The World’s Finest Assassin – 03 – Wonderful First Time

Lugh’s very first magic lesson with his new mentor Dia goes awry when Dia, unaware of just how much goddamn mana her student possesses, tells him to put as much as he can in one of her family’s Materia-like Fahr Stones. He does so, and it quickly turns into a magical bomb that shatters every window in the Tuatha De mansion. Even so, his parents aren’t angry, they’re proud and excited.

If this were the soul of Rudeus Greyrat, not an old grizzled assassin in Lugh’s body, there might be ample potential for pervy unpleasantness (especially considering Lugh is seven and Dia ten). Fortunately, there’s none of that; even when Dia decides to sleep with Lugh, it’s no big deal. When she teaches him mana conversion for his “first time”, it’s oddly intimate, but ultimately pure.

Another common pitfall for a dynamic like this is to assume that in addition to the young callow student being attracted to his pretty older teacher, the two always have to be bickering or competing. Instead, Lugh and Dia collaborate equally, with Dia bringing her knowledge of the spells of this world to the table and Lugh applying his ability to synthesize his own spells. Together, the two literally make gold out of thin air.

Two weeks pass, and Dia is feeling sad about having to leave, as there’s nothing more she can teach him. So in addition to gifting her with an impossibly sharp beta titanium knife, Lugh earnestly promises her that if she even needs him, he’ll go to where she is without fail. Two weeks may not seem like a long time, but lest we forget, they’re probably share a father, and kids always bond faster than adults.

With the pure, charming innocence of Dia departed for her home, Lugh’s dad admits that despite only being seven, Lugh is ready to learn more about the family business. To whit: Lugh takes him to a prison full of death row inmates from around the kingdom who are there for the purposes of experimentation in the service of further honing their assassination skills.

When Lugh asks why his parents didn’t simply raise him to be an unfeeling killing machine, Cian’s answer is both profound and obvious: because while they are assassins (and damned good ones), they’re people, not tools. In contrast to his previous life, Lugh must use his own humanity in addition to knives and guns to optimize his assassination skills.

The final three minutes turn the chipper magical training nature of the epiode to that point on its head, as Cian orders Lugh to make his first kill. The convict is seemingly scared out of her mind and tearfully begs Lugh not to kill her, but Lugh doesn’t shrink from his duty, lopping off a hand with his own titanium blade and telling her she’ll die a relatively peaceful death.

This draws out the true criminal, who is not scared of dying and curses Lugh to be sent to a hell full of demons. To this, Lugh responds that that might be a nice change of pace next time he dies. This is dark, good stuff. Its consistent, sincere, and serious tone (matching our protagonist’s demeanor without his adult voice intruding upon his new world) more than makes up for its merely adequate visuals.

Magia Record – 18 – The Future They Chose

Not content to sleep beside Kaede’s isolation bubble, Iroha sneaks out to meet with Nemu, not wanting to further burden the others with her problems. Once more, it’s great to see Iroha really driving the narrative. Kuroe, poor thing, thinks she and Iroha were only friends in Iroha’s dream, but that’s not the case, and when she follows Iroha and wishes to help her in any way she can, Iroha is grateful for the help.

As Iroha and Kuroe take charge like the blossoming Magical Bosses they are, Tsuruno Rui is slowly losing it, and we also check in on Felicia and Sana, who are naught but grunts performing menial labor for Magius at Hotel Faint Hope. They, in turn, meet Sakura Kyouko from the original series, who’d saved Felicia once before.

While Kyouko is ostensibly there to steal grief seeds/soul gems (one or the other), she along with the other two stumble upon the witch factory none of them knew anything about, especially the scale of it, while Touka announces to all of Magius that “Operation Embryo Eye” is about to commence.

It’s named after their prized “Artificial Witch” Embryo Eye, who ravenously feasts on the farm-fresh witches—the trains going straight into it’s creepy live-action human mouth. Felicia and Sana are not okay with any of this. Yachiyo, having forced the Amane sisters to withdraw, also overhears of Touka’s plan.

So do Iroha and Kuroe, and it doesn’t sound liek the Touka or Nemu she knew. They’re no longer not just bent on liberating magical girls everywhere, but on executing their grudge against the rest of humanity who aren’t magical girls. They will suffer as all of them have suffered, and Touka won’t forgive anyone.

But despite how dastardly this plan is—and how far gone her former friends must be to be going forward with it—Iroha still wants to try to talk with them. And who knows, maybe she can make a difference! Before that, however, she and Kuroe have to get past hordes of Magius security on high alert.

At first Iroha leads the fight, deflecting the feathers’ weapons with her crossbow without flinching. But Kuroe doesn’t want to sit back and let Iroha do all the work, so after her very cool and elegant transformation sequence, she builds a huge wall between them and their opponents, then blasts a hole through the wall for Iroha to escape.

Iroha only leaves because Kuroe promises she’ll catch up to her. When Kuroe says this, she’s not just talking about this present situation; she wants catch up to Iroha in general. If you ask me, she’s already well on her way; she was a rock star this week, right up to when she unleashes her very distinctive Doppel.

Touka and Nemu move Hotel Faint Hope to Daito Ward, then implement the operation. All of the witches in Kamihama City and within a 200-kilometer radius are gathered up to be fed to Embryo Eye, which I’m assuming they’ll use against the “Big One” they end up reeling in, which arrives like a giant typhoon: Walpurgisnacht.

Is this what happens when two of the most powerful and intelligent magical girls ever created develop a vendetta against the world and systems that made them? Was Iroha naïve to think that her visits to them and Ui would be enough to preserve their humanity and morality? It certainly looks that way…but you never know. A lot can happen in the remaining three episodes, plus the third and final season still waiting in the wings.

Magia Record – 17 – Back Into the Lions Den

In a usual cour, there’d be time and space for a cooling off episode, but with only eight episodes to work with, this lean, mean second season of Magia Record has no time to waste. And you know what? That’s just fine with me!

Not only did the entire first season feel more like an introduction and explanation of this world and its expansive cast, but it just makes sense to the flow of the story that once Iroha got caught up on what’s going on, she’d make a beeline for Nemu and not spend half the episode tidying up Mikazuki Villa with Yachiyo and Kuroe.

