Call of the Night – 11 – Here Comes the Morning

Nazuna has put her sudden influx of maid café income to good use, procuring a new bed, floor lamp, a shelf for things, and houseplants (hopefully of the kind that like shade). She hopes the bed in particular will help her cuddle buddy/massage gig. But in what is one of her more questionable requests of Kou, she sends him, a middle schooler, out into the night to find “tired-looking” new customers.

He finds a particularly tired-looking lady on a bridge. The de-saturated palette, trench coat, and smoking habit all point to her being a private eye. Her name is Uguiso Anko, and she’s willing to hear Kou’s sales pitch. They go to a café to chat, and Anko immediately creates an uneasy atmosphere by reciting verbatim the labor laws his boss is breaking, then asks about Akiyama Akihito, quite out of the blue (or in this case, taupe).

When Kou lies that he’s never heard of him, Anko slams on the table and draws in close, the line of smoke from her cigarette twisting in a threatening spiral. Clearly she can smell a lie (and see the bite marks on his neck). Needless to say, Kou is way out of his element here! Fortunately, she backs down and leaves, but also leaves him her card.

When Kou returns without a customer but having hung out with another woman in a cafe, Nazuna is cross, so he’s unable to tell her any details about who he met or who she was looking for. Another night, Mahiru leads Kou and Akira on a fun night out together as good friends, feeling like that hasn’t happened enough since they were all small.

The three sneak into the school and explore the “seven mysteries”, then decide to investigate an eighth, regarding a teacher who went missing ten years ago. Upon opening a classroom door on a lark, they actually find this missing teacher, who loooks haggard as hell and extremely volatile. Combined with the tension of Kou’s sit-down with Anko, this is already easily the least chill episode of Call of the Night.

Shit officially shifts into the horror genre when the teacher repeatedly curses the fact these kids showed up, states how he’s unable to “hold back” any longer, and then pounces on Akira. Mahiru tries to pull him off, and after freezing for way too long, Kou finally clobbers Akira’s attacker with a chair (and those school chairs hurt, lemme tell ya).

The ghoulish teacher is only stunned, however, and as the three ponder what to do in the hall, the vivid blues, pinks, and purples suddenly give way to the near-monochromatic palette that seems to emanate from Uguiso Anko, Private Detective. After lighting a cigarette, she beckons for the man, who is a vampire, to come at her.

But when he drinks her blood he finds it disgusting. Anko says her working theory is correct: this guy hasn’t drunk human blood for all his ten years as a vampire. The man says he was tricked into falling in love with one and then turned into one. Anko simply embraces him with empathy and understanding.

Then she places what looks like a silver ring in his hand, tells him not to let it go, and then dawn arrives, the setting sun causing him to crumble into dust. It’s the first death of a person—undead or not—that the three kids have ever seen, and as you’d expect, they’re in something of a state of shock. Not so for Anko who explains that some of her cases involve vampires.

When Kou asks her why he had to die, her answer is simple: why let a monster live? She then moves in close and grabs Kou by the scruff, warning him that she won’t let him achieve his “dream”, because he doesn’t have the slightest clue about vampires…not really. As the sun rose and the long-suffering, starving vampire fell, so too have the chill vibes.

Kou walks home not necessarily considering Anko an automatic enemy, but suddenly feeling crushed by the weight of what he doesn’t know. Of course, he’d been operating under the ludicrous assumption that everyone who is a vampire wanted to be one, because vampires are cool. It’s a splash of ice water to the face, for sure, and Anko is a formidable and fascinating antagonist, thanks in no small part to Sawashiro Miyuki’s powerful performance.

Mieruko-chan – 11 – Meowruko-chan

While last week seemingly confirmed that Toono Zen was a Bad Dude who was behind the local cat abuse, all the episode really did was confirm that he’s an odd, lonely young man; it didn’t explicitly show him actually doing anything. Now we learn that both we and Miko judged him too quickly.

First we flash back to Zen’s childhood, which was strictly controlled by his mother, who wouldn’t let him for relationships with anyone or anything other than her without accusing him of “betraying her like his father,” and punished him by squeezing his head if he kept secrets from her.

Fast-forward to the present, when Miko has decided she can no longer stand by and do nothing while Hana is basically starved by the spirits surrounding Zen-sensei. She carefully follows Zen down mostly empty and isolated streets, until he comes across a mangy stray kitten in a tunnel.

