Zankyou no Terror – 11 (Fin)

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The perpetrators of the failed Athena Project meant for its child subjects to be discarded and forgotten. Nine and Twelve’s plan wasn’t about revenge, but about making sure they and the others weren’t forgotten; that those still alive who were responsible were plucked from beneath the rocks they’d hidden under. With increasingly stunning yet nonlethal attacks, they gradually built up their stature, until no one would be able to forget what they did, and by extension, that they lived.

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The most stunning yet is the high-altitude detonation of the stolen atomic bomb, which ended up not harming anyone but disabled all electronics in Japan. While it was yet another means of gaining attention and exposure among the masses, it also served as a firm counter-riposte to the efforts of the members of the Athena project to use technology to artificially enhance mankind. For at least a time, the EMP emitted from the bomb reverted the country to a far simpler state.

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Shibazaki became the Oedipus to Nine and Twelve’s Sphinx, looking past easy answers to solve the riddles of where they came from, what they were doing, and why. They unwittingly helped him to solve the case that had ruined his career, and finally learn what those he suspected of wrongdoing were up to, and putting them away for it. Justice tastes a lot better when it is acknowledged not just by oneself or amongst a few individuals, but by the same system that once helped shelter the wrongdoers.

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I will say that even in a series of a mere eleven episodes, Five’s arc was ultimately a bit of a detour, though as the only other surviving Athena subject, her actions tore Nine and Twelve apart, threatening the whole enterprise, only to bring them back together as strong as ever following her demise. She represented an alternate effect of Athena: that of unchecked chaos and rage. It’s also worth noting that after the end of the facility, she was and remained alone right up until her final confrontation with the others, while at least Nine and Twelve had each other, which had a grounding effect.

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Even so, just before the bomb goes off, when Lisa isn’t sure whether the world is about to end, Twelve tells her he and Nine were never needed by anyone until they met her and everything changed. Neither were ever ones for true, honest human interaction, let alone feeling what it was like to care for someone so much that you’d do anything to save them, which Twelve got that with Lisa. Even if he and Nine didn’t (nor intended to) survive the gestation of the better world they sought to build, they didn’t take Lisa down with them.

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On the contrary, through her adventures and their many rescues of her and acts of kindness towards her, Twelve and Nine instilled a fresh appreciation for life, and while many will ask her what it was like to be “Sphinx’s hostage” for all that time, she could never tell them much, because they’d never fully understand: she wan’t their hostage. She was their friend; their little sister whom they kept safe without fail. And they gave her hope.

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RDG: Red Data Girl – 01

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One morning, the shy, passive Suzuhara Izumiko decides to cut her bangs. At school, it gets mixed reviews, and when her class must gather info on the net using computers, she ends up using them as a conduit to video-chat with her father in America, then disables power to the whole school with her mind. A helicopter lands and Izumiko is taken away by Sagara, who turns out to be a mountain monk charged with protecting her. She learns that she is the “Himegami”. Sagara orders “reinforcements” in the person of his son Miyuki, who isn’t keen on hanging out with the dull Izumiko.

This episode starts off establishing the beautiful environs of a village in the Kumano mountains. We found out this was directed by Shinohara Toshiya, who also helmed The Book of Bantorra, but while that series was awesome, it was a bit lacking in production values; not so here. Like Tari Tari and the excellent Another, this series not only looks, but sounds and feels fantastic. Despite all the natural beauty, there’s a deep melancholy about the beautiful but unpopular Izumiko (appropriately voiced by Hayami Saori), which stems partially from her never having made a decision for herself. If her life is like the river in her village, she’s never once paddled against the current…until she decides to cut her hair and makes a stand about where she wants to go to high school.

What’s also engrossing about this series so far is that it doesn’t come out and explain exactly what makes her so special. We see an awesome sequence where she finds herself underwater in the computer lab, and then she knocks out the power in said lab when she snaps out of it, and we hear a lot from Sagara, but not too much. Like Izumiko herself, we’re still mostly in the dark about who the Himegami is and why she must be isolated and protected. But we certainly feel her pain. Sure, she has nice friends who defend her from bullying, but they don’t even have her phone number, and she doesn’t even have a phone. She wants to take control of her life, but isn’t sure how. Her dubious “manservant” Miyuki doesn’t have high hopes for her, but who knows: she may just surprise him, herself, and a lot of others when all’s said and done.


Rating: 8 (Great)

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