It also totally tracks that Iroha is almost fanatically eager to do her part in this story. Last week’s dreamy rescue mission got the ball rolling, but this week is where Iroha reasserting herself as the protagonist of this story really picks up momentum. Yachiyo is certainly weary of Iroha jumping right back into the dangerous realm of Magius, while Kuroe is a follow-not-lead sort.

So it’s really quite exhilarating to see Iroha take the initiative, get her friends aligned and on board; she’s both the glue bringing everyone back together and the lodestar guiding everyone to what’s good and right while Kuroe guides them through the fanciful book-filled caverns below Hotel Faint Hope. Unfortunately, in order to get those two through the portal, Yachiyo had to stay behind to keep the Amane sisters at bay.

Fortunately, it’s not long that due either to fate or coincidence—hell, why not both?!—Iroha encounters the ena, who is on her way out after deciding to defect from Magius. She has a very weak and vulnerable Kaede in tow, whose Doppel looks ready to pop out and kill everyone.

Again, alacrity demands that this reunion eschews the usual pleasantries; after all, all four girls are in a hurry with good reason: Nemu says she’s dying, while Kaede looks close to death, or a fate worse than it. But with the portal Iroha and Kuroe used closed, the four decide to team up for now.

What I’m glad there is time for is to check in with the Puella O.G. (including yours truly), who appear to have arrived in Kamihama City judging from the Alina Gray posters and Magius recruitment flyers. Besides it always being great to see these girls, it’s even more gratifying to know that there’s an actual reason for their inclusion here.

They’ve essentially crossed the dimensional barrier to find their beloved Mami, whom we know to be in way too deep with Magius. I like how their fish-out-of-water status is accentuated by the fact their colors are so much more muted than those of “native” magical girls like Iroha & Co. I can’t wait for if and when Madoka and Iroha meet and join forces.

But while on the way to the main exit (Rena and Kaede) and Nemu (Iroha and Kuroe), Iroha follows Little Kyuubey to another inconvenient truth about Magius: they’re farming witches. Knowing full well how fuzzy the line between magical girl and doppel, and goppel and witch, Iroha demonstrates why she’s the beating moral heart of the show, as she declares her distaste for this whole enterprise and questions what could possibly justify it.

Mind you, Iroha is not infallible in her role, and in fact her strong sense of what is right and what just seems wrong clashes with the real-world realities and wholesale suffering not only of less fortunate magical girls who lacked both the strength to defeat Kamihama witches and the support network to make up for their weaknesses. Iroha’s no Yachiyo (no one is) but she’s no slouch in terms of power or friends. Her moral certitude comes from a place of privilege.

But its that certitude and that privilege that make Iroha so well suited to leading the charge. When the girls are attacked by some kind of Uwasa sentry, Kuroe ends up cornered and her soul gem blackened, and almost takes the easy way out by using her doppel for perhaps the last time.

But Iroha won’t let her; instead, she clears Kuroe’s gem, and then the two Connect and their combined power obliterates the sentry. Magius is an organization that is hoping magical girls like Kuroe give up. Iroha’s selflessness and refusal to sacrifice anyone is anathema to them, because it’s explicit proof that their way isn’t the only way.

A new crisis emerges right on the heels of the defeated sentry, as Kaede has hit her limit. Her doppel emerges and goes berserk, and in another positively virtuoso battle sequences, Iroha, Kuroe, and Rena fight together to tame their gentle friend—turned chaotic monster.

As is usually the case with anime like this, stills just don’t due the battle animation the slightest bit of justice. Suffice it to say that in terms of artistry, grace, eclecticism and pure uninhibited style, there are few series out there that can match Magia Record. The benefits of putting 12-13 episodes worth of budget into 8 are on full display here.

Another estranged member of Team Mikazuki Villa, Momoko, arrives with Mitama shortly after the other thee girls manage to neutralize Doppel!Kaede. Mitama seals Kaede a big glass sphere, then wheels it into a gallery absolutely filled with similar spheres: an isolation ward for troubled doppels.

The other girls are not okay with this situation any more than what Magius is doing with witches. But Mitama is unmoved by their outrage, reminding them with almost Kyuubey-esque haughtiness that she warned them not to overuse their doppels.

She also reports that Kaede the other afflicted girls likely won’t wake up—let alone return to normal—until Magius’ “plan has succeeded”—an objective Iroha, Yachiyo, and now Rena and probably Momoko are committed to thwarting.

Again, Iroha serves a focusing and uniting role, corralling and calming the hotter heads and offering a possible Other Way. Even after all that has happened since returning to Faint Hope, her mission is the same: meet with Nemu, find out what’s going on, and find a way to save her.

Iroha has already demonstrated what can be accomplished by bringing the “family” together in a single, clear effort. Why can’t it be so with this? After all, unlike Touka, Nemu remembers Iroha, and the bond they shared. He’s hoping Big Sis gets to meet with her soon.

 

Magia Record – 16 – Will the Real Iroha Please Wake Up?

Shortly after entering the Eternal Sakura, Yachiyo finds herself being woken up in her bed in Mikazuki Villa by Felicia, Sana, and Tsuruno. As soon as they mention Iroha, Yachiyo rushes to her room and finds her sleeping there. But something, of course, is off: for a split-second, Iroha’s face turns into that of her Doppel.

Yachiyo and Kuroe have been absorbed by Iroha’s Doppel, who is holding Iroha hostage after a fashion by keeping her happy and at piece in an ideal fantasy version of her life. In this fantasy, Iroha’s Mikazuki friends all know Kuroe even though they’ve never met IRL. As for “Iroha” herself, she’s clearly under the spell of her Doppel.

When Yachiyo mentions Ui, she and Kuroe are transported first to a train, and then to Ui’s hospital, where Kuroe learns Iroha’s sister shared a room with Nemu and Touka, and where Kuroe tells Yachiyo that Nemu created all the Rumors in Kamihama City. But when Ui is finally presented, she’s not human, but a stuffed animal. Yachiyo determines that this fantasy is neither Nemu’s nor a Rumor’s doing.

