Zombieland Saga – 10 – Sakura, Hot Under the Collar

When Tatsumi announces Franchouchou’s biggest gig yet will take place at Karatsu’s Furusato Exhibition Hall Arpino (which is, naturally, a real place) in front of five hundred people, Sakura is stoked. Like, more stoked than usual. After seeing her fellow idols deal with their respective pasts and deaths and come out the better for it, the vibes she’s getting from Arpino make her hopeful performing there will reveal something about her own past and death, about which she still knows nothing.

She’s so excited, it affects her practicing, as her pace is way faster than the others. Tatsumi finally announces that the group will spend some time surviving as a team in the mountains to prepare for the show. While there, all Sakura wants to do is practice, but the others are busy doing all the things that are necessary to live in the mountains (if they were alive, of course). Her frustration with their lack of practicing for the Arpino show culminates in her head being ripped off by a giant boar.

Once she pops her head back on, she’s done with the mountain excursion, which Tatsumi brings to a close soonafter.

That makes things awkward when they return to the mansion to practice, and she’s still out of sync, which she lashes out and blames the others for not practicing in the mountains before storming off. Everyone is stunned; usually Sakura is the cheerful peacemaker of the group.

Yuugiri (who along with Tae are the only other two members whose deaths we haven’t explored) meets with Tatsumi at a restaurant to ask what his next move is, now that the mountain thing didn’t work out so swell. When he expresses his worry about Sakura and the others being able to surmount the increasingly high peaks, Yuugiri gives him an epic slap that we’re treated to from several angles and speeds, punishing him for lacking faith.

Before returning to the group to apologize profusely, Sakura catches a look at them in action, both practicing and going over the details of the moves and who goes where, and she’s mesmerized. Without practicing as much as she did, everyone’s in perfect sync. So she admits to herself that she’s the problem, having only thought of herself since learning of the Arpino gig. Of course, the others welcome her back with open arms.

Three days later, with just seven to go until the show, Sakura is in much better spirits. In fact, she’s so chipper she acts out the first scene we saw her in when she was still alive, ending the exact same way: getting struck by a passing Hijet. Of course, since she’s dead already the truck doesn’t kill her, but it does wipe her memory…again. Some of her memories from her life flash by, and then she passes out.

The rest of Franchouchou now has just seven days to bring Sakura back up to speed and get her ready to perform with them in their biggest show yet…provided the Sakura who wakes up agrees to participate! It looks like another tough mountain to climb.

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Iroduku: The World in Colors – 06 – Riddled with Thorns

When asked about his experience with the star sand, Yuito mentions the same somewhat crazed-looking golden fish Hitomi has seen leaping in and out of his tablet. Turns out the fish was from one of his earliest drawings, one that won him an award in grade school. Shou shows Hitomi the photo to confirm it’s the same fish.

Speaking of grade school, Asagi moves the needle forward a smidge by chiding Shou when he pats her head, insisting she isn’t in grade school anymore. I’m not sure Shou gets the message—or if he’ll ever get any message—but at least Asagi is smiling as she storms off, and the two are fine the next day.

That next day Kurumi takes the club to a photo shoot where they can wear period clothing, resulting in some lovely shots of various combinations of club members…perhaps none cuter than those of Hitomi and Yuito.

After they change out of the costumes, Hitomi spots Yuito off by himself drawing…or at least struggling to draw. The golden fish leaps out once again, then swims toward Hitomi, surrounding her with a curtain of colored petals.

Hitomi has, without realizing it, used her magic to enter Yuito’s drawing. It goes from vivid to austere to dark and foreboding, and finally Hitomi sees a black shadow figure chasing the fish, which itself appears dead or dying as the scene darkens and the colors grow muddy.

Hitomi “wakes up”, back in the real world, to a worried Yuito, but when she tries to get him to open up more about the content of his drawings, he snaps at her, accusing her of basically being a busybody mage. Yuito is not the kind of guy who’ll easily share things about himself, and by essentially invading his psyche by way of his art, Hitomi has simply tried to get too close too fast.

