Eromanga-sensei – 04

Whither Yamada Elf goest, so to does Eromanga-sensei (the show, not the artist). Starting out as a caricature of a super-arrogant, condescending brat with delusions of grandeur, Elf’s become a lot more balanced in the last two episodes.

She also reveals that delusions aside she’s a highly capable, multi-talented person, as evidenced by the lovely, tasty-looking meal she lovingly prepares for Masamune. The reason she’s happy to cook is that she gains perspective on how characters in her stories feel when they’re cooking for those they have their eye on.

Sagiri has also picked up on the quickly evolving relationship between Yamada and Masamune (even if he doesn’t see Yamada as a serious love interest), and calls Masamune a liar for saying they don’t get along, when he’s clearly there all the time.

Combined with the result of bringing up the drawing of large-boobed women (Sagiri can’t do it because she doesn’t have them herself), Masamune ends up shut out of her bedroom once more, though the core of her disappointment is his refusal to come clean about the neighbor.

The day the two authors are to reveal their stories to one another, Masamune arrives at Elf’s house to…no welcome whatsoever. I fully expected him to barge in on her working (or doing something else) in the nude, but I was pleasantly surprised when he found her all covered up.

Specifically, she’s in a very practical sweatsuit, with bags under her eyes instead of ringlets beside them, and a very serious look on her face. This is all Masamune needs to realize all her talk about writing light novels being a mere “hobby” is a bunch of codswallop.

More evidence is presented when the two read one another’s manuscripts before turning them over to Eromanga-sensei. He’s reliably blown away by her story, a page-turner seemingly perfectly tuned for Eromanga’s stylus, right down to the small-boobed characters in cool outfits. But Elf is also blown away by Masamune’s…just not in the same way he is by hers.

It’s not that her story is in any way worse—on the contrary, it would likely sell many orders of magnitude more copies than his—it’s that this isn’t a competition for the most bankable LN. It’s a competition for Eromanga’s services and after reading Masamune’s manuscript, Elf is so sure she can’t compete, she tosses her manuscript straight into the shredder (much to Masa’s dismay).

Reading it also confirms to her that Eromanga-sensei is his little sister next door, and that’s why she can’t compete: it’s a 300-page love letter, for chrissake. It’s not even meant for any other reader but her, which is why Elf is both outclassed and beet-faced she read it at all.

When Masamune finally gains access to Sagiri’s room—via the window in a frankly needlessly reckless stunt that could have gotten him killed and resulted in ending up in a very lewd position with Sagiri beneath him. There, he learns why she hasn’t opened the door for him in two weeks: she doesn’t hate him, she’s been improving her drawing, both battle scenes and bigger boobs.

Her take on his dalliances next door was that the neighbor was a rival artist trying to take “Izumi-sensei” away from her, while he kept the wager secret because he was worried she’d be seduced by the more famous and successful Elf. With the misunderstanding cleared up and his victory sealed (she’d never leave him for another author), she reads the manuscript.

Like Elf, it’s embarrassing for her to read; doubly so since it’s about her. And while she considers it an interesting story, he’d never be able to release it as a book, because it’s just too personal. She also, not in so many words, rejects the implied confession the manuscript represents (at least, Masamune seems to take it as a rejection).

Masamune is fine with that rejection, but he’s committed to re-working the story into something he can show to his editor, something that will sell and garner a huge audience, and eventually, get awarded his first anime adaptation, putting him on the same level as Elf. Most importantly, his goal is to get Sagiri out of her room so they can watch the first episode of their anime together in the living room.

While I thought this was Masamune going too far and was sure it would put Sagiri off, I am surprised yet again when Sagiri take a couple steps outside her room; the first steps in many to come on their quest to create an anime-worthy book. Let the goal-striving begin.

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Renai Boukun – 04

“There are piranhas in that pond.”

The Gist: Yuzu-chan takes center stage this week, with a silly backstory that explains her love for her sister Akane and establishes that Yuzu has always been a tripping-prone klutz for…some reason. We also learn that Yuzu doesn’t actually attend Akane/Aino’s school but, instead, an all-girls school in which she uses male body-doubles in drag to fill her place.

Back in the present, Shiramine Shikimi shows up and is clearly just pretending to be a meek girl in need of help. (She’s obviously the mean pink haired girl from Akane x Yuzu’s past) After getting Aino to follow her to an abandoned hospital, she traps him with magic gum and begins to torture him with nails and BDSM.

