Fruits Basket – 10 – A Ripple on the Water

It’s the day before Valentine’s Day, when Yuki appears to only have one admirer’s chocolate in his locker, but only because every previous admirer (and there were many) tossed the chocolate that was in there into the trash. Kyou is also a lot more on edge, and Tooru wonders why…until Kagura shows up at the school gates and it suddenly makes perfect sense.

When Kyou rejects Kagura’s request for a date (mistaking it for a request), Kagura suggests they have a double date with Yuki and Tooru. Yuki is ready to veto the idea, but Tooru is so excited he can’t say no. Then Kagura and Shigure both make remarks about him and Yuki getting along a lot better and runs away, not wanting to hear that. When Tooru tracks him down, she tells him it’s okay for him to hate Yuki…but she plainly doesn’t get why, and still hopes she can wipe away both lads’ anxiety and pain the way they did for her.

Kyou, Kagura, Yuki and Tooru all go on the double date (to an anime film of all things!) and it all goes swimmingly, but more interesting is when Shigure visits the main house to deliver Tooru’s chocolate to the other Souma members she’s met, and ends up talking with Hatori. What about? It’s hard to say; as Yuki says, Shigure’s a particularly hard-to-pin-down kinda guy, especially where goals and motives are concerned.

One thing’s for sure: he’s in league with Akito, and while Hatori believes he and Akito using Tooru as a pawn for some self-serving purpose, he’ll neither help nor hinder his efforts, but simply remain neutral. Shigure, for his part, laments potentially having to hurt Tooru at some point in the future, but whatever “dream,” “affection,” or “fervor” he’s after, it’s apparently more important than not hurting her.

From episode start to finish, and even with some glimpses of flashbacks, Shigure remains a stubborn riddle wrapped in a mystery inside an enigma. His long-suffering young editor Mitsuru (who is about to take a box cutter to her wrist when Tooru first meets her) just wants the guy to meet his damn deadlines, but just as there’s no figuring out a guy like Shigure, there’s no rushing him either.

I’m definitely intrigued by this gradual increase in the rumblings that Shigure is Up To Something, which is effective because it doesn’t come out of left field. We always knew it wasn’t mere altruism that led Shigure into allowing an outsider in Tooru to live in his home, any more than he harbored two exiles from the main house in Yuki and Kyou simply because he’s a cool uncle. I also suspect things may not go exactly the way he plans.

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Steins;Gate 0 – 24 (OVA) – The Very Definition of “Unnecessary”

If this was the first episode of Steins;Gate you ever watched, let’s just say it’s highly unlikely you’d never, ever watch another.

But perhaps that’s unfair: this is an extra episode; it’s only meant to be a fun character supplement between two more vital episodes that aired. It isn’t meant to contribute much insight into anyone or anything, and in this it succeeds.

The plot, such as it is, is this: All the girls (plus Ruka) make chocolates, while Suzu worries about who Kagari’s valentine is. This leads to some funny scenes in her imagination involving Kagari with Tennouji or Rintarou.

Faris’ exasperation at no one knowing how to make chocolates (aside from Ruka and Yuki, who show up late) is amusing enough, especially when she almost fades into “pure white” from exhaustion.

But otherwise, to paraphrase both Kurisu and Amakurisu, it’s better to not watch and regret then to regret having watched. You’re better off watching the first show’s OVA instead.

Just Because! – 10

In its third-to-last episode of the Fall, nobody has a particularly happy Valentines Day, both as a result of bad luck, poor timing, simple misunderstandings, and an inability to resolve those misunderstandings in a timely fashion (hence the two episodes remaining).

Komiya Ena—who may be the more charming and less passive of the two girls, but is nevertheless someone I don’t think Izumi should end up with—still wants to give him chocolates, but becomes dejected when she sees him with Natsume.

Meanwhile, Natsume seems on the cusp of giving Izumi chocolates as well, but a LINE message from Souma leads Natsume to glance at Izumi’s phone, and Chekhov’s Phone Background goes off, upsetting her to the point of running off with a face Izumi has never seen. THANKS A LOT, SOUMA.

Almost immediately after Natsume retreats, Komiya goes up to Izumi and gravely removes the background before running off herself. And when Natsume finally stops running, she beams, happy to be so “completely serious” about Izumi, even if he has no idea his love is requited.

