Eromanga-sensei – 07

Senju Muramasa doesn’t back down on her intention to crush Masamune, and easily dispatches Elf by having the editor inform her just how many more sales she has (14+ mil vs. 2 mil), forcing a quick Elf retreat. Masamune responds with a challenge to his “senpai”: whoever loses the contest will have to do whatever the victor says.

We knew this was the challenge that was coming, it’s just a matter of what Masamune will write, and whether it will be good enough to beat a platinum powerhouse. He decides he’ll convert his little sister novel to a short story, but short stories aren’t his forte.

Enter Elf, who uses her expertise gained by her own strong sales and puts Masamune through a gauntlet of drafts, until he’s got a “passable”, if not yet good enough, manuscript.

Then the enemy pays him a visit, intentionally wearing a school uniform in order to “make a better impression.” You see, she wants Masamune to surrender, and instead agree to “be hers”, i.e. write novels just for her.

Elf and an on-screen Sagiri are suspicious of her appearance in the midst of the contest, but it would seem Muramasa isn’t trying to sabotage her kohai, just make him pivot to something she sees would benefit both sides. She also doesn’t flinch at Elf’s claim she and Masamune are living together.

She comes in, and after briefly getting distracted by a sudden jolt of inspiration forcing her to stop her conversation in the middle and start writing (and she’s left-handed!), tells Masamune what her dream is: to be able to go beyond writing stories she’s rate 100-out-of-100, and create something even she, not just a fan, could rate 1 million out of 100.

She only writes at all because of Masamune, whose battle novels were the only things that moved her to the bottom of her heart. When he shifted to rom-com with the little-sister proposal, and stopped writing her favorite novel, she became a wreck, and only by writing her own stuff could she keep going.

So Muramasa, certain her dream is more important than Masamune’s, once again pleads with him to become “hers” and write only for her, promising she’ll support him and his sister the rest of their lives if that’s what it takes. But Masamune’s dream isn’t just his own, and Sagiri leaves her room to tell Muramasa as much.

Also, Sagiri won’t accept any scenario in which she gives up Masamune for anyone else. She earlier says he’s not allowed to date other girls ever after seeing Elf’s tweet. This is highly unreasonable behavior, but younger sibling jealousy is nothing new or abnormal. Masamune shows a united front with his sister and declines Muramasa’s author, saying he’ll instead get her hooked on his rom-com.

I mean, that’s great and all, but surely Masamune realizes he can’t keep indulging Sagiri’s possessiveness, right? And that any future romantic partner has to be chosen from among girls he’s not related to by marriage? Just asking for a friend…

Masamune ends up winning the contest, because even though Muramasa got 15 more votes, her short story ran double the allowed length, and she was disqualified. Whether this was intentional on her part, or if she simply wrote the number of pages she had to write and didn’t care what happened afterwards, the story was all about her and Masamune.

Like Masamune’s story about his sister, Muramasa’s is a love letter…to him. So now Muramasa is not just in love with his novels, but with him in general. Masamune doesn’t have a satisfying answer: “there’s [already] someone I love.”

It leads me to wonder if Muramasa’s only purpose on the show was to be defeated twice in short order and retreat as Elf did upon hearing about her sales…or if the battle has just begun. Either way, he harem has become really crowded.

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Eromanga-sensei – 06

When Megumi repeatedly calls LNs “creepy”, Ishikawa Yui breaks out a more Mikasa-esque voice for Tomoe, going at Megumi as if she were trying to hurt her beloved Eren. Masamune avoids blows, but Tomoe enacts her revenge by getting Megumi totally hooked on the books she once so cavalierly looked down upon.

Megumi’s original purpose for checking out some novels was to get closer to Sagiri, and she gets closer than she bargained for, not only being allowed an audience with Muramase’s sister, but serving as a lewd model, bound and blindfolded.

Sagiri is so excited and inspired by her new model, she can’t help but impulsively relieve Megumi if her shimapan, an effective if dated way to blow up her “lewd girl” persona. That being said, Megumi gets what she wants: actual contact with Sagiri, and a promise of continued novel exchange—the foundation of a friendship.