Fear not! While it ends to be continued, Guri x Yuzu x Akane are on their way and at least 2/3 of those characters have an idea what is going on…

Cell phones occupied much of the humor this week. The biggest player being Guri’s new smartphone, which is full of romance-specific apps as well as a weather report for the afterlife. However, Aino’s flip phone makes an appearance to deliver a gag that Guri has sent him undressing pics of Akane with the subject line “Present for your personal pleasure.”

Otherwise, much of the humor focuses on Yuzu’s foolish personality and the phone’s “Compatibility Barometer” which shows the various one-sided romances in the four way couple. Unsurprisingly, from a humor stand point, Yuzu and Aino would make the strongest couple, even though neither would be happy to admit that…

The Gist: Renai Boukun is all about great gags and subtle details. Yuzu’s family fountain is full of Piranhas, the unexplained app icons on the phone featuring art for each of the show’s characters, rescuing Yuzu from an extremely shallow stream, great audio cues and timing like Yuzu’s rejection noise and face — it’s all hilarious!

Renai Boukun also took a risk this week. Going dark with Shikimi — really dark with a sadist dry humping a torture victim — spins our soft and care-free expectations of the show on their head. It says boldly that anything can happen. Except, that’s not really want anyone should want from a well timed comedy is it?

Attack on Titan – 30

In true Attack on Titan momentum-killing fashion, we cut away from Titan-Ymir’s impending brawl with the other Titans to the fateful night Krista and Ymir shared back during Winter Training. There, it wasn’t Titans that threatened their lives, but the freezing cold of the blizzard they found themselves caught in.

Krista is determined to drag their injured comrade Daz back with them, but he’s half-dead already, and he’s slowing them down so much they may all freeze before returning to base. No, Ymir doesn’t think Krista is trying to save Daz. She thinks she’s trying to end her own life and pass it off as heroism.

In a flashback within the flashback, we learn why, and the root of Ymir’s interest in Krista: she learned that Krista was the illegitimate child of a noble, and thus ineligible to succeed him. Rather than just killing her, they changed her name and forced her into the cadets. Considering Krista a kind of kindred spirit, Ymir doesn’t think Krista should make the people who cast her aside happy by dying just yet.

As the flash indicates, Ymir transforms into a Titan to carry Daz back to base, having conveniently buried Krista in the snow. By the time Krista returns to base on her own, she’s stunned to find Ymir and an alive Daz beat her there. She asks Ymir how the hell it’s possible, and Ymir tells her…but only if she keeps an important promise.

Back in the present, it would seem that Krista either Ymir’s secret, after being plied with wine by Ymir shortly after learning the news. As it happens, Reiner and Bertholdt’s friend was killed by Titan-Ymir, so for a moment Reiner takes his blind rage out on Krista’s slender leg, before pleading ignorance of Ymir’s secret form.

Meanwhile, Titan-Ymir is kicking ass, but in her efforts to keep the tower from falling, is at a distinct disadvantage. You can’t play offense and defense at the same time, and noticing Ymir’s attempted heroics, insists that Ymir not die here, and instead tear the dang tower down, which she does. After that, everyone grabs Ymir’s hair and she flies them to safety.

“Safety” being out of range of the crumbling tower, but once all the stunned Titans get back up, they find themselves sitting ducks. There’s a horrifying oment when a Titan confronts Krista and goes for her head, but just then, Mikasa blazes in to take the beast down.

The cavalry has arrived, and their arrival brings a huge jolt of adrenaline to what had become an increasingly hopeless scenario. Eren even manages to sneak in “his first kill”, though I assume he’s talking “as a scout”, as he’s killed plenty as a Titan.

Once the remaining Titans are mopped up, everyone turns to Ymir, who has returned to human form, but is in rough shape. Krista talks hold of her and fulfills her promise, telling Ymir her true name: Historia. Then Ymir closes her eyes and smiles.

While I’m not left 100% sure this means Ymir is dead, with missing limbs, and a chest wound, she’s certainly not fighting anytime soon. Still, it was another emotional journey that deepens two more scouts, even as it seemingly takes one of them away.

Ymir clearly isn’t a saint (from the looks of what she did to Reiner’s village) but she’s not quite the devil, either. She decided long ago she’d go her own way, and that way included supporting Krista whenever she could, even at the cost of her life.