Frankly, I found the need for Natsume to see the background a bit of a cheap stunt, even if it was telegraphed as a potential point of conflict as soon as Komiya made it Izumi’s background.

I get it: these crazy kids take their social media seriously, but they’ve also proven capable of using their words with one another in person. Sure, emotions ran high, but Izumi made no real effort to go after Natsume or explain the reason Komiya was on his phone.

Speaking of communication, Souma and Morikawa meet up, ostensibly so Morikawa can deliver her answer—which she does, but not before they do a kind of performance piece in which she’s playing the trumpet while Souma pantomimes hitting a home run and rounding the bases.

It was…odd, more than a little corny, and not really effective. That being said, their exchange after their little “dance” went better than Izumi’s triangle, even if Morikawa asks Souma to be patient and let her get settled with college before dating.

Asking for another delay is cruel, but hardly avoidable. The two being able to see each other regularly is practically impossible, no matter how gung-ho Souma claims to be, he’s not made out of travelling expenses, and it wouldn’t change the fact they’d be leaving the gate in a long-distance situation, which is never a good way to start.

Ultimately, I’m satisfied with Morikawa’s position evolving from “no way” to “I don’t know what I’m doing” to “yes, but later.” As Souma said, she gave it a lot of thought and consideration. Could he fall in love with someone else in the weeks and months he and Morikawa are apart? Perhaps, but that’s not presently the case. If it’s to be, it’s to be.

That’s kind of the attitude I have to take with Izumi and Natsume too; if it’s to be it’s to be. Komiya decided to bike to temples all over the place to grab as many amulets as she can. It’s a gesture simultaneously self-serving (to impress him with her dedication) and selfless (she got them to ensure he’ll pass the exam). She both wants him to fail so he won’t go off with Natsume, and wants him to succeed because he’s studied so hard.

Izumi likes that part of Komiya, and so do I. She also gives him chocolate—albeit one small store-bought bite rather than her homemade sweets—and he gives her one of her charms back, in hopes she’ll win her competition, something he didn’t use to care about, but now does because he considers Komiya a dear friend.

As for Natsume, she’s going for it. She’ll get into Joei and then “lay bare all her feelings” regarding Izumi. Here’s hoping she and Izumi don’t end up at different schools, thus having same problem of distance and time as Souma and Morikawa. Don’t do that to me, show. I’m warning you. DON’T YOU PUT THAT EVIL ON ME JUST BECAUSE!

Just Because! – 09

Whew, there’s a lot to unpack this week. A lot happened!…or at least a lot seemed to happen. Morikawa’s new ‘do causes an unexpected sensation from just about everyone in her class, except for the one guy whose reaction mattered most to her—Souma, because he’s an idiot.

After her not-confession (which Izumi mutters to himself had the exact same effect as a not-not-confession), Komiya is awkward with him, and all the times they naturally bump into each other always end with her retreating wordlessly.

Souma and Natsume encounter one another at the shoe lockers justs as Morikawa starts to play her trumpet, which sounds like it’s beckoning Souma, particularly when Natsume tells him he should go to her. Souma doesn’t want to be a bother…but he is.

No matter, Natsume goes to Morikawa instead; she wants to know how she decided on her future. Morikawa answers earnestly as always, citing her devotion to her family and paying them back for their kindness, but also wanting to taste life on her own for a bit, hence a woman’s university.

Morikawa wonders if it’s just a matter of her not wanting to be an adult, but Natsume thinks Morikawa really has “her act together”, especially compared to her.

After some unintentional synchronization after school (after which she exclaims “this day sucks!” with a smile), the third time turns out to be the charm for Komiya, as she runs into Izumi again while he’s on a run. She runs into the konbini and buys him a cold tea; he goes in and buys her a hot one in return.

There’s a Valentine’s Day sign in sight, and Izumi tells Komiya it’s almost time for his least favorite time of the year. Komiya coyly replies that even if Natsume never got him chocolate, he should expect some this year. Did I mention how fun these two are to watch?

Before leaving hastily yet again, Komiya expresses hope they can “get along like this from here on out!”; after she leaves Izumi mutters that that’s impossible. I think Komiya kinda knows that; Natsume still probably enjoys a lead in Izumi’s heart, regardless of how few nice interactions they’ve had.