When Masamune’s publisher tells him they won’t be publishing his little sister LN for a year (because the younger, more popular Senju Muramasa snatched his earlier publishing spot), Yamada offers to help him get published. But they’re both early for the meeting, so they have a little date that both know is a date but pretend it isn’t.

Yamada, who is surprisingly not the most irritating girl in the show, and has grown quite a bit as a character in her last few episodes, explains how book sales are like the ultimate game, so it makes sense to always keep score. Despite losing to Senju like Masamune in that department, she dismisses Senju as someone playing a “one-player game” with different rules.

She doesn’t believe Senju would be disappointed in the slightest if Yamada crushed her. Yamada accidentally tells Masamune she loves him, because she knows he would be disappointed, and thus a more worthwhile opponent. She quickly walks back the “I love you”, but the vulnerability and honesty of that moment, along with an earlier scene where she stops when she realizes she’s acting tsundere were nice touches.

The date over, the two mosey to the publisher, and encounter a girl who like Yamada is not dressed in normal modern attire, but traditional Japanese garb. Yamada assumes she’s a rookie when she spots her manuscript and is back to the haughty self she was when she first met Masamune. I guess this is just how she initially interacts with peers in her field? The girl doesn’t give her much in return, but accompanies them to the offices.

There, Masamune’s publisher denies his request to go with another house for his novel, but does suggest an alternative: he’ll enter a short-story competition with four other young authors, and the winner will get published not next year, but in September. Masamune emphatically expresses his intense enthusiasm and signs right up, claiming it’s the first brick of the road to realizing his dreams.

Perhaps a bit too emphatically, as the yukata girl finally speaks up, and not in a docile tone, announcing she’ll be the one to crush his sentimental, shonen-esque little dreams in favor of her own dream. She’s no rookie, after all…she’s Senju Muramasa, and she won’t have Masamune speak her name without the -senpai honorific.

So…Senju is a cutthroat, competitive maniac, eh? Well…I guess that’s probably better than what I expected (someone who is pre-in-love with Masamune / his work despite being more successful than him). In any case, the whole group of girls has now been introduced; we’ll soon see if and how Masamune interacts with the newest and most hostile.

Eromanga-sensei – 05

I wasn’t really serious when I stated last week that Sagiri saying “she’s in love with someone” meant a rejection of Masamune. This week Sagiri barely hides her brocon, and if anything is brassed off that her brother won’t return those feelings, because he doesn’t want to admit he’s a siscon. What both can agree on is that if Masamune is going to write a novel about a little sister, she’s going to illustrate it.

Masamune ends up ignoring Elf’s initial pleas to be rescued by her fastidious editors, so caught up in planning the look of the heroine with Sagiri (the more it looks like her, the better), but Elf manages to finally get his attention with a barrage of arrow fire, and he catches her in a manner she later romanticizes when she finally gets to meet Sagiri, and has fun both playing video games and posing in lewd positions until Masamune gives her up to the editors.

While working on his project proposal, which if approved will get the fast track to publication, Sagiri is eager to show him her completed work using Elf as a model. The illustration inspires Masamune to put an Elf-looking character in the novel, which I thought would really irk Sagiri (since another girl is intruding on her life with her brother and now their art) but she takes it well, and wants to continue inspiring him by drawing different kinds of girls she can only draw if she sees in the flesh.

That would create a problem for Masamune…if he wasn’t surrounded by girls. While I still loathe Megumi, at least her role as the only “otaku outsider” becomes clearer, as she so blithely looks down on the kind of books Masamune and the others create and adore.

The final member of the harem also comes a little more into focus, though she’s only mentioned by name: Senju Muramasa, sharing her name with the legendary student of the legendary swordsmith Masamune; fitting since it’s implied she’s younger. With Elf now a neighbor, friend, and collaborator, Masamune needs another distant rival…at least until that distance suddenly closes, which on this show is pretty likely.

Eromanga-sensei – 04

Whither Yamada Elf goest, so to does Eromanga-sensei (the show, not the artist). Starting out as a caricature of a super-arrogant, condescending brat with delusions of grandeur, Elf’s become a lot more balanced in the last two episodes.

