Fate/Extra Last Encore – 02

Our introduction to this new Fate world and story continues with a classic Shaft-type episode that is dense in conversation and exposition, but festooned with lavish trappings that befit a story of this scope. F/ELE (as I’ll be calling it for brevity’s sake) has a lot that is familiar to fans of Fate, fans of Shaft, and fans of both such as myself.

Indeed, the manner in which Kishinami Hakuno summons Saber when he is on death’s door is essentially a reversal of Araragi Koyomi’s first meeting and rescue of Kiss-Shot, another blonde of legendary status, in Kizumonogatari. And while Hakuno is so far a walking bag of virtues, this new-look Saber, voiced by all-star seiyu Tange Sakura, is a lot of fun to watch.

We also get a Nisemonogatari-esque bath scene, not just in any bath, but a sprawling, elaborate Roman-style mixed bath strewn with rose petals. It’s hardly a Shinbo production without such a bath, where a young man and a young woman talk business utterly unfazed by the fact they’re both stark nakked.

When they arrive at the first level, which Saber believes will be the first battlefield of the next Holy Grail War, she is surprised to find a bustling metropolis that, far from being ravaged by war, is united in celebration. At first Saber doesn’t mind this twist at all, and soaks it all in, and we learn that while Tange’s Cardcaptor Sakura says “ho’e,” her Saber says “umu.”

They visit an empty bar occupied by only one, somewhat suspicious woman with pink hair dressed as a bartender. When Saber presents herself as a foe and bids her chosen opponent defend herself, the lady scoffs; surely Saber jests. There is no Holy Grail War here, she says; the Masters have sold off their Servants to live in eternal happiness and peace; that’s what’s being celebrated.

Both Saber and Hakuno seem a bit disappointed by this news, but also somewhat skeptical. When seven splendidly uniformed policewomen arrive, surround the pair, and ask them to accompany them to the Mayor’s office, Saber may gush about how pretty they look, but just as with her outwardly carefree soaking in of the city, Saber is likely staying on her guard and gathering information as if there were a war in progress, which is as it should be.

As they’re escorted to the Central Tower and ride its super-fancy elevator to the top, Hakuno starts to remember some of what happened before he arrived here. Saber said his memory would start to return upon becoming a Master, and his vision of a pile of dead classmates serve to remind him of what had to be done to get this far.

However, the mayor—who turns out to be Matou Shinji, appearing before the pair as a hologram—would prefer if they go no farther. After waxing poetic about the benefits of the AI and NPC-rich Utopia he’s helped build (and performing the Shaft Head Tilt), he finally brings up the price of all this happiness. Citizenship requires all Masters to sell off their Servants.

Naturally, Hakuno refuses, and Shinji stops playing nice, reveally he had physically isolated Saber some time ago with his suite of high-tech digital smoke and mirrors, and sics not one or two but three nasty-looking Berserkers upon Saber. She seems to relish a fight at last, as I did, but at the same time she doesn’t seem that impressed by her foes.

Meanwhile, Shinji’s sexy police all stab Hakuno with their swords. For defying the order of things, the plan is to use Saber as a power source as other Servants have been used, and for Hakuno to simply die.

Only Hakuno didn’t get the right script, and refuses to let a few impalings bring him down. To his attackers’ shock, he pulls out their swords one by one and then seemingly powers-up/transforms, a phenomenon Toosaka Rin senses from the top of a building elsewhere in the city.

Rin calls it “Dead Face.” Whatever that is, it’s clear Hakuno isn’t there to celebrate, or live comfortably, or die. He is there to fight.

Kiseijuu: Sei no Kakuritsu – 12

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In this heart-crushing powerhouse of an episode that marks the halfway point of the show, it felt like Parasyte had finally put all its visceral and emotional pieces together.

Like Migi, it’s been an often cold and calculating show that more often than not punishes anyone who takes actions based on emotion alone, and takes things to their logical conclusion. But with both Shinichi’s occasional romantic interactions with Satomi and the tragic events of this week, the show proves its blood is still red…’for now’.