The next day, Morikawa’s brothers spot Souma on the baseball field and run out to meet him. Souma finally has the opportunity to compliment Morikawa, and while she seems grateful, there seems to be something on her mind.

That gets back to the continuation of her talk with Natsume, after she asked how Natsume if she had feelings for Souma. Natsume responds that she liked him, past-tense, in a one-sided middle school crush, but locked the feelings away, but they eventually dispersed naturally.

Natsume was satisfied with “nothing coming of it” and “not trying to let anything come of it.” She also says there’s someone else she likes anyway, and when on her way home, she can’t resist buying chocolates for that person…and has made the decision to change her university to Izumi’s recommended school.

That means, of course, Izumi’s now studying for enrollment to the wrong school! It’s an object lesson in why you should really be more open about their plans, especially with someone you has feelings for. It would have obviously been a nice surprise if Natsume had stayed put, but that’s no longer the case.

I definitely dig Natsume’s bold move in escaping her sister’s orbit, even if neither she nor Izumi are making it easy for each other to come together. Still, while I’ve instantly come to love the idea of Izumi and Komiya, that “impossible” from him certainly leads me to assume Natsume is the one he’ll choose, even if they attend different universities.

I’m okay with that; I like both girls but there has to be a winner and a loser. All I’m sure of is that the next two-three weeks are going to be a roller coaster.

ACCA: 13-ku Kansatsu-ka – 08

ACCA had been teasing us for a while now about who exactly Jean and Lotta are, and last week finally answered that question: they are a prince and princess.

This week gives us more of what I yearned for—specifics—by taking us back 33 years, to when King Falke’s daughter Princess Schnee leaves the royal family and renounces her titles so that she can spread her wings and be, in her view, of more use to the nation, by traveling and learning more about it.

The four people who arrange Schnee’s “detatchment” from the family (complete with faked death) are the king, Privy Council President Qualm, Schnee, and her loyal aide Abend, who looks a lot like a young Grossular.

The twist is that Abend isn’t the one Schnee falls for: he fades into the shadows and receives reports and photos from Niino’s father, which he then relays to Qualm, who relays them to the king.

Everybody seems to win in this arrangement: Schnee gets to live her life (and fall in love with a commoner, resulting in the birth of Jean and Lotta) out in the world, the king never had to “clip her wings”, and the president rids the royal family of a member who he deemed might’ve caused undue, possibly republican (small r) disruption to the crown.

After she’s ensconced in Bodan and starts a family, Schnee and her kids are largely on the margins, Abend disappears altogether, and Niino and his dad are front-and-center. Niino’s dad is fiercely loyal to Abend, who in turn is fiercely loyal to Qualm and Falke.

He takes his duty to keep an eye on Schnee and her fam very seriously, but because it is essentially his life, he also takes the time to enjoy it, and imbues that sense of duty, and sense of enjoying one’s duty, into his trusty son. That, and we see where Niino got his sweet tooth.

The idea is that King Falke was perfectly fine with his daughter leaving the palace, as long as tabs were kept on her. It doesn’t seem like he intended for Schnee and her issue to be some kind of “backup plan” in case his younger daughter’s issue (Schwan) wasn’t up to snuff.

When Jean enters high school, Niino’s dad sends him there to befriend him…even though Niino is ten years older (chalk it up to good genes). Niino also joins the photography club and makes use of the camera given to him by “Master” (Abend). It’s clear both Abend and Niino’s dad are grooming him for the role of Jean and Lotta’s next “royal observer.”

When tragedy strikes, it isn’t just Schnee and Jean and Lotta’s father who perish, but Niino’s father, who was traveling with them, as well. Just like that, the torch has been passed. The episode then fast-forwards back to the present, where Niino is telling the adult Jean all of this, and Jean is trying to process it.

Jean doesn’t care about whether he’s eligible to the throne (technically he isn’t); he just remembers how Niino cheered him up back in high school after his parents died, and how that helped him be strong for his little sister, who looks more and more like their gorgeous mother by the day.

The end credits play as they always have, but finally in context: the woman isn’t Lotta, but Schnee, barefoot, plainly clothed, and free from the isolation of the royal palace. She gave up everything, but gained freedom and the run of the whole nation, both for her and her children.

Now that Jean (though, notably, not Lotta) knows the truth, what will he do now?