She also reveals that delusions aside she’s a highly capable, multi-talented person, as evidenced by the lovely, tasty-looking meal she lovingly prepares for Masamune. The reason she’s happy to cook is that she gains perspective on how characters in her stories feel when they’re cooking for those they have their eye on.

Sagiri has also picked up on the quickly evolving relationship between Yamada and Masamune (even if he doesn’t see Yamada as a serious love interest), and calls Masamune a liar for saying they don’t get along, when he’s clearly there all the time.

Combined with the result of bringing up the drawing of large-boobed women (Sagiri can’t do it because she doesn’t have them herself), Masamune ends up shut out of her bedroom once more, though the core of her disappointment is his refusal to come clean about the neighbor.

The day the two authors are to reveal their stories to one another, Masamune arrives at Elf’s house to…no welcome whatsoever. I fully expected him to barge in on her working (or doing something else) in the nude, but I was pleasantly surprised when he found her all covered up.

Specifically, she’s in a very practical sweatsuit, with bags under her eyes instead of ringlets beside them, and a very serious look on her face. This is all Masamune needs to realize all her talk about writing light novels being a mere “hobby” is a bunch of codswallop.

More evidence is presented when the two read one another’s manuscripts before turning them over to Eromanga-sensei. He’s reliably blown away by her story, a page-turner seemingly perfectly tuned for Eromanga’s stylus, right down to the small-boobed characters in cool outfits. But Elf is also blown away by Masamune’s…just not in the same way he is by hers.

It’s not that her story is in any way worse—on the contrary, it would likely sell many orders of magnitude more copies than his—it’s that this isn’t a competition for the most bankable LN. It’s a competition for Eromanga’s services and after reading Masamune’s manuscript, Elf is so sure she can’t compete, she tosses her manuscript straight into the shredder (much to Masa’s dismay).

Reading it also confirms to her that Eromanga-sensei is his little sister next door, and that’s why she can’t compete: it’s a 300-page love letter, for chrissake. It’s not even meant for any other reader but her, which is why Elf is both outclassed and beet-faced she read it at all.

When Masamune finally gains access to Sagiri’s room—via the window in a frankly needlessly reckless stunt that could have gotten him killed and resulted in ending up in a very lewd position with Sagiri beneath him. There, he learns why she hasn’t opened the door for him in two weeks: she doesn’t hate him, she’s been improving her drawing, both battle scenes and bigger boobs.

Her take on his dalliances next door was that the neighbor was a rival artist trying to take “Izumi-sensei” away from her, while he kept the wager secret because he was worried she’d be seduced by the more famous and successful Elf. With the misunderstanding cleared up and his victory sealed (she’d never leave him for another author), she reads the manuscript.

Like Elf, it’s embarrassing for her to read; doubly so since it’s about her. And while she considers it an interesting story, he’d never be able to release it as a book, because it’s just too personal. She also, not in so many words, rejects the implied confession the manuscript represents (at least, Masamune seems to take it as a rejection).

Masamune is fine with that rejection, but he’s committed to re-working the story into something he can show to his editor, something that will sell and garner a huge audience, and eventually, get awarded his first anime adaptation, putting him on the same level as Elf. Most importantly, his goal is to get Sagiri out of her room so they can watch the first episode of their anime together in the living room.

While I thought this was Masamune going too far and was sure it would put Sagiri off, I am surprised yet again when Sagiri take a couple steps outside her room; the first steps in many to come on their quest to create an anime-worthy book. Let the goal-striving begin.

Fune wo Amu – 09

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Kishibe is a lover of words – but also, apparently, of alcohol, and is a bit of a lightweight. Still, she powers through hangovers to work hard under Majime, and The Great Passage starts its final phases of construction. It’s about this time Kishibe tries, through Nishioka, to understand her chief a little better.

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Nishioka sets her on a little mini treasure hunt that leads her to Majime’s love letter to Kaguya, which Nishioka (somewhat creepily) photocopied and hid in a book in the stacks. Still, it gets the job done: Kishibe sees how carefully (if variably successfully) Majime chooses words from the many many words he knows, and is amused, heartened, and inspired by his efforts to woo his future wife.