Miko had planned to call the police and catch Zen red-handed abusing a cat, but couldn’t let the act actually happen, and cries out when it looks like he’s about to crush the little kitty’s head…which we already saw was a similar gesture her mother performed on him many times.

Zen asks Miko if she followed him and what she’s doing, and the huge ghoul seemingly protecting him pops out and threatens her. Miko runs with the kitten in hand, but trips and falls, though the kitten is unharmed. Startled, it jumps out of her hands and runs right into the street.

Right on cue, Car-kun races down that street at breakneck speed, threatening to flatten the poor kitty. But then Zen leaps out in front of the car to save the kitten, and suddenly Miko has no idea what is going on. Why would he want to save a cat…then kill it?

Turns out Zen wanted to do nothing of the sort. At the hospital, he tells Miko not to blame herself for what happened; he chose to leap in front of the car. He further explains that someone in his area—not him—has been abusing animals, and he was patrolling the area like usual.

Because of the odd way Miko had interacted with him when he answered the message about adopting another stray cat, as well as her odd demeanor at school, Zen assumed she might be the animal-abusing culprit, proving that both of these people simply needed more information before forming assumptions.

Miko gets more context on the hospital’s roof from Satoru, Zen’s friend since grade school, learning about his strict—nay, fucking psycho mother, who killed his pet cat when she found out about it, which…goddamn. Satoru, a vet, is the one Zen brings all the cats he finds so that he can secure new homes for them.

Lately, with the animal abuser, Zen has only found cats who are either already dead or close to it, which explains last week’s suspicious scene. As for why Satoru helps Zen, well…for the same reason Miko wants to help Hana: if your friend is in trouble, you do what you can to help them!

Now that Miko knows that the cat spirits are the result of Zen encountering the victims of the animal abuser, and the ghoul was once his horrible mother, she decides to help Zen out, for his sake, for Hana’s sake, and hell, for her own sake. She addresses Zen’s mother-ghoul directly, asking her to set him free, and she charges after her into the corridor.

I’m not sure if Miko intended for the fox spirits to arrive and destroy the mother-ghoul, but I’m not sure what else she expected, considering she put herself in harm’s way. It’s supposedly the third and final time they’ll help her, but at least it was for a good cause, and will end up helping both Hana and Zen. But who knows; maybe this is only the beginning of Miko taking a more active role in helping people with her ability.

Rating: 4/5 Stars

Mieruko-chan – 10 – One More Time

The show delivers one of its creepiest scenes yet without showing a single ghost or ghoul…just creepy-ass Toono Zen, cracking open the door of his pitch-black apartment surrounded by crows, accepting some leftovers from a kindly lady with some suspicious blood on his hand. He retreats back inside when talk turns to the recent maiming of cats in the neighborhood.

How such a guy was able to get a job subbing at a girl’s high school is beyond me, but a lot of the class finds him hot. Naturally, this doesn’t include Miko, who now has to constantly see those tortured cat ghouls writhe around Toono, who looks on the surface like he’s not aware of their presence, but at the same time could simply be hiding the fact he’s aware of them…just as Miko tries to do.

One side-effect of their new substitute teacher and his ghoulish kitty entourage started out as a joke, but is now starting to become worrying: Hana just can’t stop eating. She even inadvertently bails Miko out of a very sticky situation with Toono and the ghouls when they to to the nurse’s office. Yulia sees them go in, and immediately correctly diagnoses the problem: Hana’s aura is being drained by the spirits surrounding Toono.

That Yulia knows this could prove crucial to Miko and Hana in the days ahead, but there are two problems: Hana has no idea what Yulia is talking about, Miko does know but is still apprehensive about talking about it, and Yulia thinks Miko is out to get her. To Miko’s point, ghouls can pop up anywhere at anytime; there’s no safe time or place to talk about them, as evidenced in a “peaceful” park where one cute kid transforms into a ghoul and has to be destroyed by Miko’s guardian spirits.

But that marks the second of three times they’ve helped Miko; the third time will be their last, adding one more lump in her throat. The episode is bookended by two students accidentally interrupting their teacher Toono’s seemingly nightly cat-hunting mission. Here I thought the show was going to try to humanize him a bit at some point, but nope, looks like he’s pure evil.

The forces of evil seem to be amassing around Miko, Hana, and Yulia. With only one guardian intervention left to count on, it may be time for Miko to drop her guard and converse with Yulia about ways to protect themselves from the coming scourge…and prevent Hana from gorging herself.