Again, none of this was her intention, but that night she is comforted by Kohaku, who references the Hedgehog’s dilemma where Yuito is concerned, offering her sage granny advice over hot drinks. “Precious things are riddled with thorns”, and finding the right distance from, and pressure upon, those thorns is simply a matter of time and experience.

The next day Kurumi shows everyone (sans Yuito) the results of their shoot, but her favorites are the candid shots were taken after Yuito stormed off. Everyone looks awkward, uncomfortable, or just plain sad, and as Kurumi says, the images “suck”.

But just as Kohaku tells Hitomi it’s usually better have someone angry at you than be ignored, Kurumi thinks typical smiles can get boring fast. Adding her voice to Kohaku’s advice, she also tells Hitomi that giving bonds “a good whack” ultimately makes them stronger.

I think that’s true where all relationships are concerned. There’s room for time and space apart, but too much of that and you don’t really have a relationship, do you? Better to confront each other with your problems, hash it out, and move on, rather than let things fester within ones’ head.

That night Yuito goes to his friend (mentor) Asakawa Sanami’s exhibition of drawings, no doubt to find some inspiration and ask her why she draws. Sanami says that while she’ll probably always be worried about her future, all she can do is keep drawing because she likes it. And she clearly likes sharing her work, as evidenced by the care, consideration, and gratitude she shows to all who showed up to view it, including Yuito.

Yuito is sorry he snapped at Hitomi, and knows he was wrong; while his hedgehog’s thorns had stuck out in that moment, he’s willing to smooth them down a bit. He gets a kick in the pants when Hitomi and Kohaku arrive at the gallery just as he and Sanami are saying their good-byes; it looks for all the world to Hitomi like he’s simply into another girl, and she bolts.

Of course, that’s not the case, and Yuito chases after Hitomi (both of them thankfully avoid the crazy deadly traffic anime are known for). He promises he’ll draw something, taking Sanami’s own strategy to heart (just keep drawing), and when that new drawing is complete, he’ll let her see it. Not so she can counsel or analyze him, but so they can draw just a little bit closer.

Yuito’s words move Hitomi, to the point that while on the trolley home, her raw but abundant magic conjures the golden fish, alive and well, and the fish proceeds to restore color to her world. She returns home shocked and soaked, and informs her granny. It’s sure looking like the “color” that was once absent in her world, and has now suddenly come roaring back, signifies…well, love.

Iroduku: The World in Colors – 05 – Accept Any Challenge

“A rival will appear, and his feelings will drift somewhere far away.” That is the always entrepreneurial Kohaku telling fellow club member Kazano Asagi her sobering romantic fortune. In a way, it’s something Asagi has already suspected now that Hitomi has arrived.

Shou has started to take an interest in Hitomi, whose personal story and magic skills make up for her lack of charisma. But he already has an admirer in Asagi, who is more introverted and mousy than even Hitomi. Predictably, Shou has no idea Asagi likes him.

As for Hitomi, she’s not interested in Shou, but Yuito, the one whose drawings enable her to see color. Would she be trying to do something for Shou and not Yuito if it was Shou’s photos that made her see color? Perhaps. But regardless, Hitomi now has motivation to improve her magic so she can make Shou happy. If she can do that, then he’ll draw more, and she’ll see more colors.

Not that I mean for this all to sound so transactional—all other considerations aside Yuito is a better match for Hitomi. Speaking of transactions, Hitomi must mind the magic shop while Kohaku and her mother are off on an errand. When a customer asks for a star sand by color, Hitomi is glad that there are also numbers associated with them.

Yuito also happens to pay a visit to the shop, seeking a gift for a friend having an exhibition. He makes a spontaneous request for something that might help his “drawer’s block”; Hitomi can’t find anything, but promises to research it. Kohaku later encourages her granddaughter to make her own star sand for him.

Shou gets some alone time with Hitomi, but he’s more senpai-y than overtly flirty; showing her around the dark room, then asking if he can watch her practice her magic. Back home, Hitomi takes her granny’s “accept any challenge” mantra to heart, having batch after batch of sand blow up in her face until she finally achieves success.

The next day the club has a potluck at the magic shop, and Asagi is the first to arrive and greet Hitomi. While Hitomi was working hard on her sand for Yuito, Asagi baked some very impressive (and cute!) rabbit cookies. Asagi opens up about how she and Shou are childhood friends, and how he always took her by the arm and led her around, where she’d naturally default to something much more introverted.