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Kana is still having dreams in which Shinichi is rescuing her from a monster than sweeping her off her feet. Considering he’s with Satomi, you’d think she wouldn’t want them, or the feelings that go with them, but a.) she can’t help how she feels and b.) all of this stuff going on supports her belief that she is the only one for Shinichi.

Meanwhile, Migi is all worked up (and playfully complex in his forms) about the prospect of his own kind running for and even winning elections, as farfetched as it seems. He even takes a cynical but not inaccurate dig at politics, stating that anyone with a grasp of psychology can succeed in that arena.

One great thing is that as stuck together as they are, Migi still can’t read Shinichi’s mind. That’s good, because Shinichi is far more concerned with Kana than the mayoral election. To Migi, that kind of ‘concern’ could get them both killed.

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Not willing to give up, Kana ‘bumps into’ Shinichi again, whereupon he takes her aside and reiterates the danger of approaching signals she thinks are him. Mitsuo spots the two and assumes Shinichi is trying to steal Kana from him. Shinichi telling him “it isn’t like that” is hardly convincing argument after Mitsuo hears things like “you make me feel like no one else can.” Somebody’s jelly.

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Migi doesn’t like this persistent interaction with the unpredictable (or perhaps all-too-predictable) Kana, and warns Shinichi that her welfare is not more important than his, and if Shinichi goes and does something that threatens his safety, Migi won’t hesitate to act on his own. It sounds like a threat, because it is. Because Migi has no sympathy.

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Well do, so it hurts to see Kana get so obsessed with Kana through no fault of her own; she’s only following the ‘power’ she’s suddenly gained. She has a very close call when she runs out into the night and comes across a parasyte, but isn’t attacked. I’m going to chalk that incredibly lucky result to the parasyte having already eaten its fill that night.

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Shinichi meets Kana somewhere private for a ‘serious conversation’, and her infatuation makes her get her hopes up that he’s going to confess to her. When he instead tells her about everything – the parasytes, his right hand, all of it – she’s not shocked; she’s disappointed! More to the point, she doesn’t quite believe his story, either, especially since he can’t morph his hand, as Migi is asleep.

She then tells Shinichi that she can now discern his signal from the signals of the other monsters, furthering her self-imposed narrative that they are meant to be together. In exchange for this secret, she makes Shinichi promise to show her his squiggly right hand sometime, even making a cute little Migi-like hand gesture.

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Migi and Shinichi are both surprised to find the mayoral candidate won, meaning the parasytes now have a safe haven and food source, but there’s nothing to be done about that at the moment, so Shinichi and Satomi arrange a movie date.

Again, Kana is not far from them, and even tries to will Shinichi to look back at her. She can’t believe Satomi, who doesn’t have the power she does, could possibly be right for him. But only Migi looks back at her (which she doesn’t notice).

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Mitsuo shows up again, apparently stalking the stalker, and Kana’s frustration boils over. However, as much as a loathe Mitsuo, I like how Kana walks back her harsh words, since she and Mitsuo have clearly been friends long enough that he’s not someone she’d dispose of so easily, even if she can’t return his feelings.

And she definitely can’t…she’s in full Shinichi Fixation Mode, writing their names on the pillar of her hideout. Then Shinichi learns from Migi that Kana herself was putting out a signal, making her and even more vulnerable and conspicous target for parasytes, should she run into the wrong one.

Shinichi decides to cancel his date and meet with Kana again, a move Kana again interprets in a way that supports her fate theory. Confident she’ll be able to find Shinichi with her power alone, she wraps his plucked hair around her finger and sets out…without her phone.

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As much as she wants to sense Shinichi and only Shinichi, and even though she told Shinichi she had that power, it turns out she doesn’t, and even though I knew this situation was a long time coming, my heart still sank down below the foundation of the house as she ran into the hideout to find another parasyte feeding.