Mieruko-chan – 09 – The Joy of Being Able to React

The arrival of Toono Zen as her substitute homeroom teacher is an extremely vexing proposition for Miko. There are an inordinate number of intense cat-demons constantly surrounding the guy, who doesn’t seem to notice. At least he doesn’t seem to remember her from the stray cat encounter, while Hana can’t quite place the guy and Miko encourages her to believe she’s mistaking him for someone else.

Still, Zen’s demon hangers-on creep out Miko to the point she retreats to the bathroom, only to encounter another gigantic ghoul who climbs out of the toilet in her stall. Miko uses the fact there’s no TP to retreat, only to find Yulia eating her lunch in the stall next door. Mind you, Miko is only alone because Hana went to buy bread to eat after she ate her regular lunch.

Miko is of the mind that no one should have to eat their lunch in a bathroom stall, so invites Yulia to join her and Hana outside. Yet when she spots their teacher once again walking down the halls, Miko’s eyes suddenly fill with tears, concerning both Hana and Yulia.

The bulk of the remainder of the episode consists of a test of courage in the form of a haunted house set up by the local donut concern; if customers can brave the house and get their card stamped, they’ll receive 20 free donuts. Hana is an incurable scaredy-cat, but Miko simply loves the opportunity to be able to react to scary things by screaming. The fact that she smiles as she screams is particularly disturbing to Yulia!

Miko ends up seeing a real ghoul among all of the haunted house monsters, but she’s still able to react because the ghoul can’t be sure who she’s reacting to: the genuine article, or the artifice of the haunted house. When all’s said and done the three friends end up going through the ringer but coming out of it closer than ever…not to mention 20 donuts richer!

Mieruko-chan – 08 – Let Sleeping Moths Lie

While shopping with Kyousuke for a birthday gift for their mom, Miko comes across a very cute dress and decides to try it on, since she and her mom are pretty much the same size. Unfortunately, a ghoulish store rep who says “It looks great on you!” kinda ruins the mood…not to mention Miko wears the dress out of the store, basically nixing it as a gift for mom.

While she and Kyousuke find another gift, the trip home is less than stress-free, thanks to a spectral axe murderer walking down the subway car, swinging its axe right into peoples’ heads. Miko has every right to be scared about what the axe might do to someone like her who can see them.

Thankfully, the axe only hurts other ghouls, and goes right through her head without incident. We don’t see Miko and Kyousuke giving their mom the gift of couple mugs. Rather, we watch as their mom makes two cups of tea with them: one for her, and one for her dearly departed husband.

The balance between creepy/gross/spooky/sinister ghosts and benevolent ones continues when Miko and Hana see off their pregnant homeroom teacher, learning that the child she’s carrying is her second try. This explains the odd white specter that’s so interested in the teacher’s belly: it’s the ghost of her dead child.

This was one of the best and most powerful segments of Mieruko-chan to date, because it once again subverts expectations. At first I thought the ghost was a threat like Miko did. But when we see how it interacts with his mother’s hand, it’s as if we and Miko can see the healing love emanate from her. I was well and truly choked up.

Contrast that with just regular choking due to one of the grosser ghouls Miko has come across. With a dozen slithery three-nostriled tusks leaking snot and some unsettling googly eyes, this particular specimen is not the first ghost Miko decides to face “head-on”. Perhaps she’ll face a less gross one later. For now, Miko joins Senpai’s Futaba as a Fall 2021 character who is partial to canned oshiruko.

The final segment brings back two very different cat people. First, Miko and Hana’s substitute homeroom teacher is Toono Zen, the guy Miko wouldn’t let adopt the stray kitten. Between those nasty demonic cats surrounding him and his blood red eyes, I wonder if he has “the sight” like Miko and Yulia, and knows that Miko can see too?

Whatever his deal, homeroom is not going to be pleasant for Miko for the foreseeable future. As for the tough yakuza-looking guy, he takes his time finding just the right cat food and cake to celebrate his late wife’s life, their anniversary, and the lives of their two beautiful white cats, who continue to watch over his new fuzzy companion as benevolent spirits. Mieruko-chan continues to spook me out and melt my heart.