Everyone Eats and Drinks Almost Constantly in ACCA

If you’ve been watching ACCA, you’ve probably thought to yourself: “Goddamn, they’re almost always stuffing their faces or drinking on this show!” And, well, you’d be right; they are indeed! In fact, so much of each episode is given over to eating, drinking, purchasing, or talking about food and where to get it, you could take out all the scenes without food and drink and still have a pretty sizable episode left…as I shall demonstrate:

Episode 01 – We start with Jean and Lotta’s usual breakfast of toast with jam. Then we move on to his co-worker’s ten-o’clock snack of roll cake from Hachikuma. Once in Famasu, Jean chows down on what looks like a Reuben while Eidar orders a cheeseburger. The Five Chief Officers have tea and biscuits. The next ten-o’clock snack at Jean’s office is a five-pack of flan.  Jean buys more bread at a bakery with Knot while Rail and his colleague eat donuts. Jean joins the Five at a cafe for coffee. Jean has beers with Niino.

Episode 02 – Jean and Lotta have a breakfast of what looks like eggs on toast with cucumbers and mayonnaise. Lotta asks Jean to buy tomato bread from Mugimaki, where he runs into Mauve. Lotta enjoys some chocolate cake al fresco at Picidae. Niino tucks into a sundae. Once in Jumoku, Jean samples the giant burgers, fries, and fruit at Basswood. Jean buys local produce to bring home. Lotta and Owl sample a nut cake at Honig. Niino and Jean have a huge dinner of meats, fish, fruits, vegetables, and bread, and wash it down with beer and wine. Later, Jean takes Niino on a drunken trip to the supermarket.

Episode 03 – Jean gives his co-workers a 10-pack of cream puffs from Hachikuma for their ten-o’clock snack, and a package of fancy cookies for Lotta. Lotta and Niino have a dinner of meat, potatoes, and salads. Lotta receives a parcel of potatoes in the mail, with which she plans to make gratin. Jean has dinner with Mauve at Veil, consisting of fine wine, rare steaks with black truffles. Prince Schwan samples some fine pastries. After dinner Jean has more wine with Niino, along with grapes, pretzels, and a selection of cheeses. Prior to Schwan’s celebration, Jean, Nino and Lotta attend a catered affair at the palace with pastries, breads, and various jams, jellies, and sweets. That night, after the King’s address, they enjoy various desserts like Dowan nut cake and strawberries.

Episode 04 – In the episode with the least food and drink, Niino and Lotta have tea and chocolate layer cake, as she packs chocolate, nuts, wine, and other gifts for the building owner. At Chez Pierre in Suitsu, Jean has a bowl of rustic stew. Warbler buys some loaves of bread. Lotta polishes off a bowl of something, as one of Magie’s underlings eats an elaborate sundae. Pastis drinks some brown liquor. Jean’s captives give him some bread. 

Episode 05 – Schwan has tea and cookies. Lotta has blueberry pancakes at Kakesu. Rail introduces Magie to toast made from sandwich bread. Jean’s co-workers plan to make microwave potato chips. Lotta has a snack of some kind of pink confection with an orange soda. Later at Mugimaki she orders two-centimeter slices of walnut, cheese, and chocolate bread. Birra district’s branch chief presents a spread of local foods to Jean for dinner, including rye bread (to go with the wheat bread not made there), the local grog, meat and potatoes. Magie introduces the joy of buttered toast to Schwan. Niino takes Jean and Lotta for a dinner of steamed mussels served with bread and french fries. While Jean is in Rokkusu, Niino takes Lotta out for vegetable, meat, and cheese fondue.

Episode 06 – Jean’s co-workers have apple cake for their snack. Jean invites them to his and Lotta’s apartment building party where they have drinks, and a buffet. Both Rail and Owl give Lotta cakes as New Years presents. The Five have tea and coffee in their common area. While in Hare, Jean is treated to an elaborate, sumptuous feast consisting of grilled meat and shrimp skewers, whole fish, red and green curry, beef stew, pork belly, salad, and more, washed down with quite a lot of beer, to the point Jean refuses to share a bottle of booze with Niino later. Jean and Lotta have toast with jam for breakfast when he’s back.