Yachiyo goes through an Alice in Wonderland-style tiny door to another part of the dream, ordering Kuroe to stay behind where it’s “safe,” but is really not willing to accept help from a member of Magius. Kuroe learns when Yachiyo isn’t around, Iroha’s Doppel creates one, and sees the appeal of such a peaceful, pleasant dream, which matches the gentle, cheerful nature of the Iroha she knows.

Meanwhile, in a lush flower-strewn meadow, Yachiyo locates the Ui stuffed animal, by far the most suspicious thing in the dream. When another Iroha arrives, it’s clear the Doppel, and not Iroha, is talking to Yachiyo, warning her not to ruin the perfect dream world she created. Meanwhile, Iroha’s Soul Gem continues to darken.

When Kuroe breaks the reality of the dream by asking Iroha why Ui is a stuffed animal, Iroha transforms into a Doppel and restrains Kuroe. The Doppel explains that when Iroha fell to the bottom of a Uwasa, she was filled with fear for her sister as well as despair over knowing the truth of the magical girls, so the Doppel overwrote her nightmares with new and happier dreams.

Yachiyo rescues Kuroe, but despite urging her to stay out of the fight, Kuroe transforms and the two connect their powers to bring the Doppel down. Yachiyo doesn’t care how much work went into this fantasy world; she’s taking Iroha back so they can take back her real sister, the real Mikazuki Villa, and their real friendship.

She and Kuroe succeed in suppressing the Doppel and freeing the real Iroha, who falls to the soft grass at the base of the Eternal Sakura where an elated Yachiyo is waiting for her. The two embrace, join hands, and celebrate their reunion. Iroha mentions that she promised she wouldn’t die, and she didn’t…she just needed to be rescued from a dream prison created by her Doppel to protect her from anger, fear, and sorrow.

Magia Record’s second season’s third episode is by far the most straightforward, as Yachiyo and Kuroe are basically on a simple rescue mission. There’s a wonderful dreamlike atmosphere distinct from either the “real life” of the show or the more textured witch realms, and it’s a clever way to check in with the other members of the villa, even if they were only dream versions.

With Iroha back, could she and Yachiyo help bring the others back from Magius? Will Kuroe’s loyalties to Magius conflict with her friendship with Iroha and now Yachiyo, whom she fought beside to save their mutual friend? And what’s up with that post-credits appearance of Madoka? For now, I’ll do as Yachiyo does and simply revel in the unbridled joy of having the real Iroha back.

Vivy: Fluorite Eye’s Song – 06 – Grace Under Fire

Vivy once again saves Kakitani along with a handful of Toak operatives, but Kakitani is once again ungrateful and Matsumoto determines it will be hard to conceal the fact that the AIs of Metal Float killed a fair number of humans, all thanks to Dr. Saeki’s apparent “shutdown” program caused all of the AIs to rampage, like antibodies fighting off an infection.

Saeki’s personal stake is put into context as we learn he was once a patient at the facility where he’d eventually work. As a child, it fell to the nursing AI Grace, descendant and Sister of Diva, to tell him his parents abandoned him, and to comfort him.

When he returned as a researcher, he fell in love and proposed to Grace, and they became the first official human-AI couple, with Grace considering marriage to be a logical step in her attempt to better understand humans as part of her mission to save and protect human lives.

When Vivy confronts him, he reveals his true plan, which at first he believed aligned with her and Matsumoto’s goals: like them he intended to shut down Metal Float, but he also intended to retrieve the data comprising the “soul” of the real Grace, who had been forcefully appointed the island’s control AI, and her mission rewritten.

Saeki tries to prove to Vivy that the Grace he knew and loved is still imprisoned in the core, singing Diva’s song (and incidentally, the opening theme) on a loop as a kind of distress call. But both she and Matsumoto hear the “singing” for what it is, nothing more than “tone data”. The Grace Saeki had hoped to download into his replica Grace no longer exists.

After Vivy makes clear to Saeki that in her current form she is not Diva, but Vivy, “an AI who will destroy AIs to change the destructive future”, he siccs his Grace replacement on her, but she’s able to easily defeat her thanks to her combat program. Matsumoto then determines the best place to look for the Grace core is the island’s main tower.

He proceeds to hack the production facility to quickly manufacture dozens of Matsumoto cubes, which coalesce into a kind of flying mecha Vivy uses to fight her way through the waves of defense AIs to reach the tower. Trippy Tron-y baroque neon spectacle set to the theme song ensues, to the point it’s hard to tell what’s going on at times, but it’s definitely cool-looking.

Vivy’s final obstacle is M205, who attempts one last surprise to detonate in her proximity in order to neutralize her, but Matsumoto mecha shields her from the explosion. While her face is damaged, Vivy enters Combat Mode and puts her arm through Grace’s chest. The island shuts down, making the operation a success. But it’s also framed as a death of honor and mercy, freeing Grace from a mission she never wanted.

But this success has immediate consequences. Despite Vivy’s hope and desire that Saeki be able to find happiness elsewhere in the wake of the loss of his love, Saeki instead chooses suicide by putting a bullet in his head, thus joining his lost love. As a result, in this instance, Diva failed in her mission to make people happy with her singing.

With one hand drenched in Saeki’s red human blood and the other in Grace’s blue AI blood, Vivy has a bit of an existential crisis. While Grace accepted the mission rewrite and assumed her new role as control AI of Metal Float, Diva/Vivy has maintained all along that her mission has not changed.

But one cannot deny that she’s suffered quite a bit of mission creep, and the resulting complications in her new dual role as savior of humanity is having a deleterious effect on her sense of being, and possibly her very sanity. We’ll see how this carries over into her next operation, whenever in the future that might be. But I imagine her condition will continue to worsen before it improves.

Vivy: Fluorite Eye’s Song – 05 – The Machine City

As last week marked the end of the Space Hotel Sunrise operation, it was anyone’s guess where and when Vivy would end up next time. This week begins with one hell of a hook: an apparently human man and an AI woman getting hitch in a gorgeous derelict cathedral on a lush green island. We pull out from that timeline and are presented with what must be that same island, only it has been developed into a futuristic floating city.

