyes sparkled at this revelation.

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From there, after a brief tour of Ladylake (where everyone has raised flags of the Shepherd in celebration of his rise) Alisha splits off from the other three, to meet with the council and refuse Lord Bartlow’s demand she “hand over” Sorey to them.

Surely she suspects the not-so-good lord had a part in the hiring of that assassin last week, even if there’s no proof. Meanwhile, Sorey, Lailah and Mikleo go down a Zelda-style staircase into a dungeon, towards the source of a large amount of nausea-inducing malevolence.

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There, they encounter a swarm of bats who have turned into hellions, which coalesce into one giant bat that serves as a miniboss. The enemy is frightening, but the battle goes relatively easily for Sorey thanks to backup from his fire-and-ice-aligned Seraphim comrades.

Lailah also shows him that now that they’ve contracted, she can turn into a ball of light and retreat into his body when not needed, and also tells him he’ll be contracting with more Seraphim before long. It’s crucial for him to travel the world in order to gain wisdom and strength to fight the big bad: the Balrogesque Lord of Calamity.

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After discovering a charnel house filled with malevolence-filled bones of defeated rebels, things get a little more hairy, as malevolence starts to seethe from beneath their feet, blowing bits of the dungeon floor into the air, creating action-RPG-style obstacles to avoid.

When they surface, a great dread storm has arrived in the city, complete with a massive swirling twister. Surely the Lord of Calamity hasn’t already arrived? Whether it is or not, it looks like a pretty bad situation.

Sorey will have to hold close to his comrades absent the wisdom and strength he has yet to amass, while Alisha must deal with both political and existential threats to her monarchy.

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Comet Lucifer – 04

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Ugh…I think I’ve had about enough of Comet Lucifer. One can’t dispute it’s plucky and full of joie de vivre, but no amount of pleasant roof repair antics or Disney-style vegetable dances are enough to make up for the abject stupidity of both the good and bad guys.

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Gus is on the phone most of the episode, pack just wants to cut everything, and Alfried is a no-joke pedophile. I lump Gus in with the other two stooges because he assembled this dream team. Roman shows up to the cafe aboard a giant mecha that looks ready-made to cause more damage to it, brings a cow which is supposedly slaughtered off-camera for a barbeque that night, though we later see the cow still chained to a fence. Is anyone feeding it? At the barbeque, Roman tries to force Kaon to eat meat, causing her to run to her crush Sogo, who isn’t emotionally available.

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Then the storm arrives on a day Kaon and Sogo go to school. Really? School? We haven’t seen them go to school once this whole show, and now the show wants us to believe they have to go at all costs? But by far the dumbest blunder by any character is Do Mon going out to help batten down his crush Vee’s house, leaving Felia all alone in the opened Cafe.

Sorry for all the italics this week, but does no one remember the events of the last three episodes? Or that Felia is a child who shouldn’t be left alone under any circumstances? Nope, they leave her alone, and Alfried’s surveillance leads the baddies right to her. Sogo runs away from another awkward moment with Kaon, right past the Hummer she’s in, runs in the cafe, and simply stands there with his mouth hanging open.

And don’t get me started about Telescope Guy.

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Toaru Hikuushi e no Koiuta – 04

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With Kal and Claire lost at sea and a worried Ariel waiting at the air base for his return, there’s not a lot for anyone to do in the present but wait out the storm…and think about the past! We have to credit the show for giving us an unforced, logical vehicle for conveying a good amount of backstory. The episode gave us fresh insights into several characters and built up interest in the events to follow, while being entertaining in its own right.

Ariel’s friends stay by her side as she waits, so she tells them how her dad came home one day with this blond kid and announced she and her older sisters had a stepbrother. Not surprisingly, Ariel is initially unaccepting (especially as he’s exactly one day older than her) but eventually finds a place in her heart for him, as proven by her intense concern for him in the present and rush of emotion when he returns safe and sound.

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Kal certainly couldn’t ask for a better person to be stranded with then the girl he likes. The storm looks pretty precarious, but eventually the seas calm, the two fall in the drink trying to drain the dinghy and have to strip, and even snuggle up for warmth when night comes, with only the occasional bout of embarrassment. For her part, Claire also seems to enjoy having Kal as her fellow castaway-for-a-night, at least until he picks up the story where Ariel left off, revealing more details about himself in hopes of learning more about Claire in return. But the more Claire learns about Kal, the more worried she gets as she connects the dots.

Kal is looking more and more like the crown prince of Balsteros rumored to have snuck aboard Isla for revenge against Nina Viento. When they return to home and Claire quickly conveyed to her manor where maids strip her of her flight suit and transform her into Nina Viento, we’re left unsure whether she’s upset at the prospect of Kal being the prince because of how it will affect their friendship, or if she’ll feel compelled to kill the last “wicked” la Hire in order to complete the revolution. In any case, Kal is right about he and Claire being alike in at least one way: both are hiding their true identities from the other.

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Rating: 8 
(Great)

 

Shining Hearts: Shiawase no Pan – 02

Rana warns Madera, who warns Rick and the baker girls that a powerful storm is coming. As they get up early to prepare and throughout the bread-selling day, they warn everyone they can. Airy helps a lonely girl whose mother is off shielding the orchards from the impending wind. When the storm hits, the weather is too rough, so Rick spends the night at the bakery. The next day the clouds disappear and Rick and the girls give Rana and her brother bread as thanks. A mysterious girl has washed up on the shore.

One thing this series has down is that it makes running a bakery seem like the most enjoyable, rewarding, noble profession one can have. If you make bread and you make it well, you’re going to make lots of money and friends. Especially friends, if you give the bread away, which they do a lot (the little kid gets free bread three times!) That said, it’s hard work and requires a vigorous schedule; Rick (voiced by a very chipper Mr. Despair) and the ladies are typically up before dawn and working until sundown. But it would seem to be worth it; their bakery is the talk of the town, all the more impressive considering Rick is relatively new to the trade.

One thing that irked us somewhat was how there was this constant dread of the coming storm hanging over the island – which we liked, especially as the skies got darker and drearier – but the storm itself really doesn’t seem like that big a deal. The rain and wind just look like a typical summer rainstorm to us, and there certainly wasn’t any damage done. It just feels like the storm hand was overplayed, and didn’t turn out to be the unprecedented calamity Rana warned about. However, it did do one thing: deposit a young lady on the beach who will undoubtedly shake things up next week.


Rating: 4 (Fair)