The rest of the group arrives at the potluck, and before long, Hitomi is in the shop, preparing the gift of star sand for Yuito. Kohaku makes up an excuse for the two to go off to the store together, and on the way back it’s Yuito who brings them to the perfect spot to present her gift to him.

He seems genuinely touched that she’d go out of her way to make something just for him, especially when there are moments he looks like the always-friendly Shou is taking opportunities that should be his (like, say, showing her how to use the O’Free machine).

The scene is also patently gorgeous, as they’re perched atop the highest point around overlooking the water that shimmers in the setting sun. Color or no, even Hitomi knows how beautiful it is, and their collective happiness at having shared a moment together there is reflected in their surroundings.

Things get a little awkward back at the potluck, with Shou blockheadedly suggesting Asagi should be more aware proactive, with Asagi curtly responding by asking if she should be “like Hitomi” before excusing herself. Kohaku’s fortune, it would seem, has come true, but as Kohaku tells Asagi,  the future is made by the choices one makes, not the fortunes one receives, which are no more than hints and possibilities.

Kohaku shows Asagi how much failure Hitomi had to weather before getting her star sand right, and Asagi resolves to do her best from now on, and expresses her desire to change. I honestly hadn’t noticed Ichinose Kana (Ichigo from FranXX) voices Asagi, but now that I do, I’m immediately more interested in what she has to say, because Ichinose always says it so well!

Asagi makes up with Shou, asking if he’ll help her make some rabbit postcards; he heartily agrees, showing Asagi that she indeed controls her destiny. As for Hitomi’s gift, Yuito uses it before bed, and it conjures a planetarium of stars that surrounds him, followed by a golden fish of his drawings, which the dives into his tablet.

Will the enchanting experience reignite Yuito’s ability to draw…or will it have the opposite effect? Considering how well things went for both him and Hitomi, I wouldn’t be surprised if it was the latter, but I would be intrigued to see how such a predicament might be resolved.

Iroduku: The World in Colors – 03 – Someday Works Just Fine

Yuito’s words echo in Hitomi’s mind, as she now has a reason to explore her magic—so she can “someday” show it to him again, as he showed her his art. Each of them did something that made them vulnerable but came with the reward of growing just a little closer.

Still, the fact is Hitomi really isn’t that good at magic, even if she has the potential within her. To unlock it she’ll need to practice; her great-grandmother suggests she use a “wand” in the form of a Pocky to help focus while doing so. No harm in trying something new a little at a time.

She’ll also need practice finding a place at the school, which is practically fanatical about clubs. Both faculty and students insist she join one, but believes her achromatopsia precludes her from joining Yuito & Co’s photography arts club; conveniently forgetting the existence of black and white photography (though to be fair, she is from sixty years in the future).

When Yuito has her dive into the arts part of the club by painting a picture, her treatment of color all but confirms to him her inability to see them, at least as others do. Still, he’s quite sincere in his appraisal, and considering she’d “never drawn a picture” before, she did quite well!

From there she gets drawn more and more into the photo/arts club’s activities that day, from accompanying them as they recruit potential new members, to serving as a model during a dreamlike shoot at the pool.

While she fails to use the star sand that enables one to walk on water, she isn’t aware she picked the wrong color, and her own magic allows her to walk on it anyway…until one of the club members tells her she picked the wrong one, and she plunges into the drink.

Upon drying herself, Yuito comes to apologize, but she believes it just as much her fault for not refusing strongly enough (I don’t know, I thought she refused pretty dang strongly; they just ignored her!) Indeed, her tendency to so easily say there’s “no way” she can do something, or that she stay out of people’s way to make it “easier for everyone.”

Thankfully, she does decide that she can join the arts/photography club, and even helps them with their punishment of cleaning the pool into which they weren’t allowed to let anyone jump. Meanwhile, her grandmother Kohaku is almost home, and she seems to be someone who doesn’t just think, but knows she can do anything, and does it. In other words, she’s someone Hitomi could probably use in her life right now.