And Krista, who never made that deep of an impression in the first season (though I briefly mistook her, not Annie, being the Female Titan) really comes to life, both through her backstory and the passion she exudes. That character work makes this a solid outing, despite not touching on any of the show’s other, arguably larger extant mysteries.

Little Witch Academia – 16

The Gist: Team Akko visits Lotte’s family and immediately befalls an outrageously rare curse that slowly turns everyone into moss. (before eventual death) Without adult supervision, the Girls must band together and collect the ingredients for a cure. However, Akko quickly becomes the only one left and, not knowing the area or as much about magic as her friends, she struggles until the end.

But this is LWA we’re talking about. Akko learns patience and, coupled with her natural endurance, and Shiny Rod, she saves the day and unlocks another word! (MAYENAB DYSHEEBUDO)

This week gave us some great set pieces like the Yeti who’s self conscious due to internet bullying, the irritated reindeer who’s poop Akko must collect, and the general goofiness of the curse.

It also carried the usual Akko/Sucy/Lotte charm, with Sucy’s love of the Hapansilakka pies (and Akko’s hatred of it) playing for some good laughs.

However, episode 16 is absolutely rushed and it’s point about Akko needing to learn patience was too simplistic. The fact that we learn anger is the most efficient medium for magic to be absorbed by the villain’s robo/magic devices doesn’t really add anything. More so, because we see this from a disconnected viewer-point of view, and not through a revelation to our heroes.

If LWA was only 12 episodes long, I could forgive it, but that’s not the case. More importantly, many of the first 12 episodes felt rudderless and pointless diversions from the central plot.

The Verdict: From the moment Professor Ursula says the next word is something Akko lacks and really needs to learn, the entire point of the episode becomes groan-inducingly clear. It’s all delivered well enough, with plenty of quirky LWA details and nice animation, but there’s nothing creative under the surface.

Hopefully, Akko will learn the next few words through a more dramatic (or at least touching) process. Otherwise, the gains the show has made by establishing it’s long term focus will quickly fall apart.

Re:Creators – 04

(For this week’s Re:C I’m filling in for Franklin, who is currently battling a bit of a backlog in both inbox and anime queue. Ganbatte, Oigakkosan! —Hannah)

After learning her creator died in an auto accident, a rudderless Meteora does a fair amount of soul-searching, starting by purchasing the game she’s in and playing it all the way to the end, in an effort to both learn more about herself and the person who created her, in hopes that information will help her make an informed decision about what to do next.

She painstakingly reports all of this to the others, as well as presents her hypothesis about this world only being able to take so many “translations” of creations before it crumbles under the weight of all the “contradictions.” For the fourth straight episode, this involves Meteora talking and explaining in a measured tone for an extended period of time—until the sun sets outside, in fact.

And while it does manage to hit some emotional beats towards the end—basically, she likes her creator, his creation, and wants to fight to get everything back to the way it was—it once more expose’s this show using such scenes as a crutch to keep the audience appraised. It’s too much tell and not enough show.

The chatting continues in a dark warehouse, where the onna-kishi Alicetelia has captured her creator and forced him to revise her world so there isn’t so much dang war, only for it not to work. The Military Uniform Princess assures her that this is an our worlds-vs.-their world situation, she’s leading the revolt, and could use able warriors like Alice.

We meet Beardy, who like Yuuya is content to have fun in this world for a time, and not in a rush to return to his world. Mamika also softens “Alice-chan’s” character somewhat by questioning rash side-taking, especially with people like the MUP, while tucking into boil-in-the-bag curry, the package of which bears Mamika’s likeness.

One of Matsubara’s fellow creators then calls him, informing him that one of his creations—a young mecha pilot—has suddenly appeared, along with his mecha, who on the surface looks like he’d be on Team Celestia/Meteora. That leaves just one more main creation from the promo art and OP to introduce: the Oushino Ougi-esque Chikujouin Makagami, who looks more like Team MUP.

As this is a 22-episode run, it’s not unusual to not have all the main players introduced after four episodes. But there remains a sluggishness and a feeling that we’re not seeing as much of the potential of this premise as we could, and are instead hearing a whole lot about it from static characters as other characters sit around in rooms listening.

To be blunt, I’m eager for Re:Creators to get out of those rooms and start kicking some ass out in the world. With the lines starting to be drawn among the creations according to how they want to proceed, hopefully we’ll get more actual confrontations soon.

