Steins;Gate 0 – 11 – WWIII Averted…For Now

The shadowy guy whom Maho hired to analyze Makise’s laptop turns out to be…Daru, working out of the back room of a cosplay store. He still needs three days to complete his work, but after telling her the whole story about the time machine and the horrors the secrets within the computer may unleash, Rintarou manages to convince Maho to destroy it.

Before they can, the “wrong hands” in which it would be so dangerous arrive in force. Daru has an escape route worked out, but they’re still cornered in a dark alley and Maho is nabbed and has a knife placed against her throat. That they were able to find Daru’s hideout so soon, or were watching listening for just the right time to move in, is disconcerting, to say the least.

However, they must not have been listening in, because after some negotiations they’re willing to let Maho, and Daru walk away unharmed in exchange for the laptop. Rintarou briefly switches places with Maho as their hostage, but then another masked group arrives and opens fire, making sure the laptop is destroyed.

It’s doubtless a harrowing ordeal for Maho; she may have been held up along with the others at the lab, but no shots were fired. Here, had Rintarou not pushed her flat to the ground, she might’ve died. Back at the lab, she’s so out of it she doesn’t notice she’s clutching one remaining shard from the laptop in her hand so tightly it’s drawing blood.

Rintarou takes Maho to Feyris’ to clean up, but the trauma from the shootout has a more pronounced effect than she thought, and after all that tension, every muscle in her body goes limp, making her practically a helpless doll. And just as Rintarou once walked in on Kurisu, he ends up facing Maho just as her towel falls off. The universe is keen to make him suffer, but also to make him accidentally see his love interests in the nude.

That night, Maho asks Rintarou to stay by her bedside a little longer, and he happily obliges. Returning to her Mozart-Salieri narrative, after hearing from Rintarou about the possibility she might “disgrace the dead” by unlocking Kurisu’s laptop’s secrets, Maho admits to herself that it wasn’t just a matter of honoring her friend’s legacy, but trying to subconsciously exorcise the frustration she felt.

Not just frustration over not being able to achieve the things Kurisu did, mind you, but frustration over the mere fact she’s so concerned about her as a rival; Mozart, she says, never wasted a moment concerned with Salieri; he only made great music (and drank and gambled…it’s all in the movie).

Rintarou disputes the similarities between the two pairs of gifted people from vastly different times. He’s convinced that Maho loved Kurisu and would never disgrace her. It’s why she agreed to break the laptop, it’s why she shed tears and apologized, and it’s why she clutched the fragment so tightly.

It’s such a quiet, tender scene filled with mutual respect and affection, with Mamoru Miyano wonderfully modulating Rintarou’s voice to a caring hush, matching the vulnerability of Yahagi Sayuri’s Maho. Very nice work here.

After Rintarou and Maho’s lovely night together, she and Leskinen head back to America, but not before inviting him to Viktor Chrondria University whenever he can make it. So it’s not goodbye, merely see ya later for the couple. That probably makes both Leskinen and Amakurisu happy; Ama also fully intends to see and hear from Rintarou again, expressing Kurisu’s tsundere mode.

Rintarou is also able to convince Suzuha that they’ve avoided a potentially WWIII-starting clash between America and Russia (the two powers he suspected he and Maho were caught between), though Suzu remains skeptical that they’ve eliminated the only cause of the war, only one of them. And she’s most likely right.

One of the last scenes is of Maho’s colleague Judy Reyes aboard a flight, hiding…something in her lap. Was she one of the masked people in black? Could it be salvageable remnants of the laptop? Whatever it is, it’s clear Rintarou’s work is far from done. Meanwhile Mayushii seems to harbor some conflicting feelings about Okarin leaving for America to join Leskinen, Maho, and the digital Kurisu.