Grand Blue – 11 – Advanced Adult Activities

Concerned about failing his test on account of being bad at mask clearing, Iori tries to devise a way to practice without Kouhei or Aina knowing. The gang rents a car, but it ends up being two cars since one won’t fit all eight. Turns out Aina can drive a manual truck from helping out at a rice farm.

Many a misunderstanding due to lack of proper context ensues, both at the market when Shinju and Ryuu order strangely-named fish like “Hamazaki’s Wife” or “Chubby High Schooler”, and back at the rental house.

Iori decides honesty is the best policy, so tells a weary Chisa when the two pair up to cook together. He asks her to help him practice, but when both Aina and Kouhei come into the kitchen, from what they overhear they believe Iori is asking Chisa out…and wants to be tied up and stepped on.

Aina wakes up to find Chisa’s bed empty and goes out to find Chisa holding him underwater with her foot. She fears something very strange is going on, and doesn’t believe Iori, but believes Chisa. Turns out she wouldn’t have laughed about Iori’s mask clearing, but would have helped if asked.

In fact, she joins Chisa in pressing him underwater with their feet, prompting a passerby to call the cops. Unfortunately, Chisa and Aina are already back in bed and Iori is alone and naked in the pool when an officer arrives.

Iori isn’t arrested, but he does catch cold, so he can’t participate in training exercises that day. Azusa stays behind to take care of him, using green onions as a home remedy (one ’round the neck, one where the sun don’t shine, which Iori rejects).

When Azusa learns Iori hasn’t been sleeping because he’s nervous lying beside her and Nanaka, Azusa only half-jokingly suggests they have sex so he won’t feel nervous. Iori has a legit shot at sleeping with her here, but sheepishly declines.

However, when Iori learns that Tokita of all people has a girlfriend, he ends up drinking—a lot—so by the time the others return (Kouhei and Aina with certification cards in hand), he’s passed out, naked, with Azusa’s home remedy successfully, er, deployed.

Overlord III – 01 (First Impressions) – Chillin’ Like Villains at the ‘Tomb

OverLord is back…again, after taking the Spring off. And rather than go off into an entirely different direction within the world of Yggdrasil, we spend all of this  first episode with the gang we know and love, most of it within the walls of Nazarick.

Ains Ooal Gown grants Sebas and Epsilon rewards of their choosing for their intel-gathering services in Re-Estize. Sebas asks for sundries for Tuare, and Ains grants him some gold to buy what he likes, as long as he goes on a nice date with her in E-Rantel. Epsilon gets non-innocent humans…to do who-knows-what with. Nothing good, most likely.

It’s a relaxing episode in which Ains finally reveals all—which amounts to a stylized skeleton—the human player within happy he’s found a satisfying and effective way to wash such a strange body. Meanwhile, Eclair ends up snatched up by Shizu Delta as if he were a plushie, when his ultimate goal is to rule the whole Tomb himself.

Ains splits up his Guardians by gender and has them participate in group leisure activities. Albedo, who is with Shalltear and Aura, summons a badass bicorn, but cannot ride it, and Shalltear discovers the reason: a “pure maiden” cannot ride it; much to the shock of all. But it makes sense: most of Albedo’s existence is spent in the throne room, presiding over the Guardians and their movements. No time for the succubusing she was ostensibly created for.

In another private moment, Ains’ player worries his lowly office worker background doesn’t lend him the charisma or bearing necessary to properly “operate” an overlord as impressive as Ains…though it’s clear by how his servants regard him that he has nothing to worry about as long as he keeps on keeping on.

His kind words to them, referring to them as his treasures, sends Albedo into an amorous frenzy, and not even her overlord can stop her from essentially dry-humping him. Later, when the sexes are in their respective baths, there’s a disturbance on the women’s side, and Ains recognizes the voice of a fellow “supreme being” i.e. player. That could be interesting.

Inuyashiki – 05

Ando may have ended his friendship with Hiro, but in the eyes of the school, the two of them killed the guys who were bullying them, despite the absence of any physical evidence. The rumors take Hiro and Ando’s motives, the fact that just the right people died, and connect the dots. Of course, they’re only half-right. Ando had nothing to do with the killings, and he certainly didn’t ask Hiro to go so far to protect him.