Rating: 4/5 Stars

Mieruko-chan – 07 – Tunnel Visions (of Horror)

Things are only getting spookier for Miko, and it’s largely Hana’s fault! When Hana’s photo gets a lot of likes on Instagram (666, to be exact) she believes it’s her calling to be a photographer, and buys a Polaroid to take more. Yulia, waiting for an opening to exact her revenge on Miko for humiliating her/choking her out, eggs Hana on by suggesting a bus trip to the mountains for some prime photo spots.

Yulia’s motivations aside, this is the first time in a long time, maybe ever, she’s gone on a trip with friends. That said, she sticks to her mission, getting Hana to enter a tunnel known to be haunted so Miko will have no choice but to admit she also sees ghosts, and deal with them. Of course, at first it’s normal stuff that gets Hana spooked: the darkness and a sudden drop of water falling on the back of her neck.

When Miko trips in the dark, then dusts off her hands, Yulia believes her rival is setting up some kind of supernatural barrier. Because of the discrepancy between the types of ghosts Yulia and Miko can see, Miko’s gestures seem to coincide with the ghosts Yulia can see shriveling up and vanishing, as if Miko exorcised them. But Yulia can’t bigger and much more horrifying monster that is devouring the ones she can see.

Yulia makes things worse by trying to get Miko to admit she can see the ghosts too, totally unaware the biggest and baddest instantly reacts to the sensation that the humans can see them. Miko has been operating under the assumption that this is, as Egon once said, “very bad”. The monster prepares to swoop down on the three girls, but is stopped and defeated by the shrine spirits, who once again protect Miko.

Hana takes Miko and Yulia’s defeated, exhausted expressions on the ride home as shared disappointment in not getting to the end of the tunnel to the photo spot. So she gathers the two close for a selfie. That ends up making Yulia’s day, as it’s established her belief in ghosts cause other classmates to ostracize her, but she’s finally found new friends.

As for Miko, she’s just trying not to overthink why some spirits protect her while others want to kill her, Hana, and now Yulia, or what one of the ones protecting her meant by “three times”. But as the preview says, things are going to get spookier before they become less spooky, so Miko will likely need all the spectral allies she can get!

Rating: 4/5 Stars

Mieruko-chan – 06 – Aw, No…Hana!

While there’s equal or greater Miko at either end, the middle of this episode is All Hana, All The Time, starting with her waking up to find her clock stopped, eating a giant stack of pancakes for breakfast, and lights flickering and going out around her. This is because one of the bigger and more grotesque ghouls to appear in Mieruko-chan is following Hana around, even using her dazzling aura as a kind of grill to sear smaller ghouls to snack on!

I love that as sinister and deadly as this monster looks, the only thing we know for sure is that he loves barbecue…that could be the only reason he’s haunting Hana! For while he gets awfully close to Hana and messes with lights and clocks around her, he doesn’t seem capable of actually hurting Hana, even when she braves a haunted abandoned building to retrieve a crying boy’s dog.

Once both boy and dog are happily home, Hana swears she’ll never put herself through something that terrifying again. And Hana didn’t actually see any ghosts! Like most people, she was simply scared of the unknown in the darkness. It’s probably for the best she can’t see what’s actually there, like Miko.

This proves especially true when Miko takes Hana to a shrine with an ulterior motive: pray to the local deity to do something about the monster still haunting Hana’s steps. While Hana soaks in the Ghibli vibes (even humming a bit of a tune from Nausicaa), Miko watches all paranormal hell break loose…or is it heaven?

Why not both? The black shadowy monster seemingly bests the two golden fox deities, only to be destroyed by what seems to be their big, big brother.

After the shadow monster is pulverized, the golden monsters converse in a strange language neither we nor Miko understand, then the larger of the three does…something to Miko while saying the one thing we do understand: “Three times,” then vanishing with a gust of wind.

Did this deity protect Miko from three future hauntings? Both we and Miko will have to wait to find out what, if anything, these deities did. All the while, Hana grabbed some sweet Insta pics that don’t even need filters!

Mieruko-chan – 05 – Of Moms and Manjuu

Mieruko-chan sticks to two main stories, one in which Niguredou Yuria is finally introduced as a third character who can see ghosts and ghouls—more clearly than the old fortune-teller but less clearly than Miko. As we’ve seen on the margins of past episodes, she’s been watching Miko, convinced she can see what she sees.