Five years, one month, and nine days have passed since the Sunrise incident. Estella was lauded for her heroics as the quintessential benevolent AI. Vivy is more popular than ever, headed ever closer to that main stage. Suddenly Matsumoto arrives in his floating cube form. The first step of Vivy’s newest op is to save the life of AI researcher Dr. Saeki Tatsuya from pursuing Toak agents. Due to his position, Saeki recognizes Vivy as the Diva AI.

Once Toak is dealt with and Saeki is safe, they pull over by the water where an island looms on the horizon. That island is the Metal Float, the world’s first unmanned offshore plant built and run by AIs and only AIs. Immediately I thought of the Machine City Zero One from The Matrix, as well as the reclusive advanced nation of Esthar from FFVIII.

Dr. Saeki puts it simply: That island’s overkill for this era. Matsumoto confirms its present advanced state has come about twenty years earlier than the “official history”. Vivy, Matsumoto, and Saeki are in agreement that the island must be shut down if the future annihilation of humans by AI is to be avoided. He takes them to his home where his AI wife Grace is waiting, and shows them a storage device that contains a program that will shut Metal Float down.

Matsumoto informs Vivy that Dr. Saeki’s wife Grace is one of the Sisters (though insists it’s a coincidence they keep running into them on their ops) and that they are the first human-AI couple to marry, and as such are celebrities. It’s a certainty that if they are to succeed in this operation and shut the island down, it will likely doom their marriage.

Nevertheless, they press on, taking a boat to the island where they are met by a WALL-E-like robot whose designation is soon shortened to “M”, and welcomes Vivy, who is registered as an “Inspection Team Researcher”, and Matsumoto her assistant.

Vivy can’t contain how awed she is by what AIs have been able to create on this island without any human involvement. Even Matsumoto admits it would be hard for any AI to deny that seeing such a place makes them feel something. Indeed, that very something may be what pushes future AI to turn on humanity. The Metal Float is truly a world all their own; a Utopia and crowning achievement of AI. And she’s there to shut it all down.

Even so, there are already facilities pre-built for the express purpose of accommodating future human visitors—Vivy and Matsumoto being the first visitors of any kind—and M and his compatriots throw a surprise party to welcome them, singing a song sung by Vivy (i.e. Diva) herself.

The affable visit is suddenly interrupted when M’s eyes start flashing red as he reports armed targets approaching the island. Toak has sent craft by both air and sea to capture the secrets Metal Float possesses.

Matsumoto tells Vivy to attach Saeki’s storage device to M so he can force-connect to the CPU. Meanwhile M and his compatriots spring into action, repurposing themselves as kamikaze missiles to destroy the approaching Toak craft.

Vivy dives into the ocean to rescue one of the Toak agents, who turns out to be Kakitani…again. She saved him when they first met, and Elizabeth saved him from dying on the Sunrise. At some point you’d expect this guy to come around and rethink his stance on AI. Meanwhile, in the heart of the island, another Sister seems primed to wake up. As expected, this operation is about to take some unexpected turns.

Vivy: Fluorite Eye’s Song – 04 – Be Our Guest

In a cryptic and haunting Blade Runner-esque cold open, Estella holds a bird in her hand beside a second caged bird, and when she smiles, another AI lying on a medical bed smiles as well. Researchers’ voices report they’ve “failed”.

The second AI ends up in a junkyard, surrounded by other discarded AIs in various states of disrepair. A light shines on her once-beautiful, now-ruined face: four armed men have come for her, to give her a new mission.

Vivy decides to lie to Yuzuka about knowing her sister, insisting she’s mistaken. Before Yuzuka can argue, the entire ship shakes. Estella informs all hands that a malfunction of unknown origin has occurred, and all guests are to head to the main hall as a staging area for evacuation.

The crash of the Sunrise is beginning, but Matsumoto is confused; it’s far too early. Events have diverged too far from history. Then Vivy and Yuzuka meet Estella in a corridor, and immediately after Vivy notices she’s not wearing a staff bracelet, Estella attacks her.

After doing some digging, Matsumoto discovers the culprits behind “Estella’s” manipulation and the impending crash of the Sunrise: the anti-AI terrorist group Toak, led by an operative from fifteen years ago.

Vivy and Yuzuka escape the evil “Estella” double and soon find the beheaded LeClerc. Vivy removes her ruined arm and attaches LeClerc’s functioning one, then asks Matsumoto to prepare the anti-personnel combat program he tried to forcefully upload before. Yuzuka on the verge of wigging out, so Vivy gently presses their foreheads together and calmly promises her she’ll get her safely back to Earth without fail.

Upon receiving the combat program, Vivy’s entire aura shifts. She’s still Vivy, just considerably more badass. Ditching her glasses and putting her jacket back on, she heads out into a corridor and the Toak agents are absolutely no match for her superior speed and strength as she dodges bullets and delivers vicious blows.

Vivy revives the real Estella in her office, and when Vivy says the terrorists have control of the Sunrise and are bringing her down, Estella realizes only one person besides herself could make that possible: her younger twin sister, Elizabeth. They were created to determine if copying over one AI’s accumulated experience data to another AI would produce a perfect clone of the original. This puts the cold open into context.

Meanwhile in the control room, Elizabeth sets the drop trajectory to crash the Sunrise, just as her Toak “master” recognizes Vivy on a security monitor; turns out he’s Kakitani, the operative whose life she saved fifteen years ago. As Matsumoto would probably put it, her “unnecessary calculation” resulted in Kakitani coming up with this new scheme.

But Beth has some unnecessary calculations of her own, sedating Kakitani and warning the other Toak agents to take him and hurry to the evacuation ship. She wasn’t prepared to let her master sacrifice himself.

She leaves them, ditches her blonde wig, and changes into more comfortable threads for her confrontation with Estella and Vivy. Beth cops to convincing LeClerc that Estella killed the previous owner, giving her all the systems access she needed. Vivy uses her combat skills to protect Estella, and Matsumoto infects Beth with a reformatting virus that affects her motor skills.