After some aimless searching on the internet, Ando finds an uptick in “medical miracles” nearby, and remembers Hiro can heal people. At first he wonders if Hiro is the one both killing and saving people, but then considers that maybe there’s someone else out there with his abilities, only doing good instead of evil.

Remembering Hiro mention his superhuman hearing, Ando cries out for help…and a shirtless Ichirou is at his door in moments. It clearly relieves Ando to no end that Ichirou can do what he does. It means that perhaps they have a fighting chance of stopping Hiro – something both agree must happen.

Perhaps sensing that viewers needed a bit of a break from the hard stuff, this Inuyashiki doesn’t have any home invasion, grisly murders, or sexual assaults. Instead, much of the episode focuses back on Hiro, who seems to be taking a break from the home invasions as it’s all over the news.

His classmate Shion confesses to him, even after he calls her “pube-head”, and he thanks her and walks away. But I imagine Shion isn’t going anywhere.

We also get a closer look at his family life. Specifically, the fact his father and mother are divorced, and his father has a big fancy house and a whole other family. He attends his stepbrother’s birthday, then goes back to the tiny, drab apartment he and his mom share.

ne night, Hiro wakes from a dream that he gets a papercut, indicating he’s human again—something he dearly wants—his mom tells him she has terminal cancer and a month to live, so suddenly it’s a good thing he’s not human.

Ichirou insists to Ando that he’s no true hero; he does the heroic things he does like saving people because he’s afraid that his ability to do that is secondary to the overarching reality: that he is a machine built for killing and destruction.

Ando doesn’t agree with that assessment. He’s certain—as we are—that Ichirou is a true hero (the humbler the better), and they fly to a dump where Ando has Ichirou practice using his physical abilities, which certainly require fine-tuning after he makes a giant crater. (I loved the little chat the two were having on the way; with Ando complimenting Ichirou’s daughter.) Later, Ando accompanies him to a hospital and witnesses him saving a boy’s life firsthand, further galvanizing his opinion that he’s a hero.

While consoling his mom with a hug, Hiro succeeds in totally curing her cancer, and decides he’ll use his abilities to support her from now on. He lies about having invested his part-time job pay and made 3 million yen, and uses that cash to get them a new, fancy apartment with a view. His mom is grateful…but also a little scared. She should be.

After all, I can’t forgive Hiro for the crimes he’s already committed any more than Ando or Ichirou can. They are quite literally unforgivable, which means Hiro tries to skip ahead to redemption way too early.

When he hears his mother condemn the monster being reported on the news, he tries to come clean, only to find his mother incapable of understanding what he’s talking about. But it does fill him with guilt, to the point he resolves to stop killing.

That’s great to hear, but it doesn’t change the fact he’s already killed…a lot, and horribly. He must answer for that, which is why I was happy the cops showed up in force to arrest him. With his mother standing right there watching, there’s no way he could unleash his abilities on them. If he did, he would likely lose her (even if she isn’t killed in the fracas) the last person tethering him to his humanity.

As for who the “material witness” is, it’s strongly implied to be Ando, again doing what he can to help Ichirou stop him, but I wouldn’t rule out Shion, the girl he scorned, either. Whoever it was, Hiro is in deep shit…all of his own making.

Netsuzou TRap – 03

Another five minutes of Hotaru fooling with Yume using “practice” as an excuse. Even Yume is starting to have her doubts, and while Takeda is totally unaware, Fujiwara has now caught the two kissing on the slopes.

Rather than elucidate Takeda on the situation, he decides to take Hotaru to his room for the night, leaving Yume little choice but to invite Takeda into hers, or leave him out in the cold. Not exactly forcing a choice, but certainly limiting them.

For the record, Fujiwara and Hotaru are (separately) in agreement that Yume has the power to stop this…but she has to want to. At least she knows Hotaru has the tendency to throw her off balance.

But at some point she’ll have to decide which way to tip the scales: first boyfriend, or best friend who seems to want more…or maybe she’ll continue to be in this state of limbo for the whole run of the show! Either way, if it’s all the same to ya’ll I think I’ll be stepping back from this.