DanMachi Gaiden: Sword Oratoria – 03

This week hews close to the Loki core of Ais, Lefiya, the Amazon twins, and Loki herself. While their goddess attends a banquet of the gods, Ais and Lefiya spend the evening adventuring alone together. The minute anything jumps out to attack Lefiya, she is rescued by Ais. It’s a common refrain thus far, and I feel confident in saying everyone is getting a little sick of it.

Things take a turn for the worse when they get home too late and the Monsterphilia date plans Lefiya thought were in the bag are crushed when Loki decides to punish them both by taking Ais herself. Lefiya then cries herself to sleep before realizing she’s acting like a petulant child and really needs to get her shit together, vis-a-vis being useful on the battlefield, and not a liability and perpetual grateful rescuee. Standing beside Ais means bringing more to the table than nice clothes, gifts, and a sweat towel.

As it did in the previous series, Monsterphilia goes a bit awry when Freya releases some dangerous animals, turning the streets of Orario into a battlefield. Loki sends Ais out to take care of the beasts, which she does in quick order with her Tempest ability, but Lefiya still can’t quite get a spell chant out before getting pummeled by a mandragora-style predatory plant. Even the twins can’t penetrate its thick skin, but Ais arrives on the scene and halves the plant, saving, and frustrating, Lefiya once more.

No one would think any less of her if she just gave up and went with the medics (there’s not much less to think of her, at least in battle, after all), but thankfully Lefiya finds her courage, performs a full summon burst chant—her hidden specialty—then a massive Wynn Fimbulveter blizzard spell that destroys the remaining three mandragoras.

Turns out Freya didn’t release these vicious monsters; that would be Dionysius. Is he testing Lefiya? If so, I think she passed. And to her credit, while she finally did a thing and was useful, nothing’s really changed yet: she’s still far behind the one she wants to stand beside. She’ll have to prove to others and herself that she can keep it up—just as this DanMachi Gaiden has to continue to prove it’s worth my time.

Tsuki ga Kirei – 04

It’s the School Trip episode, and there’s a sense of adventure to the proceedings, as the whole amassed class boards the Shinkansen and arrives in a bustling Kyoto. It’s just the start of a dense, lush, richly-detailed episode that nevertheless has a light touch due to the elegant plot.

You see, amidst this big trip, all Kotarou really wants is to know Akane’s answer to whether she’ll go out with him; the sooner the better. Because cell phones are officially forbidden, he has to hide his and hope it’s not confiscated; otherwise he’s doomed.

And I’m not kidding when I say Kyoto is bustling; the scenes of throngs of tourists milling around are pretty impressive, even if the CGI models are a little stiff, it’s better than panning stills; not to mention the accurate-to-Kyoto environs look great.

The fact that Kotarou and Akane have to contend not only with their nosy classmates, but also the vast space and volume of humanity Kyoto throws at them, really heightens the tension. Will they be able to meet on this trip?

C’mon, haven’t we all been there at some point: staring at our phone, the only light in the room at night, willing that next text to come in from the person you like? Even if you haven’t, the tension is thick enough to cut through with a knife.

The show does an excellent job thrusting us into the shoes of both Kotarou and Akane, making their various friends, nice that they are, feel like hovering irritants. They want to reach out to each other, but they’re mired in their respective circles.

Kotarou finally gathers the courage to send Akane a place and a time to meet…only for his phone to be confiscated by a (drunk) teacher at the worst possible time.

From there, it’s a textbook “missed/lost connection” scenario, as Akane sent a text asking Kotarou to elaborate on what he meant by the time and place…and she waits and waits, to no avail. So much must fly through her head: did he lose his phone, or is he intentionally ignoring her replies?

The beauty of this particular situation is that it simply unfolds before us without undue explanation, exposition, and precious little inner dialogue, really giving the increasingly awful-feeling situation room to breathe without undue verbal interference.

Kotarou has to muster courage once more, in order to borrow Chinatsu’s phone to call Akane. And Akane is rightly pissed, though neither she nor Kotarou should place so much hope in the reliability of cell phones. That’ll lead them to ruin!

All’s well that ends well, thankfully, and the tension is released when, after voicing her frustration with her ordeal and with their inability to clearly communicate thus far, Akane is the one who musters the courage to say something: that she wants to talk with Kotarou more.

That’s her answer, all but eliminating the ambiguity her fortune said would lead to calamity. Sure enough, the pouring rain ceases and the clouds part to reveal the beautiful blue sky. Now let’s hope these two crazy kids didn’t catch colds!