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And that…was just it for Kana. In this case, the show took her obsession and her increasing vulnerability to its logical conclusion. She may be able to sense parasytes, but she can’t fight them, or even run away. Her knight Shinichi does arrive, just as she hoped, but not soon enough to save her. [Bangs fist on desk] DAMN IT!

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Shinichi’s retribution is swift and chilling in its grim efficiency. He tells Migi to “handle the defense”, rushes the parasyte, dodges his attack, and rips his heart out, impressing the hard-to-impress Migi.

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But while I’m sure the gesture felt good for a moment to his still-human psyche, it is far too late to save Kana. He holds her as she bleeds out, and she tells him this is just how it went in her dreams, before quietly passing away. Then Shinichi looks up to find she died right in front of the pillar she wrote on, making it a gravepost.

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With her sensing power, Kana was special, no doubt. But did that power go further into a kind of precognition? Did she dream of things that then came to pass, with just the detail of her surviving being different? It’s neat to think about, even if its hard to connect those more ‘magical’ concepts with the more scientific reality of the parasytes. But maybe that was the point. In any case, losing Kana was very upsetting. I didn’t realize how much I liked her until she was taken from us. She deserved a much longer life.

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Detectives with knowledge of the parasytes questioned him thoroughly but let him go, (he’s mostly above suspicion because they plucked his hair), though they’re faced with the mystery of who killed the parasyte who killed Kana. Mitsuo, who has seen (and been on the wrong end of) Shinichi’s strength, gets in face and starts pummeling him anyway for failing to protect Kana, who from his perspective had strayed into Shinichi’s arms so willingly.

Mitsuo is even more upset that Shinichi takes the beating so calmly, and didn’t even shed a tear for Kana, as if he weren’t human. All Shinichi can to to respond is drop Mitsuo with one blow, say “that’s right!” to the non-human claim, and curse Mitsuo for ‘going down so easily.’

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He’s not just talking about Mitsuo, though. He’s talking about Kana, who went down so easily, and his mom, who went down so easily, and those cops at the school who went down so easily, and those yakuza who went down so easily. Humans are so goddamn frail and weak, they can’t protect themselves or anyone else from the parasytes.

Only Shinichi, who is no longer fully human, seems capable of protecting them. And yet, he couldn’t protect Kana. For once, I agree with Migi that Kana was probably a hopeless case anyway, but that doesn’t change the fact that none of his awesome powers were worth a damn when it mattered most.

There’s simply too much on Shinichi’s plate; too many people to protect and no good way to do it. And it’s tearing him up inside.

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P.S. Kudos to Sawashiro Miyuki for some fantastic work voicing Kana.

Kiseijuu: Sei no Kakuritsu – 11

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This week Kana has a Very Special Dream about being saved from a parasyte orgy/buffet by the gallant, dashing Ser Shinichi. It’s pretty over-the-top, but it gets the point across quickly: Kana is a girl enthralled, and she won’t go gentle into that good night; whether Shinichi already has a girl or not.

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She tries greeting him in the popular style, by plucking a hair, but he stops her, telling her it’s dangeorus. It is dangerous, as the cold open showed: plucking the hair of a parasyte just means that parasyte now has a reason to kill you! Shinichi isn’t interested in Kana, and Migi seems repelled by her, but nor can Shinichi feel he can leave her totally alone, as her parasyte-sensing power could get her in serious trouble.

The High School Love Wars are fully on this week, as Satomi, after seeing Kana with Shinichi again, asks her if she thinks anything’s changed about him. Kana has only really known the ‘intermittently ferocious’ version, so she can’t say. What Kana does discern from Satomi is that there’s trouble in paradise, and she still has a chance with her valiant knight.

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Parallel to the land of young love, the parasytes aren’t standing still. In the wake of the school incident, a few of them have started ‘experimenting’, intentionally picking fights with big groups of armed tough guys (yakuza) and seeing how much damage they do before they’re all wiped out. This smiling fitness buff-parasyte never even transforms, such is the latent strength of his host — nor does he stop smiling, which is a change of pace from their usual vacant expressions.