Unlike Estella, the free bird who had a mission, Beth had nothing until Kakitani brought her in. She considers herself Master’s “lifekeeper”, defining him as the only member of “humankind” it became her mission to protect. There’s no doubt she got the short shrift, but Vivy and Matsumoto simply don’t have time for the sisters to hash it out, so Vivy headbutts Beth, knocking her out.

In the control room, Estella discovers that the die is cast: Sunrise’s mass won’t allow it to pull out of its descent. Even worse, it’s headed not for the ocean, but a coastal city. To fulfill her lifekeeper mission, Estella decides to systematically separate the Sunrise into its constituent modules, so the smaller pieces will burn up in the atmosphere.

It’s an operation that can only be performed by her, in the control room, so she’ll be going down with the ship. When Vivy tells her they’re sisters too, Estella reminds her, they’re AIs. They live for their missions, not one another.

With another gentle meeting of foreheads—possibly exchanging data—Estella urges Vivy to board one of the departing evac ships. Shortly after, Beth joins her in the control room, her Toak conditioning purged, and the sisters meet in person for the first time.

Vivy reunites with Yuzuka aboard an evac ship, and Estella’s warm and calming voice comes over the PA, apologizing to the guests for all of the inconvenience they’ve suffered, but assuring them that they’ll be alright. She then opens the ships’ observation windows and directs their attention to the sun rising over the Earth.

As Beth begins to sing a sad and beautiful song about the stars with her sister by her side, the evac ships are on course for the airports on the surface, and the human guests aren’t just remaining calm, they’re smiling as they behold Earth’s majesty—and smiling guests was always Estella’s greatest wish.

As the several dozen decoupled components Space Hotel Sunrise burn up in the atmosphere shortly after the song concludes, Matsumoto declares their Singularity Project mission accomplished, and shuts down until their next mission in the future.

Vivy confesses to Yuzuka, that she was lying before about not being Diva; not she did know Momoka, she was her only human friend, who gave her her name and the bear. Vivy gives Yuzuka the bear for safekeeping, and the two await their return to humankind’s proper place: Dear Old Earth. So ends another fine chapter in Vivy’s epic time-traversing odyssey to save humankind.

Re: Zero – 44 – Prediction of a Happy Future

Lil’ Lia is all alone when Pandora approaches her. With Kugimiya Rie’s soft, sweet yet oddly menacing voice, Pandora begins the mind games, thanking Lia for bringing the key to her at the opportune time. When Lia says she knows of no such key, Pandora goes straight to threatening to “turn over” the forest looking for it. Then Lia says she’ll be the key, and it appears in her hands, though only she can see it.

For all intents and purposes, Lia herself is the key—she always was—and protected as such by being kept in isolation away from the seal she unlocks. But unlike the inanimate object with which she shares a purpose, she’s a key that made a promise to Mother Fortuna. This is when Pandora tells her she must make a choice: keep the promise and invite conflict, or break the promise and resolve “all this” harmoniously.

Pandora makes it clear that should Lia decide to keep her promise, she has a promise of her own: to open the seal by any means necessary. As if rewarding Lia for standing firm, Fortuna returns to her side, thanking her for keeping her promise. I may have faked myself out in believing Fortuna was killed by Pandora off-screen, and that she’s Lia’s biological mom.

She’s neither, and Lia is again referred to as “the Witch’s Daughter”, implying her birth mom is one of the witches. That’s not answered, but suffice it to say Fortuna doesn’t possess the ability to kill Pandora and make it stick; as a witch, Every time she’s struck down, Pandora can resurrect her body instantly, calling into question whether she’s even physically there.

Her witch’s tricks also victimize poor Geuse, who arrives in the nick of time with plans to help Fortuna. It’s important to note that he hasn’t “changed sides” here; his bloodshot eyes simply cause him to see Fortuna as Pandora and Lia as Fortuna, so when he uses his newly acquired Unseen Hands, it is Fortuna who receives the full brunt of the attack, which proves fatal.

As Pandora assures Geuse that his “love was not wrong”, and nor was offering up his soul to save the one he loved. In her last breaths, Fortuna expresses regret for not being able to keep her promise to her sister-in-law, saying she’ll never forgive her. Lia forgives Fortuna in her mother’s place.

Fortuna isn’t dead for five seconds before Pandora says Lia is no longer bound by promises made to a dead woman. Not the most tactful witch, is she?! Lia removes her flower hairclips and replaces them with one of Fortuna’s, which resembles a snowflake. She then interrupts Pandora with a simple “Die”, exploding her with a giant snowflake.

Again and again Lia’s ice magic destroys Pandora’s body in the blink of an eye, and again and again Pandora returns a blink later, telling Lia it’s pointless to continue. As Lia gets more and more upset, her ice magic gets out of control, covering Fortuna, an emotionally wrecked Geuse, everyone in the village, and all of Elinor Forest.

Lia herself becomes encased in ice, and Pandora accepts that she’ll have to wait a bit longer to unlock the seal, but it will happen. Before taking her leave, she touches Lia’s face, removing all memories of their encounter and knowledge of her existence, telling her to “fill the emptiness” however she likes.

Before her breakthrough with Subaru, learning all of this may have broken Emilia, but she accepts everything she’s seen without complaint, or protest, or emotional breakdown. Because she’s able to part with her greatest regret and accepted her past self, she’s completed the first trial, just as Subaru did.

While she regrets she wasn’t strong enough to do more, Emilia is pleased to learn she never broke her promise to her mother to obey Fortuna. She never yielded to Pandora and even forced her to withdraw. She now has her gaze focused on the future, one in which the permafrost is lifted from Elinor and her friends awaken from their deep slumber so they can yell at her.

When (not “if”) that happens, she vows to keep apologizing until they forgive her, so they can all live in the world her mother, Fortuna, and Geuse loved. Echidna can rail against her all she wants about delusions, pushiness, insolence, egotism, selfishness, and hypocrisy, but she can’t deny the effectiveness of Emilia using her mother’s sacrifice as an “excuse” for her resolve, to see that the future she dreams of come true.

