It’s About Family—It’s a line that became a meme when the late Carrie Fisher used it to describe her journey in the Star Wars saga, and often used mockingly or in jest. I decided to use it here without cynicism, because it fits quite well. Family isn’t just about blood, but shared time and experiences, and being changed by that proximity.
After six singularities and change, Fujimaru and Mash are the brother/sister-esque duo (see also: Valerian and Laureline) responsible for saving the human race, aided by Big Bro Romani and Big Sis da Vinci. Servant “cousins” from far and wide have joined their fight, each with their own unique bond with Ritsuka. As for Gilgamesh? Well, he’s everyone’s Daddy, naturally.
This ragtag fam is up against another kind of family entirely: neither of blood nor circumstance, but mud—the primordial kind. Kingu was the proud firstborn of Mother Tiamat, but as he finds himself stabbed through the heart by a chaotic, impudent younger sibling, he probably longs for the days he was an only child.
The Lahmu who stabs him ends up extracting the Holy Grail, which was Kingu’s heart all along. It uses the Grail’s power to instantly evolve and gain wings with which to fly back to Mother, deliver the grail, and seal humanity’s doom. It’s all Ishtar can do to keep up with it with Maana, and Quetzelcoatl summons her Pterodactyls to join the chase. Neither make much progress slowing the Lahmu down.
Kingu, despite missing his grail-heart, attempts to flee his traitorous, sadistic sibings, who relish hunting him down and laughing at his inferiority and obsolescence. They eventually corner him in the woods, but just as one of them is about to kill him, it is killed instead by one of its own.
Siduri, as it happens, was part of the group chasing him, and decided the time was right to make her move. While she kills the other Lahmu, she suffers a mortal wound herself. Before she turns to dust, she thanks Kingu—referring to him as Enkidu—for all the good times they had together and with Gilgamesh, and begs him to seek a life of happiness.
Gilgamesh and Siduri were a family Enkidu forgot when Mother used his body as the basis for Kingu. With the grail gone and Siduri managing to resist Tiamat’s authority, the memories come rushing back, and even though he doesn’t consider himself Enkidu, tears stream from his cheeks, mourning the twisting of his once happy family in Uruk.
Thanks to some persistence and teamwork, Kuku and Ishtar manage to ground the flying Lahmu, only for it to vanish without a trace. In its place, the long-awaited DARK USHIWAKAMARU emerges from the sea with one goal: to kill them all for abandoning her to wallow in hell. To his credit, Ritsuka doesn’t waver, and delivers the order to defeat the black sheep of the family.
Kuku jumps at the chance to cross swords with Dark Ushi, but can’t quite take her on alone. When Ishtar fires her last bullet before running out of magical energy, Kuku tag-teams with Mash, in one of the better-animated and most exciting lightning fast hand-to-hand battles in a show packed with ’em. I wouldn’t be surprised if F/GO took a week off in order to make sure scenes like this were done right…and they were.
With so much time passing between Good Ushiwaka’s fall and now, and all the buildup in between and speculation about when she’d return, it was going to be tough to give her the sendoff she deserved. Don’t get me wrong, it’s super-terrifying when she starts laughing maniacally (Hayami Saori’s performance turns wonderfully dark too) and suddenly multiplies into an army of dark Ushiwakas.
Mostly it’s just good to see her again, even if not under the best circumstances. But she’s gone almost as soon as she arrives, as Ishtar uses Ritsuka to recharge her energy stores and blasts all of the Ushiwakas into oblivion.
While I was pretty sure she wouldn’t be coming back around to the good side, I’m a little miffed she didn’t get the same sendoff as, say, Siduri or Merlin…or Ana. Instead, she dies gloating that her mission to act as a diversion was a success. While Ritsuka’s party was fighting her, the flying Lahmu arrived and delivered the grail to Tiamat, a huge setback.
Look at that, a cheeky Star Wars reference from the King of Heroes. Having both analyzed the primordial mud and invented a holo-imager, Papa Gil reports his findings to the team, and it’s not good: the parts of the sea now blackened by Tiamat contain her authority, and sea levels are rising. They threaten to flood humanity’s one and only bastion of civilization, and the forces of Uruk will only hold out another hour or so against the Lahmu.
With Game Over so close, the team’s only play is to head to the Spirit Origin signature in the Persion Gulf that is sporting magical energy of over seven Holy Grails. Ritsuka, Mash, Ishtar, and Kuku will have to be enough, barring the return of Ereshkigal…or a change of alliance by Kingu. Mother Tiamat is waiting in the middle of the gulf, butterfly eyes and all. Which family will win out?
P.S. Driving that family theme home, as well as adding to the special nature of this episode, is a new ending sequence featuring beautifully-rendered snapshots of Enkidu, Siduri, and Gilgamesh during happier days in Uruk, set to a soulful new song by milet, who has one hell of a voice.