I’d also point out while I didn’t really shed any tears for the gangsters, any more than I would if a parasyte ripped those cat-abusing kids a new one, it’s still disturbing to see they’ve moved on from using humans as mere food, but are employing them in their ‘exercise’ routines. Fighting the most aggressive humans will make them that much more effective against humans who would rather not resort to violence but have no choice.

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But Never mind that shitShinichi asks Satomi out on a date. A DATE! SQUEEEEEEE! XDDD

Seriously, these two are too adorable for words. It’s so good to see them doing normal things like going to the movies (not The Ring 2), having coffee, hanging out with dogs, or relaxing at the park and trying to ignore child abuse. That last thing sets something off in Shinichi, however, and only highlights to Satomi that something is still wrong; something he still won’t tell her.

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Kana happens to sense Shinichi and run to his side only to find him locking lips with Ms. Murano, but what neither she nor Shinichi do see is Satomi’s expression after they leave, or her tears. She weeps for the same reason I do: because just such a dreadful bummer that this pure, wonderful, natural, otherwise normal romance is so very very doomed in the midst of all this parasyte crap.

Satomi still doesn’t know much about it or Shinichi’s role, but a part of her she can’t ignore or dismiss fundamentally doubts Shinichi is really Shinichi, and that’s no way for a relationship to grow.

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Despite having just seen the happy couple on cloud nine, Kana doesn’t give up the fight, asking Shinichi to meet her in town for ‘one last favor’. That town just happens to be the site of a political rally…in which all of the politicians — including the mayoral candidate — are parasytes! Even worse, one of them spots Shinichi just as Kana is showing up.

Could an…ahem…less stylized version of Kana’s dream about to unfold in real life? Another question: how long will Kana survive her precarious position, being drawn to forces that could kill her? We’ll find out next week!

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Yozakura Quartet: Hana no Uta – 07

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Hime has the bad guy cornered with her Dragon Lance, but he still has Kohime as a hostage. He conjures a super-massive lizard, teleports to the top of a building, and prepares to drop Kohime into its gullet, but Mayor Morino and Shinozuka save her. The bad guy reveals himself as Hiizumi Enjin, a descendant of the branch family member sent to the other dimension, possessing the body of Ao’s brother Gin. He stabs Akina, and Kyousuke, Touka, Kotoha and Hime respond by beating the crap out of him. Shidou stops Hime from killing him, and he vanishes. Yuuhi arrives and judges Kohime too young to be mayor.

The third and final chapter in the “Mayoral Crisis” arc takes a little while to get going and is a bit too stationary, but was ultimately an improvement over last week. For one thing, it finally reveals who the hell the old guy is and what he’s after. Akina learns that the branch family members didn’t go to the other side willingly, but as sacrifices, which could potentially make him question his role as dutybound; that, is, if Enjin wasn’t such a dick about things. First he steals the body of Gin, a good friend of Akina’s and Ao’s beloved brother. Then he attempts to kill Kohime and Akina and threatens to destroy the town. None of these actions are bound to endear anyone to his plight or that of his ancestors. But Enjin isn’t really looking for love or sympathy…just revenge.

He and his family were hurt by the head Hiizumi’s, so he’s going to hurt them back. It makes for a rather simplistic, all-too-easy-to-root-against villain, but he’s also a tough cookie and someone who brings out the best in the good guys. When everyone thinks the utility knife to Akina’s chest was fatal, it’s great to see his friends lose their shit and start whaling on Enjin with unrestrained rage. We also liked how Enjin also ended up being too evil for Morino to have anything more to do with, gaining the esteem of his loyal Shinozuka. We were also mildly amused by Yuuhi showing up and in five seconds making the whole mayoral stuggle moot, as Kohime really is too damn young to be mayor. Obviously the mayor thing was just a means for Enjin to announce his presence to Hime and the others, and letting them know he’s not going away.