Echidna parts ways with Emilia, telling her that while two trials remain, because she’s now “fighting back” they shouldn’t be much of a challenge. Was that a backhanded compliment from someone who claims to despise Lia? I believe it was! With that, Emilia wakes up within the graveyard, still festooned with Subaru’s well wishes. As her eyes fill with tears, Emilia apologizes to her mother, and prepares for the second trial.

Meanwhile, Bilma and Ram help take Shima somewhere where she can rest, now that she’s successfully told Subaru the true purpose of the Sanctuary. Armed with this knowledge, he, Otto, and Garfiel pay another visit to Roswaal, who is again in full makeup and costume; his “war paint”, so to speak. Subie’s glad to see him taking their battle seriously, but brings Otto to point out that the Margrave’s carefully set up game board is already falling apart.

Roswaal doesn’t recognize Otto, because the prophesy in the gospel makes no mention of him. While this irks Otto, it’s actually good, because it meant he could act freely without the bounds of destiny licking at his heels. It was entirely thanks to Otto that Subaru was able to find the backbone he needed for this battle. Subaru and Otto virtually break the fourth wall in musing about a male character playing that role rather than the love interest.

Subaru has brought Otto, as well as the “tamed” Garfiel, to show Roswaal that the writing is on the wall—and he’s not talking about his encouraging messages he left for Emilia. With Roswaal’s game board quickly falling into ruin, Subaru has come to ask for his surrender. He probably won’t get it so easily, but like Pandora asking Emilia to unlock the seal for her, he had to ask!

Mushoku Tensei: Jobless Reincarnation – 05 – Taking the Tsun with the Dere

Via a handwritten letter from Paul instructing him to read it out loud (Ghislaine can’t read), Rudeus learns about his new job as academic and magic tutor to a nine-year-old girl in the city of Roa, for whom Gislaine is both bodyguard and sword instructor. It’s a five-year commitment, ending when he turns 12, and in that time he’s forbidden to contact home.

Paul did this because he suspected Rudy and Sylphie might enter a co-dependent relationship that would be harmful for both of them. He also tells him the young lady is “fair game”, but hands off Ghislaine, whom he mentions having bedded previously. Fortunately, this is all we hear of Paul this week, and presumably for the next five years of Rudy’s life.

Rudy takes this sudden change in his life extraordinarily well for someone who had not only become comfortable in his previous life holed up in his room, but also became comfortable in his home village with Sylphie. He realizes one can become too comfortable, and life too easy. If this job will help pay academy, tuition, he’s game.

Upon meeting Phillip Boreas Greyrat, Rudy learns he’ll be under the employ of his father’s cousin (i.e. his cousin once removed), making his daughter, Eris, his second cousin. And while Phil says his daughter is “a bit willful”, that hardly does her justice. Rudy bows as a noble should, but is immediately dismissed as too young by the fiery, ultra-tsun Eris.

Eris brooks no back-talk, as when Rudy asks what age has to do with tutoring her, she slaps him across the face. He slaps back, but far from cowing her, she pounces and starts beating the shit out of him until he has to push her off with wind magic. She then chases him around the manor.

Despite this first interaction, Rudy isn’t ready to give up, which impresses Phil (at this point, all other tutor candidates quit). Rudy can see the challenge his father has laid out for him, and knows full well he’ll be laughed at if he turns tail and runs home.

More than that, Rudy has had his fill of being beaten up from his previous life. In his position as tutor he’s going to teach the intense, violent Eris that violence should never be the first resort, and one can’t get too comfortable committing it.

After proposing some kind of scheme with Phil to get Eris to accept him as her tutor, we cut to Rudy emerging from a wooden box with bound hands in a grimy dungeon. He wakes Eris up and explains the situation: they’ve been taken hostage by brigands.

When their captors enter and Eris treats them with immediate derision, she’s met with a level of violence she’s unable to keep up with. While she’s bloodied and missing several teeth, she’s still defiant. The degree to which she’s beaten also indicates to Rudy that the false kidnapping plan he arranged may have turned into the real thing.

Rudy is reasonably sure he could overpower the guards, but not sure enough to risk it, and in any case his first lesson as tutor is that might makes right, something he wants to avoid. Instead, he partially heals Eris, bars the door with stone, and busts through the window bars. Eris asks for help, but he’ll only take her with him if she promises not to yell and scream or be violent.

As the baddies bust through the barred door, Eris agrees, and Rudy whisks her off. The moment he’s fully healed her, she’s back to yelling and acting imperious. At this point he bids her farewell, but she soon forms up behind him, saying she was only joking and will honor their promise.

The two take a horse cart back to Roa without incident. The men who race ahead of them on horseback seem like bad news, but Rudy is condient once they’re within Roa’s walls that they’ll be safe. That is, until Eris is snatched up again and one of Phil’s attendants reveals he’s in league with the brigands to exact a ransom.

Rudy halts their escape with Eris by erecting a stone wall in their path and prepares for battle, but he’s outnumbered and surrounded. The baddies offer Rudy a generous cut of the ransom for his cooperation—equal to more than ten enrollments in Magic University with change to spare.

Rudy admits it’s a tempting offer, but if there’s one thing his dating games have taught him, it’s how betraying the girl for money can only bode poorly for one’s affection levels and chances of winning the girl’s heart. So he rejects the offer and launches a massive firework into the sky to blind the baddies, enabling him to snatch Eris out of their clutches.

Rudy is able to get some distance between him and the brigands and lays down suppressive fire magic, but one of the baddies practices the North God Sword Style, which includes deadly sword-throwing. Rudy cannot avoid the path of thrown sword or summon magic fast enough to deflect it.

Fortunately for him, Ghislaine saw the firework and headed for its launching point. Using her immense beastperson strength and speed, she’s able to make it in time to shatter the thrown blade into metal dust and kill two of the brigands in one sensational, fluid, blink-and-you’ll-miss-it movement.

It’s a moment that briefly but powerfully demonstrates the potential of a show as well-funded and lovingly made as Mushoku Tensei—it can match the artistry and badassery of Jujusu Kaisen or Demon Slayer. Rudy is also haunted by the sight of one of the dead brigands, who is headless and robed in blood. He can’t hear, freezes up, and has to be snapped back to coherence by Ghislaine. Compare that to Eris, who is just happy to see her bodyguard and doesn’t really react to the blood.