Episode 07 – Magie puruses a catalog listing all of the flavors of bread Mugimaki makes. Jean passes by fancy cakes at Patisserie Fuchs in Dowa, searching for famous flavored snowball (“Yukinotama”) pastries Lotta wants him to bring home. Niino takes him to Cafe Berg, where Jean orders the snowballs and tries one for himself, then joins King Falke over a spread of fruit and nut tarts, pies, and rolls. Jean and Niino have wine with a platter of sausages, meats, pate, cheeses, and other snacks. Jean samples Mugimaki’s new walnut mugwort bread. Niino eats squares from a chocolate bar. While in Korore, Jean inspects all of the chocolatiers the district is known for.

Please, dear readers, I implore you: Don’t watch ACCA on an empty stomach. Have some food and drink nearby. I’m going to go eat some bread now.

ACCA: 13-ku Kansatsu-ka – 07

All the clues and hints have been laid out, ready to be taken and fitted together to get the larger picture around Jean Otus, who for a protagonist halfway into a show remains either deliciously inscrutable or, as Franklin has said, exactly as vapid as his surface indicates.

Mind you, the larger picture of Jean and his sister Lotta only seem to be part of a yet larger picture, one that both Grossular, Niino, and his second mystery contact would seem to know about.

For the whole run of the show, I’d been trusting my instincts, which told me Lotta was important. Why else would the King and prince be so naturally drawn to her, and why else would someone who looks an awful like her be the dancer in the end credits?

The blonde hair; the blue eyes, the affinity for sweets and the royal district of Dowa, and of couse, all the swirlings of a coup—all of it points to Lotta and Jean Otus being themselves royalty. The flashback threw me off the scent, but their parents who died on the train were the second princess and her guard Abend.

That, as Mauve reports to Jean in her home district of Korore (which is both a strong matriarchy and a chocolate superpower) makes Jean Otus first in the line of succession for the throne of Dowa.

It also explains a great many things about how people have been treating him all this time. Naturally, Jean, who “never asks questions about himself” but merely carries on, didn’t have a clue.

While this revelation is delivered the same way any information is—in a suble, natural, understated fashion—it still raises the stakes considerably. Even if Jean doesn’t care about his lineage and won’t get in Prince Schwan’s way, Schwan is still gunning for him, big-time.

Assumptions and suspicions will play a larger role than Jean’s actual intent or desires. Jean and Schwan are opposites when it comes to how much they care about how they’re regarded by others. And then there’s the fact that Prince Schwan has (probably) never left Dowa, but Jean has traveled all across the nation, never knowing it was, in effect, a royal tour.

Now that Jean knows one more thing Niino knows, their relationship doesn’t seem to change much. Jean still relies on him to tell him the specific bakery where he can get snowballs Lotta requested (which happens to be where the King himself stops by for some sweets), or the best chocolatier in Korore.

But while the mystery of Jean and Lotta may be solved, the bigger mystery is what comes next. What will Jean do with this information, once it inevitably gets out? Who will be on his side, and who (presumably anti-ACCA parties) will support the more malleable Schwan?

Things are finally starting to heat up in Dowa…and I’m not talking about the warmth of fresh-baked pastries.

Mobile Suit Gundam: Iron-Blooded Orphans – 32

I lauded McGillis’ decision to take to the battlefield to personally end the “mayhem” stewing between Arbrau and the SAU, but I did not expect the enemies he was fighting to be the Earth Branch of Tekkadan, but that’s exactly what went down thanks to the scheming of Galan Rossa and Radice.

Takaki and Aston have been so thoroughly, well, brainwashed by the charismatic veteran Galan that they’ll fight their own ally without hesitation – though it’s unclear how well they know McGillis and his relationship to Orga and Mika.

It’s a relief, then, that all of the delaying is done away with and the Barbatos arrives in the middle of the battle just in time to save McGillis from Takaki and Aston. And man does McGillis, and all that he represents, almost get killed in a nameless skirmish spearheaded by a nameless mercenary, all for the benefit of his political and military rival, Rustal. Mind you, Mika isn’t helping an old friend, or even a guy who gives him cool chocolate: he’s simply obeying Orga’s orders not to let him die.