The thing is, Mieruko is still committed to not disclosing that she can see them, especially when a much larger and spookier ghoul is in the gym storage room that Yuria can’t even see. Her solution for not discussing it is to use a signature submission move of her favorite wrestler, Badger: a serpent drop. It’s not surprising Yuria thinks Miko is threatening her in the nurse’s office later, but it’s just a bit of miscommunication.

Meanwhile, Miko is now seeing so much that others can’t that sometimes she can’t tell ghouls from humans, as she mistakes a tiny, ancient, but very much still alive granny on some steps. She carries the lady to her house, where her daughter proceeds to thank her by going in the house to grab some manjuu. That’s when a creepy business suit-wearing ghoul approaches Miko and she just wants to leave.

The thing is, the ghoul keeps repeating the same four-digit number, which Miko finally types into her smartphone and shows the old lady. Suddenly, like a switch flipped, the granny, whose daughter said had serious dementia, is lucid again. She uses the code to open her safe, use the comb within her departed husband gave her to put her hair up, and prepares to make some pork miso soup.

The granny invites Miko to join them, but seeing what amounts to a mother-daughter reunion (with the ghoul of the father thanking Miko before shambling off), Miko is eager to get home to her family. She makes sure to text her mom she’s on the way home, and when her mom sends a goofy sticker back, Miko can’t help but smile.

Once again, in a very real and meaningful way, Miko’s ability has allowed her to help improve the lives of others. Even if it wasn’t entirely intentional, she helped that lady home and typed that code into her phone. Yuria may want to be a spiritualist, but Miko seems to already be a kind of saint—an individual performing unexplainable deeds for the betterment of others.

Rating: 4/5 Stars

Mieruko-chan – 04 – Chestnut Pudding

First of all, a ghost haunting the konbini Miko frequents adding three percent tax to the items the living cashier is ringing up, and Miko’s dry observation of it, got a huge laugh out of me. I just loved the creepy, absurd, yet mundane nature of it.

You’d think Miko would want to watch something, anything other than paranormal TV shows, but either she’s being a good big sis by watching with her little brother Kyousuke, or she genuinely likes ghost stories…she just doesn’t like being able to see said ghosts.

Something spooks Miko into going to the nearest vending machine, where she finds tiny little spirits when she drops her 500-yen coin. Oddly charmed by these bitty, seemingly harmless little guys, she follows one as he skitters away, only to end up in an alley with a giant ghost who eats the little ones like a snack. When she tries and fails to pick up the coin, a crow bails her out by stealing it.

Mieruko-chan once again proves its horror movie bona fides by giving us the classic situation of being visited by a ghost in one’s most vulnerable state: while naked in the bath. This is apparently the first time it’s happening to Miko, and she’s genuinely voicing her limits. She thought she could rely on the bathroom for solace, but now that’s no longer true.

This time her savior is Kyousuke. Worried she’s dating some dude (she’s not) wants to get in the bath with her, and she enthusiastically offers to wash his back. If he’s in there with her, the ghost isn’t as scary.

Every morning, Miko tells us she makes a wish to no longer “see them”, but that wish is seemingly ignored day after day, as she’s seemingly seeing more ghosts in more places all the time. She’s not even given a moment’s peace to eat breakfast with her family thanks to ghosts swarming the table and breathing on her food.

Throughout the episode, Miko had been all gung-ho about procuring some chestnut pudding. In addition to sounding freakin’ delicious (seriously, I need to find a recipe and make some if I can’t find some at the Japanese grocery store), I figured it was one small way Miko copes with her ghost sightings.

Then the episode throws us a twist by showing that the chestnut pudding has special significance: it’s not for her, but as an offering for her dad…who was dead all along! It’s a hell of a twist that builds on the fact Miko can see more than the ugly invasive ghosts, but ordinary ones too.

The post-credits sequence is a replay of the first segment in which Miko was watching TV with Kyousuke, only this time we see what Miko saw, and why that shampoo commercial freaked her out enough to go out for drinks.

This episode really accentuated the sheer weight of Miko’s ESP, and how it’s adversely affecting her sleep, behavior, and appetite. Could the new character who’ll (finally) be formally introduced next week, be a fellow “seer” who might have some tips for Miko finding some relief? I hope so!

Rating: 4/5 Stars

Mieruko-chan – 03 – A Bus Ride, Don Juan, and Beads

It’s the weekend, and Miko is meeting Hana at a Starbucks ripoff, but she has to take a bus, and the bus is full of ghouls. She comports herself pretty well throughout the ride, only to miss her stop because she’s trying to distract herself from the monsters so much, she forgets to get off at that stop. Fortunately the airheaded Hana did the same thing without an assist from ghosts.