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The overwhelmed feeling Kishibe had is replaced by stalwart optimism, which she successfully transfers to the paper guy, Miyamoto, even as Majime rejects paper after paper. But since the editors like Kishibe are working so hard, Miaymoto keeps at it, until he finally gets the right balance of strength and stickiness.

Unfortunately, with The Great Passage set to be launched (i.e. published), Kishibe spots a leak, and all of a sudden Majime wonders in horror what other words may be missing. Will the great ship sink on its maiden voyage, or is this just a problem all of those who dared to make great dictionaries were faced with in the final stages?

This was another *okay* episode, but ever since Majime finally made his feelings known to Kaguya, the show has frankly felt a bit sedate (well, more sedate than usual). The time jump of many years still seems like an awkward move, as the characters look pretty much the same.

As for characters continuing to wax philosophical about the power of dictionaries and words, well…everything’s pretty much been said already, so it’s getting rather repetitive.

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Fune wo Amu – 06

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Majime barely seems to sleep through a night when he’s waiting for Kaguya to reply to his letter, but early in the morning when they finally meet in the hall, he runs away, scared of rejection. If she has bad news for him, he doesn’t want to hear it.

For Nishioka, the time to announce his impending departure from the department comes at an awkward time, but his hand is forced when the elders take stock of the group’s difficulties but looks to the first modern Japanese dictionary, the Genkai, for inspiration, knowing the five of them can do it. Nishioka makes sure they understand it’s four, not five now.

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When Majime hears of this, and of all the extra work not suited for him he may have to take on in Nishioka’s absence, he has a little bit of a freakout, as the pleasant dusk turns dark and foreboding, waves lap at his feet, then solidify into a thick mud into which he slowly descends. All of a sudden he’s become overwhelmed with doubt in both love and life.

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That night, at the boarding house, he goes into the library, a lovely cozy space positively packed with books, to both calm and steel himself. He finds the house copy of the Genkai, and finds an archaic word for chef (translated as “kitchener”).

He realizes a dictionary’s value, like the words within it, change with time. The Genkai is now a repository of Japanese linguistic history. He re-asserts his determination to complete The Great Passage, come hell or high mud.

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He also gains the confidence to ask Kaguya, who has just come home, for an answer to his love letter. Kaguya is caught off guard by his use of that term, and runs up to her room.

Majime is almost certain this means rejection, but it’s the opposite: she merely wanted to read it again, certain that it was a love letter (she wasn’t sure before). In truth, she has feelings for him too.

I loved the subtlety of her motions and the quietness and warmth of this scene. We’ll see how the happy couple proceeds from here.

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Fune wo Amu – 05

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Majime decides to take the next step with Kaguya the best way he knows how: with words. Lots of them. He asks Nishioka to look the thick missive over, and Nishioka is initially weary of the stiffness of its contents. Of course, Nishioka is also waiting for the other shoe to drop on the mischief he’s perpetrated on behalf of the Dictionary Editorial department and The Great Passage.

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His punishment turns out to be a transfer to the PR department (where he originally wanted to go when he started out) and the adding of a starter dictionary revision to the department’s already formidable workload. He lets the others know about the latter price, but holds off on telling them he’ll be leaving them in the Spring. Better to let them work, and get excited about their sample pages.

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After a long day of reassuring professors (and possibly some drinking as well), Nishioka returns home to his girlfriend Miyoshi, who works in the PR department he’s transferring to, and who made a rare phone call to him in the middle of the day to check up on him, reinforcing her role as Nishioka’s rock. No matter what becomes of him at the company, it feels like he’ll be okay as long as he has her. And she seems heartened by his determination to do everything he can for his colleagues before he has to go.

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As for Majime’s love letter, Nishioka actually seems to get pretty absorbed in it—that is, the parts that he can understand; there’s some Chinese poetry in there. He gives it the okay, so Majime waits by the boarding house’s genkan for Kaguya to come home from work, then delivers the document containing all his feelings to her personally. We’ll see where this goes.