As for Aston, he steps in front of Takaki and takes the brunt of an attack from McGillis that kills him, and all of Takaki’s hopes and dreams and innocence seem to die with him. That last thing is surprising considering how much Takaki has gone through, but up until Aston dies with a grateful smile on his face, Takaki was determined to go home to Fuka with Aston, not leave him behind. This may have been a pointless battle, but it might just cost Takaki the most.

As for Hush, he gets to tag along with Mika, as Mika is willing to give him a shot, but let’s just say Hush doesn’t do so great in his mobile suit debut. Indeed, he’s quickly disarmed, loses his cool, and very nearly cries for his mommy before Mika has to bail him out (the second big bailout Mika executes this week).

Hush’s comrade later tells him he’s still got the self-awareness of his weaknesses to be a good pilot, but yeah, that doesn’t change the fact that he’s a very very weak asset to Tekkadan right now, and can’t be trusted with anyone but Mika, someone who can take care of himself.

Okay, maybe Mika isn’t the only one who can take care of himself and his own affairs when it comes to mobile suit battle. When Eugene and Akihiro arrive at Tekkadan Earth HQ, corner Radice and learn of His and Mossa’s treachery, and furthermore learn that Aston has been lost as a result, he goes the fuck after Mossa, and doesn’t stop until the guy has to self-destruct himself to keep form being halved by Akihiro’s giant vice-grips.

Their battle is the most emotionally and physically intense of the episode, illustrating both how badass Akihiro is and how fiercely he defends (and avenges) his fellow ex-human debris. Though like Aston, Akihiro has never really come to grips with the “ex-” part; he always puts others before his own well-being, and almost gets blown up by it, moments before Laffter can arrive to warn him. Laffter doesn’t want to lost Akihiro because of his own paltry sense of self-worth.

I enjoyed the little scene between McGillis and Mika near the episode’s end; both because these two are always fun to watch interact directly with each other (especially now that they’re on the same side), but that it almost shows that for all their differences, these are two guys utterly ruthless in their own ways, going after very specific goals only they believe they can achieve.

He’s almost an Orga surrogate here, without the shared past. Both McGillis and Mika seek a better tomorrow, and for now, their interests are aligned, with no sense of that changing anytime soon. And just as McGillis has Mika, his rival Rustal has Julieta, who seems to be the only one who sheds any tears for Galan Mossa, but is told not to do so by Rustal, as it wouldn’t be what Mossa wanted.

But as much as Mossa—who seemed to be a good friend of Rustal’s; perhaps even a blood relative—tried to erase his identity and that of his entire operation, he couldn’t erase one eccentric pilot’s regard for him, nor her grief over his loss.

As for Takaki, the loss he experienced is more than evident both in the cockpit, at Earth Branch HQ, and back at home. His gaze has changed, from his easygoing glint to more of a Mikazuki stare. He decides to take care of “Earth branch problems” in the injured Chad’s stead, doing what Mika casually offered to do and putting three bullets in Radice for his treachery.

The once kind and gentle Takaki has crossed over into new territory, and both the blood of Aston and the lies of Radice and Mossa crafted this new, darker, more tortured Takaki, who no longer seems comfortable in Fuka’s presence.

This was a hard-hitting and very satisfying episode that swiftly and efficiently wrapped up the Earth Branch arc. I won’t lie that bringing in Mika, Akihiro & Co. definitely raised my interest level, but I also won’t deny that despite the fact either Takaki or Aston (or both) were doomed here, I was still fully emotionally invested in their fates. Not a bad feat for a miniature war with no name.

Watashi ga Motete Dousunda – 05

This week Kae quickly gains a lot of weight and puts her gang of boys on the spot about why they stay with her. It’s an episode that tries to have its failed Valentine’s chocolate and eat it too, and it almost worked.

First, I like the idea that Shina, whom we don’t know that well, may have actually planned to fatten Kae back up, even if it’s never explicit that’s the case. All we know is, she wan’t entirely joking in drawing a line in the sand between her and the guys for Kae’s heart. She likes Kae, and not simply because she’s thin.

When Kae shows up at school back to her original self, the guys’ reactions are predictable: Nana and Shi don’t know what to do with themselves and what it to just be a bad dream, as they’re the shallowest and least adaptable of the guys. Kae’s weight has never been much of an issue with Asuma, but he barely makes an impression in the episode.