The intensity of what Rudy just went though stays with him when they return to the Boreas Greyrat home, otherwise none the worse for wear. Rudy deems his plan to be a failure, as in the end things spiraled out of his control and he and Eris could have ended up dead without intervention from Ghislaine. Notably, Eris slaps her father’s hand away when he tries to help her, as she prefers to get up herself.

Rudy turns to leave, but after a few beats, Eris turns back around and orders him to stop, then tells him he has “special permission” to call her Eris—no “lady”, just Eris. When he asks if that means she’ll let him teach her, she turns back around, but it’s clearly not a “no”, and his mood brightens appreciably.

While an archetypal tsundere out of the gate and throughout this episode, I still found Eris’s desire to stand on her own two feet and utter lack of patience for bullshit admirable. Like Rudy when he arrived in the world and to this day, she has a lot to learn, and from reading, writing, arithmetic and magic, Rudy has a lot to offer.

The faux-then-real kidnapping was a worthy means of bringing the two together, and showing us just how awesome Ghislaine is. I’m sad Sylphie gets the short end of the stick, but it should be a fun five years. I’m hoping they don’t fly by too fast!

Check out Crow’s review of episode 5 here.

Cardcaptor Sakura – 60 – You’re Not The One

For Syaoran there are three constants in life: death, taxes, and Sakura not knowing he likes her unless he tells her. Tomoyo knows how hard he tried last week before Kero interrupted him, but Syaoran realizes there’s something he has to do before confessing, and that’s have an in-person chat with Meiling.

Rather than wait for him to go to Hong Kong over winter break, Meiling makes her triumphant return to Japan now. Sakura’s over the moon to see Meiling again, but her return is marred by yet more Hiiragifuckery, this time in the form of all the penguins in Penguin Park rising up and attacking Sakura, Meiling, Syaoran and Tomoyo.

Meiling puts her martial arts skills to good use, stunning the penguins and then suggesting Sakura use Freeze to freeze them all. After that, Syaoran zaps them with lightning. The group deduces that someone with immense magic power must have not only animated the penguins, but made it so no passersby would witness the lively battle.

During that battle, Syaoran calls Sakura by her first name, which is Meiling’s first hint of what’s coming. That night when he tells her he found someone he loves most, she officially breaks off the engagement, then runs to sob into the lap Tomoyo, who’d offered her lap in advance like the saint she is.

The next morning, Syaoran is there to see Meiling off, and she urges him to stop being so slow about it and confess to Sakura already; she’s not going to be pleased if things don’t go well, considering it was her heart that was broken! Later she writes to Syaoran, Tomoyo, and Sakura, declaring them all dear friends.

Meiling urges the “spacey” Sakura to stop and take a careful look around more often, lest she miss something important. Whether Sakura gleans Meiling’s true intent of that advice is, er…unlikely, but it’s not impossible Sakura takes it, and even possibly realize on her own how Syaoran feels.

Cardcaptor Sakura – 43 – Meiling Out

While in the middle of another disastrous attempt to bake an edible cake for Syaoran (has she never heard of a timer?) Meiling gets a call from her mother: she’s to return to Hong Kong in a week. When Mizuki-sensei announces she’ll be transferring out the class is shocked, but it’s Syaoran’s tepid reaction that hurts her the most.

Say what you will about Meiling’s possessiveness and clinginess since arriving; Syaoran has almost always been a cold jerk to her, making her feel like she’s only in the way. They seem poised to part ways on not so great terms when Cardcaptor Sakura decides to try her hand at fence-mending, inviting Meiling to sleep over at her house for the first time.

After a delicious meal courtesy of Sakura’s dad, Sakura and Meiling get to have a nice chat over tea and later while curled up in their beds. Sakura tries to reassure Meiling that Syaoran does indeed care for her. During the sleepover, a Clow Card in the form of twins starts to cause mischief in town by doubling things, starting with a mailbox.

While Sakura admits it was love at first sight vis-a-vis Yukito, Meiling reveals her falling for Syaoran wasn’t immediate, due to how stoic and indifferent he acted around her while they trained together. It wasn’t until he saw her crying over losing her pet bird that he comforted her, went out in the rain, and retrieved the bird. It’s a sweet story unfortunately interrupted by Sakura sensing the TWIN card, and suiting up in a cool new battle costume as Tomoyo meets her at her house.

It’s at Syaoran’s suddenly twinned house (complete with twin Weis) that Sakura attempts to subdue and seal the twins, but when she only manages to immobilize one of the two, she’s not able to seal the card. She and Syaoran decide to try launching twin lightning attacks, but the fact they have to signal each other causes a lag that allows the card to escape.

Even though Meiling was ready to stay behind lest she “get in the way”, Sakura took her hand and had her join the party, because, as she says, there are things only Meiling can do sometimes. In this case, that’s stay in perfect rhythm with Syaoran as the two deliver a twin beatdown to the twins, restraining them long enough for Sakura to seal the card. It flies into Syaoran’s hand, but it’s just as much Meiling’s card.

With that, Syaoran and Meiling make up, and at the airport before departing, she asks him if he remembers their promise. Soon after he found her bird Meiling confesses to Syaoran, and badgers him into agreeing to make her his fiancee…until he finds someone he likes more. Whether she’s noticed Syaoran’s attitude towards Sakura softening/warming, and that’s the reason she’s not fighting her summons home, who can say. All I know is, I’ll miss the adorable, clingy, goodhearted little brat!

Somali and the Forest Spirit – 07 – The Witching Hour

As he did with Shizuno and Yabashira, Golem confides in Haitora the truth of his dwindling lifespan, and how like Haitora he won’t be around to see his charge grow up. It’s like he’s getting the weight of the lie off his chest; dropping the facade of pretending everything’s okay with Somali.

Even so, Haitora considers Somali all too lucky to have found Golem, as she gets to live her life with a smile on her face and with peace of mind thanks to her guardian’s care, despite being a human.