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Rating:7 (Very Good)

Yozakura Quartet: Hana no Uta – 06

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Akina and Kyousuke are beaten back by Shinozuka, but Shidou, Touka and Ao rescue them in Shinou’s car. Unable to leave town, Kotoha conjures a railway gun and fires it at the Tokyo Tower, destroying the anti-youkai field. Rested enough to fight, Hime relieves Akina, takes out Shinozuka, and and along with a revived Kyousuke, fights off the numerous lizards their opponent is summoning. When the old storekeeper watches Hime protect her shop, he blows it up, revealing the “Dragon Vein” from which Hime is able to draw the Dargon Lance Sakanade.

We carried lofty expectations into this payoff episode after last week got all the game pieces into place. In the end, this episode didn’t quite meet them. Despite some truly inspired and redonkulous moments of action (Kotoha’s awesome railway gun; Kyousuke hitting a lizard with a telephone pole like a batted ball; Hime’s sundry acrobatics), and some lovely isolated moments (the flashback with Hime andJuri catching the KIshis; Akina grasping Hime’s scarf) the episode suffered from bouts of what we’ll call “Shounen Battle Paradox”, in which a battle actually hinders its own momentum with too many escalations in the combat, thus stretching things out when a shorter battle would’ve had more potency. Take the old bad guy (whose name still escapes us) helping the mayor: He creates giant lizards that Hime and Kyousuke quickly dispatch; then he just makes another batch. Tactical genius, this guy is not.

A smarter villain would’ve retreated as soon as the anti-youkai field dropped, yet he stays put. The battle gets a bit too tag-team happy, with someone showing up just in the nick of time to someone else. And the entire sequence with the old man and the giant crane that pops out of his shop—that just didn’t make a lick of sense to us. Kotoha’s toying around with giant machinery makes sense—she’s a conjurer—we don’t know what this guy’s deal is. He’s just there so he can blow up his shop (inches from where Hime was—a lil’ warning would’ve been nice, geezer!) and show Hime the next escalation in the battle, when she pulls the real Dragon Lance out of the wreckage. The last flaw that keeps this Part II from living up to the potential of Part I? The fact there’s a Part III next week.


Rating: 6 (Good)

Yozakura Quartet: Hana no Uta – 05

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An old man arrives at Hime’s house with the mayor Kohime is running against and a powerful monster, and activates an anti-youkai field that weakens full youkai, including Hime, who is badly beaten. The man demands Kohime drop out of the election and for Hime to relinquish her mayorship to him. Juri arrives and takes Hime to the hospital. Akina and Kyousuke fight with the half-youkai Shinozuka while Ao uses her Satellite ability to locate the source of the field: the Tokyo Tower.

This episode is only one half of a two-parter and is mostly setup for a showdown with a so-far nondescript villain, but it was a waaaaay better effort than last week’s dawdling clunker. We already knew from previous version of this anime that Hime was a youkai, but the flashback with Akina was very touching, and we liked Hime’s reasoning for wiping everyone’s memories of what she really is so she can better understand her constituents. This episode did something else gutsy, in taking perhaps the most powerful fighter of the quartet completely out of action in the first minutes.

This leaves her friends to save the day, and so far they seem more than up to the task. Once everyone leave’s Himes house and splits up, there’s a great energy to the story. Everyone is given something to do (except Touka…where’d she go?) and they have to do it under considerable duress (in the form of flying scooters for Akina and a rampaging dragon-thing for Ao and Kotoha). This was more or less table-setting, but highly competent table-setting. We look forward to seeing how things shake out, which is more than we could say after last week.

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Rating:7 (Very Good)

Stray Observations:

  • That “anti-youkai field” is a hell of a plot device…but we like Yae’s workaround, as well as Yuuhi’s subtle hint to Ao. Gods can only interfere so much, after all.
  • As soon as we heard “Minato” and “high place”, Tokyo Tower immediately came to mind. Though we’re a little disappointed it wasn’t the Tokyo Sky Tree.
  • About Minato: didn’t Juri point out to Akina and Kyousuke that no one could physically leave Sakurashin? If that’s the case, how are Ao and Kotoha going to get to the field? Hopefully this quandary is answered and isn’t just a plot hole.
  • Seems odd how Ao is able to use her ability at such a high level when the anti-youkai field still in place and Yae weakening all youkai power town-wide. Perhaps it’s just evidence Ao is one seriously powerful cat girl. She says all of Tokyo is “no sweat”; perhaps if the field were down she could read the whole country’s minds…
  • The huge pile of gifts from townsfolk was a cute little scene that quickly showed Hime that the people in fact do love their mayor. Who wouldn’t? That scarf is adorable.
  • So far the nameless villain is pretty damn bland. Here’s hoping we won’t have to watch him standing around yammering all next week.

Yozakura Quartet: Hana no Uta – 02

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An ordinary day unfolds in Sakurashin, as Hime juggles her mayorship and high school while Akina, Ao and Kyousuke work at the counseling office, receiving youkai health certificates from Juri then issuing copies for Shidare and Shiina from the Senate. After school Hime and Kotoha spar within a safety box conjured by Yae as Ao keeps watch. Lily appears and recites and incantation that causes Kotoha to go berserk, but Yae diffuses the situation.

This episode featured quite a few moments of superfluous indulgence: Ao’s weekly panty-shot; Juri teasing Kyousuke with her sexy nurse outfit; a peek in a girl’s locker room; and boob-gropings that went on for far too long. But those were only moments; thankfully there were much longer sequences in which the episode seems to totally forget we’re watching, so we can sit back and enjoy a typical day in the town. Taking calls, making copies, ordering take-out…getting ogre shackles repaired; these seemingly mundane things enrich our exposure to both the characters and the setting.

There’s also an element of foreboding here: we know what the gang doesn’t: that Lily is more than a lost little girl – so when they all get identical postcards from her, we know something’s rotten in Denmark. That, and Ao keeps seeing Lily in the corner of her eye. When Lily finally makes her move, manipulating Kotoha, Yae puts a stop to the impending carnage. Lily’s still poking and prodding, researching her prospective prey. The overt presentation of everyone’s ordinary, fun, happy, balanced lives showed us what’s at stake should Lily and her ilk keep ratcheting up the mischief.

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Rating:7 (Very Good)

Stray Observations:

  • While the episode is focused on the office, Kyousuke gets excited and storms off without explanation. When the focus switches to Hime, we learn why: he ran off to stop her from eating too many calories. Clever way to tie the two stories together.
  • For all the short skirts and boob-groping, we really appreciated how maturely and subtly Kotoha and Ao’s apparent relationship is handled – especially when Ao tries to snap Kotoha out of her trance by giving her a passionate kiss.
  • We liked how Hime couldn’t get her shirt off because of her ridiculously long scarf she always wears. Hell, if we had such a scarf, we’d probably rock it constantly too.
  • In case anyone doubted the potential danger Kotoha’s powers pose if left unchecked, she dumps several heavy weapons in a park in the middle of town in the blink of an eye. Yikes.

Mirai Nikki – 19

The mayor of Sakurami City successfully gets the city council to vote to close down Eighth’s child care center. In the Causality Cathedral, he almost has First and Second expelled, when the two arrive and reveal his identity to Eighth and Ninth, the other remaining diary holders. Yuno and Yukkii then ally themselves with Eighth’s team to bring down Eleventh, only to stab them in the back after intentionally faling into the Mayor’s trap, causing all phones to be jammed. Eighth escapes with Eleventh, and they lead Yukkii and Yuno on a car chase. When the cars are wrecked, Yuno is about to shoot Eleventh when Ninth arrives via motorbike with Akise, who has determined that the third corpse is Gasai Yuno, making the living Yuno an impostor.

Well, it’s about goddamn time Yukkii grew a pair again, and this week he does, and how. At first we were confused about his sudden, utter change of behavior, but his initial display in the Cathedral was just an act. Still, throughout most of the episode he’s more calm and confident, and follow’s Yuno’s handwritten plans to the letter without hesitation or pussyfooting. He even kills (and lets Yuno kill) with impugnity, something inconceivable up to this point. Perhaps the loss of his parents released a lot of the fear that plagued and paralyzed him so long. He knows the only way to be with them again (aside from maybe dying himself) is to become a god. The road to that outcome is bloody, but straight. The certainty of what needs to be done – and his faith in Yuno – are his new comfort.