And while Kae is willing to train to lose weight back, Nana and Shi are overzealous and as a result she ends up overworked and exhausted, without any quick loss to show for it. That gets the protective Shina mad at them for having ulterior motives for her “re-self-improvement”, but she’s no saint herself, as she goes on record as saying she loves round cute things like Kae has become.

I like then how neither Shina nor Nana are portrayed as right or wrong, only that they both need to think about what’s motivating their actions (their own desires), blinding them from what Kae might actually want herself.

It’s Igarashi who attains a certain level of growth this week, when after a whole day of being doted on by Shina, he takes Kae to the roof and her inner beauty of kindness and honesty is re-revealed to him. Regardless of Kae’s appearance, Igarashi is certain that he likes her.

Where the episode kinda falls down is when Kae inevitably returns back to her rail-thin, magazine-gorgeous self by the end, returning things to the status quo. I liked how despite some very vigorous attempts by the guys, simply changing Kae back wasn’t as quick or easy as her regression-by-chocolate.

While Fat Kae really yuk-yuks it up with her exaggerated voice and movements, I still would have preferred a more gradual, less black-and-white transition that felt less “magic”. The first time she slimmed down, it was due to an extended fast. At least this time it was coming from a far more positive and healthy place, but it’s still rushed, moving us along without fully exploring the ramifications.

It makes me wonder if the show will bother with another “regression” to her original self, or if this has closed the matter of whether the guys will stick with her no matter what.

WWW.Working!! – 05

This newest version of Working!! just isn’t clicking for me anymore. It’s another episode full of little skits and running gags that doesn’t move beyond the ensemble’s individual quirks, which in most cases, remain muddled, and Hayashida is the most muddled character of them all.

Tha manager seems to have a seedy background, Muranushi has a handful for a mom, while Kamakura waves a katana around…but if you’re going to have a new cast, recycling jokes form the old one isn’t a confidence-inspiring move.

Perhaps the third season of Working!!, in which most arcs were wrapped up for the ensemble, was a good place to stop. A new cast was a bold idea, but it’s a risk that hasn’t really paid off after five episodes. Nearly all goodwill I started with for this new cast has been whittled away, and so unfortunately I don’t think I’ll be reviewing any more.

WWW.Working!! – 04

This fourth episode of WWW.Working!! seems content to continue running three gags firmly into the ground: Hana is really bad at cooking, Shiho is extremely vindictive, and Rui likes Higashia but can’t tell him.

Everyone else is kinda just around, and Higashida exhibits a stubborn cynicism about just about everything that makes him a hard guy to root for. He has a couple choice rejoinders, but it’s not enough.

By the episode’s end, Hana has made more chocolate for Higashida, and it’s just as bad as her first attempt, sending Higashida into an unimaginative psychedelic trance. Shiho buys Yuuta dog food, because she’s horrible, and Rui makes chocolate for Higashida, but gives it to Miri instead (who goes on to give Higashida a surprise taste).

Back when I started this show, I took solace in the fact the characters showed promise, such that the lack of a plot that moved forward quickly might not be a problem. But to stay invested, the characters need to be more than just their quirks (or in Higashida’s case, his attitude). This week they weren’t, and the episode suffered.

Tanaka-kun wa Itsumo Kedaruge – 07

Valentine’s Day arrives unheralded,  and the specific nature of Tanaka’s chocolate—fancy and homemade with love—and Ohta’s—obligatory, cheap, and bitter—leave the two scratching their heads as to who it could be, while the ransom-style note gives it a sinister aura.

Valentines ends up coming as much as a surprise for Tanaka and Ohta as it does for all their female friends. Miyano didn’t think of them as the opposite sex, Shiraishi forgot because she was a loner for so long such holidays were always meaningless, and Echizen…for some reason she’s not in the running as a culprit.

That leaves…well, no one Tanaka and Ohta know. The show teases us with cuts to other girls. Tanaka has a very frank talk with Ohta about how he’s interested in girls, but waiting for someone to inspire him to make the effort to act. Then, not long after a pocket voice recorder (which is recording) falls out of Tanaka’s bag, his sister Rino appears.

Is Rino the culprit? Yes she is; the boys just don’t know it yet. At last we meet, Tanaka’s sister! I would not have guessed Valentines would be the vehicle in which she’d be introduced, but it’s clear she cares for her brother a great deal and sees Ohta as not only an enabler for his listlessness, but a rival for his time and attention.