Rakudai Kishi no Cavalry – 06

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Perhaps energized by their new status as lovers, Stella and Ikki dispatch their opponents with ease in their respective selection matches. Stella still has to deal with Shizuku glomming onto Ikki, and Ikki has yet to set his sister straight (perhaps because he doesn’t realize the extent to which she likes him), but there’s a new problem: Ikki has a stalker girl!

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Thankfully, she’s not a stalker, she’s just bad at looking at or talking to men. She’s Ayatsuji Ayase, the daughter of a famous swordsman who Ikki worships and whos style he knows of. Ayase has a good reason for coming to Ikki: having seen what he can do in the matches, she wants to train with him to get her out of her rut. If this sounds a lot like Kirin and Ayato training in Gakusen Toshi Asterisk, well, I’m with you in my continued astonishment by how often the shows echo one another.

In this case, since Ayase is older and a third-year, she’s not the Little Sister-type like Kirin, but rather the (slightly) Older Woman-type. Despite her mentioning her discomfort with men, Ikki gets right down to business putting his hands up and down her legs in order to adjust her stance. Stella and Shizuku are mortified, Ayase is embarrased and beet-red, but Ikki is very clinical about the whole thing, and doesn’t once express arousal by what he’s doing.

And dagnabbit, his adjustments pay instant dividends for Ayase’s fighting style. Her attempts to exactly copy her father, someone of the opposite sex, was what was holding her back. She needs to capitalize on the strengths her female body to improve.

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Ayase is amazed by her improvement and ebullient in her gratitude, to the point of possibly coming off as romantically interested in Ikki, despite him having no idea or desire for such a thing. Stella asks Shizuku if she’s okay with this, but it’s a question that could just as easily be asked of her. That’s when Shizuku states that as long as the person Ikki is with makes him happy and never betrays him, she’ll be okay with it.

Of course, Shizuku’s not talking about Ayase, but Stella. Only problem is, Shizuku still thinks she’s the best woman for the job, despite being his sister. Ikki, however, is a lot more certain. He touched Ayase as a doctor or therapist would; that’s it. Stella is the only girl he likes. And if she wants his hand and a kiss in the middle of the night, she—and only she—gets them. And she’d probably get more, if she asked.

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With that fact reiterated, Stella joins Ikki in training Ayase, who treats them to dinner to thank them. That’s when the subject of why she needs to get stronger and become a Seven Star finalist. One big reason might be the guy who walks into the restaurant (Wagnaria?) with his entourage of floozies and toadies: Karaudo, who picks on Ayase, then bashes Ikki’s head with a bottle and spits in his face when Ikki comes to her defense.

Stella wants to jack Karaudo up, but Ikki stops her, and does nothing to retaliate himself, leaving Karaudo free to take off with his posse in a cloud of insults at what a cowardly punk he is. But even if Ikki wanted to fight back, to do so would probably get him expelled, so he endures. I mean, his life isn’t all that bad; he has a badass live-in girlfriend, a cute sister, and a beautiful training partner. And Alice! Enduring a little bullying is a small price to pay, right?

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A couple of student council members were watching the whole thing, just waiting for Ikki to make a move, then commending him for not. The whole incident leads Ikki and Stella to want to know what’s going on with Ayase and those douchebags. But before she can tell them, she and Ikki get simultaneous texts: they’ll be fighting each other in the next selection match. That’s…unlucky.

Now Ikki is in a tough spot: he promised he’d help Ayase become stronger, but Ayase only wants to become stronger to progress in the Seven Star Battle; if he beats her, it will ruin her. But he also promised Stella they’d be the last two fighters standing, and that promise must take precedence.

After briefly consulting with Alice (a nice scene between the two that shows how good an adviser Alice is with everyone, not just Shizuku), Ikki decides to accept Ayase’s ominous rooftop invitation, where she stands wearing a kimono and an enigmatic grin. If her goals are as important as they seem to be, and Ikki is in her way, this could be the beginning of the end of their friendship, which despite having just begun this week, still feels like a loss I’d lament.

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