But hold on…what’s behind Corpse Number Three? Oh, snap, Yuno isn’t really Yuno? Then who in the heck is she? More to the point, with her death necessary for Yukkii’s ascent, does it really even matter at this point? Apparently it does, since the show goes out of its way to milk the revelation for all it’s worth. Just when we thought we’d learned something about this crazy girl, and just a week later they turn her into an unreliable narrator. And let’s not forget that Yuno had a loaded gun pointed at Eleventh for quite a long while, but didn’t pull the trigger. Very un-Yuno like. Now she has some explaining to do.


Rating: 3.5

Car Cameo: Mayor Bacchus travels around in Epicurean
splendor in his top-of-the-line Toyota Century.

Yozakura Quartet ~ Hoshi no Umi ~ 03

We here at RABUJOI seem to have a knack for coming out with extraordinarily late OVA reviews. Case in point: this third and final part of the Hoshi no Umi trilogy aired back in November. Oh well, no anime blog is perfect…except The Perfect Anime Blog, of course.

This segment picks up right where part two left off: Kotoha’s utterly spent, but Zakuro’s just as powerful and evil as ever, and Rin is now in her clutches. The finale lacks the complete visual insanity that always accompanies the exhibition of Kotoha’s talents, but it still possessed a truly electric atmosphere; an irresistable energy that comes with everyone working together as a team, bouncing off of walls, and bounding across rooftops. The multi-vector attack and pursuit of Zakuro is stirring and expertly wrought, though her lines could be a little more inspiring (she mostly just yells ‘Shut up!’).

But while Demon Zakuro vows to kill every single human in the town (all 2,040 of them), she’s disappointed to find they’ve all been evacuated, so it’s pretty much a matter of chasing her until she gets tired and bringing her down. Neither is an easy feat, but the Quartet and their supporting crew are more than up to the challenge. That is, after Hime has a minute-long inner conflict (which Kyousuke even times). There’s also a very funny scene with everyone falling from an under-construction skyscraper and offering to cushion everyone else’s fall until they all fall on a giant cushion conjured by Kotoha on the ground, ending the debate.

So Rin is saved, the evil is drawn out of Zakuro, and everyone gets back to their happy lives. And it’s the little mayor’s job to keep ’em happy, along with the rest of the town. And now we move Yokazura Quartet: Hoshi no Umi into the “Completed” category.


Rating: 3.5

Yozakura Quartet ~ Hoshi no Umi ~ OVA 2

Ye gods, the first YQ OVA was pretty damn gorgeous in its own right, but this next one took the pretty visuals up to eleven. The character design is downright bangin’, the combat is as creative as it is lyrical, and the stakes for the town of Sakurashin have also been raised. Rin has become the puppet of the one who originally took her in, Zakuro. She’s under the control of Enjin, and has turned bad. She’s come to claim Rin back, but the YQ won’t let her have her without a fight.

And what a fight. Hime chasing her across rooftops was fancy enough, just as Yae’s awesome little battle in the first OVA. But the bulk of the fighting was done by everyone’s favorite half-youkai, Kotoha, who simply puts on a clinic of conjuring, sending, among other things, thousands of B-2 Spirit Stealth Bombers, an Airbus A380 Superjumbo, and a bunker buster into Zakuro’s summoned earth golem. I can’t overstate how sweet animation for this fight was.

But it was all for naught, as Rin finally surrenders herself to Zakuro in order to forestall future killing. But despite being momentarily touched by the gesture, Zakuro isn’t her own boss, and Enjin soups her up into an even more powerful killing machine, who promises to wipe out every single life in the town. While I’m confident Hime and the rest of the YQ will be able to deal, we won’t find out how until OVA #3. Rating: 4