That means Miko arrives at the cafe first. There, she finds a dashing young man waiting for his date, but that doesn’t stop him from hitting on Miko before she arrives. He thinks Miko is staring at her, but she’s staring at a possessive ghost haunting him, while his girlfriend has a half-dozen ghosts haunting her, suggesting these two heartbreakers were made for each other. Miko’s solution for not drawing the ire of the lady-ghoul is to pretend she’s into super macho wrestlers on her phone.

Once Miko and Hana finally meet up, it’s time to buy some prayer beads. Only the first instance in which Miko has to use them, the elastic snaps and the beads go everywhere. Miko knows how much Hana attracts ghouls and wants to protect her, so she takes one for the team and walks through a particularly big and nasty ghoul in a yellow jumpsuit, so Hana doesn’t have to.

Seeking stronger beads leads Miko to a fortune teller whom we learn is just a petty scammer since we can hear her inner monologue. However, she can not only tell that Miko is haunted by ghouls, but that Hana has a dazzling aura that’s like frikkin’ catnip for ghouls. So the lady decides to give Miko a set of beads with what seems to be legit ghoul-repelling power…only for those beads to break too.

Ultimately, Miko decides to give up on prayer beads, as they seem to welcome more ghoulish attention. As for the fortune teller? She closes up shop and turns a leaf, accepting her kids’ invitation to move in with them. Little does Miko know the change she instilled…

Mieruko-chan – 02 – Wrong Line

This week’s Mieruko-chan starts with Miko and Hana changing. Hana overhears other girls talking about a TV show featuring a severed head, and is scared there might be a head in her locker. Miko checks, and it looks clear…until she looks up at the top shelf, where there’s a severed ghost head only she can see. It’s all she can do not to react to it.

In the next segment Miko has to watch in horror as her airheaded friend Hana is slowly enveloped by pervy ghost limbs she can neither see nor feel. They don’t seem to be hurting Hana, but Miko still tries to get them off of her, even going so far as to douse Hana’s blouse in hand sanitizer. Ultimately, the ghoul shifts to their buxom teacher, spurning the slighter-chested Miko.

The next segment is a quick one involving a long line for half-off donuts. Miko, distracted by the menu on her phone, steps into what she thinks is the right line, but it’s actually a line of dead people waiting to get devoured by a larger ghoul. Hana grabs her and puts her in the right line. Miko is eternally grateful.

In the most heartwarming segment of the series yet, Miko and Hana find an abandoned kitten in a box on the street, but both live where pets aren’t allowed, so they put an announcement on social media. The handsome young man who responds is rejected by Miko, since he’s surrounded by what look like evil cat spirits and God knows what else.

Rather, it’s the huge, super-scary looking yakuza who gets the kitten. He may look scarier than the handsome guy to Hana, but Miko can see good cat spirits on the yakuza’s shoulders. After the credits they’re joined by the spirit of his dearly departed loved one.

Mieruko-chan – 01 (First Impressions) – I Don’t See Dead People

Mieruko-chan’s premiere featured, by my count, twenty shots of fanservice: two busts, two butts, and twelve legs/thighs. I won’t say they didn’t distract me, but not in a necessarily bad way. This is a show that is very good at building up tension and then releasing it, and in creating patterns that lull us into a sense of security. Those shots are part of that.

The premise is wonderfully, beautifully simple: Yotsuya Miko can see ghosts and ghouls, but tries to act like she can’t. She doesn’t do this out of genuine indifference; she is actually very afraid of them, just as I’m sure I would be. She’s just worried that letting them know she can see them will only make things worse. It probably would!

Throughout the episode, Miko goes through things no one wants to go through, and reacts the way you’d expect someone to react. This makes her very relatable, as well as someone to admire. I can only hope I wouldn’t just scream my goddamn lungs out if one of these creepy ghouls suddenly crept into my vision or invaded my personal space.

Other than ghosts, Miko’s life consists of her busty best friend Miko, a third girl who is aloof this week but looks to become another friend, and her little brother. But mostly ghosts. Studio Passione takes a simple premise and really goes out with the execution, featuring suitably creepy ghosts designs that are thankfully CGI-minimal, crisp, clean character designs, and if the fanservice is frequent and in-your-face, at least it’s competently done. Overall a good, spooky start, just in time for October!