Like all things in Tanaka, she’s not some awful crazed brocon little sister, but something a lot subtler. Giving Ohta dark chocolate and refusing to let him put milk or sugar in his coffee were inspired tactics; the voice recorder and ransom note…less so.

Rino was no revelation, but I liked her well enough and hope to see more of her as she works to be more present in Tanaka’s life outside of home, meeting more of his friends in the process. And knowing that Tanaka is at least romantically aware, if not particularly active, was another nice nugget in his character.

Ore Monogatari!! – 20

In a show full of romantic firsts, it’s pretty amazing OreMono!! has kept the Valentine’s Day/Chocolate episode in its back pocket…where one would assume it would melt! But here it finally is, with only four more episodes to go, and I think holding out was a good move, what with Takeo and Rinko so well-established as a loving couple.

I like how once more Takeo’s secondary friends come to him looking for help by having a group Valentines Day with Yamato’s friends. Suna, ever the stalwart best mate, deflects them, saying they had their fun for Christmas (and one of them, Osamu, even ended up dating one of the girls).

Even better, while Takeo appreciates Suna standing up for his right to be alone with Yamato, the truth is he doesn’t mind making it a group thing at all, nor does Yamato, for they are always looking for ways to spread the love they already have in droves for each other. Suna calls him a “do-gooder”, but c’mon now…so is he.

Yamato is also eager to spread her wide knowledge of baking chocolate-making with her girlfriends (including Nanako, who wants to make something for Osamu) while working on a secret side-project specially for Takeo. It’s great to see both the boys looking so forward to getting chocolate while the girls look forward to giving it.

Valentine’s Day arrives, and we’re reminded how popular Suna is with the ladies when a small avalanche of chocolate pours out of his locker. Takeo asks a question on my mind as well—what does he do with it all—and he simply says he accepts it, gives reciprocating gifts on White Day to those who gave him their names…and that’s it. As much as Takeo may want his buddy to find love, no one has “clicked” for Suna the way Rinko clicked with him. That many of the girls who pursued Suna talked ill of Takeo behind his back surely contributed to that lack of clicking.

The after-school Valentine’s Day group date goes swimmingly, with the guys convincing the girls to distribute the chocolates they made as if they were giving them to guys they liked. Each successive group event has had the girls gravitating less towards Suna alone and more evenly to the other guys. In a perfect world, each girl would click with each boy like Rinko x Takeo and Nanako x Osamu, but for now they’re content to exchange contact info and hang out sometime even without Takeo or Rinko around. Progress!

But Takeo is confused—stunned, really—when Rinko suddenly says she’s in a hurry and scurries off. He’s so shocked he can’t quite walk in a straight line and mistakes a vending machine for his front door, because he expected to get chocolate from the girl he liked, for the first time…and didn’t.

Now, I was pretty sure, with so much time left, Rinko was “busy” getting Takeo’s chocolate. Then Takeo remembers two things: she actually did give him cookies at the cafe, and he simply neglected to savor them; and she spoke with great longing for fancy expensive chocolates.

Takeo then decides to make up for the fact he didn’t properly enjoy Yamato’s chocolate buy buying her the chocolate she said she wanted, a nice subversion of the whole “Girls give on Valentines/Guys give on White Day” system.

But on his way out—and thank GOD Rinko was a safe distance from the outward-swinging door, or she would have been launched off the balcony—she’s standing out there with the biggest, prettiest chocolate dessert she’s ever made for Takeo.

And while they don’t end up locking lips, Takeo does send one hell of an air kiss off his balcony to Rinko, who catches it with giddy elation.

So all in all, it’s a great Valentine’s for Takeo. The next day, he gets one more surprise (as do we!) when a very pleased-looking Mariya presents both him and Suna with obligation chocolate, a day after Valentines out of respect for Rinko. After she takes her leave Suna says she’s a good person, and that people who fall for Takeo—his sister, Rinko, Mariya—tend to be good people.

That gets Takeo thinking that a good person is what Suna needs, not just some fangirl who thinks it’s cool to talk shit about his friend. And as they shuffle off to class, someone who is potentially another one of those good people watches them go from around the corner…a silver-haired girl who must’ve given Suna chocolates. Could love finally be on the horizon for our boy Suna? I’d be down for that!