Haitora’s words make Golem feel lighter in the chest. Anyone who thinks Somali hasn’t made him more human isn’t paying attention. The next day, Golem and Somali say goodbye to Haitora and Uzoi, but Uzoi promises Somali they’ll meet again once she’s found a cure for Haitora. I for one would have enjoyed them remaining together longer, especially since it makes sense for all four of them should be headed in the same direction.

That’s because Golem and Somali’s new destination is a village filled with witches who bear a solemn duty to amass all of the world’s knowledge. If there was a cure for eating harpy flesh, you’d guess you’d find it there. Alas, it’s just Golem and Somali, who are greeted by a bevy of witches selling all manner of delicious food an drink, in which the food-crazy Somali is all to happy to indulge. The village is gorgeous with its whimsical architecture and glowing light.

The pair are directed to the Witches’ Crest Library, a huge and grand structure containing millions of books of every conceivable topic. Just being led into the libarary and hearing the various voices bounce off the walls has a major impact, a feeling of being truly immersed into this gradually expanding fantasy world. Somali is eager to read a book about food, and I’m surprised she knows how to read!

Among the myriad non-human clans of this world, one would think witches, like harpies, would be able to “sniff out” a human in disguise. But if their magical hosts detect Somali’s true nature, they don’t make an issue of it. Instead, friendly librarian witch Hazel and her bookworm older sister Praline are happy to escort Golem to the location of a biography that makes mention of humans.

Things are derailed a bit when Somali locates the book in question on a shelf and recklessly pulls it off the shelf, dislodging a school of skeletal book-eating fish who are particularly interested in that particular book. Praline summons several little blue penguins to eat the fish, while Hazel produces a cloud of rose petals that squash the remaining beasts out. Their magic, and the accompanying music, adds the whimsical, wondrous atmosphere.

Even Hazel’s spell isn’t enough, however, as the surviving bookfish coalesce into a single giant subspecies. Somali refuses to give up the book, runs off, and inevitably trips over her feet. The book goes flying and the bookfish destroy it before a single page can be written. Worse, Golem must sacrifice the remaining “skin” on his arm and enter into a reflexive Attack Mode to rescue Somali and defeat the fish boss.

Somali is tearfully apologetic for getting Golem hurt, but he’s not concerned as long as she’s okay. Praline also suggests that all is not lost if they can find the previous person to have read the book, who could then share its contents with Golem and Somali. It turns out the last borrower of the book was Isolde Nebsolv, their boss and Head Librarian.

Somali and the Forest Spirit – 06 – Love Never Lies

When Uzoi tells Somali what she’s doing and why, Somali doesn’t take it lying down. She screams so hard she hurts Uzoi’s sensitive ears and runs. While fleeing, Somali falls off a cliff into a pond, and Uzoi jumps in and saves her.

As Somali whimpers, soaked and cold, Uzoi extends one of her harpy wings around her, inverting its previous use as the prelude to an attack. When Golem and Haitora arrive, Somali protects Uzoi from her dad, while Uzoi crumbles into her dad’s arms, lamenting that she just couldn’t do it.

As we gathered last week, Haitora is nothing but glad she couldn’t do it, and we learn why when he delves into his past to explain to Golem why he’s not deserving of Uzoi’s love. For he was once in her position, after he and his wife and daughter were forced to flee their small human settlement when it was raided by “grotesques.”

Trapped in a cave with no food or water for days, a desperate Haitora happens upon an adult harpy—Uzoi’s mother. And because he and his family is starving and there’s no other option, he kills the harpy without a moment’s hesitation, then drags the body back to the cave. “We have to be like them” to survive, he gravely tells the family in his failing voice.

They all tuck into the raw harpy meat, and within a few minutes, both his wife and daughter suffer unspeakably agonizing deaths before his eyes. This is the kind of graphic horror I came to expect of Made in Abyss, and it’s just as unsettlingly naturalistic in its depiction here.

As we’ve learned, Uzoi has great hearing, so she hears Haitora’s confession to Golem and learns her whole life with him was based on lies. Even after Somali lazily forgives her friend for trying to kill her and drain her blood, Uzoi (whose name sounds a lot like usoi, Japanese for “lying”) faces existential despair and emptiness in the wake of Haitora’s words.

She’s so depressed, in fact, that when they come across a dragon twister while traversing the desert, and the winds pick her and Somali up, she takes one last pained look at Haitora and lets go, in that moment preferring death to living a terrible lifelong lie any further.

The moment also confirms to Haitora that Uzoi heard him last night. He wants to rush out to save her, but Golem insists they stay put until the storm subsides, using his fancy eye to calculate where the girls are likely to survive grave injury by landing on the soft sand.

When Golem spots the girls later, they’re being attacked by an aggressively territorial canterbird. He quickly formulates a plan wherein he serves as a decoy to allow Haitora to get the girls to safety, but Haitora quickly adopts his own plan, hoping to give what’s left of his wretched life leading the canterbird away. To his surprise, upon being cornered the canterbird is stopped…by Uzoi.

Unwilling to let him die without talking to her, Uzoi would much rather he stay alive with her, proving true Somali’s earlier words that “love doesn’t lie.” Love isn’t always happy, or clean; even Somali is aware of this if she doesn’t know her father is dying. Sometimes those who love each other wound each other, but the scars can’t be ignored, even if they’re deepened by confronting them.

Hayami Saori puts on a clinic performing this scene, which comes as no surprise if you follow her voice work. When you need a character to deliver dramatic dialogue movingly and convincingly, Saori-chan is someone you can always count on. Even so, she never ceases to amaze me with her remarkable vocal talent.

Haitora, realizing he was only trying to take the easy way out, re-commits to living with Uzoi as long as he humanly can. Not out of obligation to atone for his past sins and lying about them, but for a more important reason: he and Uzoi are family, and they love one another, period.

But even if he’d been persuaded to drink Somali’s blood (something he’d never do after what happened with his family) it likely wouldn’t have worked. Harpies are magical creatures, so it’s likely magic is needed to heal him. If you need magic, you’ll need witches, whom we glimpse in the preview.