Rating: 4/5 Stars

Otherside Picnic – 09 – Grease Monkey

While on the train to Kozakura’s Toriko notices Sorawo’s hair has gotten longer since they met, and how she thinks it’s cute. Sorawo’s obviously chuffed, but seeing “Karateka” at Kozakura’s takes the wind out of her sails somewhat, while that farm equipment just sits outside the front door.

Akari has another case for Sorawo and Toriko, and it involves Sannuki Kano, another urban legend popular online with which Sorawo is already familiar. This time Akari isn’t the one afflicted, but her good friend Ichikawa Natsumi, a mechanic at a garage. Natsumi initially mistakes Toriko for Sorawo, then acts…odd upon learning she’s the black-haired one.

It’s also clear she and Akari are super close; one could say they have eyes only for one other. But Natsumi failed to follow the instructions the monkey stipulated regarding Sannuki Kano, and many a mishap has occured since, from an old woman hanging herself in her yard to both her parents being hospitalized.

Sorawo inspects the vicinity and they find a cremation urn full of teeth buried near the tree where the lady hung herself. They also find Natsumi’s family Shinto altar buried on the grounds. While searching with Sorawo, Natsumi admits that in the brief times she saw Akari’s tutor Uruma Satsuki, she had a very creep aura, as if she was about to take Akari far away from her.

Natsumi also worried when she heard about Sorawo and assumed it was Toriko that she wouldn’t have been able to compete with a “babe like that”, and was relieved to learn it was the…plainer? Sorawo. Just then, Sannuki Kano appears in spectral form and immediately claims one of Natsumi’s teeth, ripping it out with telekinesis.

Sorawo inspects Sannuki with her eye as Akari adopts a karate stance, and Sannuki pulls one of Akari’s teeth out, calling her “Karateka”, which is odd because that’s Sorawo’s nickname for her. Sorawo orders Toriko to put her gun away, yelling “Stay!”, lest she become the next tooth extraction target.

Sorawo holds eye contact on Akari and tells her not to hold back, as Sannuki is not human like the cat ninjas. She also says “Your karate will work on any monster you face”, which suddenly puts Akari into some kind of trance. Akari tilts her head funny and smirks maniacally, saying she is indeed a badass and rushing Sannuki.

The old lady dodges a couple of strikes, but before long the crazed Akari has her on the ground and is just raining blow after devastating blow. Toriko can sense Sorawo did…something to Akari, and tells her to call it off. When Sorawo calls her name, it’s as if a light switch goes off, and Akari is back to her normal self.

With Sannuki destroyed, Akari and Natsumi hug, both relieved they’re okay, and start to repeatedly say each other’s names like the adorable couple they are. Toriko asks Sorawo if she indeed did something to Akari, but it wasn’t intentional. Then Sorawo decides she’ll grow her hair out, leading Toriko to take her bangs lovingly into her transformed hand.

Back at Kozakura’s, Akari admits something happened to her after Sorawo said “I’ll be watching you.” Akari thanks Sorawo profusely once more, glad that she’s such an expert on urban legends, but Sorawo decides to dispel for everyone present the belief she’s “into” urban legends. What she’s actually into is what she calls real-life horror stories: not unsubstantiated popular rumors but documented incidents with witnesses and/or victims and detailed reports.

For Sorawo, scary stories, strange tales, and unexplainable events of this nature are clues that lead “somewhere beyond our world”, i.e. the Otherside, which is where those stories led her, and where she met Toriko, for whom she cares so dearly.

That’s when Akari makes a parting observation: that with her silky black hair and glasses, she somewhat resembles Uruma Satsuki. It’s something Sorawo never considered, but thinking about it transports her right back to that pond in the Otherside she was lying in when she first met Toriko. Is the reason Toriko and Sorawo haven’t been able to find Satsuki because…Sorawo IS Satsuki??

It’s now been established she can cause ordinary bullets to kill monsters and put someone like Akari into a monster-beating trance. She also can sometimes drink too much and forget what she did the previous night. And Toriko thinks would look cuter with longer hair. Heck, the mystery surrounding how Sorawo first reached the Otherside demands we at least consider the possibility she’s the woman she’s considered a rival—and for whom Toriko has searching—all along. 

Rating: 4/5 Stars

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