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HaruChika – 01 (First Impressions)

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After a cold open that shows how far the characters we haven’t met yet have come, we start back at the beginning with Homura Chika‘s first day at Shimizu High, wanting to re-invent herself into a refined, maidenly “cute girl” by taking up the flute, complete with pink case.

Immediately she starts to run into a few problems, like her “uncouth” sneezing, and the fact the volleyball team is stalking her, hoping to recruit her. But she’s been down that road, and wants to spend her youth another way. She also has crazy colorful eyes.

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Her third and perhaps most problematic roadblock to her reinvention (besides the fact she isn’t really the person she’s trying to be) is her unexpected reunion with her former neighbor and childhood friend, Kamijou Haruta.

On first glance, Chika describes Haruta in very feminine terms (an early clue to the show’s romantic structure), but more importantly, knows exactly who she really is and is quick to note how little she’s changed since nine years ago, when she used to put pro-wrestling moves on him, eat his snacks, etc.

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Chika is a true beginning flutist in the scant five-member (including her) brass band, but everyone sees…something in her and welcome her. They’re also dealing with a minor mystery: a message written in musical notation on the chalkboard with red paint.

Haruta, perhaps taking belated revenge for all of Chika’s past terrorizing, seems to lord his superior musical and historical knowledge and detective skills over her, as well as admonish her for failing to carefully mind her surroundings. What we have here are two very different people who know each other very well and feel comfortable around one another, even after all this time.

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That brings us to the ending twist: despite the title, Haruta and Chika may not be the central romantic item in this show; rather, they’re only two parts of a love triangle, with both Haruta and Chika liking Kusakabe Shinjirou, the brass band’s conductor.

Gay main characters in anime are very rare indeed, but I’m very bit as intrigued as my shippier half is disappointed by this change of romantic perspective. To its credit the show doesn’t waste any time revealing this twist, insinuating that holding one’s breath for Haru X Chika all season probably won’t be a profitable enterprise.

All in all, a solid first episode. I’m less enthused with Kusakabe and the gimmicky twins, and the first mystery, while novel from a technical standpoint, was a bit dull, but Chika is a very fun and vibrant female lead, and Haru is an excellent foil. A “Fine”, then, sounds about right.

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Chuunibyou demo Koi ga Shitai! – 06

Yuuta laments that it’s July and Rikka still hasn’t spoken to anyone who isn’t in their club, but his attention moves elsewhere when Isshiki reports to him with an anonymous love letter and a plea for help. They take their conversation to the clubroom, where Isshiki sees things Shinka warns him never to disclose to anyone, or else. Isshiki leaves his notebook with the cutie poll at the train station, and it ends up in Shinka’s hands. Isshiki fesses up and takes full responsibility, and Yuuta shaves his head. As his family considers moving to Jakarta where his dad works, Yuuta is visited by Touka, asking him to spend summer vacation with her and Rikka.

This episode focused primarily on the “Token Annoying Male Classmate” AKA Makoto Isshiki. Were we given the choice, we would probably decline most of one twelfth of a series be dedicated thus. While it contained quite a bit of him yelling, it wasn’t that bad. But we can’t stress enough: we don’t watch this series for Isshiki, nor is the series about him. He doesn’t even struggle with Chuunibyou. He’s just an ordinary, horny, dull guy. The entertainment in this episode, then, is how the rest of the cast – the cast we’re invested in – react to his continued presence in the episode. The results are what make this episode, as previously stated not that bad.

Isshiki sees the other side of Shinka, watching her ongoing feud with Dekomori. For much of the episode, we thought Shinka wrote the love letter, but it made less sense as things progressed. Kumin and Rikka’s obsession with his shiny, Buddha-like chrome-dome is pretty amusing. And Instead of meeting a potential girlfriend under the Gingko tree, Isshiki is mobbed by his fellow male classmates, who all appreciate him covering for them in Cutiepollgate. But our favorite scene had nothing to do with Isshiki. It was Rikka taking Yuuta’s hand and holding it as a train passed. For a brief moment, Yuuta was thrust into the world of magic he had abjured, and found it…seductive. It should be an interesting summer.


Rating: 7 (Very Good)