Netsuzou TRap – 02

In its latest five minutes, NTR tries to get a little more granular with the relationship between Yuma and Hotaru. They go back years, and Yuma always played the protective role of shining knight when the Hotaru was teased.

Fast-forward to the present, and Yuma is still Hotaru’s only female friend. Yuma is still a little resentful that Hotaru found a boyfriend before her, but now that Yuma has one, Hotaru is being almost clingy with her teasing, and the kissing was a big deal for Yuma.

Yuma’s boyfriend Takeda is a pretty nice guy, proposing bold sleepover but changing it to a double date out of consideration for how close Yuma and Hotaru clearly are. But Hotaru was pretty blatantly manipulative with both Yuma and Takeda.

At the amusement park, we learn possibly why that is, and why Hotaru just might prefer Yuma: her boyfriend Fujiwara, has a bit of a temper, slamming his foot on the bench she’s sitting on when she refuses his advances. He’s also already suspicious about her and Yuma, while Takeda is blissfully unaware.

It would seem then, that Hotaru yearns to maintain the knight-and-damsel dynamic Yuma and her have always had. Hotaru just doesn’t seem that interested in Fujiwara. She seems to prefer Yuma, and wants her, whether Yuma has a decent boyfriend or not.

Netsuzou TRap – 01 (First Impressions)

In this very short (six minutes after OP and ED) piece, Yuma finds herself in a bit of a situation. After asking her close friend and neighbor Hotaru for advice on her boyfriend, finds herself being touched and French kissed by the other girl ostensibly as “practice” for her boyfriend. The thing is, Yuma feels like she liked Hotaru’s kiss more than her boyfriend’s.

Aside from looking a bit like Yui and Yukino from Oregairu, it’s hard to make any kind of in-depth analysis of Hotaru and Yuma. At the same time, we saw and heard pretty much all we needed to in order to set the stage, as described above. This isn’t complicated stuff!

I also liked fact that the boyfriends are pretty much afterthoughts for both the show and the girls so far, suggesting, based on the scant info so far, that they may simply have been acquired because it’s what you do. At the very least this kinda warrants a closer look; it’s not exactly a huge commitment!

Tsuki ga Kirei – 08

Simplicity can contain multitudes. By that, I mean sometimes there’s a lot to be found in a pure, unembellished tale of first love of the kind blooming between Koutarou and Akane. With Chinatsu out of the way (an unpleasant but necessary step), all that stands between the two is their gossiping peers at school, eager to know all there is to know.

But there isn’t that much to know. Akane doesn’t even give a straight answer to the question “Why Azumi?” She may not be able to put it in words, but that doesn’t bother her; she doesn’t care why she likes him, she just…does. And he likes her, which is why they now actively do all they can to see as much of each other as possible, during which time they’ll explore more about the ‘why’.

During their private lunch in the library, Kotarou gets a text asking him to attend a hayashi practice, and Akane pounces on the opportunity to see her boyfriend perform, which he does. Just as Akane seemed to run harder, Kotarou dances harder, impressing the hell out of his girlfriend.

Kotarou also gets nods of approval from his hayashi peers, one of whom suggests the couple attend Hikawa Shrine’s Summer festival, famous for its hanging wind chime fortunes. Akane arrives at their meeting spot for the date in full yukata. Kotarou is loving the look; Akane is loving how he’s loving it.

A near-perfect festival date ensues, with no one getting lost or bumping into unwanted secondary characters. Akane also cuts her foot on her sandal, but Kotarou tenderly bandages it when she can’t bend over in the yukata. They don’t let anything spoil their enjoyment of the night and of each other.

Akane ducks away for a bit, but only once she hears Kotarou’s most recent birthday has already passed, and decides to get him a little present: the same beanbag stress toy she has. The only remaining ‘drama’ is her trying to finding the right time and place to present it to him.

Once she does, she feels much better, and Kotarou is grateful, and decides the time has come for him to call his girlfriend by her first name, and she, in turn, calls him by his. And with no one around to suddenly stop them, they finally connect for real on their first kiss, finishing what they started last week and hadn’t been able to stop thinking about.

It all happens to the tune of a rendition of “Summer Festival”, which I last heard in Re:Life. The camera keeps a tasteful distance, underscoring how the two must feel like they’re in their own little world. The next time her friends at school ask, Akane can tell them being with Kotarou makes her feel safe.

The parting shot of what the two wrote on their chime wishes—they both wrote the same thing: to be together forever—is a little mushy, but who cares! I daresay these kids are gonna be alright, and there’s a quiet thrill in watching them steadily improve at this thing called courtship.

Fuuka – 11

Ay Caramba was that a jumbled mess of an episode, full of people being selfish and awful, other people being pushed and pulled around like ragdolls, people saying things no normal people would ever say out loud, and peppered with seemingly even more superfluous fanservice than usual.

First up, Fuuka, who leaves the band she forced everyone into to begin with to sign a contract with a studio. You know she’s leaving the band because it’s too painful to be around Yuu, and I know that too, but Yuu doesn’t, because he’s an idiot.

This isn’t about pursuing her dreams. You can tell because throughout this episode she’s sad and saying out loud “I AM MAKING THE RIGHT CHOICE HERE,” as if trying in vain to convince herself.

As for the other girl whose feelings for him Yuu is totally unaware, Koyuki surprises him when he’s moping in the dark his bedroom, presumably a few days later. When Koyuki learns why he’s blue, she tells him it’s for the best, how she wants to be on stage with him, no matter how much he sucks at bass, then opens her blouse and pounces on him.

Yuu is just not feelin’ it, and Koyuki starts to sob, talking about how she knew she wasn’t the one, how she knew about the feelings he doesn’t know he has, and how he needs to “be honest with himself” before leaving the site of her almost comically brief and awkward attempt at seduction. I feel bad for Koyuki, not because she was rejected so utterly, but that she likes a schlub like Yuu in the first place.

Yuu isn’t just a schlub: he’s also a deeply selfish, destructive person. Mind you, it feels like only a few days have passed, but all the other members of the band have already moved on to other things; Fuuka was the now-absent glue that held them together. Without her, Nachi goes back to focusing on track, Mikasa prepares to move back home and be the finance bro his dad wants him to be, and the talented Sara instantly finds another band to play in.

The wound of the short-lived The Fallen Moon (ugh) is healing nicely for everyone…except Yuu. The band was, apparently, all he had, so he tears it back open, writing a song that “contains all his feelings” (ARRGH) and delivers them to the members one by one in person, totally ignoring their firm yet polite attempts to decline.

Mikasa’s egregiously soapy-yet-oddly robotic monologue to Yuu borders on self-parody:

Sorry, Yuu…I’d moved out of my family’s home as a rebellion against my father, but that’s over now too. I’ve decided to listen to my father. He’s literally promised me a happy future! So I won’t have to suffer or stress myself out chasing pointless dreams anymore!

Who talks like that? Who wrote this drivel??

Yuu doesn’t give a shit what you’re up to now. HE wants the band back together, and he knows if they just hear his song, they’ll come running back to Denny’s. And of course, one by one, the rubes prove Yuu right.

“You’re absolutely right Yuu! How silly of us to move on with our own lives after the most talented, charismatic member of our band quit. Let’s re-form the band on the recommendation of the least talented and charismatic member!” What are these people, lemmings?

The only one he’s not able to immediately bring back is the one who he let leave in the first place without a word of complaint, saying at the time, “if it’s her decision, there’s nothing we can do.” Moping in the dark, getting jumped by Tama-chan, and pouring his feelings into a song have changed him. Now he wants the band back, Fuuka included. Everyone has to do what he says, dammit!

It’s tricky, though, because Fuuka, perhaps not ready to face the band she started then abandoned, is using her mom to screen visitors to her house. She mopes much like Yuu mopes, clutching his feelings-song in her hands, insisting she’s on the right path despite all outward evidence to the contrary, to say nothing of the turmoil in her head.

The insinuation is that, like Yuu had been doing until now, Fuuka isn’t being honest with herself. So go ahead, pursue your dreams as far as your talents will take you…but only until Yuu incessantly hounds you to return to the band. You’re done with the band when he TELLS you you’re done.

I don’t like this show anymore!